472:, finish with an instructive moral, and are narrated by someone who claims to have seen the events himself. These stories consisted of anecdotes, jokes, legends, and tales involving mystical, fantastical or legendary elements. The authors did not want to present their works as fiction, but modeled themselves on the literary style of the biographies in the official histories. They went so far as to credit specific people as authorities for the story, however fantastic, and give particular times and places as settings. The authors of these tales were also more careful about the art of storytelling than authors of earlier works, and a number of them have well-developed plots.
681:, seduces the impoverished scholar Zheng. Although Zheng discovers that she is actually a fox, he continues the relationship. Because of his genuine affection and the help of his relative Wei Yin, Renshi marries Zheng as his concubine. At some point, Wei also falls in love with the beautiful Renshi and courts her, but Renshi, being true, is unmoved and refuses him. Years later, Zheng has to journey to take up an official post and wants Renshi to go with him. Renshi is unwilling but is eventually persuaded. She is killed on their way by hounds.Another notable
1264:
956:. The story involves a young student who falls in love with the famous courtesan Li Wa. Having spent all his money on Li Wa, he is abandoned by Li Wa and her Madam and then beaten by his father. Injured and impoverished, he roams the street as a beggar until meeting Li Wa again. Li Wa changes her heart and takes him in. She makes him study hard for the examinations. After he successfully passes the examinations, his father reconciles with him and accepts his marriage with Li Wa. The story concludes in a rare happy ending.
1015:, Chunyu Fen, an unsuccessful officer drinks himself to sleep and dreams about a kingdom where he experiences the ups and downs of life and gains wealth and fame, but when he wakes, he finds that the kingdom is merely a large ants' nest. Chunyu Fen then eschews money and women and becomes a Taoist, although he still feels somewhat attached to the ants' nest. The story satirised the corruption and scramble for power among officials. In terms of satire and writing, it is superior to
630:. There was a great number of new writers and new works. The stories of this period are generally of high quality and rich in both content and form. Although the influence of the old gods and demons fiction still lingered, many stories had begun to reflect reality instead of telling mere fantasies.The themes are mainly satire, love and history, among which love is the best explored. Some of the best
354:
1008:
in the exams and is made an official, but is later exiled because of slanders. When he is in despair, he is pardoned and given back his former position. Later in his dream-life he marries, has a large family and finally dies at the age of eighty. When he wakes up, the rice is not yet cooked. Thus he
1003:
is a story that advises people to give up the desire for fame and gain. In the story, a student who has failed the examination many times meets a Taoist monk who gives him a porcelain pillow. When the student receives the pillow, the owner of the inn is cooking rice. The student sleeps on the pillow
976:
written in Early Tang dynasty tells the story of how Wang Du from the Sui dynasty receives an ancient mirror from Hou of Fenyin and slays demons with its help; Liu Yi zhuan by Li
Chaowei tells the story of how Liu Yi, when passing the north bank of Jing River after failing the examinations, meets a
936:
with the most long-lasting influence on later generations. The student Zhang meets Cui
Yingying in a temple and falls in love. After a while, they establish a secret sexual relationship and meet each other at night. Months later, Zhang leaves to take the examination and abandons Yingying, believing
609:
is considered to be of the highest quality. In the story, after a white ape abducts a beauty, the husband of the woman enters the ape's palace, kills the white ape and rescues her. The complex personality of the white ape is portrayed in a realistic and fascinating way, making the story a classic
540:
In the Tang dynasty, the increasing social productivity and booming economy led to rising demand for entertainments and cultural activities. The development of urban economy also offered a variety of themes and source material for writers. Intellectuals began to write invented stories in order to
945:
and courtesan Huo Xiaoyu. They originally vow to be life-long lovers, but Xiaoyu worries that their relationship will not last, so she asks Li Yi to put off their marriage for eight years. Having successfully passed the examination, Li Yi becomes an official. Immediately afterwards, he marries a
805:
promoted that literature should be a vehicle for ideology, highlighted the educational function of literature and in turn disapproved of unorthodox plots, the freedom and creativity of authors were limited. In the meantime, the rise to popularity of vernacular novels reduced novels in classical
502:
to have a complete structure and the best works usually meet this standard while having a complex plot. Characterisation-wise, emphasis is laid on the description of a character's psychology and the portrayal of round characters, which is achieved by drawing attention to details and providing
489:
usually begins with basic information of the main character—their year of birth and death, origin, noteworthy ancestors and their titles—and end with comments on the event or the character. The origin of the story would also be explained so as to prove its authenticity. Poetry, both in
1190:
and their respective ends—when they flee from the rebellion, the emperor is forced to sentence Yang to death at Mawei
Courier Station; after the rebellion is suppressed, the emperor is also forced to abdicate. In the end of the story the emperor meets Yang again in his dream.
