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accused the editors. I will argue, however, that Iago's motives are made clear: the only reason he expresses in soliloquy, when he is sharing his innermost thoughts with the audience, are the rumors about
Othello sleeping with Emilia. Everything else, including Cassio's promotion, is part of the lie he tells Roderigo.
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For me as well. I would like to point out, however, that, while I did not provide a source for editing an unsourced claim the first time, I provided a detailed entry on the talk page, which can be found above this entry. After my entry was deleted, I was accused of vandalism, which is why I in turn
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I made a correction that stated that Iago hates
Othello because he believes the Moor has slept with his wife, and not because he was passed up as Lieutenant. There is textual evidence to support this. Othello makes Iago his Lieutenant in Act III, scene iii, line 478 ("Now art thou my Lieutenant.")
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Even if we limit the
Portrayed by list to those in the play Othello, the box on the right lists only 19 of the thousands, or perhaps tens of thousands, of people who have played him. The box should be modified to "notables who portrayed". Also, I'm surprized there are no women on the list. Surely its
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I'd not actually thought of that before. Every edition I have seen assumes it refers to torture; I still think torture is the most obvious implication of
Gratiano's comment. It is intriguing, however, that Othello responds to Iago's affirmation by saying "Well, thou dost best". Admittedly, this would
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I reinstated my end commment in the motivation section. a) it is not part of the character study, and had no business being deleted with it, unless the whole motivation section is to go. b) it is not an essay, nor original research, as it only recaps what is plainly said in the main text of the play.
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Even if his cuckhold was the reason, you still can't determine whether it is because he feels betrayed, his interactions with his wife have been wounded, or perhaps what he minds is that others are laughing at him (to name just three "causes" deriving from the actions he believes occured between his
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Off current topic - Surely one of Iago's motives is not
Othello's infidelity with Emilia, but Emilia's infidelity with Othello, for at this point, Othello wasn't romantically involved with anyone, and thus can't be unfaithful to anybody. Lest he is being unfaithful to Iago.... Even still, I think it
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Does anyone have a source for Iago wants to get at Othelo because of racism? That certainly wouldn't explain his insistance on getting rid of Cassio. Oh and it seems as though the list of motivations is in a de facto order of most likely/discussed to least likely/discussed. And if that's the case I
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The article seems to miss A. C. Bradley's famous suggestion that Iago's motivation is power alone - of being able to manipulate almost every character like a puppet in a plan that gains its incentive through being a plan alone. Sort of a 'power trip' theory, I suppose. I don't think this is covered
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The pronunciation of both Iago and
Santiago are as you would expected. The long, open 'AH' of "Iago" set back in the throat is unquestionably more effective dramatically than the alternative. Each time somebody says the name 'Iago' it comes out as a groan of pain, of supplication, or a growl of
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mentions this, sort of: "Diego is a masculine given name. It is believed to derive from the Greek διδαχη (didache), "teaching", then translated into the Latin word "Didacus" (in Modern
English learned, cultured). Etymological evolution of the name shows that it may be eventually be originated from
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I was asked this once at an entrance exam, who is the central character of
Othello? Although the title and our identification with the character is supposed to indicate that it is Othello, doesn't protagonist mean the person pushing the action towards - isn't this Iago, the whole play is about his
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Just read the darn first scene, it tells all you need to... I wonder how come so many people wonder as to motives when it's one of the first things the playgoer or reader is exposed to, and he says it himself. If you don't get it yourself, I've spelled it out in the main article too... assuming it
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An anon recently amended the article to read: "'And what's he then that says I play the
Villain?' (II.iii.296)", where it had said line 303, not 296. I can't seem to find a consistent line number for this quote. Ours is unreferenced to begin with; Wikisource doesn't include line numbers (and they
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I still think torture must be the most obvious option, despite the order of
Lodovico and Gratiano's comments. It is only logical that the Venetian judiciary system would wish to clarify the matter, and, particularly to a common soldier like Iago, outside of the nobility, torture would undoubtedly
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It seems to me, though, that while that could be a secondary meaning, the primary meaning, after "not to pray?" has to be that since Iago will not pray, he will surely go to Hell, and there he will not be able to keep from crying out. I thought it was very strange that the edition did not mention
