The Smiths - Knowledge (XXG)

47: 866:"The Smiths brought realism to their romance, and tempered their angst with the lightest of touches. The times were personified in their frontman: rejecting all taints of rock n' roll machismo, he played up the social awkwardness of the misfit and the outsider, his gently haunting vocals whooping suddenly upward into a falsetto, clothed in outsize women's shirts, sporting National Health specs or a huge Johnny Ray-style hearing aid. This charming young man was, in the vernacular of the time, the very antithesis of a 'rockist' – always knowingly closer to the gentle ironicist 483:, who turned the band down. The band continued to practice, this time at the upstairs of the Portland Street Crazy Face Clothing company, a space secured by their new manager Joe Moss. By Christmas, they had created four new songs: "These Things Take Time", "What Do You See in Him?", "Jeane" and "A Matter of Opinion", the last of which they soon scrapped. Their next gig was Manchester's Manhattan in late January 1983, and although Maker would again appear as a go-go dancer, this was the last time that he did so. In early February, they performed their third gig, at the 1582:

party attempt made in 2018 to use the band's name, Marr registered the trademark solely under his name after a failure to receive a response from Morrissey and his representatives. In January 2024, Marr signed an agreement to share ownership of the name with Morrissey, an agreement Morrissey has yet to follow up on. Marr further clarified that the efforts to take the trademark were not to tour under the Smiths' name with a singer of Marr's choice (contrary to the claims made by Morrissey's team), but rather simply to protect the band's name and use of the name.

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each from Marr and Morrissey in 1997, along with Marr's final backpayment of £260,000 in 2001. Morrissey failed to make his final payment because, he said, he was overseas in 2001 and did not receive the paperwork. Joyce obtained a default judgement against Morrissey, revised his outstanding claim to £688,000 and secured orders garnishing much of his income. This was a source of grievance to Morrissey, who estimated that Joyce had cost him at least £1,515,000 in recovered royalties and legal fees up to 30 November 2005.

7442: 393:. Morrissey provided the lyrics for "Don't Blow Your Own Horn", the first song that they worked on; however, they decided against retaining the song, with Marr commenting that "neither of us liked it very much". The next song that they worked on was "The Hand That Rocks the Cradle", which again was based on lyrics produced by Morrissey. Marr based the tempo on the Patti Smith song "Kimberly", and they recorded it on Marr's TEAC three-track cassette recorder. The third track that the duo worked on was " 1026:

regret. He said in 2004 that although he had no regrets in breaking up the Smiths, he wished the band had signed legal documents "from the word go" to avoid the later financial disagreements. As Marr's counsel, Robert Englehart, said, "Some 13 years on it is extremely difficult to pinpoint the moment when the 40:40:10:10 profit split came into being ... But Morrissey and Marr acted throughout on the basis that they would be getting 40 percent each of the net profits from the Smiths' earnings."

1852:, and while Morrissey adopted an androgynous appearance like the New Romantics or earlier glam rockers, his was far more subtle and understated. According to one commentator, "he was bookish; he wore NHS spectacles and a hearing aid on stage; he was celibate. Worst of all, he was sincere", with his music being "so intoxicatingly melancholic, so dangerously thoughtful, so seductively funny that it lured its listeners... into a relationship with him and his music instead of the world." 1014:, "as readily replaceable as the parts in a lawnmower". In March 1989, Joyce and Rourke started legal proceedings against Morrissey and Marr. They argued that they were equal partners in the Smiths and were each entitled to a 25 per cent share of the band's profits on all activities other than songwriting and publishing. Rourke, who was in debt, settled quickly for a lump sum of £83,000 (equivalent to £260,824 in 2023) and 10 per cent of royalties, renouncing all further claims. 7430: 7490: 7235: 7502: 839:. After the following UK tour ended in October 1986, Gannon left the band. During his time with the Smiths, Gannon played on seven studio tracks ("Panic" and "Ask", their B-sides "The Draize Train" and "Golden Lights", as well as "Half a Person" and "London", both of which were released as B-sides the following year, and "You Just Haven't Earned It Yet, Baby", which first appeared on the compilation album 1061: 1030:

honest, whereas Morrissey "appeared devious, truculent and unreliable where his own interests were at stake" and Marr was "willing to embroider his evidence to a point where he became less credible". The judge also said that Marr was "probably the more intelligent of the four", and that Rourke and Joyce were "unintellectual". Morrissey said in an interview eight months later:

