643:, you were "the first contributor to add citations" – WP:CITEVAR has however no special place for "the first contributor to add citations": I copied the guideline's exact wording, i.e. "... first major contributor ..." – which you are not, meaning that there's no special statute for your opinions on ref formatting. Also, as said, you didn't convert to a "without line breaks between parameters" style: you haphazardly left some line breaks in citation templates, also haphazardly keeping some of the whitespace (which is entirely redundant in that layout – and confusing for future editors), and worse, there was some cutting of reference content (which is not "conversion" of a reference format, it is maiming references, unacceptable in the context of
2284:– Re. "oversized lead image": the image is just filling the width of the infobox: that width is dictated by the infobox title, not the image. I "cared" in the sense that I replaced the former image by one that has a lesser height. Re. "sandwiched text": afaik there isn't any sandwiched text any more currently, or did I miss anything? Re. "references pointing nowhere, ... and empty sections": yeah sure, working on it (but give me some time to get the consequences of the article title change such as navboxes, italictitle etc ironed out first) – anyhow better that the page was moved without further delay, before all the other work is done, rather than getting everything else right first, and then another overhaul for a changed article title. --
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2241:"), I've seen a few sources, but as far as I can remember not the majority, which refer to it with a question mark at the end of the title, but for Bach's cantata, the practice appears to be non-existent, or at least very rare. So, I'd move this article to the format as in the DĂĽrr/Jones book, that is
2510:
I'm not sure but possibly Diack's translation is still under copyright (but maybe not everywhere), and I'd avoid too much copyrighted material from the same source (there's another Diack translation of an entire movement further down the page, while no part of the Lunn translation is quoted yet). See
2960:
Despite these ambiguities with "period instrument practice", it is clear that modern performers are adept at playing their baroque instruments. Although Suzuki has given a D major version for the first movement as an appendix, in the end he has opted for the E major version. Similarly the recordings
1924:
Content from the 1978 book of
Whittaker has not yet been incorporated in the current wikipedia article. On wikipedia the 1971 Taschenbuch of Alfred DĂĽrr has been used for other cantatas. It is available on archive.org. I checked that for BWV 8 it contains less information than the 2006 book of DĂĽrr
606:
My principal objection (apart from destruction of material from the references), that complex cite templates should preferably have a separate line for each parameter value, and no half-cooked mess should be created, was not replied to by
Nikkimaria. Nikkimaria, again, could you please restore that
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Let's concentrate on the good: thanks for at least trying to limit the damage, and asking how to proceed. Your spurious defence "... is in fact a direct quote from CITEVAR" must of course be rejected: it is a quote out of context, not, according to the CITEVAR guidance, a style which later editors
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I'll check out the DĂĽrr tomorrow, as I haven't looked at it in years. I suppose I ought to have done before I started doing the cantatas, but I don't think I've done anything that can't be improved. I'd love a look at the new edition of DĂĽrr, but our library doesn't have it yet (no surprise there,
2918:
has given a very detailed account of what kind of flute or recorder was used for the first and fourth movements of the cantata. Those details can be found in the liner notes here: https://www.bach-cantatas.com/Pic-Rec-BIG/Suzuki-C24c.pdf. Similar liner notes are often discussed concerning period
517:
Anyway, for the more complicated cite templates I prefer one line per data field, which is far easier for editing. That style was present in the article, before you destroyed it for some, and kept it for others. Even for the ones for which you destroyed it your editing was haphazard with random
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Re. "discussion of expansion and/or addition of a second box should be postponed until ..." – disagree: whether planning to expand, trim or split, discussion can continue here, even if such discussion would come to a consensus that certain adjustments (expansion and/or trimming) to the article
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doesn't cover this, as I said in the edit summary of my earlier revert. On content, whether it is desirable, I'd say a definite yes. It is not still very long ago that the legitimacy of Bach
Digital as a reliable source was doubted, thus naming at least the main publisher (which is a renowned
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Re. "... once the article gets much longer" – many of the Bach cantatas are GA or FA (only BWVs 5 and 8 are neither in the BWV 1–12 range), so expanding this article, trying to get it to GA level would, imho, be an excellent idea. Trying to address your concerns in a split variant proposal ↓
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whitespace, hard coded new lines after a random number of data fields and whatnot. I suggest you restore the style *as it was*, thanks. Your arguments would be more convincing if improving references for this article, which is still far from finished, wasn't met with random unhelpfulness. --
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In general we'd have to consider how much primary source text material (copyrighted and non-copyrighted) we'd want to retain in the article, in view of the indicated guideline and policy. Whittaker's translation of two separate stanzas is maybe too much too (copyrighted afaik). Ideas?