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I think I figured out what he/she meant (took me a minute). He's seeing "Iago" in Knowledge's sans-serif font and reading it as "lago" with a lowercase ell. Personally I would support a move to a serif font for Knowledge (among other things it would neatly solve a nasty problem for mathematics
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I have removed the entire section. The information relating to the possible causes for his behaviour has already been stated more succinctly earlier in the article. Any section which contains a statement such as "In the end, it is Iago's failure to grasp the more basic concepts of love, trust,
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This certainly doesn't rule out the possibility of double-entendre from Shakespeare, but Gratiano's first meaning must be torture. Indeed, Lodovico's 'What, not to pray?' could be his own attempt to remind Iago that he will surely die, and probably in excruciating pain, as a result of his
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I've provided textual evidence for a change I've made to this page (regarding Iago's hatred for the Moor), which I've included as a reference to my change and mentioned in this talk page, but all that happens is it gets changed back and I get called a vandal. Pick up the nearest copy of
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Iago continues his plan to bring Othello down, so clearly the promotion is not the primary reason for his hatred. Furthermore, Iago says in soliloquy, "I hate the Moor, / And it is thought abroad that 'twixt my sheets / He has done my office." (I.iii.392-4)
1422:, or else Iago's motives or lack thereof wouldn't be discussed at length by scholars with differing interpretations. What we should do is simply state that he hates Othello and let the reader peruse the motivations section and draw their own conclusion. --
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The problem is Iago's motivations are never made explicitly clear--he throws out different ones throughout the play. First he's upset that he didn't get promoted, then he later accuses Iago of sleeping with his wife, and so forth. Obviously there is no
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O villainous! I have looked upon the world for four times seven years; and since I could distinguish betwixt a benefit and an injury, I never found man that knew how to love himself. Ere I would say, I would drown myself for the love of a guinea-hen, I
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The main basis for it is Iago's highly eroticised description of sleeping with Cassio, when Cassio in his sleep is alleged to mistake Iago's body for Desdemona's. It has been repeated in numerous articles and debated and disputed ever
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People like Andy Serkis always miss the point. If Iago was so jealous, why wouldn't he keep referring to his jealousy? What jealousy he refers to is generally employed post-facto as a pretext to explain or justify a deeper motivation.
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argue that this represents an extension of Othello's now inverted ethical views - that it is 'happiness to die', and therefore better to go to hell than to heaven. However his earlier words acually contradict his wish for Iago's
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The theory dates back to the 1940s in psychoanalytical accounts of the play, notably an essay in which Martin Wangh argued that Iago's resentment derives from "a projection of Iago's unconscious homosexual wishes for Othello and
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You needn't be that condescending. For centuries critics (Coleridge, Bradley) and adapters (Verdi) have found Iago's excuse unconvincing and suggested other, hidden motives. Numerous theoriess are quoted on this
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Although very good, the character analysis of Iago is far too complicated for a mere plebian to read, and I think it should be made more, dare I say it, normal. Not everyone is an english literature graduate!
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Harold Bloom sticks to Iago's original excuse and fleshes it out: Iago was devoted to Othello and obsessed with his own military reputation, and so interpreted Cassio's promotion as an insult and betrayal.
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Alright, but I have qualified the final comment which rather stated conjecture as fact, I grant I should have done that in the first place rather than ommiting it, it does state some important information.
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It seems as if someone has done a Find & Replace. If you go to the Othello page, all characters have the first letter in upper case On the TV play, the name Jago is used, not Lago 19:02, 1 March 2012
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So, no real mystery as why Shakespeare's character should be so named. His name reflects the presence of Spanish soldiery in Italy from 1493 onwards, as too, perhaps, does that of Othello, the Christian
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And Iago as a young man is the only situation that makes sense - the source story for the play describes him as "handsome", and his wife as beautiful and young. Middle or old-aged wouldn't make sense. --
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Iago = Jago = Diego. Seems head-slappingly obvious to me that everyone pronounces this character's name incorrectly, but I could be wrong. Does anyone know of a source which discusses this issue?