1105:, who, in order to scare away an enemy of her master, steals their prized golden box from their bedside at night. She later leaves her master to become a bhikkhuni. Similar characters include Xie Xiao'e from Xie Xiao'e zhuan and Nie Yinniang from the eponymous
946:
woman from his own elevated social status and avoids Xiaoyu. Xiaoyu falls gravely ill. Dying, she reprimands and curses Li Yi. As a result of the curse, he becomes extremely jealous and abusive, so much so that none of his marriages can last.
335:
stories have a complicated plot with twists and detailed descriptions and are meaningful literary creations instead of mere recordings of factual events. They are some of the earliest
Chinese literature written in the form of
672:
was separate from the traditional gods and demons stories and where the focus of a story shifted from the recounting of strange events to the literary use of language and the portrayal of characters. In
509:
by Shen Jiji, for example, allows readers to see the characters from multiple perspectives and, with its witty dialogues, gives a cleverly-drawn picture of the triangular relationship of the characters.
524:
is better at describing scenery, emotions, setting atmosphere and achieving these goals with poetry. Content-wise, its purpose having developed from telling strange stories to reflecting reality,
532:
as an example, it reflects the phenomenon that men with a certain social status would do anything to marry a woman of the same status, even abandoning the love they shared with a common woman.
1214:
Annotated translations of six tales. The
Introduction, "Notes for a History of the Translation of Tang Tales," gives a history of the translation of the tales and the scholarship on them.
977:
shepherdess, who turns out to be the daughter of the Dragon King, abused by her husband, and helps her send words to her father. In order to give lessons or express satire,
1093:, the protagonist, beautiful Wushuang, after being abducted to a harem, is given a rare potion which allows her to fake death for three days and is thus rescued by a
822:
In Ming and Qing dynasties, vernacular novels were far more popular than those written in classical
Chinese. Many of the latter imitated the themes and writing of
498:, is largely used to express emotions, describe a person or scenery, make comments or to mark a turn in the plot. Structure-wise, it is important for
1044:
is particular not because of its beautiful writing, but because it uses a ghost story to reveal the secrets behind an assassination of an emperor.
926:
show criticism to the traditional concept that one must not marry out of their social class and celebrate freedom of choice in love and marriage.
1113:
is set in at the end of the Sui dynasty when warlords fought for power. The curly-bearded guest seeks to dominate the kingdom, but realises that
1796:
866:
846:
444:
422:
Buddhist tales written in the colloquial). Certain scholars hold the opinion that all fictional stories written in
Classical Chinese except
801:
by an anonymous author. Among these, the works of Yue Shi are the most outstanding. In the Song dynasty, because the prominent philosophy,
1708:
1626:
1554:
693:. Liushi is abducted by a foreign general in a rebellion before being rescued by the fierce warrior Xu Jun and finally reunited with
1654:
1463:
1414:
1314:
1211:
1849:
1844:
761:
tells the amazing story of Nie
Yinniang's youth—how she learns martial arts and spells under the guidance of an extraordinary
1720:
1688:
1586:
1487:
1438:
1387:
1355:
1248:
1236:(New York: Harcourt, 1964 Translated by Christopher Levenson from Wolfgang Bauer's and Herbert Franke's German translations.)
1226:
481:
173:
42:
618:
recounts the love affair a man has with two female immortals; graphic description of intercourse can be found in the story.
