483:"Stars" depicts the stories of three different characters, each at different points in time. Though different, each boy is fascinated by and identifies with the stars and uses them as an escape from their father issues. The first part introduces the reader to Nimki, a fourteen-year-old indigenous boy from an unknown tribe on Turtle Island well before European colonization. He is one of the best trackers in his village, even better than his father, which causes friction within the family, though his poor eyesight keeps him from being a successful hunter. Though Nimki contemplates his tribe's way of life, he cannot keep his mind away from the stars above him. Unaware of what they are, he believes that if he wishes or thinks hard enough, he hopes he may float up and disappear among them. He wonders if those among their own campfires might be looking down on his own. The second part of the story describes a scene in which Walter, a Native boy living on a reservation, is leaving his house after yet another scolding from his alcoholic father. Walter is studying astronomy in his science class, which he enjoys, as it provides a distraction from his home life. His last class discussed
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diplomats. The story ends as the trio hitch a ride to the Kaaw Wiyaa's planet in the spaceship's impossibly large cabin. The aliens compliment the humans on their ability to meta-communicate, citing this neurological advancement as the reason they approached Earth. The trio begin to regret their decision, until the extraterrestrials offer them a curious drink they claim will have similar effects to beer. The trio sit back and enjoy the drink as the aliens recreate the look, sound, and smell of Old Man's Point. Finally, Cheemo utters the only line of spoken dialogue by the three men when he observes, “We should have done this years ago.”
519:“Superdisappointed” explores the challenges of being the first Ojibwe superhero. Initially, protagonist Kyle Muncy is excited when he spontaneously develops superpowers, attempting to change the world for the better. But six months later, his life is irrevocably worse. As Kyle “can only come out of so many closets at once,” and is unwilling to both come “out of the superhero closet” and announce his homosexuality to the world, his relationship with his boyfriend Raymond is destroyed. He is burdened by lawsuits, from banks that have been damaged during foiled robberies to sports teams contesting his use of the name
246:. Professor Mark King has a plethora of degrees and works for a research firm called FUTUREVISION. One night as Professor King searches the lab for his car keys—a common occurrence for him—he notices something unusual in the Matrix room. He reads on a computer the phrase “I am.” First believing it to be a prank, King later comes to the realization that his Matrix project has evolved into a responsive Artificial Intelligence. After this realization, Professor King calls his peer Dr. Gayle Chambers to further investigate this miraculous event.
214:. The story then skips ahead seven years to 1998, when Emily is struggling to find better content for her station until Tracey stumbles upon an old anthropological record named “The Calling Song” that they decide to broadcast to their audience. The story then jumps to the year 2018 where they are all huddled around a television watching a news station reporting that extraterrestrial life is heading towards them. The discussion of what is going to happen comes into the picture and they all decide it would either be like
302:), which eventually led Mitchell to the selection of his career. During his state of mourning, Mitchell begins to go through all the videos his grandfather had sent him throughout his space tours. Papa Peter had sent Mitchell videos from Otter Lake, a First Nations reserve; these videos are about controversial topics regarding being both native and an astronaut. In the midst of Mitchell's grieving, Mac tries to relieve the situation by finding an online video of Mitchell's grandfather participating in a
426:, in order to teach him the ways of their people. Duane's grandfather transports him to the island via boat and leaves him there, returning every Sunday to bring him food and cigarettes. During his three weeks on the island, Duane becomes interested in the petroglyphs and says he feels a humming coming from the rocks. The last Sunday Duane leaves the island with his grandfather but has with him an authentic looking Anishinaabe
201:, with a handful of people that work at its first ever radio station, C-RES, which opens in 1991. Part 1, titled “C-Res Is on the Air,” depicts Emily, Aaron, and Tracey on their first days at the station. Within the group, there is a constant debate between broadcasting popular programming, including science fiction and film reviews, and culturally-relevant programming meant to aid in cultural
226:. A year later in 2019, the aliens have invaded the planet and destroyed everything. As the three former radio station employees suffer from radioactive fallout, they realize that the aliens received the broadcast of “The Calling Song” and took it as a message to come to Earth. They thus realize that the Haudenosaunee people were inadvertently responsible for the destruction of the Earth.