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I'm not entirely sure what you mean, but the proper name for the character as written by Shakespeare has always been Iago. Often in modern adaptations people change the name. For example in
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The edition footnotes "torments" with the single word "tortures", suggesting, as this article does, that the Venetians intend to torture him and make him, if not talk, then at least scream.
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Given that the title of that section is "A character analysis of Iago" which sounds very much like an essay title and taking into account the content thereof with specific reference to
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Also, the huge block of text is quite off-putting and I think it could be broken up, again for simplicity and so it looks less like an essay and more like an encyclopedia entry. --
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Hi im studying Othello for GCSE and i was wondering if anyone could offer any insights as to what Iago's motivations are, in a sense what makes him tick. I will be very greatful.--
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Years ago I read a book (of which, unfortunately I don't remember the author's name) which listed various proposed motives for Iago without committing itself to one. They are:
975:, but I don't remember reading that Iago was twenty-eight, so I've removed that claim for the moment. If I'm wrong, please feel free to put it back, and accept my apologies.
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Theological: Iago is a devil-worshipper who wants to destroy the good Desdemona and corrupt the good Othello. This was the interpretation used in Verdi's opera OTELLO.
1681:. I read the article for the novel, and besides a mention in the plot summary there was a sentence or two about it that seemed to be noting the reference to Iago in a
1568:"Iakobos", then evolved into the spanish "Yago" then Santiago ("Santiago"), and finally re-analysed as San Diego." But I'm not sure how it's relevant to this article?
568:) 08:42, 14 June 2009 (UTC) alright dont bite the kids head off there is a lot of ambiguity as to Iagos motivations if you are a little broad minded and less arrogant
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I'm not sure that the first clause of the second sentence admits of any interpretation but that Iago is 28. Surprising as it may seem, Iago's a pretty young guy. --
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Can someone please provide a source for the statement that Iago is a homosexual? I don't remember coming across any indication of that in the play itself.
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Artistic: Iago is a warped artist who gets a kick out of making the other characters behave according to his invented story. This was Bradley's theory.
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Jake and Jago the English derivatives have no bearing in the pronunciation of the original. Imagine, "Oh the pity of it, Jago, the pity of it.."
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text or images borrowed from other web sites or printed material; such additions must be deleted. Contributors may use sources as a source of
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What you conveniently failed to mention is that you did not provide any sourcing the first couple of times you made this change. Please
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Are you kidding me? This analysis needs a serious makeover by someone who knows what the hell he's talking about. Complicated my ass...
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I agree. I do not see that Iago is "second in friendship" to Othello. It is an army situation. Iago is Othello's Ancient, not friend. --
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Melodramatic: Shakespeare simply needed a villain and didn't supply adequate motivation, as with Don John in MUCH ADO ABOUT NOTHING.
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I'm surprised no one has mentioned the reference to this character in Aladdin: The parrot named Iago who plays a similar role.
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Since several critics have suggested that Iago was motivated by his latent homosexuality, should that also be added to the list?
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I'm not a Shakespeare expert, but is "Othello's best friend" factually based? It sure doesn't seems so from the text I have.
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Sexual: Iago is in love with Othello and wants the Moor to not only discard Desdemona, but eliminate her. Discussed above.
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for how to properly implement limited quotations of copyrighted text. Knowledge takes copyright violations very seriously.
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There are unsourced quotes in this article: Andy Serkiss and Ian McDiarmud notably. These need to be sourced in a Note.
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I think it's saying that Iago may not be a praying man now, but torture will cause him to pray. I'd have to look it up.
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In the Motivations section, it says that he might be jealous of Emilia and Desdemona. Why would he be jealous of them?
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seem to agree with the Hell interpretation - Othello wants Iago to go to hell so it is better for him never to repent.
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pardon me if i interrupt, but what does that have to do with a NPOV tag? i mean, it may have style errors, but NPOV?
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I have (which I can't seem to find at the moment), the responses to Iago's claim that he will never speak again are
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wife and othello). He hate him: was it the betrayal or the public knowledge of it? Both? Neither? Scholars disagee.
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Class warfare: Iago resents being a servant and relishes creating a situation where his "betters" follow HIS will.