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sanctions "imposing one style on an article with inconsistent citation styles" as a standard practice which is generally considered helpful. That's what I did with my June edits, which for that reason should not have been reverted. I'm resuming my plan, as already mentioned in the
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All of the content concerning DĂĽrr's 2006 has been extracted. There has also content from
Christoph Wolff which has been incorporated. Passages from Hans-Joachim Schulze and Leisinger have also been used. As has already been commented on this page, the pages on the book of
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Thank you, and understand. I made the lead image a tad smaller. "Sandwiched" isn't quite right - sorry - just a load of images in the history section. Perhaps some can go to the movements once they are there. Take your time, - I just asked for patience in another corner,
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An in-use tag was removed on 22:30 November 17, 2020 by me when no editing was happening (bed time usually). An edit adding two new sentences and one high resolution image from
Commons in a gallery format was added on 5:53 November 18, 2020 when there no in-use tag.
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Frankly, this may be a language difference, in which case, I'm inclined to let the German usage take precedence in cases where Bach's own usage is in doubt. I'll spend some time concentrating on this particular issue when I get back into the library tomorrow.
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In fact, virtually no source, that is, neither an
English-language one nor a German-language one, seems to refer to Bach's cantata with a question mark at the end of the German-language incipit. For the hymn, in Knowledge (XXG) spelled without question mark
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2090:" unbalance the article on the cantata. Giving different images of the same chorale seems unusual when it is done in "wikipedia's voice." At the moment there seems to be no consensus to incorporate this kind of material on the cantata at the moment.
2005:, English translations outside copyright were available. That does not apply to BWV 8. The Novello English translation, which were originally used for the vocal score, were converted to only German texts when Kalmus remastered the Novello edition on
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Inadvertently counterproductive damage to the content of a sound reference? Other than that I don't see much benefit in actually naming it, as, afaik, there seems to be no
Knowledge (XXG) guidance sanctioning it. Returning to the crux of the matter,
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Aimed at the pious
Leipzig merchant class for "spiritual recreation" or "refreshment" through music, the simple four-part organ chorales were paired with spinet or clavichord broken-chord variations, in the style brisé, then in vogue. Like Bach's
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Like the first proposal, I agree with Gerda's suggestion that such more elaborate box(es) are only appropriate when the article has grown. Lead infobox (presented without image for talk page size: the image would be the same as the current one) →
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section below, to get this article up to GA level. This will, quite naturally, mean that the referencing system of the article is further streamlined, along with implementing other suggestions already mentioned on this talk page (e.g. in
3121:
Thank you for taking this up. For the record, I am only the nominator of an article by many, begun in 2006 by
Microtonal, with major contributions by Nikkimaria, Francis Schonken and - finally and shaping the article the most - Mathsci.
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so cannot be used directly. As director of the St Thomas choir in
Leipzig, Hauptmann would have had access to its archives. But choral performances in Leipzig moved on into quite a different direction, e.g. the public performances of
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D, the R, emphasised, meaning that one goes back to the situation before the bold edit in which that section was removed, and then discusses). There was certainly no consensus on the "CITEVAR" to remove the "==Sources==" section.