543:. Kyle posits that his abilities are really the symptoms of a polluted and exploited “Earth fighting back...the first casualty of a war to come.” The story ends with the defeated Kyle adrift in slumber, social and environmental injustice continuing unabated, with no one to stop them. As his doctor muses, “If you have all the money in the world but no place to spend it, is there a point?”
556:, presumably because of a methane-heavy atmosphere on its home planet. The alien identifies itself as a member of the Kaaw Wiyaa and asks to communicate with the trio's leader. Knowing nobody in a higher position of power, the trio introduce the Kaaw Wiyaa to the Chief of the Otter Lake First Nation. Using diplomatic tactics he learned from his experience at an
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convince him not to commit suicide because it is not a good option to relieve his emotional pain. The omnipresent spirit of Mr. Gizmo humbles the boy by explaining to him that much worse has happened, and his problems, while valid, are nevertheless insignificant in comparison to colonization and the like. By reminding the boy of his identity as a
144:.” He begins by describing his biracial upbringing and heritage. He points out that First Nations people are rarely associated with technology or science fiction, in part because indigenous peoples were often at a technological disadvantage against European colonizers. He references the few examples that he can think of from
503:. His father never notices Eric's absences as he is always too busy contributing his work to maintain the settlement's survival and progress. Eric finds himself in a room where he manipulates code to show him his desired view: Earth. The earth Eric is staring at is 490 years behind the Earth's present day, around the time
471:. Duane says he's cracked the code of the petroglyphs and is able to travel through time by carving new petroglyphs into the rock. His grandfather is skeptical, so a week later Duane's grandfather travels to Thunderbird Island to investigate the petroglyphs where he finds Duane lying on the ground, dying of
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deems the book an entertaining collection of "mash-ups" whose "tone is mostly comic, playing off of incongruities." Robert J. Wiersema states in his review that “Taylor’s ability to inject humour into even a post-apocalyptic setting is admirable,” and he notes the contrast between humor with the dark
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and the issue of destroying what could be generations of heritage, Mr. Gizmo makes him feel guilty and selfish for the potential repercussions of his suicide. The robot ultimately convinces the boy that things will get better for him. After this insightful conversation, the boy decides not to end his
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festival. He reconnects to his roots and his grandfather’s spirit as he listens to the indigenous music by feeling the drum beat and humming along. Mac’s small act of kindness leads
Mitchell to gain a new-found appreciation for his presence. Mitchell feels responsible to moving forward in his life in
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In addition to the science fiction tropes, these stories also examine social issues faced by indigenous people. These include the rediscovery of cultural heritage; the geographic and social isolation of aboriginal people on reserves; suicide rates, especially among Native youth; depression; housing
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The unnamed boy is initially reluctant to engage with the talking toy and questions the reality of the situation. Mr. Gizmo explains that he and all other inanimate objects consist of spirit incarnations that have been around for all of time, constantly observing indigenous people. The toy tries to
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Part 2, titled “Old Men and Old
Sayings,” tells us of an elderly man that is watching the news and listening to the radio about a spaceship coming to earth. He knows that he and everyone will die, but the people around him are excited. He finds a book on his night stand and flips to a page where he
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Three old Ojibwe friends, Teddy, Tarzan, and Cheemo (meaning “big shit”) have spent so much time together that they are able to communicate without speaking. The trio are drinking beer at Otter Lake
Reserve, when a spacecraft with mysterious dimensions and blinking lights descends from the sky. An
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The next morning, his grandfather goes to the petroglyphs on
Thunderbird Island to see what Duane's talking about and there he finds Aunt Maggie's boat and two new rock carvings but no Duane, so he returns home. That evening, Duane arrives at his grandfather's home but looks like he's been lost in
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he says he found on the island. His grandfather presses him on where specifically he found it but Duane says he doesn't know “yet.” A few days later his grandfather visits Duane at home where he lives with his Aunt Maggie, Duane's father's sister. Duane has been doing online research and tells his