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I agree. This looks like an undergrad lit paper that's just been copied here. It has no place in an encyclopedia.--
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Iago is jealous of othello because the play is named after othello and not himself. Hey, it's a possibility.
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Wasn't it a bit risky to use the name for a villain at the time of James I coming to the throne of England?
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In fact, it’s even noted in the novel’s Wiki article. Perhaps it might be noted under cultural references.
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Some have suggested that the subject inspired the villain in Agatha Christie's final Hercule Poriot novel,
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However, Othello already assumes Iago to be a devil on some level, so this doesn't make complete sense. We
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Is that really true about the most lines for a "non-title" character in a Shakespeare play? What about
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I don't know. He's certainly Othello's closest confidant, which to me seems to imply friendship.
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articles, which are my principal interest) but unfortunately I don't think there's much chance. --
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on Knowledge. If you would like to participate, please visit the project page, where you can join
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on Knowledge. If you would like to participate, please visit the project page, where you can join
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this, I thought, obvious interpretation. Is it a standard interpretation in other commentary? --
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have been used. The quote confirming this comes twenty lines later from Lodovico, when he says:
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Thanks - is it possible to add this as a note in the article, showing that book as a source?
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manipulation of Othello and all the events. The bad guy is not necessarily the antagonist.
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The whole Iago being jealous of Othello because of the play title... now that's just dumb.
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it can be verified to be free of infringement. For legal reasons, Knowledge cannot accept
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is less ambiguously stated as Emilia's infidelity with Othello. I'll change it up now. --
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loyalty and spirituality which leads to his downfall" has no place in an encyclopedia.
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As head-slappingly obvious is that 'Iago' was the Spanish version of the latin
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Iago says, even in a soliloquy, unless it's corroborated by other sources. :-)
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mean having been born 28 years ago. Besides, I remember reading a warning from
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It is how Orson Welles directed Micheál MacLiammóir to play Iago in his film.
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I can't speak for McDiarmid, but Serkis's quote came from his Gollum book.--
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manner. We need something better than "this novel mentions Iago". Cheers.
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and don't accuse editors of "spreading lies" when they are reverting your
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a large-scale clean-up project of multiple article copyright infringement
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pls who knows what the x-ray of iago's soliloquy is in othello? --Anon.
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Feel free to edit the article attached to this page, join up at the
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Not without an independent source taking note of it, as per
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1605:- that is 'St James, Moor Killer (Lit. 'Killer of Moors'.
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Iago is roughly the third longest Shakespeare role (see
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Hm, having observed the world for 28 years does not
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1593:(English: 'James'), hence the Spanish name of
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621:Oh, please. What do you guys want? Pictures?
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1363:How about we stop playing God, huh?
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1755:from that source. Please see our
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1166:don't see why Racism is number 2.
674:Er. What do you mean, 'x-ray'? --
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1513:, Iago was called Hugo.--
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790:What, not to pray?
583:Character Analysis
478:Iago's motivations
359:project discussion
45:content assessment
1420:definitive answer
1389:assume good faith
1347:comment added by
1332:
1315:comment added by
1260:
1245:Bwanaunsignedhype
1243:comment added by
1213:I is confused. --
1027:never to believe
1025:Professor Bradley
909:Come, bring away.
893:It shall be his.
769:Blueberrycalendar
749:Blueberrycalendar
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1872:
1765:
1714:has been revised
1707:
1556:
1359:
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1309:
1259:
1237:
1181:Line for villain
743:Unsourced Quotes
375:
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373:Theatre articles
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1266:
1264:list of motives
1238:
1233:
1200:this claims 226
1183:
1163:
1115:Jerry Lee Lewis
1112:
969:
779:
745:
695:
585:
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452:
426:
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372:
369:
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363:
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351:To participate:
327:
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271:High-importance
254:
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212:High‑importance
211:
183:
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72:
43:on Knowledge's
40:
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1515:CyberGhostface
1491:
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1436:Works for me.
1424:CyberGhostface
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1291:CharlesTheBold
1265:
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744:
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721:LamontCranston
694:
693:Homosexuality?
