Knowledge (XXG)

Tassel

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78: 63: 39: 207: 105:) on the corners of their garments, to help them to remember all the commandments of the Lord and to keep them (Numbers 15:37-40), and as a sign of holiness. The religious Hebrew tassel, however, bears little resemblance to the decorative one which appeared and eventually became popular in Europe, especially France and Spain. 197:
during university graduation ceremonies and possibly upon the shoes of the graduates at the ceremony. Near the conclusion of the graduation ceremony, the tassel that hangs from the graduate's mortarboard is moved from the right to the left. Typically, the entire graduating class does this in unison.
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with the largest and most elaborate decorative flourishes. Some of these designs are returning today from the European and American artisans, who may charge a thousand dollars for a single hand-made tassel. The majority of the world's tassel production, however, takes place in China which
116:, were used. This involved an intricate binding of bands of filament silk vertically around the mould by means of an internal "lacing" in the bore of the mould. During the Middle Ages tassels were widely used in Spain as ornamentation for horses, called 112:, tassels were originally a series of windings of thread or string around a suspending string until the desired curvature was attained. Later, turned wooden moulds, which were either covered in simple wrappings or much more elaborate coverings called 136:
of seven years was required to become a master in one of the subdivisions of the guild. The French widely exported their very artistic work, and at such low prices that no other European nation developed a mature "trimmings" industry. Many of the
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In the Middle East, tassels were worn as talismans, especially on headwear. In Egypt, Mesopotamia, and throughout the Arab world tassels were worn by children on hoods or caps to protect them from malevolent spirits and ward off demons.
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These constructions were varied and augmented with extensive ornamentations that were each assigned an idiosyncratic term by their French creators. In sixteenth-century France these individuals were called
177:, thus receiving increased social prestige and more luxurious accommodation than ordinary commoners who wore plain black tassels on their caps. Today, only the Chancellor of Oxford wears a gold tassel. 145:
who fled France in the 1600s to escape persecution, taking their tools and skills with them. Tassels and their associated forms changed style throughout the years, from the small and casual of
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and creating a knot. Tassels are normally decorative elements, and as such one often finds them attached along the bottom
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University undergraduates on their caps, those wearing gold tassels were those who had paid for the status of
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was created in France in the 1600s. The tassel was its primary expression, but it also included
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Jenkins, Jessica Kerwin, The Encyclopedia of the Exquisite, Nan A. Talese/Doubleday, p. 213
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This article is about ornamental item of decor. For Jewish religious tassel, see
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designs (see example), through the medium sizes and more staid designs of the
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is a finishing feature in fabric and clothing decoration. It is a universal
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that is seen in varying versions in many cultures around the globe.
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A basic key tassel is made by binding or otherwise gathering