531:'s BBC Radio 1 show: he invited the band to record a session for the programme. Peel said: "You couldn't immediately tell what records they'd been listening to. That's fairly unusual, very rare indeed... It was that aspect of the Smiths that I found most impressive." Following this radio exposure, the Smiths gained their first interviews, in the music magazines 1577:, Marr's management issued an official statement in response to Morrissey's claims that Marr ignored the offer: "As for the offer to tour, I didn't ignore the offer - I said no." Marr's statement also clarified other claims made by Morrissey's team on Morrissey's website such as that Marr had filed for 100% ownership of the Smiths' intellectual property and 7478: 1763:. Design was by Morrissey and Rough Trade art coordinator Jo Slee. The covers of singles rarely featured any text other than the band name and the band itself did not appear on the cover of any UK release. (Morrissey did, however, appear on an alternative cover for "What Difference Does It Make?", mimicking the pose of the original subject, actor 464:... I was there to drink red wine, make extraneous hand gestures and keep well within the tight, chalked circle that Morrissey had drawn around me." Hibbert was allegedly unhappy with what he perceived as the band's "gay" aesthetic; in turn, Morrissey and Marr were unhappy with his bass playing, so he was replaced by Marr's old schoolfriend 7466: 460:'s "The Cold Song" playing through the venue's sound system before his friend James Maker stepped onstage to introduce the band. Maker remained onstage during the performance, relating that "I was given a pair of maracas – an optional extra – and carte blanche. There were no instructions – I think it was generally accepted I would 788:, "'Worse for wear' wasn't the half of it: I was extremely ill. By the time the tour actually finished it was all getting a little bit ... dangerous. I was just drinking more than I could handle." Rourke was fired from the band in early 1986 due to his use of heroin. He allegedly received notice of his dismissal via a 7454: 1542:. Communication between the two abruptly ended while Marr was touring in Mexico with the Cribs and the topic of a reunion was never brought up again. Marr said that he did not hear from Morrissey again until a brief email correspondence in December 2010. In June 2009, Marr told an interviewer on London's 822:

for the band's North American tour later that year. Rourke's work visa came through just before departure. While the shows were successful, heavy drinking and drug use by crew and band members other than Morrissey took a toll on the group, along with ineffective management and lingering disputes with

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and felt the band was trying to commercialise the murders. After meeting with Morrissey, he accepted that the song was a sincere exploration of the impact of the murders. Morrissey subsequently established a friendship with Ann West, the mother of victim Lesley Ann Downey, who is mentioned by name in

406:"It's still really clear. It was a sunny day, about one o'clock. There was no advance phone call or anything. I just knocked and he opened the door. As soon as the door opened, Pommy took two very firm steps back. Which is one of the things that got me to talk so fast, it was just plain exuberance." 1992:

in 1987. Yet even while leading bands from the Britpop movement were influenced by the Smiths, they were at odds with the "basic anti-establishment philosophies of Morrissey and the Smiths", since Britpop "was an entirely commercial construct". Mark Simpson suggested that "the whole point of Britpop

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that financial hardship had reduced him to selling rare Smiths recordings on eBay. By way of illustration, Riley played part of an unfinished instrumental known as the "Click Track" (or "Cowbell Track"). Morrissey responded with a statement three days later revealing that Joyce had received £215,000

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Morrissey and Marr – who were represented separately at the trial – insisted that the royalty split had been explained to Rourke and Joyce, though they were no longer sure when. Additionally, this agreement was only discussed verbally and it was never legally written on paper, something Marr came to

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was released in September, the Smiths had split. The breakdown has been primarily attributed to Morrissey's irritation with Marr's work with other artists and Marr's frustration with Morrissey's musical inflexibility. Marr particularly hated Morrissey's obsession with covering 1960s pop artists such

