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enjoyed making the most of the merry text. There are beautiful and exciting solos for baritone, tenor and soprano representing respectively Duke
William, Taillefer and the Duke's sister. The chorus acts as narrator and commentator whilst the orchestra comes into its own with a graphic description of the battle of Hastings in a splendid interlude which even outdoes the battle scene in
1923:
234:, which further inspired him. However, Strauss realized that a large scale choral work like this would be a perfect piece for the commission and event. Most of the work was done over the period July–November 1902. The honorary doctorate was confirmed in June 1903 (while Strauss was again visiting London), and the award and premiere arranged for 26 October 1903.
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at
Heidelberg University commissioned the work, to be premiered in the new Town Hall in Heidelberg, coinciding with the award of an honorary doctorate for Strauss and with the centenary of the reestablishment of the university as a state-owned institution. In fact, Strauss had been working on early
256:
Strauss described the piece as "written in the grandest music festival style", and the premiere was noteworthy for innovative features to show off the new concert hall: the lights were lowered, the orchestra performed from a pit, and the large brass section was shifted to the back of the orchestra.
245:
Uhland was always a most stirring writer and many of his poems have over the years taken on the popularity of folk songs. This particular ballad describes in heroic terms the Norman conquest and the courageous part played in it by
Taillefer, Duke William’s favourite minstrel. Strauss thoroughly
168:
and was premiered on the same day that
Strauss received his honorary doctorate from the university, on 26 October 1903 in the newly built Heidelberg Town Hall with Strauss conducting. It is written for a mixed chorus with three soloists,
226:
drafts of the piece in the summer of 1902, prior to the commission (Strauss first mentions it in his notebook on 20 April, whilst in Berlin). In May he spent a short holiday in
England, including a visit to the beach at
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Taillefer is the hero of a romantic medieval tale set in the court of Duke
William of Normandy (William the Conqueror) around the time of the invasion of England and the
1974:
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1989:
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The Songs and
Ballads of Uhland, Translated from the German by the Rev W.W. Skeat, Williams and Norgate (publishers), London and Edinburgh 1864.
952:
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La Grange, Henry-Louis (2000). Gustav Mahler Volume 3: Vienna: Triumph and
Disillusion (1904–1907). Oxford, UK: Oxford University Press.
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in 1066. Strauss used the version in a poem by Ludwig Uhland written in 1816. He had previously used several of
Uhlands poems for
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1979:
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Cser, Andreas (2007). Kleine
Geschichte der Stadt Heidelberg und ihrer Universität (in German). Karlsruhe: Verlag G. Braun.
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In addition to the three soloists (baritone, tenor and soprano) there is a mixed chorus split into eight parts, each of the
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185:(the Duke's daughter and admirer of Taillefer), with a large orchestra. The work was performed at the last night of
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German Classics of the Nineteenth and twentieth Centuries: Masterpieces of German Literature translated into English
261:
quipped that it was "a huge orchestral sauce" ("Eine groĂźe Orchestersauce"). Others were more enthusiastic: in 1906
252:. The whole score is carried through impetuously with a most infectious spirit, verging at times on the hilarious.
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895:, Volume 5, Edited by Kuno Francke, Patrons edition, The German Publications Society, New York 1914. page 100-101.
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856:. Edited Herta Blaukopf, translated by Edmund Jephcott, Faber and Faber, London and Boston,
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Gedichte von Ludwig Uhland, Ludwig Uhland, 12th edition, Baudry, Paris 1840. Page 325.
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However, while large, the orchestral resources were only slightly larger than those
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and wrote to Strauss "I have just heard a splendid performance in Amsterdam of your
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Trenner, page 240. Strauss was in London and Sandown for the whole month of June.
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Divertimento for chamber orchestra after keyboard pieces by Couperin
732:"BBC Two – BBC Proms, 2014 Season, Last Night of the Proms – Part 1"
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Mixed choir, soloists (tenor, baritone, soprano) and large orchestra
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164:(1787–1862). The piece was written to celebrate the centenary of
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Otto Bierbaum, "Feuilleton. Ludwig Uhland a la Richard Strauss",
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221:" written in 1900. Professor Philip Wolfrum, music director and
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364:»Hei!« – rief er – »ich faß und ergreife dich, Engelland!
947:, Volume 2, London: Faber and Faber (2009) (second edition),
764:
Herbermann, Charles, ed. (1913). "University of Heidelberg".