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Hanging ornament consisting of bundled threads or cords
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Tassels of a bed from Paris, circa 1782–1783, in the
427:, Fairchild Publications, 1983. ASIN B0006ECV48. 8: 158:mass-produces and exports them globally. 371:"The Chancellor - University of Oxford" 305: 66:Illustration of various tassels, from 141:, however, were among the Protestant 7: 261:. Tassels, pompons and rosettes are 124:which means "wool of little value". 408:Boudet, Pierre and Bernard Gomon, 341:"Oxford Today - Student of Oxford" 14: 425:The Dictionary of Interior Design 316:Encyclopedia of Interior Design 405:. Scalamandre Silks. New York. 1: 165:) were traditionally worn by 313:Joanna Banham (1 May 1997). 97:instructing him to tell the 475: 412:, Dessain et Tolra, 1981. 373:. Ox.ac.uk. Archived from 319:. Routledge. p. 951. 265:ornaments; the others are 83:Metropolitan Museum of Art 18: 189:In the U.S., tassels, or 440:on the wikimedia commons 345:www.oxfordtoday.ox.ac.uk 101:to make tassels (Hebrew 403:Guide to Passementerie 239:Guild of Passementiers 214: 86: 74: 68:A Handbook of Ornament 43: 27:. For other uses, see 210:Making a tassel from 209: 161:Tassels (also called 80: 65: 41: 245:, ornamental cords, 193:, are also found on 120:from the Latin term 93:, the Lord spoke to 454:Decorative ropework 438:Pictures of Tassels 351:on 23 December 2012 42:Diagram of a tassel 215: 175:gentleman-commoner 87: 75: 44: 418:978-2-249-25108-5 326:978-1-136-78758-4 72:Franz Sales Meyer 466: 459:Notions (sewing) 423:Pegler, Martin, 410:La Passementerie 395: 392: 386: 385: 383: 382: 367: 361: 360: 358: 356: 347:. Archived from 337: 331: 330: 310: 474: 473: 469: 468: 467: 465: 464: 463: 444: 443: 434: 399: 398: 393: 389: 380: 378: 369: 368: 364: 354: 352: 339: 338: 334: 327: 312: 311: 307: 302: 275: 204: 187: 185:Ceremonial wear 85:(New York City) 60: 58:History and use 36: 17: 12: 11: 5: 472: 470: 462: 461: 456: 446: 445: 442: 441: 433: 432:External links 430: 429: 428: 421: 406: 397: 396: 387: 362: 332: 325: 304: 303: 301: 298: 297: 296: 291: 286: 281: 274: 271: 203: 200: 186: 183: 134:apprenticeship 59: 56: 15: 13: 10: 9: 6: 4: 3: 2: 471: 460: 457: 455: 452: 451: 449: 439: 436: 435: 431: 426: 422: 419: 415: 411: 407: 404: 401: 400: 391: 388: 377:on 2008-05-04 376: 372: 366: 363: 350: 346: 342: 336: 333: 328: 322: 318: 317: 309: 306: 299: 295: 292: 290: 287: 285: 282: 280: 279:Passementerie 277: 276: 272: 270: 268: 264: 260: 256: 252: 248: 244: 240: 236: 232: 228: 224: 220: 213: 208: 201: 199: 196: 192: 184: 182: 178: 176: 172: 168: 164: 159: 156: 155:Victorian Era 152: 151:Empire period 148: 144: 140: 139:passementiers 135: 131: 130:passementiers 125: 123: 119: 115: 111: 106: 104: 100: 96: 92: 84: 79: 73: 69: 64: 57: 55: 53: 49: 40: 34: 30: 26: 22: 424: 409: 402: 390: 379:. Retrieved 375:the original 365: 353:. Retrieved 349:the original 344: 335: 315: 308: 266: 262: 237:. The first 216: 195:mortarboards 188: 179: 162: 160: 138: 129: 126: 121: 117: 113: 107: 91:Hebrew Bible 88: 67: 47: 45: 269:ornaments. 147:Renaissance 448:Categories 381:2013-11-19 355:3 February 300:References 99:Israelites 202:Structure 191:liripipes 171:Cambridge 143:Huguenots 132:, and an 114:satinings 294:Izarband 273:See also 255:rosettes 247:galloons 235:curtains 231:garments 52:ornament 289:Tzitzit 251:pompons 243:fringes 219:threads 153:to the 122:burrula 108:In the 103:tzitzit 89:In the 21:Tzitzit 416:  323:  284:Tallit 267:linear 257:, and 167:Oxford 48:tassel 25:Tahsil 263:point 259:gimps 221:from 163:tufts 118:borla 95:Moses 70:, by 33:Maize 414:ISBN 357:2022 321:ISBN 233:and 223:cord 212:yarn 169:and 110:West 31:and 29:Hilt 229:of 227:hem 450:: 343:. 253:, 249:, 46:A 420:. 384:. 359:. 329:. 35:.

Index

Tzitzit
Tahsil
Hilt
Maize

ornament

Franz Sales Meyer

Metropolitan Museum of Art
Hebrew Bible
Moses
Israelites
tzitzit
West
apprenticeship
Huguenots
Renaissance
Empire period
Victorian Era
Oxford
Cambridge
gentleman-commoner
liripipes
mortarboards

yarn
threads
cord
hem

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