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Also, before I started to add references and sources recently, there was a "==Sources==" section, which I'm going to restore anyway, while that going back to the situation before the discussion started. (the cycle is
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plus one line on the small BWV listing of 1998, which is linked to Platen's discussion. The article on the Lutheran chorale seems to be out of balance with the article on the cantata, often in a contradictory way.
1956:, have disagreed with that assessment. The borrowing from Vetter and its labelling as "spurious" is currently described in one paragraph of the "Music" section of the current article. There a single reference to
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Winterfeld's analysis, in Vol. III, pp. 308–309, of the difference between how Bach treats the older chorale melodies rhythmically as compared to how he does so with those closer to his own time (like Vetter's).
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included a Sources section of cited sources, linked by sfn. Those are different citation styles. If you feel it would be helpful to move up the general references from the external links section, fine.
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The article above concerns a Lutheran chorale with the same title as the cantata. The content there, however, is only concerned with the statement that Vetter's closing chorale was "borrowed" by
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of Leonhardt-Harnoncourt, Rilling, Herreweghe, Koopman, Gardiner, Rifkin and Johanssen are in E major with oboes d'amore and transverse flute. Karl Richter is old school and very much slower.
2033:(that is the talk page of the hymn article) is currently a redlink: feel free to initiate – whatever improvement suggestions regarding the hymn article are of course welcome there. Tx. --
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and I never cared about this detail that doesn't change a meaning. If I had time, I'd care about oversized lead image, references pointing nowhere, sandwiched text and empty sections. --
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is the article on the hymn, with the text. It's a different question where material not related to the hymn itself should go. A link to the text should be part of the cantata article. --
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has not been added. The German version of DĂĽrr's 1992 book is not available electronically. The reference for BWV, now available as an electronic resource, has only recently been added.
2678:, especially as the other 220 pieces in those volumes (for organ/keyboard) have a different nature from the concluding piece (Vetter's "Liebster Gott, wann werd ich sterben", for
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The current infobox at the moment seems fine. So far there has been no consensus to remove it or adjust it in any major way. The infobox is not dissimilar from the infobox for
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For the infobox, it seems enough that it is a cantata by Bach. The inclusion of a setting by a different composer for just a 4-part hymn seems not worthy of mentioning there.
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Anyone doubting the legitimacy of this source can and should look at its site to understand how it is created and supported, and make an appropriate judgment based on that.
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I'm using the Grove dictionary as my primary source, and they include incipit-final punctuation in all cases. Most of the other secondary literature I have does the same.
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The 1982 Osthoff edition (which includes the adapted D major version) includes some odd editing. The first movement for the strings in recent editions is usually marked
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You're welcome to add citations using the existing formatting if you think they're lacking, although I disagree that the article currently warrants a refimprove tag.
2907:. The 1986 book "Moritz Hauptmann of Leipzig" by Dale Jorgensen gives a modern historical account of Moritz Hauptmann. I am not sure how accessible that source is.
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In other comparable articles on cantatas, some of which are featured articles, there are no comparable sections on reception. Sometimes transcriptions are mentioned.
2101:. However, as with the series on Bach perspectives, they need to be be read and absorbed carefully. Citing a single page of the Bach Archive does not constitute a
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1997:(ec) The article is nevertheless unbalanced. For this current article, there is a slightly problem in finding appropriate English translations for the arias. For
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In Osthoff's version, "pizzicato" has been removed and the words "con sordini" added. Later editions seem to adhere more faithfully to original manuscripts.
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The use of out-dated 19th sources, such as those of Winterfeld, does not seem appropriate and appears to be original research. These aspects of the article "
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1839:. Beyond that I think discussion of expansion and/or addition of a second box should be postponed until the article has grown enough to warrant it.
603:– as the relevant guidance advises against it (it was OK as long as the article was "underdeveloped" – which it no longer is) I'd not go that route.
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technical difficulties for the transverse flute and the oboes d'amore. Using the original manuscripts from the Thomaskirche archive, the conductor
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661:"the first contributor to add citations" is in fact a direct quote from CITEVAR. What reference content specifically are you wanting restored?