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onto the field, saying "My God, there rides a handsome hero!"
451:
So sweetly that he fills my heart with laughter and delight?"
945:
Richard Strauss. A Critical Commentary on his Life and Works
456:
Within the courtyard, as the wheel above the well he swings,
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Wie wollt ich singen und klingen mit Schild und mit Schwert!
530:
Above the embattled Hastings plain his noble song sounded –
454:"It's Taillefer," they answered him, "who so joyously sings
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Today I will reward you well, Riding first into the field,
355:
Es zittert der Turm und es zittert mein Herz in der Brust,
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But for the rest of my life I still shall hear in my ears
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Before the Duke rides on horseback the valiant Taillefer:
503:
And as he sprang out from the ship, he fell on the beach,
460:
And when he lays down at night or awakes in the morning."
447:"Who is it sings so sweetly in the court and in the hall?
407:
Dann schwang er das Schwert und fĂĽhrte den ersten Schlag,
346:
Sie sprach: »Dort reitet, bei Gott! ein stattlicher Held.
571:"Come here, my brave Taillefer, and drink a cup with me!
205:
depicting the Battle of Hastings and the death of Harold
562:
The Duke his banner planted high upon the bloody plain,
257:
Some were critical of the performance: critic and poet
854:
Gustav Mahler Richard Strauss Correspondence 1888-1911
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And when inside he stirs the fire to burn more bright,
414:
Sie brachen herein mit Geschrei und mit Schilderklang.
373:
Manch Jährlein gesungen und Schwert und Lanze gerührt.
1937:
1325:
Dance suite from keyboard pieces by François Couperin
465:
This Taillefer that serves me, so loyal and so brave;
353:
Sie sprach: »Der singet, das ist eine herrliche Lust!
351:
Da sang er bald wie ein LĂĽftlein, bald wie ein Sturm.
319:
Wann er abends sich legt und wann er morgens erwacht.
535:
And as the song of Roland thundered over the fields,
505:"Ha" he cried, "I sit and hold England in my grasp!"
476:
How on my horse would I serve the Duke in the field,
378:
Zuerst als ein Knecht und dann als ein Ritter frank:
371:»Manch Jährlein hab ich gesungen und Feuer geschürt,
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Doch heut im Hastingsfelde dein Sang und dein Klang
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Herr Wilhelm steckte sein Banner aufs blutige Feld,
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Dann sprengt' er hinein und fĂĽhrte den ersten StoĂź,
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Auf einem hohen Pferde, mit Schwert und mit Schild.
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548:Then he swung his sword and struck the first blow,
430:»Mein tapfrer Taillefer! komm, trink mir Bescheid!
425:Da saĂź er am Mahle, den goldnen Pokal in der Hand,
387:Auf einem hohen Pferde, mit Schwert und mit Speer,
121:Philosophy Faculty of the University of Heidelberg
577:The sound of your song today on Hastings field".
566:Sitting at the feast, the golden cup in his hand,
559:Until Harold fell, and his defiant army gave way.
555:With shouts and clang of shields they charged in,
519:First as a lowly knave and then as a bold knight,
478:How I will sing and clash with sword and shield!"
416:Hei! sausende Pfeile, klirrender Schwerterschlag!
389:Er sang so herrlich, das klang ĂĽber Hastingsfeld,
544:Then forward he dashed, to strike the first blow
514:For many years made for others sword and spear,"
499:Duke William called his men and crossed the sea;
496:It shakes the tower and shakes my heart within."
472:Then Taillefer spoke, "Ah, lord, if I were free,
412:Normannen sahen's, die harrten nicht allzu lang,
344:Des Herzogs Schwester schaute vom Turm ins Feld,
512:"For many years I have sung and blown the fire,
394:Und als das Rolandslied wie ein Sturm erscholl,
382:Vergönnet mir auf die Feinde den ersten Schlag!
362:Er sprang vom Schiffe, da fiel er auf die Hand:
322:Der Herzog sprach: »Ich hab einen guten Knecht,
557:Ha! whizzing arrows sped, and swords clashed –
481:Not long after and Taillefer rode out a knight
469:And sings so brightly I can hear his courage."
432:Du hast mir viel gesungen in Lieb und in Leid,
418:Bis Harald fiel und sein trotziges Heer erlag.
376:Und hab ich Euch gedient und gesungen zu Dank,
335:Wie wollt ich dienen dem Herzog hoch zu Pferd!