1683:. In a 2007 interview for the BBC, Marr said that his goal was to "pare down" his style and avoid rock guitar clichés. Marr used "arpeggiated chords, open-string licks and unusual progressions" and his style "combined the chime of '60s jangle-pop bands with the pared-down musicality of players like 1537:

In 2008, Marr resumed contact with Morrissey and Rourke while remastering the band's catalogue. That September, Morrissey and Marr met in Manchester and discussed the possibility of reforming the band. The two kept in contact over the next four days and decided to exclude Joyce from any prospective

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Asked some time before the trial whether he thought Rourke and Joyce had been short-changed, Morrissey responded: "They were lucky. If they'd had another singer they'd never have got further than Salford Shopping Centre." Morrissey's counsel, Ian Mill, conceded that Morrissey's attitude "betrayed a

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The court case was a potted history of the life of the Smiths. Mike, talking constantly and saying nothing. Andy, unable to remember his own name. Johnny, trying to please everyone and consequently pleasing no one. And Morrissey under the scorching spotlight in the dock being drilled. "How dare you

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gave the performances positive reviews, suggesting they offered fans a way to enjoy the Smiths without the "moral queasiness" of Morrissey, who had become a controversial figure in the preceding years. Morrissey thanked Blossoms and Astley on his website, but Marr said the performances were "funny

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in December 1996. Morrissey and Marr had accepted the previous year that Joyce and Rourke were partners, but whether Joyce was entitled to a quarter of profits "arising out of the activities (other than songwriting or publishing)" of the Smiths remained contentious. Joyce's barrister, Nigel Davis,

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rights without having consulted with Morrissey despite the fact that "Morrissey alone created the musical unit name "The Smiths' in May 1982". In Marr's statement, it was clarified that Marr discovered that the band did not own the trademark, and in an effort to protect the trademark from a third

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Marr and Morrissey have repeatedly said that they will not reunite the band. In 2006, Morrissey declared, "I would rather eat my own testicles than reform the Smiths, and that's saying something for a vegetarian." When asked why in another interview the same year, he responded, "I feel as if I've

1239:. Modest Mouse subsequently announced that Marr was a fully fledged member and the reformed line-up toured extensively in 2006–07. In January 2008, it was reported that Marr had taken part in a week-long songwriting session at Moolah Rouge recording studio in Stockport with Wakefield indie group 416:

By late 1982, Morrissey had chosen the band name the Smiths. He said later that "it was the most ordinary name and I thought it was time that the ordinary folk of the world showed their faces". Around the time of the band's formation, Morrissey decided that he would be publicly known only by his

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wrote: "Once upon a time, a band from the North came with a sound so fresh and vigorous it took the nation by storm. The sound was rock, but crucially it was pop, too: concise, punchy, melodic, shiny without being 'plastic'. The singer was a true original, delivering a blend of sensitivity and

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After a seven-day hearing, Judge Weeks found in favour of Joyce, ordering that he receive around £1 million in back-royalties and 25 per cent henceforth. The judge also gave character assessments; Joyce and Rourke (who gave evidence in Joyce's support) impressed him as straightforward and

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After remaining with the band for several rehearsals, Pomfret departed acrimoniously. He was replaced by the bass player Dale Hibbert, who worked at Manchester's Decibel Studios, where Marr had met him while recording Freak Party's demo. Through Hibbert, the Smiths recorded their first demo at

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Morrissey and Marr dictated the musical direction of the Smiths. Marr said in 1990 that it "was a 50/50 thing between Morrissey and me. We were completely in sync about which way we should go for each record". The Smiths' "non-rhythm-and-blues, whiter-than-white fusion of 1960s rock and

715:"The Headmaster Ritual" and "Barbarism Begins at Home". The band had also grown more diverse musically, with Marr adding rockabilly riffs to "Rusholme Ruffians" and Rourke playing a funk bass solo on "Barbarism Begins at Home". The album was preceded by the re-release of the B-side " 1560:

In August 2024, Morrissey said in a post on his website, Morrissey Central, that he and Marr had received a "lucrative offer" to tour as the Smiths in 2025. The singer claimed that he accepted the invitation, but that Marr did not respond. Marr soon after posted a picture of

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strength, defiance and tenderness, via a regionally inflected voice. The young man's lips spilled forth words that were realistic without being dour, full of sly humour and beautifully observed detail. Most recognised their debut album as a landmark, an instant classic."