583:
written was limited and their general quality was not as high. The works of that period also bear heavy influence from the
58:
215:. The term often refers specifically to fictions written in the Tang dynasty, in which case the fictions are also called
1200:
404:. Some scholars have argued that it is not to be used as a general term for all Tang dynasty stories. The scholars
1824:
1017:
999:
983:
972:, influenced by the tradition from the Six Dynasties, contains ideas from both Buddhism and Taoism. For example,
860:
320:
255:
556:
so as to gain favour from the examiners, which led to the popularity of the form of fiction. An example is that
1839:
560:
by Li Fuyan was written during an examination. However, some scholars think this belief is without foundation.
1121:
so that the latter can help Li Shimin take the throne. Then the curly-bearded guest leaves to be the king of
668:
written in 781 AD by Shen Jiji is a masterpiece. It marks the beginning of a new era for Tang fiction, where
601:
by Zhang Zhuo. They were all written during the reigns of
Emperor Gaozong and Empress Wu Zetian. None of the
1114:
928:
914:
640:
572:
512:
271:
1239:"The World in a Pillow: Classical Tales of the Tang dynasty," in John Minford, and Joseph S. M. Lau, ed.,
1118:
180:
157:
1011:
989:
295:
549:
1175:
765:, chooses her own husband, which is unorthodox considering the time period, and does heroic deeds.
1277:
1055:
fictions often reflect the hope for justice and salvation in a time of unrest. Notable works of
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1792:
1716:
1684:
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1622:
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285:
208:
134:
126:
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of the Tang period frequently use incidental poems, set their story in the national capital
327:
237:, was first formed in Early Tang dynasty, became popular in Middle Tang and dwindled in the
229:
91:
1755:
1433:(New York: Columbia University Press, 1978; Reprinted: Boston: Cheng & Tsui, 1986.
1221:(New York: Columbia University Press, 1978). Reprinted: Boston: Cheng & Tsui, 1986.
832:
717:
writers to tell mysterious stories unrelated to real life. There emerged many works about
694:
690:
346:
112:
826:
from Tang and Song dynasties. Certain scholars also categorise them in a broad sense as
541:
show off their literary talent. They are all factors that resulted in the popularity of
1117:
is destined to be emperor after meeting him. Therefore, he gives all his possession to
952:, with its clear structure and unpredictable, moving plot, is one of the best works of
266:
150:
143:
353:
1833:
517:
341:
234:
1243:(New York; Hong Kong: Columbia University Press; The Chinese University Press, 2000
1174:
focuses on the events that happened when the
Emperor Xuanzong of Tang fled from the
1269:
1086:
942:
909:
746:
733:
710:
664:
662:. They all have a diversity of realistic characters, which make them the classics.
659:
516:
has also created layered characters. Technique-wise, compared to fictions from the
505:
431:
386:
374:
340:
and have provided valuable inspiration plot-wise and in other ways for fiction and
316:
290:
261:
238:
212:
98:
762:
528:
has a large range of themes and reflects different aspects of the society. Taking
1820:
1786:
1404:
1345:
392:
which was the first modern critical edition of the texts and helped to establish
17:
1187:
851:
469:
439:
400:, and there are debates regarding what fictions precisely should be included as
337:
204:
166:
65:
49:
1642:
1259:
1074:
994:
405:
300:
1482:(Ann Arbor: Center for Chinese Studies, The University of Michigan, 1997;
844:
by Ma Zhongxi, and "The Taoist of Lao Mountain", "Xia nu" and "Hong Yu" from
810:. The only fictional work from this period that can be counted as chuanqi is
381:
is established by usage. In the early 1920s the prominent author and scholar
1179:
1150:
1143:
1065:
919:
727:
678:
645:
576:
276:
1129:
has reached an unsurpassed peak in fictions written in classical Chinese.
1165:
754:
418:
1036:
written by Li Fuyan in Late Tang dynasty are also noteworthy works of
1094:
837:
718:
396:
as the term by which they are known. There is no clear definition of
382:
361:
1382:(in Simplified Chinese). Shanghai: Shanghai Guji Publishing House.
1122:
697:.After the 820s, intellectuals gradually lost interest in writing
495:
352:
344:
in later eras. Many were preserved in the 10th-century anthology,
1581:(in Simplified Chinese). 倪慶餼譯. Beijing: Renmin University Press.
1549:(in Chinese). 韋凌譯. Shanghai: East China Normal University Press.
1478:"The form and content of Chuanqi," in Wilt Idema and Lloyd Haft.