333:Viel besser wollt ich dienen und singen dabei.
326:Er treibt mein Rad und schĂĽret mein Feuer gut,
324:Den Taillefer, der dienet mir fromm und recht,
317:Im Saale, wann er das Feuer schĂĽret und facht,
1008:
564:And pitched his tent amid the heaps of slain;
539:The knights were ablaze, men of great courage
528:Upon his stately steed, with sword and speer;
427:Auf dem Haupte die Königskrone von Engelland.
400:Der Taillefer sang und schĂĽrte das Feuer gut.
396:Da wallete manch Panier, manch Herze schwoll,
367:Als nun das Normannenheer zum Sturme schritt,
340:Nicht lange, so ritt der Taillefer ins Gefild
315:Im Hofe, wann er das Rad am Bronnen schwingt,
310:So lieblich, daĂź mir das Herz im Leibe lacht?
308:Wer singet vom Morgen bis in die späte Nacht,
8:
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966:, Praeger Publishers, Westfield CT, (2003),
594:split into two. The orchestra consists of:
546:And an English knight crashed to the ground;
492:Now he sang like a breeze, now like a storm;
474:Far better would I serve thee and sing then.
463:Then the Duke said, "I have a good servant –
449:Who sings from early morn till late at night
436:Der tönet mir in den Ohren mein Leben lang.«
398:Da brannten Ritter und Mannen von hohem Mut,
391:Vom Roland sang er und manchem frommen Held.
306:Wer singet in meinem Hof und in meinem Saal?
302:
26:
526:So Taillefer rode on before the Norman line
494:She cried, "That song is the greatest joy –
485:The Dukes sister looked down from the tower
467:He turns the wheel and stirs the fire well,
405:Davon ein englischer Ritter zur Erde schoĂź,
385:Der Taillefer ritt vor allem Normannenheer,
380:So laĂźt mich das entgelten am heutigen Tag,
360:Er fuhr nach Engelland mit gewaltigem Heer.
358:Der Herzog Wilhelm fuhr wohl ĂĽber das Meer,
331:Da sprach der Taillefer: »Und wär ich frei,
1015:
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553:The Norman host watched and without delay,
523:to strike the first blow against the foe!"
508:And now the Norman host for fight prepare;
490:When as he rode before the maiden's tower,
423:Inmitten der Toten spannt' er sein Gezelt,
349:Und als er ritt vorüber an Fräuleins Turm,
328:Und singet so hell, das höhet mir den Mut.
50:
20:
541:Taillefer's song blew up the battle-fire.
537:The banners waved and many hearts swelled
532:Of Roland's deeds and many a devout hero.
483:Upon a tall horse, with sword and shield;
409:Davon ein englischer Ritter am Boden lag.
313:Das ist der Taillefer, der so gerne singt
1381:Duet concertino for clarinet and bassoon
981:, Verlag Dr Richard Strauss Gmbh, Wien,
903:
901:
550:And on the ground an English knight lay.
152:in 1903. The text is a rendering of the
1944:
714:
573:You have sung to me of love and sorrow;
369:Der edle Taillefer vor den Herzog ritt:
1975:Choral compositions by Richard Strauss
501:He went to England with a mighty army.
304:Normannenherzog Wilhelm sprach einmal:
1990:Adaptations of works by Ludwig Uhland
517:"If I have sung and served thee well,
7:
962:, chapter 11 in Mark-Daniel Schmid,
911:, Mainz: FĂĽrstner Musikverlag, 1903.
768:. New York: Robert Appleton Company.
140:, Op. 52, TrV 207, is a cantata for
664:: Twenty first and eighteen second
909:Taillefer Opus 52, Richard Strauss
14:
960:The Challenge of the Choral Works
568:On his head the Crown of England.
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1433:Till Eulenspiegel's Merry Pranks
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891:A.I. Du P. Coleman, (1914), in
445:Once Norman Duke William spoke:
16:1903 cantata by Richard Strauss
265:saw the work performed at the
1:
1331:Wiener Philharmoniker Fanfare
1883:Treatise on Instrumentation
2006:
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1642:Traum durch die Dämmerung
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1425:Death and Transfiguration
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964:Richard Strauss Companion
49:
36:
1317:Le bourgeois gentilhomme
852:Letter, mid March 1906.
281:fond among your works".