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2890:. The first volume contains the first 10 cantatas; no D major version was published at that stage. The commentary for the 1851 volume is a
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in Leipzig in 1842. The publication of the Bach cantatas started in 1851. Their pdf files can be read online or downloaded on the MdZ, the
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53:. Further reviews are welcome from any editor who has not contributed significantly to this article (or nominated it), and can be added to
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That is, with a comma, and not a question mark, between the German incipit of the cantata's text and the BWV number. Similar in the
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By movement subsections, i.e. subsections where each movement is discussed separately (see models in many Bach cantata articles)
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site states that it is a joint project, not that Bach Archive is the publisher. I have added dates and linked the website name.
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complete cantata set. There are other in addition some special practices such as "one voice per part": these ahve been used by
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given that it just came out last month), and it's prohibitively expensive to the individual buyer (~$ 350 retail, last I saw).
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style which was present in the article before I started editing it, at least for the references I added in that style? Tx. --
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in 1746, where he was picked out by Bach for his skills in Latin to become music prefect. After leading performances at the
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policy). Whatever way it is turned, you've got some clean-up & restoration to do afaics. Are you prepared to do that? --
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of the 1713 volume which is annotated on two full pages with four separate staves for cantus, alto, tenor and figured bass:
2421:. In the period between Harrer's demise (9 July 1755) and the start of Doles's tenure (January 1756) he was, together with
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I think it is more common to leave out the punctuation marks (here quotation mark) at the end of the cantata titles. --
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I expect these updates to be unproblematic, but to make sure, I put them here for further discussion, if needed. --
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If you've looked at the page's history, you will have seen that I was "the first contributor to add citations",
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The article is still "in use", please some patience – in the mean while suggestions can be posted on this page.
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Anyway, giving one publisher (i.e. the one that is usually listed first) when there are many is not wrong. --
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The book by Alfred DĂĽrr and the (German) music publishers omit them, also the NBA (Neue Bach-Ausgabe). --
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on Knowledge (XXG). If you would like to participate, please visit the project page, where you can join
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below), getting this in line with other applicable guidance (e.g. regrouping content in line with
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2519:(policy). Also, I think that for this stanza the Lunn translation works way better than Diack's.
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Image moved here from mainspace while I don't see the connection to the topic of this article →
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Can you restore the content and links of these references, the way I introduced them? Thanks. --
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1925:& Jones, available a while back as an ebook on google books. Content about the reaction to
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Proposing to remove the infobox, apart from the lead image (and its caption) enclosed in it. --
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Thank you for the proposal which could be useful once the article gets much longer. Even then,
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for writing and maintaining articles. To participate, you can edit this article or visit the
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In the DĂĽrr/Jones book on Bach's cantatas (2005/2006) the title of the cantata is given as:
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The BWV number should be visible above the image, to avoid confusion with the hymn article.
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Leaving aside whether it is desirable, removing it is not a "style" issue. In other words,
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singing voices) – there are several options where such content can be added, e.g.,
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An editor has indicated a willingness to review the article in accordance with the
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It is also not quite clear why the second movement from circa 1755 is labelled as
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in 1757 to study philosophy and theology. In 1770 he was appointed as a Cantor in
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273:, that are not covered by other classical music related projects. Please read the
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I don't think the instrumentation needs to be specified for individual movements.
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which also has a second infobox further down the page for the "other" version) →
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I don't think we need to mention the author of the hymn as the hymn has a link.
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Rathey, Markus (2010). "Buxtehude and the Dance of Death: The Chorale Partita
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2344:(1832–1899). A musicologist specializing in Bach's choral music, he became a
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I've linked the occasion as you proposed, and have proposed a new version of
2835:. Veröffentlichung der Gesellschaft der Orgelfreunde (in German). Vol. 216.
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3050:. The edit link for this section can be used to add comments to the review.