830:. Typical works from this period include "Jin feng chai ji" from
155:
1229:. Includes 26 selections, ranging from the Tang dynasty to 1916.
689:
by Xu Yaozuo, a story about the courtesan Liushi and her lover
589:
popular in the Six dynasty. Only three works are extant today:
634:
are love stories about unions and separations. Representative
438:
was written. These scholars hold that many of the stories in
249:(heroes and knights-errant) and history. Well known works of
1823:
Ulrich Theobald, Department of Chinese and Korean Studies,
1683:(in Simplified Chinese). 李慶譯. 上海: 上海古籍出版社. pp. 26–37.
937:
her to be untrue. His friends all approve of his decision.
178:
1206:(Singapore and Hackensack, NJ: World Scientific, 2010).
1649:(in Traditional Chinese). 上海: 上海古籍出版社. pp. 74–81.
806:
Chinese to second place and also led to the decline of
1186:
tells the love story between the Emperor Xuanzong and
981:
are often about supernatural beings or another world.
785:
written in the Song dynasty is few. Some examples are
757:
slave who saves the lover of his master from a harem.
1309:(in Simplified Chinese). 北京: 中華書局. pp. 203–252.
131:
117:
103:
1234:
The Golden Casket: Chinese Novellas of Two Millennia
605:
written in High Tang still remains.Among the three,
1431:
Traditional Chinese Stories: Themes and Variations.
1219:
Traditional Chinese Stories: Themes and Variations.
607:
Supplement to Jiang Zong's Biography of a White Ape
595:
Supplement to Jiang Zong's Biography of a White Ape
172:
165:
149:
142:
125:
111:
97:
90:
85:
73:
57:
41:
32:
1711:Traditional Chinese Stories: Themes and Variations
1097:. Heroic female characters are greatly praised in
1707:馬幼垣（Y. W. Ma）、劉紹銘（Joseph S. M. Lau）, ed. (1978).
548:Certain scholars believe that candidates of the
1409:. Vol. 1. World Scientific. p. xiii.
1009:realises that life is no more than a dream. In
412:as a general term for short stories written in
1758:(in Traditional Chinese). 國立台灣大學文學院佛學數位圖書館暨博物館
1621:(in Simplified Chinese). 益西拉姆等譯. 上海: 復旦大學出版社.
416:during the Tang and Song dynasties (excluding
552:in the Tang dynasty often handed in works of
245:has four main themes: love, gods and demons,
63:
47:
8:
1456:Merriam-Webster's Encyclopedia of Literature
1178:and the discussions between the emperor and
769:by an anonymous author is also a well-known
456:is sometimes translated as "marvel tales."
1458:. Springfield, MA: Merriam-Webster. 1995.
1004:and dreams that he successfully becomes a
82:
1350:(in Traditional Chinese). Taipei: 正中書局.
579:. In Early and High Tang, the number of
350:(Extensive Records of the Taiping Era).
1715:. New York: Columbia University Press.
1294:
485:. Therefore, like in historic records,
27:Classical Chinese fictional short story
1743:(in Traditional Chinese). 北京: 人民文學出版社.
1702:
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29:
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1429:Y. W. Ma and Joseph S. M. Lau. ed.,
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1337:
1335:
1300:
1298:
1217:Y. W. Ma and Joseph S. M. Lau. ed.,
867:Strange Stories from a Chinese Studio
847:Strange Stories from a Chinese Studio
445:Strange Stories from a Chinese Studio
373:Referring to fictions written in the
7:
1373:
1371:
1369:
1367:
1232:Wolfgang Bauer, and Herbert Franke,
1125:. The characterisation of heroes in
1788:Tang Dynasty Tales: A Guided Reader
1406:Tang Dynasty Tales: A Guided Reader
1305:倪豪士（William H. Nienhauser） (2007).
1204:Tang dynasty Tales: A Guided Reader
1127:The Tale of the Curly-Bearded Guest
1111:The Tale of the Curly-Bearded Guest
1083:The Tale of the Curly-Bearded Guest
890:Love is the most explored theme of
743:The Tale of the Curly-Bearded Guest
313:The Tale of the Curly-Bearded Guest
713:, it was once again the trend for
626:Middle Tang was the golden age of
385:prepared an anthology of Tang and
25:
1262:
1785:Nienhauser, William H. (2010).