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named Mac, short for “machine.” Mac is aboard this tour in order to accompany
Mitchell and keep him sane; however, his company is a burden because for Mitchell, “true space exploration consists largely of boredom.” In the midst of Mitchell seeking a way to occupy his downtime, Mac interrupts with
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collection that blends First
Nations and science-fiction literature. The majority of critical responses agree that while the science fiction aspect of the stories is entertaining and arouses the readers’ imagination, the character-driven plots are meaningful contributions about the First Nations
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and contemplates using it to commit suicide in his bedroom while the boy's widowed grandfather is passed out drunk in another room. Before cocking the gun, the boy takes in his situation and the lack of family surrounding him. He recalls his
Aboriginal father's suspicious death in prison and his
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draws on a variety of classic fiction tropes and themes to comment on contemporary life among indigenous people in Canada. These tropes include political conspiracies; the first contact between societies and peoples; alien invasion; time and space travel; superhuman powers and abilities; and
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or
Stonehenge had also been constructed by aliens. Instead, the Chief wishes the aliens could clean the reserve's drinking water but, assuming they could not navigate the governmental restrictions, settles on relieving the reservation of the trio by sending them to the Kaaw Wiyaa's planet as
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After receiving approval from their superiors, Professor King and Dr. Chambers move forward in feeding the AI information, with
Chambers serving as the lead communicator. With more information, it becomes increasingly concerned with its own existence and the concept of whether it has a
511:. Eric looks at Earth and wonders if somewhere there was a young man, like him, looking up to the sky. The stars in the night sky bring the three stories together by giving each boy hope that someone out there is wondering about him and holding the same astronomical curiosities.
401:, went missing. He is interrupted by a voice coming from an inanimate object, his old toy robot named Mr. Gizmo. The formerly silent toy has been collecting dust on a shelf since his childhood and has since been long forgotten, which he mentions when they first begin talking.
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from First
Nations culture. (To the Ojibwe, whose five clans are each represented by animals, the Thunderbird would have represented a sixth clan, but the great being meant to found it was so powerful that it killed its people instead.) All of this leaves Kyle
266:, and it requests more information on First Nations people. Dr. Chambers is hesitant at first, but gives in and continues to feed the AI the information with the intention to return to it in the morning. This leads to the AI finding out about colonization and
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magazine, he writes about how “the tropes are well worn at this point in science fiction’s evolution,” though he notes that Taylor reinvigorates these tropes and that the chief strength of the collection is to make non-Native readers uncomfortable.
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475:. His grandfather says to the funeral crowd he doesn't know if Duane was telling the truth but he knows that Duane is the first North American to die of the diseases since the 1930s so it is possible he really did travel through time.
54:, explains in the acknowledgments section of the book that the origin of the project lies in several failed attempts "to compile an anthology of Native sci-fi from Canada’s best First Nations writers." The stories explore contemporary
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The last part of the story is set on Kepler-186f, where the reader becomes acquainted with Eric. Unable to sleep, he decides to walk the compounds of Plymroc, their twenty-two-year-old settlement, named for its symbolism of Earth's
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movement. Having learned of this, she realizes how prevalent dreamcatchers are in her community. The story concludes with Pamela shutting down the call with the agent and using Sally's voice recorder to expose the government's
1024:"Fiction Book Review: Take Us to Your Chief and Other Stories by Drew Hayden Taylor. Douglas & McIntyre (Partners Publishers Group, U.S. dist.; UTP, Canadian dist.), $ 18.95 trade paper (160p) ISBN 978-1-77162-131-1"
826:"Fiction Book Review: Take Us to Your Chief and Other Stories by Drew Hayden Taylor. Douglas & McIntyre (Partners Publishers Group, U.S. dist.; UTP, Canadian dist.), $ 18.95 trade paper (160p) ISBN 978-1-77162-131-1"
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and told that she must be relocated because the knowledge she now possesses must never be released to the public. She quickly flees the area to a cabin at Otter Lake, owned by a family member, to lie low for a few days.