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In August 2007, it was widely reported that Morrissey had that summer declined an offer of $ 75 million – nearly £40 million at the time – from a "consortium of promoters" to reunite with Marr for a fifty-date world tour under the Smiths' name in 2008 and 2009.

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argued in 2007 that the Smiths were "the one truly vital voice of the '80s" and "the most influential British guitar group of the decade". He continued: "As the first indie outsiders to achieve mainstream success on their own terms (their second album proper, 1985's

1326:) under the name Moondog One, but the project went no further. Towards the end of 2001, they played together in the veteran Manchester band Jeep. In 2005, they played with Vinny Peculiar, recording the single "Two Fat Lovers" (Joyce also appeared on the 2006 album 1040:

degree of arrogance". Morrissey appealed against the verdict; the appeal was heard by the Court of Appeal (Civil Division) in November 1998 and dismissed. Inspired by Joyce's success, Rourke sought legal advice on his own options. He was declared bankrupt in 1999.

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Travis travelled to Manchester to meet the band at their Crazy Face rehearsal space and sign a record contract with Rough Trade. Morrissey and Marr signed it on behalf of the band, and there was no discussion of how earnings would be divided. Travis brought in

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after turning up at Stoller's door. According to Morrissey: "We got on absolutely famously. We were very similar in drive." The two found that they were fans of many of the same bands. When Marr looked through Morrissey's singles collection, he found

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worked very hard since the demise of the Smiths and the others haven't, so why hand them attention that they haven't earned? We are not friends, we don't see each other. Why on earth would we be on a stage together?" In a February 2009 interview on

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on "Dear God Please Help Me". At the beginning of the 90s, he enjoyed a new popularity in North America, following his first tour as Morrissey. Morrissey continues to perform and record as a solo artist and had released 13 studio albums as of 2020.

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television plays, Morrissey wrote about ordinary people and their experiences with despair, rejection and death. While "songs such as 'Still Ill' sealed his role as spokesman for disaffected youth", Morrissey's "manic-depressive rants" and his

1488:, he said, "People always ask me about reunions and I can't imagine why the past seems like a distant place, and I'm pleased with that." In 2002, Joyce said he was not interested in reforming as he felt the Smiths had run its course. 935:

Despite their continued success, tensions emerged within the band. Marr was exhausted and took a break in June 1987, which he felt was negatively perceived by his bandmates. In July, he left the group because he erroneously believed an

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A legal dispute with Rough Trade had delayed the album by almost seven months (it had been completed in November 1985), and Marr was beginning to feel the stress of the band's exhausting touring and recording schedule. He later told

1734:. Morrissey's lyrics, while superficially depressing, were often full of mordant humour; John Peel remarked that the Smiths were one of the few bands capable of making him laugh out loud. Influenced by his childhood interest in the 1529:

cited his publicist. The offer was also reported at true-to-you.net, an unofficial fan site tacitly supported by Morrissey. It was later described as a hoax, although it is unclear who was hoaxing whom. In October, Marr said on

3339:"The Boy with the Thorn in His Side" Stephen Street: "We were using keyboards a bit more. We had a Emulator sampler It would be a case of Johnny hanging around ". The ersatz strings complement the melodramic sentiments... 1573:'s reunion. Marr previously said in 2016 that Morrissey's politics aligned with Farage's, joking that any potential Smiths reunion would feature the politician as their replacement guitarist. Weeks later, on Marr's official 1534:: "Stranger things have happened so, you know, who knows? ... It's no biggie. Maybe we will in 10 or 15 years' time when we all need to for whatever reasons, but right now Morrissey is doing his thing and I'm doing mine." 978:, saying in 1992: "That was the last straw, really. I didn't form a group to perform Cilla Black songs." In a 1989 interview, Morrissey cited the lack of a managerial figure and business problems as reasons for the split. 4436: 1806:

The Smiths dressed mainly in ordinary clothes – jeans and plain shirts – in keeping with the back-to-basics, guitar-and-drums style of the music. This contrasted with the exotic high-fashion image cultivated by

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as an influence, Marr said, "I like the idea of records, even those with plenty of space, that sound 'symphonic'. I like the idea of all the players merging into one atmosphere". Marr's other favourite guitarists are

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in early 1987, "Every single label came to see us. It was small-talk, bribes, the whole number. I really enjoyed it." The band signed with EMI, which drew criticism from their fanbase and elements of the music press.

