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Webster-Chang, Stephanie J. "Composing, Revising, and
Performing Suzhou Ballads: A Study of Political Control and Artistic Freedom in Tanci, 1949--1964." (
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to express their gendered experiences and to create a female literary tradition different from the male-dominated genres of novels and stories."
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often are about their philosophy of literary creation, the sentiments of the author, and descriptions of seasons. Lingzhen Wang, author of
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it became popular with educated women who wrote and performed the music and who were the genre's audience and reader base.
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as "plucking rhymes," "southern singing narrative," "story-sining," "strum lyrics". The local forms of Tanci encompasses
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that alternates between verse and prose. The literal name "plucking rhymes" refers to the singing of verse portions to a
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During the Qing dynasty it was not only used for entertainment but also for political and social propaganda. The
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Guo, Li, (2022). "Narrative and Genre: Locating Tanci in
Chinese Literature and World Literature< In
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is usually seven words long. On some occasions the length is ten words. Some scholars refer to
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consists of both spoken storytelling and sung ballads. Another distinct narrative style is
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Personal
Matters: Women's Autobiographical Practice in Twentieth-century China
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Personal
Matters: Women's Autobiographical Practice in Twentieth-century China
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Interfamily Tanci
Writing in Nineteenth-Century China: Bonds and Boundaries
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The Oxford
Encyclopedia of Women in World History: 4 Volume Set
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region. It originated as a popular literary genre in the
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Hu, Siao-chen. "Qu Xinru." In: Smith, Bonnie G. (editor)
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212:was a popular art form with women in the lower
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16:Chinese song genre that mixed verse and prose
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192:is used as a collective term to refer to
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504:and Chinese narrative traditions
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279:A Companion to World Literature
264:, is an example of a political
260:(Li Boyuan) written about the
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352:. Lexington Books, 2017.
314:Stanford University Press
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329:University of Pittsburgh
32:Traditional Chinese
295:Oxford University Press
281:, K. Seigneurie (Ed.).
140:is a narrative form of
46:Simplified Chinese
757:Comedic/Light theater
224:. In the mid-to-late
1084:Chinese storytelling
249:Gengzi Guobian Tanci
214:Yangtze River Valley
930:Revolutionary opera
460:Wang, Lingzhen, p.
410:Wang, Lingzhen, p.
216:, specifically the
172:Shaoxing Pinghudiao
1074:Chinese folk music
1069:Chinese literature
444:Webster-Chang, p.
428:Hu, Siao-chen, p.
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781:Tea-picking opera
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743:Ritual opera
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648:Liyuan opera
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611:Gaojia opera
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568:Peking opera
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379:China portal
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160:Suzhou Tanci
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84:Hanyu Pinyin
1027:Pear Garden
816:Flower Drum
795:(narrative)
621:Hakka opera
539:Jilin opera
529:Henan opera
348:Zhang, Yu,
1063:Categories
1033:Shengqiang
939:Role types
881:Historical
871:Xiangsheng
829:Kuaibanshu
810:Errenzhuan
713:Wuxi opera
678:Shao opera
626:Huai opera
573:Ping opera
342:1109055803
322:080475005X
303:0195148908
272:References
98:Wade–Giles
1047:Bian lian
953:Xiaosheng
857:Shulaibao
748:Nuo opera
723:Yue opera
658:Min opera
636:Hui opera
616:Han opera
258:Li Baojia
104:T'an-tz'u
999:Costumes
992:Costumes
889:Canjunxi
765:Errentai
708:Wu opera
663:Ou opera
653:Lu opera
599:Southern
584:Qinqiang
578:Pu opera
562:Maoqiang
556:Lü opera
545:Liuqiang
517:Northern
336:, 2008.
334:ProQuest
316:, 2004.
297:, 2008.
231:Women's
218:Jiangnan
924:Zidishu
917:Chuanqi
896:Yuanben
850:Pingtan
843:Pingshu
836:Naamyam
204:History
198:pinghua
189:pingtan
183:pinghua
174:, etc.
1040:Yunbai
1010:Lingzi
356:
340:
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967:Wudan
947:Sheng
903:Nanxi
864:Tanci
803:Baiju
642:Kunqu
365:Notes
266:tanci
254:tanci
241:tanci
233:tanci
210:tanci
194:tanci
178:Tanci
156:tanci
152:tanci
138:Tanci
90:Táncí
22:Tanci
982:Chou
975:Jing
910:Zaju
822:Guci
792:Quyi
354:ISBN
338:ISBN
318:ISBN
299:ISBN
252:, a
196:and
150:. A
147:pipa
961:Dan
430:539
256:by
112:IPA
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52:弹词
38:彈詞
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.