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Articles created or improved during WikiProject Europe's 10,000 Challenge
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does gives a guide to page numbers for standard references, such as the
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Use of contemporary scholarshiship is now the norm, but needs care. The
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content are a prerequisite for updating the template in mainspace. --
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IMHO, this is not the place for a detailed description of Vetter's
2379:... Carl Friedrich Barth, born in 1734, the son of a merchant from
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1952:. No Bach commentators, many of whom are or were connected to the
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composed during the same period, Vetter's collection starts with
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instrument practice/adaptation to baroque instruments: e.g. the
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Knowledge (XXG):WikiProject Classical music/Guidelines#Structure
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is far from the "... first major contributor ..." as defined at
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I don't think the term "premiere" is suitable for sacred music.
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in 1746, was a copyist who worked for Bach and his successors
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Still doesn't cover the removal as a so-called style issue. --
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The German paperback edition is slightly cheaper (~$ 35)... --
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In Diack's translation, the text of the first movement reads:
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should defer to. I'd still like the following addressed: The
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WikiProject Classical music compositions task force articles
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In Lunn's translation, the text of the first movement reads:
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Some ideas I'd like to implement for this article include:
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institution) of its text content is no redundant luxury. --
59:, but the decision whether or not to list the article as a
2562:. It has one piece per page, except for the final chorale
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The sources for the current article are not up to date.
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Liebster Gott, wenn werd ich sterben? BWV 8#Other version
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Reception section, i.e. approaching reception as a whole
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What would you call it? It's not a verifiability issue.
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In an unfortunate edit conflict I apparently overwrote:
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I'd be very happy if someone could explain? Thanks. --
349:", which started on November 1, 2016, and is ongoing.
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Talk:Liebster Gott, wenn werd ich sterben, BWV 8/GA1
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Carl Friedrich Barth, who had become a pupil of the
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please stop your destruction of sources, needed for
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2832:Die Orgeln Johann Sebastian Bachs: ein Handbuch
728:"Liebster Gott, wenn werd ich sterben BWV 8.1"
706:"Liebster Gott, wenn werd ich sterben BWV 8.1"
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67:Short description: Church cantata by J.S. Bach
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2452:Liebster Gott, wenn werd ich sterben, BWV 8#1
2009:. The chorales of C. S. Terry have survived.
8:
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3100:Should get to this later this week. Best –
2821:With this entry added to the sources list:
2688:Musicalische Kirch- und Hauß-Ergötzlichkeit
2676:Musicalische Kirch- und Hauß-Ergötzlichkeit
2540:Musicalische Kirch- und Hauß-Ergötzlichkeit
2206:Liebster Gott, wenn werd ich sterben, BWV 8
1818:Or, this short version for the second box →
555:there was a Sources section that contained
287:Knowledge (XXG):WikiProject Classical music
79:
29:Liebster Gott, wenn werd ich sterben, BWV 8
2979:
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2808:sfn error: no target: CITEREFButler2016 (
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2777:sfn error: no target: CITEREFButler2016 (
2031:Talk:Liebster Gott, wann werd ich sterben
588:Having looked at the page's history now,
3010:
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2765:
2587:sfn error: no target: CITEREFRose2005 (
2575:
2143:descending into his burial vault, from
214:
109:
2803:
2772:
2468:Where, with all the saints and angels,
2463:Gracious God, when will Thou call me
1921:have created a link to this article.
1836:
813:
805:
799:
787:
2327:I reduced some micro-biographies per
2149:"Das Symbolum der Heiligen Aposteln",
2087:Liebster Gott, wenn werd ich sterben?
1981:Liebster Gott, wann werd ich sterben?
1944:Liebster Gott, wann werd ich sterben?
1730:Liebster Gott, wenn werd ich sterben?
1701:Second infobox (could be inserted at
1534:Liebster Gott, wenn werd ich sterben?
1357:Liebster Gott, wenn werd ich sterben?
992:Liebster Gott, wenn werd ich sterben?