179:Duke William of Normandy
1985:Compositions in D major
1776:Utan svafvel och fosfor
1501:Cello Sonata in F major
1442:Also sprach Zarathustra
1348:Japanese Festival Music
979:Richard Strauss Chronik
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1693:Des Dichters Abendgang
1620:Heimliche Aufforderung
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1136:Die Frau ohne Schatten
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977:Trenner, Franz (2003)
843:, 106, no. 321 (1903).
755:Del Mar, page 363–366.
691:of 1910 and less than
303:
254:
219:Des Dichters Abendgang
206:
27:
1980:Heidelberg University
1846:Hugo von Hofmannsthal
1159:Die ägyptische Helena
766:Catholic Encyclopedia
243:
200:
166:Heidelberg University
1182:Die schweigsame Frau
1040:List of compositions
259:Otto Julius Bierbaum
1469:Symphonia Domestica
1361:Horn Concerto No. 2
1293:Horn Concerto No. 1
1210:Die Liebe der Danae
803:Trenner, page 223–4
193:Composition history
160:by the German poet
1768:Wandrers Sturmlied
1704:Freundliche Vision
1598:Ruhe, meine Seele!
1477:An Alpine Symphony
841:Allgemeine Zeitung
821:Del Mar, page 271.
721:Trenner, page 243.
687:was to use in his
211:Battle of Hastings
207:
1935:
1934:
1811:Der Rosenkavalier
1735:Der Krämerspiegel
1263:Verklungene Feste
1121:Ariadne auf Naxos
1106:Der Rosenkavalier
958:Lodata, Suzanne,
953:978-0-571-25097-4
830:Lodato, page 388.
794:Del Mar, page 363
783:978-3-7650-8337-2
693:Arnold Schoenberg
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271:Willem Mengelberg
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110:26 October 1903,
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201:Scene from the
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1455:
1447:
1437:
1429:
1421:
1413:
1405:
1396:
1394:
1388:
1387:
1385:
1384:
1378:
1372:
1364:
1358:
1352:
1344:
1334:
1328:
1322:
1312:
1302:
1299:Symphony No. 2
1296:
1290:
1284:
1281:Symphony No. 1
1277:
1275:
1271:
1270:
1268:
1267:
1259:
1249:
1244:Josephslegende
1238:
1236:
1232:
1231:
1229:
1228:
1215:
1205:
1197:
1187:
1177:
1164:
1154:
1146:
1131:
1116:
1101:
1086:
1073:
1063:
1052:
1050:
1046:
1045:
1043:
1042:
1037:
1035:List of operas
1031:
1028:
1027:
1022:
1020:
1019:
1012:
1005:
997:
991:
990:
975:
956:
936:
933:
931:
930:
913:
897:
884:
875:
866:
845:
832:
823:
814:
805:
796:
787:
770:
757:
748:
723:
713:
706:
703:
681:
680:
659:
649:
631:
628:double bassoon
620:bass clarinets
587:
584:
581:
580:
443:
441:
300:
297:
296:
293:
286:
283:
239:Norman Del Mar
194:
191:
131:
130:
127:
123:
122:
119:
115:
114:
108:
104:
103:
100:
96:
95:
89:
85:
84:
81:
75:
74:
71:
67:
66:
63:
59:
58:
55:
47:
46:
34:
33:
15:
13:
10:
9:
6:
4:
3:
2:
2002:
1991:
1988:
1986:
1983:
1981:
1978:
1976:
1973:
1971:
1970:1903 cantatas
1968:
1967:
1965:
1955:
1945:
1941:
1928:
1924:
1920:
1918:
1910:
1909:
1906:
1900:
1897:
1895:
1894:Neoclassicism
1892:
1890:
1887:
1885:
1884:
1880:
1878:
1877:Elektra chord
1875:
1874:
1872:
1868:
1862:
1861:Joseph Gregor
1859:
1857:
1854:
1852:
1851:Max Reinhardt
1849:
1847:
1844:
1842:
1839:
1836:
1833:
1830:
1829:Franz Strauss
1827:
1826:
1824:
1820:
1814:
1812:
1808:
1807:
1805:
1801:
1794:
1793:
1789:
1786:
1785:
1781:
1778:
1777:
1773:
1770:
1769:
1765:
1764:
1762:
1758:
1751:
1746:
1745:
1741:
1736:
1731:
1727:
1726:
1721:
1716:
1710:
1705:
1699:
1694:
1688:
1685:
1681:
1676:
1670:
1665:
1659:
1654:
1648:
1643:
1637:
1632:
1626:
1621:
1615:
1610:
1604:
1599:
1593:
1588:
1582:
1577:
1571:
1566:
1560:
1555:
1549:
1544:
1538:
1537:
1535:
1533:
1529:
1522:
1521:
1517:
1514:
1513:Violin Sonata
1511:
1508:
1507:Piano Quartet
1505:
1502:
1499:
1496:
1493:
1492:
1490:
1488:Chamber music
1486:
1479:
1478:
1474:
1471:
1470:
1466:
1462:
1461:
1456:
1453:
1452:
1448:
1444:
1443:
1438:
1435:
1434:
1430:
1427:
1426:
1422:
1419:
1418:
1414:
1411:
1410:
1406:
1403:
1402:
1398:
1397:
1395:
1393:
1389:
1382:
1379:
1376:
1375:Oboe Concerto
1373:
1370:
1369:
1368:Metamorphosen
1365:
1362:
1359:
1356:
1353:
1350:
1349:
1345:
1341:
1340:
1335:
1332:
1329:
1326:
1323:
1319:
1318:
1313:
1309:
1308:
1303:
1300:
1297:
1294:
1291:
1288:
1285:
1282:
1279:
1278:
1276:
1272:
1265:
1264:
1260:
1256:
1255:
1250:
1246:
1245:
1240:
1239:
1237:
1233:
1226:
1221:
1220:
1216:
1212:
1211:
1206:
1203:
1202:
1198:
1194:
1193:
1188:
1184:
1183:
1178:
1175:
1170:
1169:
1165:
1161:
1160:
1155:
1152:
1151:
1147:
1144:
1138:
1137:
1132:
1129:
1123:
1122:
1117:
1114:
1108:
1107:
1102:
1099:
1093:
1092:
1087:
1084:
1079:
1078:
1074:
1070:
1069:
1064:
1060:
1059:
1054:
1053:
1051:
1047:
1041:
1038:
1036:
1033:
1032:
1029:
1025:
1018:
1013:
1011:
1006:
1004:
999:
998:
995:
988:
987:3-901974-01-6
984:
980:
976:
973:
972:0-313-27901-2
969:
965:
961:
957:
954:
950:
946:
942:
939:
938:
934:
927:
926:0-19-315160-X
923:
917:
914:
910:
904:
902:
898:
894:
888:
885:
879:
876:
870:
867:
863:
862:0-571-13344-4
859:
855:
849:
846:
842:
836:
833:
827:
824:
818:
815:
809:
806:
800:
797:
791:
788:
784:
780:
774:
771:
767:
761:
758:
752:
749:
737:
733:
727:
724:
718:
715:
712:
711:
704:
702:
700:
699:
694:
690:
686:
679:
675:
671:
667:
663:
660:
657:
653:
650:
648:
644:
640:
636:
632:
629:
625:
621:
617:
613:
612:English horns
609:
605:
601:
597:
596:
595:
593:
585:
578:
442:
439:
437:
299:
298:
294:
291:
290:
284:
282:
280:
276:
272:
268:
267:Concertgebouw
264:
263:Gustav Mahler
260:
253:
251:
250:
242:
240:
237:According to
235:
233:
232:Isle of Wight
229:
224:
220:
217:, including "
216:
212:
204:
199:
192:
190:
188:
184:
180:
176:
173:(Taillefer),
172:
167:
163:
162:Ludwig Uhland
159:
155:
151:
147:
143:
139:
138:
128:
124:
120:
116:
113:
109:
105:
101:
97:
94:
93:Ludwig Uhland
90:
86:
82:
80:
76:
72:
68:
64:
60:
53:
48:
44:
39:
35:
32:
29:
22:
19:
1881:
1856:Stefan Zweig
1810:
1790:
1783:
1782:
1774:
1766:
1742:
1519:
1495:Piano Sonata
1475:
1467:
1449:
1431:
1423:
1415:
1407:
1399:
1366:
1346:
1262:
1217:
1199:
1166:
1148:
1075:
978:
963:
959:
944:
916:
908:
892:
887:
878:
869:
853:
848:
835:
826:
817:
808:
799:
790:
773:
760:
751:
741:13 September
739:. Retrieved
735:
726:
717:
709:
708:
698:Gurre-Lieder
696:
689:8th Symphony
682:
635:french horns
589:
444:
301:
278:
274:
255:
247:
244:
236:
223:choir master
208:
148:composed by
136:
135:
134:
56:Strauss 1902
24:
18:
1813:(1926 film)
1576:Winternacht
1565:Allerseelen
1520:Enoch Arden
1509:(1884–1885)
1451:Don Quixote
1401:Aus Italien
1254:Schlagobers
1192:Friedenstag
928:. Page 910.
