510:. In other words, the attack was assessed in terms of the wounds inflicted on a female body rather than in terms of the damage caused to a valuable painted canvas. But perhaps the most interesting example of this substitution of flesh for canvas is in the description of the damage caused where the blunt end of the chopper struck the canvas, causing rough tearing and an indentation rather than a clear cut with the blade. This was apparently more difficult to repair than the places where the blade had cut straight through the canvas and caused the greatest problems for the conservationists. 15 In a press statement, Mr Hawes Turner, the Keeper and Secretary of the National Gallery, described this damage as 'a ragged bruise on the most important part of the work' and most of the papers fixed upon this notion of 'bruising' in their own accounts of the damage to the painting. To bruise is to discolour or contuse but to keep the damaged surface/skin intact; it suggests a soft, three-dimensional form, and one might think of bruising to the flesh of fruit or a human body. To refer to the damage on 'The Rokeby Venus' as a bruise is instantly to confuse the distinctions between hardness (the canvas) and softness (the signified female body). The viewers of the damaged painting could not be confined to descriptions of a flat surface but moved directly to the evocation of a three-dimensional form with surface and volume - in other words, to the account of damage to a woman's body rather than to a picture." (oh and thanks for the link).
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until the French occupied
Lorraine shortly before he died. I'm not sure what the point being made is - most, certainly of Hollar's prints, are indeed documentary studies, especially of middle-class women, who are pretty well-covered up. Callot went more into high fashion, but I've not seen any very
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be "gazing at her reflection in a mirror," as written in the article. For she and the viewer to share a similar view of what the mirror shows they need to share a similar, if not common, viewpoint; since the viewer is not looking at the mirror behind her (but to her side), there is no similar
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You're always on dangerous ground searching for nudes however lofty your aspirations might be - you're lucky you only got a drunken city councillor! (or is that just the cleanest result you felt you could share?) The disputed provenance might be worth mentioning as an historical aside, but its
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That may be true in strict optical terms, but as their paper demonstrates, that is how most viewers perceive her, & no doubt always have done. The paper avoids all questions as to what the various artists intended, & does not contain the term "artistic convention". Oh well, send three
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Per the NG it was brought to
England by William Buchanan in September 1813, having been legitimately acquired. Buchanan was a Scottish dealer who sent an agent to Spain for a number of years. Btw they describe Lopez-Rey's account of the condition of the pic as "largely misleading".
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c.1510, had an enormous influence on Velázquez when he was in Italy. Given the limitations imposed by the
Spanish inquisition he must have considered both of these pictures very carefully in determining to turn his model around. I added Venus of Urbino to the lead.
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viewpoint. This is a common mistake. Bertamini, Latto & Spooner (Perception 2003 32:593-599) have studied this perceptual mis-understanding of mirror reflections in paintings, including the Rokeby Venus, calling it the "Venus effect" -- see <
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During your revels, the thumbs have been made to have unforced sizes per the MOS. Put your thumbnail size preference up if you don't like it (a minimum size parameter would be a good addition to the image tag though, I have to agree)
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show, according to Veliz, "an almost documentary interest in the form and detail of
European costume in the second quarter of the seventeenth century" - Hollar was Bohemian, and Callot strictly a
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Thanks for that. If you think the point is worth expanding, why not quote more from Nead? I would be nervous of attributing a quote to the Times if we cannot locate it in any Times article.
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being announced three times, I've changed the infobox heading to that more descriptive, possibly more art-historical title. You can also see this principle at work at
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The Female Nude: Art, Obscenity, and
Sexuality. Contributors: Lynda Nead - author. Publisher: Routledge. Place of Publication: New York. Publication Year: 1992.
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I think your probably right. The section is underdeveloped anyway as it is; I found some more sources this afternoon so I might rewrite tonight.
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1071:"In this work, Velázquez combined two established poses for Venus: recumbent on a couch or a bed, and gazing at her reflection in a mirror."
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at the beginning of an article. I find this silly, especially with a work like this which has several variant titles, none of which is wrong
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The legacy section sorely needs a word on the most famous and significant painting to borrow from the venus. Also why is the thumb for
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described a 'cruel wound in the neck', as well as incisions to it's 'shoulders and back'." There is a copy of the Times article here:
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990:, which I think needs explaining. It's one of the formatting quirks of articles on paintings that a work's title appears in boldface
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1721:, Juan Antonio Uson, Juan de Jesus María, Juan de San José, Manuel García, and five Jesuits co-signing: Pedro Gonçalez de Mendoça,
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1143:. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the
1006:; I think it works rather well. I'm aware that this, too, is an "extremely minor issue", but I just thought I'd explain myself!
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in a sensual pose, lying on a bed and looking into a mirror held by her son Cupid. The painting is the only surviving female
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However, since the 'viewer' can see Venus' face it must be the 'viewer' that Venus is looking at and not her self.
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It might not have been the same edition. The case went on for some time and was widely and closely reported. From:
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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to delete these "External links modified" talk page sections if they want to de-clutter talk pages, but see the
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https://web.archive.org/web/20110204020650/http://www.nationalgallery.org.uk/paintings/focus-painting-february
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https://web.archive.org/web/20050408232640/http://gallery.euroweb.hu/html/v/velazque/1651-60/01venus.html
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psychologists to do an art-historian's job .... We should mention the issue, if we don't already.