1756:"〈試論中國小說跟佛教的「龍王」傳說在華人社會中的相互影響〉"
1403:Nienhauser, William H. (2010).
179:
156:
1480:A Guide to Chinese Literature.
960:Zhiguai (tales of the strange)
571:appeared during the reigns of
482:Records of the Grand Historian
479:is under great influence from
132:
118:
104:
64:
48:
1:
1101:. For example, Hongxian from
941:tells the story between poet
721:"heroes and knights-errant".
1241:Classical Chinese Literature
767:A Daughter of the Wei Family
1545:莫宜佳（Monika Motsch） (2008).
1201:Nienhauser, William H., Jr.
974:Record of an Ancient Mirror
922:. The love stories told in
597:by an anonymous author and
475:The narrative structure of
442:'s 17th-century collection
265:(The Story of Lady Ren) by
1866:
1137:Historical fictions among
1018:The World Inside a Pillow
1000:The World Inside a Pillow
984:The World Inside a Pillow
797:by Qian Yi or Liu Fu and
256:The World Inside a Pillow
192:
81:
37:
1679:江炳堂 (1992). 內田道夫 (ed.).
1195:Translations and studies
1163:by Chen Hong as well as
812:Zhi cheng Zhang zhu guan
773:written in this period.
503:different perspectives.
358:Tang Song Chuanqi Vol. 2
43:Traditional Chinese
1850:Tang dynasty literature
1845:Chinese literary genres
1329:Idema and Haft, p. 139.
1161:Dong cheng fu lao zhuan
1042:Xin Gongping shang xian
818:Ming and Qing dynasties
593:supposedly by Wang Du,
434:the last dynasty where
203:is a form of fictional
59:Simplified Chinese
1825:University of Tübingen
1775:王汝濤.《宦官殺皇帝的秘錄探微》臨沂師專學報
1251:), pp. 1019-1076.
1059:on this theme include
939:The Tale of Huo Xiaoyu
900:The Tale of Huo Xiaoyu
882:has four main themes:
791:Yang Taizhen wai zhuan
650:The Tale of Huo Xiaoyu
365:
281:The Tale of Huo Xiaoyu
1170:by Anonymous Author.
1012:The Governor of Nanke
990:The Governor of Nanke
842:The Wolf of Zhongshan
749:are famous examples.
610:among early works of
364:, 1928 first edition.
356:
296:The Governor of Nanke
77:transmission strange
1791:. World Scientific.
1347:《[中國傳奇小說史話]》
1091:The Tale of Wushuang
1061:The Tale of Wushuang
929:Yingying's Biography
915:Yingying's Biography
898:about love includes
723:The Tale of Wushuang
641:Yingying's Biography
550:imperial examination
530:Yingying's Biography
513:Yingying's Biography
272:Yingying's Biography
227:originated from the
211:first formed in the
1176:An Lushan Rebellion
1172:Gao Lishi wai zhuan
799:Li Shishi wai zhuan
638:about love include
564:Early and High Tang
408:and Lloyd Haft see
1278:Chinese literature
1184:Chang hen ge zhuan
1157:Chang hen ge zhuan
1031:Xin Gongping shang
997:are two examples.
753:is the story of a
652:by Jiang Fang and
430:, thus making the
366:
305:Chang hen ge zhuan
1798:978-981-4287-28-9
1283:Chuanqi (theatre)
1081:by Yuan Jiao and
987:by Shen Jiji and
949:The Tale of Li Wa
905:The Tale of Li Wa
741:by Yuan Jiao and
655:The Tale of Li Wa
414:classical Chinese
319:. Unlike general
311:by Yuan Jiao and
286:The Tale of Li Wa
209:Classical Chinese
196:
195:
188:
187:
92:Standard Mandarin
18:Tang Song chuanqi
16:(Redirected from
1857:
1803:
1802:
1782:
1776:
1773:
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1751:
1745:
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1442:
1441:), pp. xxi-xxii.