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efforts. One night, Aaron is late to work but once he shows up he can't stop talking about radio transmissions broadcasting into deep space, an event that has been occurring since the initial discovery of the
185:. Since sci-fi is a world of endless opportunities, he intends that these short stories help people explore science fiction through Native peoples’ minds, something that needs to be explored more thoroughly.
270:. Upon her arrival the next day, Chambers discovers that the code for the AI has been completely wiped from the hard drive and a single message is left on the screen—"I was”—that signifies the AI's suicide.
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argues that “science fiction, even when it is playing out the end of the world, is still intended to entertain, and Taylor leads with that, letting the seriousness of his themes arise unexpectedly.”
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Kyle's white doctor reluctantly reveals that the causes of Kyle's superpowers are most likely due to his poisonous living conditions, common to First Nation reserves: unclean water on the reserve,
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380:. The plan is that when this connection loses power or is disconnected by the approaching agents, it will automatically disseminate all the information on Project Nightlight to the public.
418:“Petropaths” is the eulogy of Duane Crow written by his grandfather. Duane never graduated high school and has been in and out of jail for the past seven years since his mother died, so a
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258:. Despite this behavior, Chambers decides to feed the AI information about the culture and history of the human race. Upon receiving this information, the AI becomes obsessed with
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After receiving the news Mitchell begins to reminisce on all of the things Papa Peter had taught him throughout his life. He constantly posed questions concerning the world above
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messages of the stories allows readers to appreciate the messages and get through the collection without being turned away, although some of the stories do "lack subtlety."
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351:, which forces her to fight back and flee once again. Pamela then runs to her friend and coworker Sally's house for shelter. To Pamela's dismay, they have already
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Sally before Pamela's arrival. The nameless agent then calls once more, but this time informs Pamela of the purpose of Project Nightlight: it is a sort of
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ambiguously shaped extraterrestrial emerges from the ship. Its body temperature runs hot, it leaves a trail of slime as it moves, and it smells of
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plan. Pamela then hooks up her message along with the files contained on the aforementioned flash drive to Sally's fail-safe connection to the
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To begin negotiations, the Kaaw Wiyaa offer to build monuments reminiscent of ancient world wonders, suggesting that structures such as the
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254:. After several days of conversation with the AI, Chambers and King begin to feel uneasy about the AI's responses, which show signs of
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containing highly classified files. As she reads the files, she keeps seeing the term “Project Nightlight,” and out of curiosity, she
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388:“Mr. Gizmo” begins with a teenage boy on the day of his grandmother's funeral in a Canadian First Nations community located on
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323:"Dreams of Doom" is narrated by an Ojibway reporter named Pamela Wanishin who works for an aboriginal newspaper called the
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news about his grandfather, Papa Peter, passing away. Papa Peter was Mitchell's only real tie to his indigenous identity.
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77:. Many reviews of the books have noted Taylor's use of humor to examine dark subject matter, such as the heritage of
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234:” (23). He closes the book and Taylor concludes the story by writing, “he hated it when white people were right."
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sends him to Thunderbird Island, a fictional island on Otter Lake in Ontario, Canada that contains dozens of
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underlined a sentence a long time ago about the European colonization of the Americas. That sentence reads “
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but Duane says there's a pattern to these sites and the petroglyphs on Thunderbird Island are part of it.
