384:"I must say I don't like Dave. He gets a pretty dubious character sometimes. He just plays a good role in the band that's all, but we often fight, and I mean physically. I usually win because he's a bit of a wimp... not that I'm a fighting person though. Dave is just one of the most extreme characters I've ever met. Sometimes he gets me so knotted up inside .. but then again that's good because it keeps me pushing; you know, right there…I usually do the interviews because I’m the only one with anything to say really. Like Alan just spends most of his time thinking, and Gary never says anything. I can usually speak for them better. Dave would just start pissing you off ... it sounds like a really horrible band, doesn't it?"
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sessions and locked Cope and Dwyer out of the studios for much of the time. Rarely able (or inclined) to add their own contributions, Cope and Dwyer worked off their frustration playing risky, stoned cross-country games with speeding jeeps. The situation culminated in a notorious (though disputed) event in which an irate Dwyer chased Balfe over the
Monmouthshire hillsides with a loaded shotgun. Hating Balfe's instrumentals, Cope walked out of the sessions with only part of the singing done and the album incomplete.
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just wasn't bothered about pushing at all. I thought what's more important, the friendship or the band? And when it came down to it I realised the band was the most important." Finkler's sacking earned the band a fair amount of ire from the closely linked and competitive
Liverpool scene (and from Ian McCulloch in particular) as well as establishing Cope's reputation as something of a tyrant.
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Jeff Hammer and bass player Alfie Agius (the latter freeing Cope to concentrate on vocals and rhythm guitar). Despite the internal turmoil, by 1981 The
Teardrop Explodes were at the height of their popularity. In March, the band played their first American dates (a time also notable for Cope's meeting with Dorian Beslity, who would later become his second wife).
213:-group sound (sometimes described as "bubblegum trance") and later exploring more experimental areas. In addition to their musical reputation, the band (and Cope in particular) had a reputation for eccentric pronouncements and behaviour, sometimes verging on the self-destructive, resulting in the band's breakup in 1982.
365:. The B-side was a version of the Cope/McCulloch song "Read It in Books", which Echo & the Bunnnymen had already released as the b-side to their debut single, "The Pictures on My Wall". Both bands recorded different versions of "Read It in Books" in the future, and Cope also re-recorded the track as a solo artist.
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In
November 1980, Alan Gill left The Teardrop Explodes, claiming not to enjoy the touring lifestyle. Cope later praised him for his strong creative impact on both the band and its perspective, but also suggested that with the band's growing success Gill had found himself "afraid to compete." Gill was
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The
Teardrop Explodes released their first single, "Sleeping Gas", in February 1979. Simpson's stage presence was now such that he rivalled Cope as the band's onstage focus, and by mutual agreement the two decided that the group wasn't big enough for both of them. Simpson left the band in the spring:
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With Cope taking on the roles of singer and bass guitarist, The
Teardrop Explodes was completed by recruiting Simpson and Finkler from the wreck of A Shallow Madness and proved a more hardy gigging proposition than its predecessors, soon establishing itself as a live act. The band were soon signed as
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in
Monmouthshire. The sessions were interrupted by touring requirements, and also by internal dissension. This peaked when Cope and Balfe opted to fire Mick Finkler as guitarist. Cope subsequently claimed that "Mick, to me, had got really complacent. There was no fire in what he wanted to do. Mick
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Interest in The
Teardrop Explodes continued long after the band's demise. Cope, however, has always resisted pressure to reform the band. When asked in 2000 if the Teardrop Explodes would ever get back together, he said: "Would you ever return to having your mother wipe your asshole?" In the course
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In
September 1982, the band reconvened at Rockfield Studios to record their third album around the nucleus of Cope, Dwyer and Balfe. Creative tensions were high, as Cope wanted to write ballads and quirky pop songs, while Balfe was more interested in recording synth-based music. Balfe took over the
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was more the work of Cope (who took sole songwriting credit on every track on the album) and was a bleaker, more sombre work than its predecessor cataloguing the breakup of Cope's first marriage and the mental chaos surrounding Cope and the band. The album was also a break from the solid beat-group
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appearance (in which Cope performed wearing a ripped pillowcase he had made into a T-shirt, later claiming to have been tripping on LSD throughout the performance). Subsequently, both Agius and Hammer were sacked. Having sufficiently mended his relationship with Cope and Dwyer, David Balfe returned
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line-up of the band) which reached No. 18 in the UK Singles Chart. Another single, "When I Dream", received airplay on progressive radio in the U.S., introducing the band to new fans. In June 1981, the band embarked on another
American tour. The tour proved to be a chaotic affair: neither Agius nor
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To Cope's disgust, the band were already committed to a UK tour playing as a guitarless three-piece, with the instrumentation covered mainly by synthesizer and backing tapes. Cope found the tour "disastrous and demeaning": he performed most of it in a self-destructive sulk, raging at his audience,
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and quit the group immediately afterwards. In February 1983, Mercury Records released a delayed (and now post-breakup) Teardrop Explodes EP, "You Disappear From View", which included songs salvaged from the aborted third album. The EP received average reviews and peaked at No. 41 in the UK chart.