691:
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665:
664:
659:81.179.227.183
637:81.179.227.183
584:
581:
557:
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516:
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505:CharlesTheBold
479:
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442:137.73.126.221
425:
424:"Best Friend?"
422:
411:
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389:Mid-importance
385:
379:
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349:
348:on Knowledge.
333:
332:
329:Theatre portal
316:
304:
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301:Mid‑importance
295:
283:
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279:
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1664:HistoryBuff14
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1772:Iago = James
1749:
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1343:— Preceding
1339:
1307:
1287:
1285:
1282:
1279:
1276:
1273:
1270:
1267:
1234:
1212:
1196:this extract
1187:
1184:
1164:
1113:
1055:fairly clear
1033:Stratford490
1028:
1020:
1000:
996:
992:
989:
977:Stratford490
972:
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933:Gunstar hero
906:
900:
894:
836:
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789:
782:
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766:
746:
696:
669:
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629:
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605:64.230.78.95
602:
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558:
549:Gunstar hero
529:
526:
517:
490:
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439:
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355:project page
350:
335:
270:
230:
159:
99:
51:WikiProjects
34:
1734:information
1730:copyrighted
1716:as part of
1497:85.231.3.54
1317:Darktangent
1311:—Preceding
1239:—Preceding
1222:17 November
1021:necessarily
623:Nellobanana
450:Most lines?
416:SolidNatrix
342:WikiProject
246:Shakespeare
209:Shakespeare
1794:Categories
1753:plagiarize
1218:(contribs)
1194:, as does
1094:(contribs)
1071:(contribs)
1006:(contribs)
967:Iago's age
679:(contribs)
614:Gorgonzola
596:Sclaydonuk
562:Will James
484:62.7.159.0
1738:sentences
1530:Trovatore
1393:unsourced
1198:; whilst
812:Trovatore
39:is rated
1660:Curtain.
1595:Santiago
1468:Abitslow
1345:unsigned
1325:contribs
1313:unsigned
1253:contribs
1241:unsigned
1145:Abitslow
1131:6 August
1051:googling
1029:anything
708:Cassio."
647:Svartalf
494:Svartalf
471:Nunh-huh
433:Wikiadam
410:Jealousy
101:inactive
75:inactive
1742:phrases
1720:. (See
1687:DonIago
1683:trivial
1679:WP:IPCV
1591:Jacobus
1570:DonIago
1438:Doniago
1405:Doniago
1397:sourced
1370:Othello
1304:Aladdin
1188:Othello
1161:Racism?
1127:Chris66
1123:Othello
1098:23 June
1075:21 June
1010:20 June
973:Othello
922:crimes.
783:Othello
699:RobbieG
683:10 July
391:on the
364:Theatre
346:theatre
298:Theatre
273:on the
41:C-class
1726:unless
1625:anger.
1546:Diego?
1227:(GMT)
1220:19:10
1136:(EST)
1129:22:21
1096:12:59
1073:05:22
1049:Well,
1015:(GMT)
1008:16:22
990:Iago:
730:Paul B
712:since.
681:14:23
632:WP:NOT
460:UniAce
47:scale.
1615:Moor.
1565:Diego
1495:(UTC)
1215:Gwern
1103:(GMT)
1091:Gwern
1080:(GMT)
1068:Gwern
1003:Gwern
840:fate:
837:could
688:(GMT)
676:Gwern
503:page.
28:This
1782:talk
1763:SamX
1691:talk
1668:talk
1645:talk
1641:JF42
1574:talk
1534:talk
1519:talk
1501:talk
1472:talk
1457:talk
1442:talk
1428:talk
1409:talk
1401:diff
1378:talk
1353:talk
1321:talk
1295:talk
1249:talk
1225:2008
1172:talk
1149:talk
1134:2008
1101:2008
1078:2008
1037:talk
1013:2008
981:talk
952:Wrad
686:2008
574:talk
566:talk
520:Pyon
509:talk
467:here
340:, a
265:High
1746:may
1740:or
1208:326
667:--
383:Mid
1796::
1784:)
1761:—
1750:or
1693:)
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645:--
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1780:(
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73:(
53::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