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Morrissey and Marr each took 40% of the Smiths' recording and performance royalties, allowing 10 per cent each to Joyce and Rourke. Joyce's barrister later argued in court, that Joyce and Rourke were treated as

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Internal tensions led to the Smiths' breakup in 1987, followed by public lawsuits over royalties. The members each said that the band would never reunite and refused all offers to do so. Rourke died in 2023.

5055: 4915: 425:, whom Marr had worked with in Freak Party, the band recorded both "The Hand That Rocks the Cradle" and "Suffer Little Children". Wolstencroft was not interested in joining the band, so following auditions 1546:, "I think we were offered 50 million dollars for three ... possibly five shows." He said that the chances of a reunion were "nothing to do with money" and that the reasons were "really abstract". 1090:(a reference to the end of the Smiths), was released in March 1988, reaching number one in the UK charts. In the following years, he invited several singers for backing vocals on several songs such as 5731: 3523: 707:. It was more strident and political than its predecessor, including the pro-vegetarian title track (Morrissey forbade the rest of the group from being photographed eating meat), the light-hearted 4791: 1751:" Julian Stringer characterised the Smiths as "one of Britain's most overtly political groups", while in his study of their work, Andrew Warnes termed them "the most anti-capitalist of bands". 1848:

As frontman of the Smiths, Morrissey subverted many of the norms that were associated with pop and rock music. The band's aesthetic simplicity was a reaction to the excess personified by the

4586: 746:, but it's another thing to inflict daily torture on the people of England" ("torture" being a reference to the music that resulted from the project). The subsequent single-only release " 1513:, saying, "Money doesn't come into it ... It was a fantastic journey. And then it ended. I didn't feel we should have ended. I wanted to continue. wanted to end it. And that was that." 1310:). In 2001 they formed Specter with Jason Specter and others. The band played in the United Kingdom and the United States, but did not prosper. In the same year they recorded demos with 1993:

was to airbrush Morrissey out of the picture ... Morrissey had to become an 'unperson' so that the Nineties and its centrally-planned and coordinated pop economy could happen."

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benefit concert, where Marr performed "How Soon Is Now?" with Rourke. Marr and Rourke also performed "How Soon Is Now?" at the Lollapallooza Brazil festival in 2014. Rourke died of

1464:, where his colleagues include Joyce. Rourke relocated to New York in early 2009. There, he formed Jetlag, a "DJ and audio production outfit", with Olé Koretsky. In April 2014, the 1953:, made Number 1 in the UK), they elevated rock's standard four-piece formula to new heights of magic and poetry. Their legacy can be traced down through the Stone Roses, Oasis and 4432: 401:; although he had never heard of the song before, Marr agreed, enjoying the subversive element of having a male vocalist sing it, and the song was recorded on his TEAC machine. 6548: 3960: 2330: 1509:

trying and failing to corner Morrissey before a show at the Apollo Theater. In March 2006, Morrissey said the Smiths had declined a $ 5 million offer to perform at the