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anthropomorphism. In general, the stories draw parallels to science fiction and world history, such as
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804:. Madeira Par, British Columbia, Vancouver, Canada: Douglas & McIntyre. p. 147.
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astrosurveyor who is aboard a space shuttle on a two-year tour collecting rocks from an
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He also elaborates on his fascination with the world of sci-fi, which first started in
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all form a sacred geometric pattern across the globe. His grandfather warns him about
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722:"Indigenous Reads: Drew Hayden Taylor blends science fiction with Indigenous story"
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paralleling the first contact and later colonization by Europeans of the Americas.
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states that “the collection is probably too retro to appeal to serious fans of
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experiences during the first contact with Europeans hundreds of years before.
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777:"Drew Hayden Taylor writes Indigenous sci-fi he craved as a kid | CBC Radio"
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lacks in originality, it makes up for in perspective.” Nora Dector from the
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Native people. This plan was implemented after the two real-life of Oka and
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experiment. He tells Pamela how they had created dreamcatchers as a way of
158:,” in which First Nations people are portrayed as stereotypical Indians in
242:“I Am...Am I” chronicles the accidental creation and unexpected ending of
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1048:"Review of Drew Hayden Taylor's Take Us to Your Chief - Amazing Stories"
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81:, First Nations suicide rates, or the water quality crisis on Canadian
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Some reviewers of this compilation have criticized its clichéd use of
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the wilderness for a week. His grandfather plans to scold him for his
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life and returns the gun before his grandfather notices it was taken.
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it. Once she Googles this, she is contacted by a nameless agent from
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951:"Review: New books from Sky Gilbert, Drew Hayden Taylor and others"
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1073:"Aboriginal Sci-Fi: Take Us To Your Chief by Drew Hayden Taylor"
874:"Aboriginal Sci-Fi: Take Us To Your Chief by Drew Hayden Taylor"
495:. Walter wonders if there are other boys like him out in space.
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975:"Happy marriage: Science fiction meets Native myth | The Star"
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Eventually, the government organization tracks her down using
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and water crises; environmental destruction; the violence of
278:"Lost in Space" is told from the perspective of Mitchell, an
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those who cannot remember the past are condemned to repeat it
1122:"Leacock longlist for Curve Lake author Drew Hayden Taylor"
327:. One day she receives a mysterious package with a broken
748:"Drew Hayden Taylor Gastpoet an der Universität Augsburg"
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and how it is more important than the land they live on (
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Books by writers from peoples indigenous to the Americas
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social issues through employing a number of 1950s-era
600:; the heritage of the residential school system; and
193:“A Culturally Inappropriate Armageddon” is set on a
392:. After the funeral, he steals his grandfather's
693:"Take Us to Your Chief - Douglas & McIntyre"
38:by Canadian author, playwright, and journalist
140:and invites readers into, in his term, a “new
8:
621:people and their struggles. Alex Good from
397:mother, who, like a large number of other
367:crises and to minimize the efforts of the
999:"Take Us to Your Chief | Quill and Quire"
802:Take Us to Your Chief: and Other Stories
672:Stephen Leacock Memorial Medal for Humor
487:, a possible habitable planet about 490
138:Take Us to Your Chief: and Other Stories
31:Take Us to Your Chief: and Other Stories
850:"Take Us to Your Chief - Toronto Reads"
684:
643:." In Ira Nayman's review published in
463:of a sacred site but Duane shows him a
189:"A Culturally Inappropriate Armageddon"
94:"A Culturally Inappropriate Armageddon"
65:and themes in these stories, including
1168:Conspiracy theories in popular culture
341:Indigenous and Northern Affairs Canada
1163:Fiction about artificial intelligence
7:
633:tropes as well as its use of humor.
1098:"The Malahat Review | Book Reviews"
654:’s Aidan Moher believes that “what
79:Canadian Indian residential schools
169:. He enjoyed the literary work of
136:, Taylor describes the genesis of
14:
898:Wangersky, Russell (2016-09-06).