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The band relocated to London to take advantage of their growing success, although by now Cope was retreating into a drugged lifestyle and beginning "a period of unrestrained megalomania." In order to keep the band on the road as a touring concern, two London musicians were hired – keyboard player
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reached number 24 on the UK Albums Chart and the band toured to support it. One further single from the album, released almost a year later, in September 1981, was "Ha-Ha I'm Drowning" backed by "Poppies in the Field"; early pressings were packaged with a bonus reissue of the "Bouncing Babies"
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drummer Budgie) which lasted for one gig before Cope reunited with McCulloch in the similarly short-lived Uh! (which also featured drummer Dave Pickett). Cope and McCulloch went on to form a fourth group, A Shallow Madness, retaining Pickett as drummer but recruiting organ player
346:, who played on the Teardrops' subsequent British tour. However, co-manager David Balfe had also been lobbying for full Teardrops membership: by July 1979, he had succeeded in ousting Quinn and taking his place as keyboard player. (Quinn then rejoined Simpson in The Wild Swans.)
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now added on bass guitar) the band took up a lengthy residence at the Pyramid Club in Liverpool, where they set up "Club Zoo", playing twice a day as a five-piece. The band then undertook an extensive tour of Europe, the US and Australia, hiring trumpeter Ted Emmett
568:"The band was never built to last... It was like building a house on scaffolding, on top of a tank moving at three miles an hour. The higher you build it, the further removed you are from the reality that it’s actually moving and going to fall."
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Hammer fitted into the group socially and Cope was retreating further into an LSD-fuelled isolation, retaining only Dwyer as trusted companion. The tour finally came adrift on the East Coast in a mess of bad business arrangements and infighting.
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Along with other contemporary Liverpudlian groups, The Teardrop Explodes played a role in returning psychedelic elements to mainstream British rock and pop, initially favouring a modernised version of lightly psychedelic late 1960s-influenced
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I'm doing all this stuff to keep myself invigorated every day, hanging out with people I believe are culture heroes, and you think I'm doing all this because it hasn't yet occurred to me to reform The Teardrop Explodes?"
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presented The Teardrop Explodes with their Inspiration Award. The magazine called the band "the great ambassadors of psychedelia in the '80s when the genre was all but dead", and noted their influence on artists such as
587:) for the live band. By March 1982, the Teardrops' internal situation was as fraught as ever following assorted disagreements and individual meltdowns. The increasingly alienated Cope retreated to his hometown of
319:"I think we're very poppy. To me pop is something you hum. What I'm trying to do is strike a balance between triteness and greatness. People nowadays seem too embarrassed to show emotion, which is what I want."
286:(No. 77). Dwyer's initial response was a laconic "that’s a weird one you’ve got there, Jules." Dwyer did, however, take the idea seriously enough to learn how to play drums in order to take it further.
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As well as broadening the band's sound and outlook, Alan Gill had brought in an all-but-complete new song before his departure, which he and Cope had reworked. This was released as the band's next single,
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Having arrived in Merseyside in 1976 (as a student attending City of Liverpool College of Higher Education), Julian Cope became involved in Liverpool's emerging post-punk scene. His first band was
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Following the band's dissolution, Julian Cope began a career as a solo artist, writer and cultural commentator which continues to this day. Gary Dwyer played drums on Cope's 1984 debut solo album
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singles. Cope’s response to these albums was mixed, though press reception was highly positive. In August 1992, Cope was able to work on a retrospective under his own terms with the release of
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in 1986 and Balcony Dogs in the late 1980s, but subsequently left music for a variety of jobs including fork-lift driver. David Balfe moved into artist management and subsequently set up
598:– the uncharacteristically sombre "Tiny Children" – was released in June 1982 and narrowly missed the top 40 (No. 41 UK) despite being championed by high-profile BBC Radio One DJ,
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but by now Cope and Balfe's abrasive relationship had worsened to the point that Balfe was ousted as group keyboard player, although he continued to be involved with management.