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before doing mass systematic removals. This message is updated dynamically through the template
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There might be something to say about
Spanish prudery that didn't bring in the Inquisition... --
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out of Spain c. 1810-1820, but I can't find out why or by whom. Anybody have anything on this.
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It is interesting to note that after the attack, the market value of the piece rose sharply.
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https://web.archive.org/web/20120218221514/http://www.hastingspress.co.uk/history/mary.htm
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If you found an error with any archives or the URLs themselves, you can fix them with
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There's a gap of white space between the end of the lead and the contents table.
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Interesting indeed, but not something I came across in the sources. Is it true?
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which was completed between 1647 and 1651. It depicts the Roman goddess
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This as an extremely minor issue, but I've edited the text to read "the
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I think some of this can be cut as it is a little off topic and broad.
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in a search! MacLaren says: "The supposed signatures of ...Mazo and
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sexy ones by him either, and he did more of men than women I think.
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http://www.nationalgallery.org.uk/paintings/focus-painting-february
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Hello! This is a note to let the editors of this article know that
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http://www.liv.ac.uk/vp/Publications/BertaminiLattoSpooner2003.pdf
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http://gallery.euroweb.hu/html/v/velazque/1651-60/01venus.html
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Anybody know anything about the controversy(?) highlighted by
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1717:, Pedro Salas Mansilla, Diego Fernandez, Rodrigo Gutierrez,
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FWIW the full list of contributors to the 1632 pamphlet is:
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The third para no longer makes sence. Can somebody clarify.
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resolved by putting image directly under infobox - I hope.
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Featured articles that have appeared on the main page once
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for additional information. I made the following changes:
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for additional information. I made the following changes:
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for additional information. I made the following changes:
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on July 13, 2013. You can view and edit the POTD blurb at
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in the bottom left corner are purely accidental marks."
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The article currently includes the following sentence: "
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This article appeared on Knowledge (XXG)'s Main Page as
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Featured articles that have appeared on the main page
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Titian - Venus with a Mirror - Google Art Project.jpg
386:, a collaborative effort to improve the coverage of
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197:, a collaborative effort to improve the coverage of
1489:using the archive tool instructions below. Editors
1379:using the archive tool instructions below. Editors
1269:using the archive tool instructions below. Editors
977:so the proposed move wouldn't have been desirable.
942:" throughout the text, shouldn't it be moved to
1247:http://www.hastingspress.co.uk/history/mary.htm
1562:Participate in the deletion discussion at the
1475:This message was posted before February 2018.
1365:This message was posted before February 2018.
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570:I found a brief mention that the painting was
767:Old hat, I think, though i was interested to
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1194:by Velázquez. Since 1906 it has been in the
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1585:What ref is Serraller, pp. 237–60. ??? --
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998:. So to avoid the monotony of
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1770:Low-importance Spain articles
960:13:12, 20 November 2008 (UTC)
923:00:59, 20 November 2008 (UTC)
909:00:37, 20 November 2008 (UTC)
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394:and see a list of open tasks.
307:and see a list of open tasks.
205:and see a list of open tasks.
1683:Francisco Cornejo de la Vega
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898:Its being pushed out by the
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1775:All WikiProject Spain pages
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707:Has been fixed by Johnbod.
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1581:ref Serraller, pp. 237–60.
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461:and others mention it. --
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1211:More featured pictures...
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1725:, Hernando de Mendoça,
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739:rather than Velázquez?
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1729:, and Luis de Torres.
1713:, Juan Sanchez Duque,
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63:on November 20, 2008.
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1477:After February 2018
1367:After February 2018
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1015:That's right - see
988:The Toilet of Venus
777:Anton Raphael Mengs
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566:Smuggled to England
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1676:Salamanca opinions
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1631:and updated
1149:Crisco 1492
1078:Indeed she
992:three times
948:Rokey Venus
868:White space
310:Visual arts
301:visual arts
260:Visual arts
1744:Categories
1733:jnestorius
1654:Imprimatur
1635:jnestorius
1618:jnestorius
1538:Report bug
1428:Report bug
1318:Report bug
1200:Painting:
1198:in London.
729:Clive Bell
723:Clive Bell
36:identified
1616:in 2007?
1521:this tool
1514:this tool
1411:this tool
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1301:this tool
1294:this tool
1145:Main Page
840:Yomangani
797:Yomangani
754:Yomangani
742:Yomangani
675:Modernist
670:Giorgione
618:Lorrainer
476:The Times
1673:unsigned
1527:Cheers.—
1417:Cheers.—
1307:Cheers.—
952:Remurmur
572:smuggled
126:FA-class
102:Promoted
1451:my edit
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1231:my edit
1207:Archive
1110:Johnbod
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604:Clothes
591:Johnbod
443:censor?
424:on the
235:on the
80:Process
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1094:BbBrox
1080:cannot
996:per se
662:Titian
534:Grafen
483:Grafen
449:Wetman
397:London
388:London
344:London
132:scale.
83:Result
1670:Essay
1608:Ceoil
1602:these
1188:Venus
1091:: -->
1051:Ceoil
1041:Value
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905:Ceoil
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823:Ceoil
771:] of
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208:Spain
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155:Spain
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950:"?--
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77:Date
1566:. —
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1008:Ham
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