612:It is the general consensus that
1153:Canadian short story collections
197:reserve, towards the end of the
1188:Short fiction about time travel
925:Mazur, Christine (2016-10-08).
288:Artificial general intelligence
268:genocide of indigenous peoples
1:
1173:Fiction about alien invasions
223:The Day the Earth Stood Still
22:First edition, cover artist:
1193:Douglas & McIntyre books
1183:2016 short story collections
264:colonization of the Americas
1126:ThePeterboroughExaminer.com
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631:Golden Age science fiction
467:he claims he stole from a
286:. He is accompanied by an
558:Assembly of First Nations
697:www.douglas-mcintyre.com
34:is a collection of nine
900:"Take Us to Your Chief"
547:"Take Us to Your Chief"
491:away from Earth in the
312:National Aboriginal Day
260:indigenous spirituality
244:artificial intelligence
118:"Take Us to Your Chief"
666:Awards and nominations
315:memory of Papa Peter.
46:. Taylor, who is part
44:Douglas & McIntyre
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800:Taylor, Drew (2016).
752:www.uni-protokolle.de
656:Take Us to Your Chief
614:Take Us to Your Chief
598:cultural assimilation
585:Take Us to Your Chief
394:.38 snub-nosed pistol
156:The Paradise Syndrome
42:published in 2016 by
21:
1028:PublishersWeekly.com
830:PublishersWeekly.com
507:started sailing the
493:Cygnus constellation
1178:Apocalyptic fiction
931:Winnipeg Free Press
641:speculative fiction
515:"Superdisappointed"
453:conspiracy theories
357:social conditioning
115:"Superdisappointed"
955:The Globe and Mail
927:"Message received"
854:www.editoreric.com
40:Drew Hayden Taylor
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674:(2017, nominated)
636:Publishers Weekly
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441:Cochno Stone
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414:"Petropaths"
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369:Idle No More
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329:dreamcatcher
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1102:web.uvic.ca
979:thestar.com
618:cross-genre
541:toxic mould
523:, a symbol
521:Thunderbird
489:light-years
485:Kepler-186f
437:Nazca Lines
424:petroglyphs
384:"Mr. Gizmo"
353:brainwashed
333:flash drive
208:radio waves
167:comic books
106:"Mr. Gizmo"
89:The Stories
75:superpowers
67:time travel
1147:Categories
1132:2018-05-07
1107:2018-05-14
1083:2018-05-14
1058:2018-05-14
1033:2018-05-14
1009:2018-05-14
984:2018-05-14
960:2018-05-07
936:2018-05-07
911:2018-05-07
884:2018-04-29
859:2018-04-29
835:2018-04-29
786:2018-05-07
762:2018-04-29
733:2018-05-07
707:2018-04-29
679:References
602:alcoholism
433:Stonehenge
374:conspiracy
280:Anishinabe
199:Oka Crisis
173:, such as
171:H.G. Wells
162:clothing.
727:CBC Radio
608:Reception
537:radon gas
530:depressed
509:New World
461:vandalism
378:West Wind
365:Ipperwash
361:pacifying
325:West Wind
151:Star Trek
48:Caucasian
623:The Star
573:pyramids
505:Columbus
473:smallpox
428:tomahawk
256:neuroses
134:foreword
128:Foreword
83:reserves
1077:Tor.com
878:Tor.com
652:Tor.com
566:Mi’kmaq
562:Beothuk
554:methane
479:"Stars"
337:Googles
217:Contact
132:In his
112:"Stars"
50:, part
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580:Themes
539:, and
447:, and
439:, the
435:, the
349:drones
331:and a
308:Ottawa
160:hippie
73:, and
63:tropes
52:Ojibwe
806:ISBN
564:and
252:soul
179:and
781:CBC
310:’s
306:at
220:or
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