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663:, which had been compiled by Balfe from the abortive third album sessions and the "You Disappear From View" EP tracks. In November of the same year Teardrop Explodes manager
278:. Cope, meanwhile, had befriended Liverpool scenester Gary "Rocky" Dwyer and had suggested a new band name to him – The Teardrop Explodes, taken from a panel caption in the
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524:'s sister, further increasing the friction between Cope and his former bandmate). Released as a single, it reached No. 25 in the UK chart and gained the group another
602:. By now, Balfe had also developed an interest in writing songs and lobbied to join Cope as band songwriter, with Cope retained predominantly as singer and frontman.
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306:. Another act on the label was Echo and the Bunnymen, who maintained a love/hate relationship and continuing rivalry with the Teardrops throughout their existence.
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On their return to the UK, the five-piece Teardrop Explodes recorded the song "Passionate Friend" (which was allegedly about Cope's brief recent relationship with
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and part-time guitarist Michael "Mick" Finkler. Cope and McCulloch's ongoing ego clashes led to the latter leaving the band during rehearsals, ultimately to form
546:, which was recorded in London during November 1981 with a nucleus of Cope, Dwyer, Tate and Balfe. Unlike the first album, which was more of a band effort,
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185:", the group originated as a key band in the emerging Liverpool post-punk scene of the late 1970s. The group also launched the career of group frontman
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sessions and re-recorded approximately half of Finkler's guitar parts. Gill was also instrumental in introducing the previously drug-free Cope to both
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had been. The next single, "Colours Fly Away" stalled at No. 57 in the UK chart, signaling the end of the Teardrops as a popular singles band.
353:, an ode to the difficulty of obtaining a copy of the song. In February 1980 the band released their third and final single on Zoo Records, "
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The band's next single, "Bouncing Babies", inspired a tribute song of its own: "I Can't Get Bouncing Babies by the Teardrop Explodes" by
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641:: he quit the music business in 1999. Former guitarist Troy Tate released two solo albums and worked as a producer (including work with
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734:. David Balfe, Gary Dwyer and Alan Gill all showed up to accept the award; Julian Cope ultimately refused to attend the ceremony.
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657:, a compilation of Julian Cope’s pop videos. In April 1990, Mercury Records released a Teardrop Explodes album called
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591:. At this point the band decided to strip down to a three-piece, losing Tate, Francois and Emmett.
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In April, the band had another Top 20 hit with the re-released "Treason" (featuring the earlier
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790:"The Teardrop Explodes – Music Biography, Streaming Radio and Discography – AllMusic"
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Don't you think you'd be more successful if you re-formed The Teardrop Explodes?
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In the summer of 1980, The Teardrop Explodes began recording their debut album,
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label acts and management clients to the up-and-coming Liverpool indie label
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1013:– feature on Julian Cope by Andrew Perry in The Daily Telegraph, 1 July 2010
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Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock, 1970–1982
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of a 2008 interview he commented: "Supposedly intelligent people say to me:
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and the pseudo-intellectual side of me thought it would be quite charming."
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1027:(1st ed.). London: Reed International Books Ltd. p. 372. CN 5585.
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Cope and Wylie briefly teamed up in The Nova Mob (along with future
1039:"Julian Cope presents Head Heritage: Drudical Q&A: Cope Music"
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Floored Genius: The Best of Julian Cope and The Teardrop Explodes
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Floored Genius: The Best of Julian Cope and The Teardrop Explodes
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were reissued as multi-disc deluxe editions with bonus tracks.
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955:"Embrace The Contradictions: The Strange World Of... The KLF"
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Julian Cope on the strains within The Teardrop Explodes, 1980
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In 1989, various Teardrop Explodes promos were included on
832:, Melody Maker, 18 October 1980 (reproduced interview)
298:& Big in Japan bass player David Balfe and future
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Expectations were high for the band's second album,
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990:. Winona, MN: Hal Leonard Corporation. p. 51.