489:Not an excuse to delete citations. --
63:should be left to the first reviewer.
7:
3177:WikiProject Classical music articles
2582:
2505:then ourselves in earth are buried.
2244:Liebster Gott, wenn werd ich sterben
2239:Liebster Gott, wann werd ich sterben
2190:Liebster Gott, wenn werd ich sterben
1416:Liebster Gott, wann werd ich sterben
1147:Liebster Gott, wann werd ich sterben
290:Template:WikiProject Classical music
263:This article is within the scope of
155:This article is within the scope of
2910:The article at the moment mentions
2503:here on earth are tried and wearied
2303:, where it seems a foreign word. --
175:Knowledge (XXG):WikiProject Germany
98:It is of interest to the following
45:) at 08:52, 15 September 2024 (UTC)
2872:MdZ and period instrument practice
2383:. Barth became a chorister at the
2105:, although it is a starting point.
14:
2538:Detailed description of Vetter's
2495:as with all who here do flourish,
2470:I will praise Thy wond'rous love;
2745:Engraving of Scheibe's organ at
2478:then to mother earth returneth.
334:
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3162:Low-importance Germany articles
3152:Good article nominees on review
195:This article has been rated as
3132:20:01, 17 September 2024 (UTC)
3116:04:32, 16 September 2024 (UTC)
3095:04:32, 16 September 2024 (UTC)
3073:08:52, 15 September 2024 (UTC)
2737:Caption of Scheibe-organ image
2491:O my God, when shall I perish?
2263:No objections from me. It was
2180:Question mark in article title
2126:15:16, 24 September 2020 (UTC)
2079:13:57, 24 September 2020 (UTC)
2043:14:05, 24 September 2020 (UTC)
2019:14:16, 24 September 2020 (UTC)
1993:13:56, 24 September 2020 (UTC)
1975:13:41, 24 September 2020 (UTC)
1939:12:30, 24 September 2020 (UTC)
1886:07:53, 24 September 2020 (UTC)
1864:07:53, 24 September 2020 (UTC)
1812:Otherwise identical to BWV 8.1
428:(Put your head on my shoulder)
1:
2971:17:13, 23 November 2020 (UTC)
2867:10:36, 19 November 2020 (UTC)
2749:, with a handwritten note by
2732:06:35, 18 November 2020 (UTC)
2712:06:13, 18 November 2020 (UTC)
2610:in the Seventeenth Century".
2533:11:23, 17 November 2020 (UTC)
2472:'Tis the fate of man to know,
2441:13:09, 15 November 2020 (UTC)
2313:08:53, 14 November 2020 (UTC)
2294:08:33, 14 November 2020 (UTC)
2277:08:15, 14 November 2020 (UTC)
2258:08:05, 14 November 2020 (UTC)
2175:15:26, 10 November 2020 (UTC)
784:This can easily be addressed:
311:This article is supported by
169:and see a list of open tasks.
3167:WikiProject Germany articles
3157:Start-Class Germany articles
2411:St. Thomas School in Leipzig
971:10:14, 9 November 2020 (UTC)
949:
680:references looked like this:
178:Template:WikiProject Germany
2841:Evangelische Verlagsanstalt
2559:Nun komm der Heiden Heiland
2493:For my days run swiftly by,
2474:pain and sorrow here below,
2466:to my home in Heav'n above?
701:They were transformed into:
266:WikiProject Classical music
3198:
2888:Munich Digitization Center
2857:Reason: more precision. --
2747:St. Paul's Church, Leipzig
2695:Daniel Vetter#Publications
2622:Cambridge University Press
2423:Christian Friedrich Penzel
954:
201:project's importance scale
2501:that we for a little time
2499:We inherit this from him,
2476:for a season he endureth,
2450:Proposing to replace (in
2132:John the Evangelist image
1914:that was recently added.