672:, fourteen
592:four voices
1964:Categories
1392:Tone poems
1274:Orchestral
1150:Intermezzo
1125:(1912/16)
907:The score
864:. Page 92.
705:References
668:, sixteen
656:percussion
295:Taillefer
279:especially
118:Dedication
112:Heidelberg
1889:Modernism
1784:Taillefer
1653:Sehnsucht
1587:Ständchen
1554:Die Nacht
1543:Zueignung
1480:(1911–15)
1321:(1911–17)
1311:(1885–86)
1301:(1883–84)
1295:(1882–83)
1289:(1881–82)
1219:Capriccio
1068:Feuersnot
701:of 1911.
676:, twelve
643:trombones
616:clarinets
292:Taillefer
275:Taillefer
189:in 2014.
187:The Proms
158:Taillefer
146:orchestra
137:Taillefer
70:Catalogue
28:Taillefer
1917:Category
1831:(father)
1719:" (1906)
1708:" (1900)
1697:" (1900)
1686:" (1899)
1684:Notturno
1679:" (1898)
1668:" (1898)
1657:" (1896)
1646:" (1895)
1635:" (1894)
1624:" (1894)
1613:" (1894)
1602:" (1894)
1591:" (1886)
1580:" (1886)
1569:" (1885)
1558:" (1885)
1547:" (1885)
1417:Don Juan
1307:Burleske
1171:(1933)
1168:Arabella
1140:(1919)
1110:(1911)
1095:(1909)
1080:(1905)
639:trumpets
624:bassoons
604:piccolos
175:baritone
154:medieval
107:Composed
99:Language
91:Poem by
1747:(1948)
1675:Befreit
1631:Morgen!
1609:Cäcilie
1409:Macbeth
1235:Ballets
1222:(1942)
1091:Elektra
1058:Guntram
935:Sources
695:in his
666:violins
662:Strings
652:Timpani
641:, four
622:, Four
614:, six
606:, four
230:on the
228:Ventnor
183:soprano
181:), and
126:Scoring
73:TrV 207
65:D major
38:Cantata
1940:Portal
1837:(wife)
1795:(1928)
1787:(1903)
1779:(1889)
1771:(1884)
1760:Choral
1739:(1918)
1729:(1918)
1532:Lieder
1523:(1897)
1515:(1888)
1503:(1883)
1497:(1881)
1472:(1903)
1464:(1898)
1454:(1897)
1446:(1896)
1436:(1895)
1428:(1889)
1420:(1888)
1412:(1888)
1404:(1886)
1383:(1947)
1377:(1945)
1371:(1945)
1363:(1942)
1357:(1941)
1351:(1940)
1343:(1936)
1333:(1924)
1327:(1923)
1283:(1880)
1266:(1940)
1258:(1924)
1248:(1914)
1214:(1940)
1204:(1938)
1201:Daphne
1196:(1938)
1186:(1935)
1163:(1928)
1153:(1924)
1077:Salome
1072:(1901)
1062:(1894)
1049:Operas
985:
970:
951:
924:
860:
781:
685:Mahler
678:basses
674:cellos
670:violas
645:, two
637:, six
633:Eight
626:, one
618:, two
610:, two
602:, two
600:flutes
586:Forces
285:Lyrics
102:German
1927:Audio
710:Notes
647:tubas
608:oboes
598:Four
215:songs
171:tenor
156:tale
142:choir
983:ISBN
968:ISBN
949:ISBN
922:ISBN
858:ISBN
779:ISBN
743:2014
654:and
144:and
88:Text
79:Opus
736:BBC
62:Key
40:by
1966::
943:,
900:^
734:.
241::
83:52
1942::
1711:"
1700:"
1689:"
1682:"
1671:"
1660:"
1649:"
1638:"
1627:"
1616:"
1605:"
1594:"
1583:"
1572:"
1561:"
1550:"
1539:"
1016:e
1009:t
1002:v
989:.
974:.
955:.
785:.
745:.
658:.
630:.
177:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