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189:as well as that of keyboard player and co-manager
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181:in 1978. Best known for their Top Ten UK single "
1206:Everybody Wants to Shag... The Teardrop Explodes
767:Everybody Wants to Shag... The Teardrop Explodes
660:Everybody Wants to Shag... The Teardrop Explodes
830:Ian Pye talks to Teardrop Explodes’ Julian Cope
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357:", which was recorded in London with producers
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450:". In January 1981, the song hit No. 6 on the
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899:(biography on Head Heritage homepage)
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606:The lost third album and final split
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438:replaced by former Shake guitarist
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230:, with two native Liverpudlians –
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1299:Scouse culture of the early 1980s
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897:Julian Cope – Story of the Drude
499:Problems playing this file? See
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394:Finkler was replaced by Balfe's
197:). Other members included early
1269:English new wave musical groups
953:Graham, Ben (1 February 2017).
421:When released later that year,
1294:English neo-psychedelia groups
1264:English post-punk music groups
845:Savage, Jon (10 August 2008).
342:. His initial replacement was
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715:In June 2010, the magazine
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491:An excerpt from "Reward"
1025:NME Rock 'N' Roll Years
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770:(1990) - recorded 1982
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242:(who went on to form
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36:The Teardrop Explodes
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460:appearance).
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228:Crucial Three
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47:The Teardrops
46:
43:Also known as
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1222:
1216:Compilations
1204:
1197:
1190:
1135:Paul Simpson
1133:
1128:
1124:Mick Finkler
1123:
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1065:the original
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964:. Retrieved
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359:Clive Langer
351:The Freshies
348:
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282:comic strip
272:Paul Simpson
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195:Food Records
166:
165:
131:Paul Simpson
126:Mick Finkler
118:Past members
90:Years active
29:
1192:Kilimanjaro
1160:Jeff Hammer
1157:Alfie Agius
1148:David Balfe
1118:Julian Cope
960:The Quietus
792:. AllMusic.
751:Kilimanjaro
738:Discography
686:Kilimanjaro
673:Zoo Records
655:Copeulation
573:Julian Cope
561:Kilimanjaro
553:Kilimanjaro
514:Kilimanjaro
423:Kilimanjaro
404:Kilimanjaro
371:Kilimanjaro
336:Ian Broudie
312:Kilimanjaro
292:Zoo Records
260:Julian Cope
191:David Balfe
187:Julian Cope
148:Jeff Hammer
146:Alfie Agius
139:David Balfe
123:Julian Cope
103:Zoo Records
1258:Categories
1176:Andy Radek
1173:Ted Emmett
1129:Gary Dwyer
775:References
732:Alex James
643:The Smiths
619:Post-split
501:media help
398:colleague
240:Pete Wylie
234:(later of
160:Andy Radek
158:Ted Emmett
128:Gary Dwyer
1164:Troy Tate
1153:Alan Gill
1143:Ged Quinn
728:Morrissey
696:Influence
600:Mike Read
585:64 Spoons
551:sound of
440:Troy Tate
400:Alan Gill
344:Ged Quinn
284:Daredevil
203:Troy Tate
201:producer
179:Liverpool
171:post-punk
151:Troy Tate
143:Alan Gill
135:Ged Quinn
94:1978–1982
75:post-punk
58:, England
56:Liverpool
984:(2005).
966:10 March
649:Reissues
589:Tamworth
426:single.
408:cannabis
338:to form
267:Banshees
80:new wave
1234:Singles
931:Head On
355:Treason
222:Origins
107:Fontana
1242:Reward
1199:Wilder
994:
762:(1981)
759:Wilder
754:(1980)
690:Wilder
596:Wilder
548:Wilder
543:Wilder
534:Wilder
448:Reward
431:Reward
280:Marvel
238:) and
217:Career
199:Smiths
183:Reward
99:Labels
63:Genres
52:Origin
708:'
704:'
669:Piano
559:, as
374:, at
1061:MOJO
992:ISBN
968:2020
726:and
724:Blur
718:Mojo
688:and
639:Blur
583:(ex-
410:and
361:and
340:Care
302:man
244:Wah!
211:beat
645:).
557:BPI
412:LSD
300:KLF
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