1811:
1582:16th Sunday after Trinity
1546:
1405:16th Sunday after Trinity
1369:
1132:16th Sunday after Trinity
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499:16:49, 28 June 2020 (UTC)
485:16:43, 28 June 2020 (UTC)
467:16:42, 28 June 2020 (UTC)
432:09:06, 21 July 2005 (UTC)
408:10:09, 21 July 2005 (UTC)
394:08:48, 21 July 2005 (UTC)
385:23:38, 20 July 2005 (UTC)
370:21:29, 20 July 2005 (UTC)
347:European 10,000 Challenge
310:
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2497:for of Adam's seed am I.
2403:, where he died in 1813.
1891:Infobox and new material
1849:12:04, 2 July 2020 (UTC)
1830:10:06, 2 July 2020 (UTC)
1721:09:54, 2 July 2020 (UTC)
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293:Classical music articles
2829:; Zepf, Markus (2006).
314:Compositions task force
2754:
2604:Auf meinem lieben Gott
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2419:Johann Friedrich Doles
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2116:still await summary.
1950:Johann Sebastian Bach
1552:Johann Sebastian Bach
1375:Johann Sebastian Bach
1002:Johann Sebastian Bach
851:Nor is it necessary.
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306:
92:on Knowledge (XXG)'s
51:good article criteria
31:is currently a Music
2925:Nikolaus Harnoncourt
2693:Add such content to
2606:(BuxWV 179) and the
2354:Chaplain-in-Ordinary
2248:. Any objections? --
2114:William G. Whittaker
33:good article nominee
2613:Early Music History
1917:Researchers on the
1651:soloists and chorus
1482:soloists and chorus
1229:soloists in 2nd v.)
1193:soloists and chorus
158:WikiProject Germany
2897:St Matthew Passion
2755:
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557:general references
457:, on this page. --
343:WikiProject Europe
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2003:Carus-Verlag
1985:Gerda Arendt
1954:Bach Archive
1947:
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1916:
1906:Gerda Arendt
1894:
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1768:Instrumental
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1656:Instrumental
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1487:Instrumental
1315:Gerda Arendt
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1024:Thomaskirche
816:Bach Archive
812:
802:Bach Archive
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790:Bach Archive
786:
768:Bach Digital
767:
742:. Retrieved
740:. 2020-04-08
738:Bach Archive
733:Bach Digital
731:
725:
713:. Retrieved
710:Bach Digital
709:
703:
695:Bach Archive
690:Bach Digital
688:
682:
678:Bach Digital
561:Your version
534:
445:
364:
351:
312:
279:project page
264:
229:Compositions
196:
156:
100:WikiProjects
65:
61:good article
54:
48:
39:Gerda Arendt
28:
27:
3044:transcluded
2953:instead of
2839:(2nd ed.).
2804:Butler 2016
2773:Butler 2016
2717:in-use tags
2624:: 161–188.
2363:reduced to:
2346:Minor Canon
2329:WP:COATRACK
2301:In the news
2231:BWV 8.2;...
2223:BWV 8.1;...
2151:woodcut by
1958:Emil Platen
1436:setting by
1170:by Vetter (
945:MOS:CITEVAR
828:SUB Hamburg
814:|publisher=
800:|publisher=
788:|publisher=
736:. Leipzig:
693:. Leipzig:
90:Start-class
3141:Categories
3056:Nominator:
2997:Authorship
2983:GA toolbox
2912:en passant
2905:Gewandhaus
2761:References
2571:References
2513:MOS:LYRICS
2406:recast as:
1898:Nikkimaria
1841:Nikkimaria
1837:|based_on=
1760:1747-09-17
1705:– compare
1622:1747-09-17
1453:1724-09-24
1414:based on "
1278:Proposal →
1259:1724-09-24
1211:in 2nd v.)