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1361:
1341:
1330:
1327:
1321:
1320:
1302:
1272:
1267:
1266:
1265:
1071:Xie Xiao'e zhuan
1027:The Engaging Inn
864:are included in
854:. Notably, both
803:Neo-Confucianism
586:zhiguai xiaoshuo
452:. In this case,
328:zhiguai xiaoshuo
230:zhiguai xiaoshuo
184:
183:
182:
161:
160:
159:
138:
137:
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53:
52:
30:
21:
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1854:
1840:Chinese fiction
1830:
1829:
1812:
1807:
1806:
1799:
1784:
1783:
1779:
1774:
1770:
1761:
1759:
1753:
1752:
1748:
1738:
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1723:
1706:
1705:
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1691:
1681:〈夢與現實——「傳奇」的世界〉
1678:
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1629:
1616:
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1596:
1589:
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1494:
1490:), pp. 134-139.
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1261:
1258:
1197:
1155:by Yao Runeng,
1135:
1050:
1048:Xiayi (heroism)
979:zhiguai chuanqi
962:
902:by Jiang Fang,
888:
876:
833:Jiandeng Xinhua
820:
779:
707:
624:
573:Emperor Gaozong
566:
558:Ji xuan guai lu
538:
496:folk song style
492:regulated verse
462:
460:Characteristics
371:
347:Taiping Guangji
283:by Jiang Fang,
74:Literal meaning
28:
23:
22:
15:
12:
11:
5:
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1821:Chinaknowledge
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1810:External links
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1628:978-7309069891
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1556:978-7561760765
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1471:
1464:
1443:
1422:
1415:
1395:
1388:
1363:
1356:
1331:
1322:
1315:
1307:〈唐傳奇中的創造和故事講述〉
1293:
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1103:Hongxian zhuan
1079:Hongxian zhuan
1049:
1046:
1040:. Among them,
961:
958:
887:
884:
875:
872:
819:
816:
781:The number of
778:
775:
739:Hongxian Zhuan
706:
703:
623:
620:
565:
562:
537:
534:
461:
458:
370:
367:
309:Hongxian zhuan
307:by Chen Hong,
194:
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151:Middle Chinese
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86:Transcriptions
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1656:9787108009401
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1620:
1617:內山知也 (2010).
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1465:0-87779-042-6
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1452:"Pu Songling"
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1416:9789814287289
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1212:9789814287289
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1199:
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1120:
1116:
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1095:knight-errant
1092:
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1076:
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1069:by Pei Xing,
1068:
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1063:by Xue Diao,
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894:. Well known
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737:by Pei Xing,
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518:Six Dynasties
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31:
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1780:
1771:
1760:. Retrieved
1749:
1740:
1712:
1709:
1680:
1646:
1637:
1618:
1578:
1577:柳無忌 (1993).
1547:《中國中短篇敘事文學史》
1546:
1479:
1474:
1455:
1446:
1430:
1425:
1405:
1398:
1379:
1346:
1344:陳文新 (1995).
1325:
1306:
1270:china portal
1240:
1233:
1218:
1203:
1183:
1171:
1164:
1160:
1156:
1149:
1148:by Guo Shi,
1142:
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1136:
1126:
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1087:Du Guangting
1082:
1078:
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978:
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910:Bai Xingjian
903:
899:
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865:
859:
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811:
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798:
794:
793:by Yue Shi,
790:
786:
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777:Song dynasty
770:
766:
763:Buddhist nun
759:Nie Yinniang
758:
750:
747:Du Guangting
742:
738:
734:Nie Yinniang
732:
726:
722:
714:
708:
698:
687:Liushi zhuan
686:
682:
677:, Renshi, a
675:Renshi Zhuan
674:
669:
665:Renshi Zhuan
663:
660:Bai Xingjian
653:
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639:
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584:
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575:and Empress
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529:
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375:Tang dynasty
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291:Bai Xingjian
284:
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270:
262:Renshi zhuan
260:
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246:
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239:Song dynasty
228:
224:
220:
217:Tang chuanqi
216:
213:Tang dynasty
199:
198:
197:
158:/ɖˠiuᴇnɡˠiᴇ/
99:Hanyu Pinyin
1739:魯迅 (1952).
1647:〈順宗實錄與續玄怪錄〉
1378:陳珏 (2005).