961:), etc. --
930:Nikkimaria
902:Nikkimaria
883:WP:CITEVAR
853:Nikkimaria
772:Nikkimaria
663:Nikkimaria
641:Nikkimaria
627:Nikkimaria
594:WP:CITEVAR
590:Nikkimaria
566:Nikkimaria
553:Previously
505:Nikkimaria
477:Nikkimaria
449:Nikkimaria
275:guidelines
3078:Reviewer:
3020:Templates
3011:Reviewing
2976:GA Review
2335:Troutbeck
1753:Performed
1637:Movements
1614:Performed
1468:Movements
1445:Performed
1348:Or, split
1179:Movements
1172:Zahn 6634
1168:hymn tune
1141:based on
1110:(BWVÂ 8.2)
1099:(BWVÂ 8.1)
1059:Catalogue
1008:1–5) and
601:WP:GENREF
3091:contribs
3069:contribs
3025:Criteria
2951:hautbois
2794:, p. 66.
2629:40800911
2585:, p. 39.
2381:Glauchau
1960:'s 1975
1803:continuo
1794:soloists
1775:traverso
1691:continuo
1682:soloists
1663:traverso
1606:Based on
1596:Language
1578:Occasion
1515:continuo
1433:Based on
1423:Language
1401:Occasion
1267:Location
1247:Premiere
1238:continuo
1164:Based on
1154:Language
1128:Occasion
1012:(mvt. 6)
950:#Infobox
806:|others=
792:; et al.
639:Indeed,
2963:Mathsci
2903:at the
2882:became
2775:, p. 5.
2724:Mathsci
2246:, BWVÂ 8
2201:(1982):
2192:, BWV 8
2118:Mathsci
2029:Gerda,
2011:Mathsci
1967:Mathsci
1931:Mathsci
1927:pietism
1912:BWV 105
1798:strings
1747:DÂ major
1686:strings
1629:Leipzig
1609:BWV 8.1
1562:DÂ major
1510:strings
1460:Leipzig
1385:EÂ major
1271:Leipzig
1233:strings
1086:BWVÂ 8/6
985:Infobox
744:28 June
715:28 June
442:Sources
199:on the
172:Germany
163:Germany
119:Germany
3110:(talk)
2937:BWV 78
2644:, pp.
1999:BWV 39
1792:violin
1786:taille
1680:violin
1674:taille
1600:German
1440:(1713)
1427:German
1227:violin
1209:taille
1158:German
955:#Ideas
96:scale.
3105:Aza24
3081:Aza24
3046:from
2933:BWV 8
2626:JSTOR
2401:Borna
2374:Barth
2282:Moved
2051:Ideas
2007:IMSLP
1645:Vocal
1568:Genre
1499:flute
1476:Vocal
1391:Genre
1215:flute
1187:Vocal
1118:Genre
422:tonal
419:Micro
381:tonal
378:Micro
361:Title
3128:talk
3085:talk
3063:talk
2967:talk
2935:and
2931:for
2863:talk
2845:ISBN
2810:help
2779:help
2728:talk
2708:talk
2680:SATB
2656:help
2589:help
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2001:and
1989:talk
1971:talk
1935:talk
1882:talk
1860:talk
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1717:talk
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1588:Text
1494:horn
1480:SATB
1411:Text
1334:talk
1319:talk
1286:talk
1252:Date
1205:horn
1191:SATB
1145:'s "
1138:Text
1106:1747
1102:1747
1095:1724
1091:1724
1080:1713
1076:1713
1070:Year
1006:mvt.
967:talk
934:talk
920:talk
906:talk
892:talk
857:talk
843:talk
830:and
824:SLUB
776:talk
766:The
758:talk
746:2020
717:2020
667:talk
653:talk
645:WP:V
631:talk
623:here
613:talk
599:Re.
570:talk
544:talk
524:talk
509:talk
495:talk
481:talk
463:talk
455:WP:V
345:'s "
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1737:8.2
1735:BWV
1558:Key
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1541:8.2
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1373:by
1364:8.1
1362:BWV
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1063:BWV
1032:Key
1000:by
820:SBB
810:Or:
796:Or:
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391:Mst
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