1188:Yang Guifei
852:Pu Songling
795:Wu yi zhuan
787:Luzhu zhuan
622:Middle Tang
616:You xian ku
599:You xian ku
536:Development
440:Pu Songling
221:chuanqi wen
205:short story
181:/*don.gral/
167:Old Chinese
119:Chʻuan-chʻi
1834:Categories
1762:2014-08-28
1722:023104058X
1690:7532511588
1643:Chen Yinke
1588:7300010350
1488:0892641231
1439:023104058X
1389:7532539717
1357:957090979X
1289:References
1249:0231096763
1227:023104058X
1075:Li Gongzuo
995:Li Gongzuo
679:fox spirit
591:Gu jing ji
406:Wilt Idema
369:Definition
360:edited by
301:Li Gongzuo
174:Zhengzhang
113:Wade–Giles
1180:Gao Lishi
1168:wai zhuan
1151:An Lushan
1146:wai zhuan
1144:Gao Lishi
1115:Li Shimin
1066:Kunlun Nu
1023:Du Zichun
920:Yuan Zhen
751:Kūnlún nú
728:Kūnlún nú
711:Late Tang
705:Late Tang
646:Yuan Zhen
577:Wu Zetian
277:Yuan Zhen
267:Shen Jiji
1741:《中國小說史略》
1645:(1980).
1619:《隋唐小說研究》
1579:《中國文學新論》
1256:See also
1166:Li Linfu
1141:include
695:Han Hong
691:Han Hong
470:Chang'an
253:include
1817:Chuanqi
1380:初唐傳奇文鈎沉
1139:chuanqi
1133:History
1119:Li Jing
1107:chuanqi
1099:chuanqi
1057:chuanqi
1038:chuanqi
970:chuanqi
966:Zhiguai
954:chuanqi
934:chuanqi
932:is the
924:chuanqi
896:chuanqi
892:chuanqi
880:chuanqi
856:chuanqi
828:chuanqi
824:chuanqi
808:chuanqi
783:chuanqi
771:chuanqi
755:Negrito
715:chuanqi
709:In the
699:chuanqi
683:chuanqi
670:chuanqi
636:chuanqi
632:chuanqi
628:chuanqi
612:chuanqi
603:chuanqi
581:chuanqi
569:Chuanqi
554:chuanqi
543:chuanqi
526:chuanqi
522:chuanqi
500:chuanqi
487:chuanqi
477:chuanqi
466:chuanqi
454:chuanqi
450:chuanqi
436:chuanqi
428:chuanqi
419:bianwen
410:chuanqi
402:chuanqi
398:chuanqi
394:chuanqi
390:chuanqi
379:chuanqi
333:chuanqi
331:, most
251:chuanqi
243:Chuanqi
233:of the
225:Chuanqi
200:Chuanqi
105:Chuánqí
33:Chuanqi
1795:
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1313:
1247:
1225:
1210:
1153:shi ji
1006:Jinshi
912:, and
874:Themes
838:Qu You
719:youxia
383:Lu Xun
362:Lu Xun
1754:曹仕邦.
1123:Buyeo
1089:. In
1053:Xiayi
943:Li Yi
878:Tang
342:drama
247:xiayi
1793:ISBN
1717:ISBN
1685:ISBN
1651:ISBN
1623:ISBN
1583:ISBN
1551:ISBN
1484:ISBN
1460:ISBN
1435:ISBN
1411:ISBN
1384:ISBN
1352:ISBN
1311:ISBN
1245:ISBN
1223:ISBN
1208:ISBN
1159:and
1034:xian
1029:and
886:Love
861:biji
858:and
789:and
731:and
494:and
464:The
448:are
426:are
387:Song
325:and
259:and
1085:by
1073:by
993:by
918:by
908:by
850:by
836:by
745:by
685:is
658:by
644:by
377:as
315:by
299:by
289:by
275:by
219:or
207:in
127:IPA
1836::
1819:"
1731:^
1699:^
1665:^
1597:^
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1454:.
1366:^
1334:^
1297:^
1182:.
1109:.
1077:,
1025:,
1021:.
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701:.
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545:.
520:,
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293:,
279:,
269:,
241:.
223:.
66:传奇
50:傳奇
1815:"
1801:.
1765:.
1725:.
1693:.
1659:.
1631:.
1591:.
1559:.
1468:.
1419:.
1392:.
1360:.
1319:.
20:)
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