911:. The title was Morrissey's comment on his frustration with the band's lack of mainstream recognition; it reached number two in the charts. This was followed by the single " 4744: 3473: 452:. During the performance, they played both their own compositions and "I Want a Boy for My Birthday". Morrissey had organised the gig's aesthetic; the band came onstage to 2012: 4875: 4853: 4724: 962:(1988). Perry was uncomfortable, saying "it was like they wanted another Johnny Marr"; according to Perry, the sessions ended with Morrissey running out of the studio. 3029: 397:". Alongside these original compositions, Morrissey suggested that the band produce a cover of "I Want a Boy for My Birthday", a song by the 1960s American girl band 944:, alleged that Morrissey disliked Marr working with other musicians and that Marr and Morrissey's personal relationship had reached a breaking point. Marr contacted 654:" on its B-side. Securing the band's first top ten placing, "Heaven Knows I'm Miserable Now" was also significant for marking the beginning of engineer and producer 4146: 4911: 7557: 3173: 2538: 2156: 5859: 5764: 3761: 2421: 2392: 270:(drums). Morrissey and Marr formed the band’s songwriting partnership. The Smiths are regarded as one of the most important acts to emerge from 1980s British 5723: 4447: 7562: 6594: 3531: 625:. "Reel Around the Fountain" and "The Hand That Rocks the Cradle" met with controversy, with some tabloid newspapers alleging the songs were suggestive of 5104: 4788: 7532: 6541: 3132: 928:

opened with a piano introduction as Marr wanted to get away from the Smiths' sound. Marr also played keyboards for the other tracks. The first song, "

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guitarist Ivor Perry was brought in to replace Marr. The band recorded material with him which was never completed, including an early version of "

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drew heavily from Morrissey's portrayal of and nostalgia for a bleak urban England of the past." Blur formed as a result of seeing the Smiths on

1001:, recorded in 1986 when Craig Gannon was still in the band, reached number 2 in the UK and entered in the European 100 Albums chart at number 9. 5823: 5056:""There's a Lot of Guitar Culture That I Don't Like At All": How Johnny Marr Placed The Smiths at the Forefront of the U.K.'s 1980s Music Scene" 4578: 3586: 3315: 417:

surname, with Marr referring to him as "Mozzer" or "Moz". In 1983, he forbade those around him from using the name "Steven", which he despised.

6643: 5918: 4420: 2267: 1235: 929: 7404: 7374: 7269: 7134: 6118: 6044: 6019: 5968: 2836: 2303: 373:, Marr had been impressed that Morrissey had written a book on the band and was inspired to turn up on his doorstep following the example of 1158:, recording two albums with them between 1989 and 1993. He has worked as a session musician and writing collaborator with artists including 604:. The band denied this, with Morrissey stating the song "has nothing to do with children, and certainly nothing to do with child-molesting". 7582: 6918: 6665: 6555: 6202: 4329: 2169: 1416: 773: 136: 4713: 1837:, Morrissey wore a fake hearing-aid to support a hearing-impaired fan who was ashamed of using one, and also frequently wore thick-rimmed 1767:, after the latter objected to his picture being used.) The choice of cover subjects reflected Morrissey's interest in film stars (Stamp, 1698:

Morrissey's role was to create vocal melodies and lyrics. Morrissey's songwriting was influenced by punk rock and post-punk bands such as

5599: 4833: 2360: 803:), but was then reinstated two weeks later. Gannon stayed in the band, switching to rhythm guitar. This five-piece recorded the singles " 792:

stuck to the windscreen of his car. It read, "Andy – you have left the Smiths. Goodbye and good luck, Morrissey." Morrissey denied this.

7216: 7188: 6717: 5428: 5370: 4994: 2466: 1294: 5207: 3991: 3282: 7552: 7542: 6485: 5946: 4516: 4046: 3104: 1926: 765: 7572: 7300: 6636: 6404: 5997: 5927: 5902: 3836:, England and Wales Court of Appeal (Civil Division) Decisions, 6 November 1998. Retrieved 8 January 2012. See also Brian Southall, 3829: 3449: 3245: 3043: 2460: 1302:, but left the band soon afterwards. In 1988 and 1989, they recorded singles with Morrissey. In 1998, they toured and recorded with 1251: 564: 6443: 4359: 4184: 3952: 3213: 2320: 643: 386:, a band they both admired. The next day, Morrissey phoned Marr to confirm that he would be interested in forming a band with him. 7017: 3729: 7003: 6478: 4995:"Johnny Marr Responds to Morrissey's Claims About Smiths Reunion Tour, Name Ownership: 'It Was Left to Me to Protect the Legacy'" 4741: 3465: 751: 731: 4636: 4612: 4482: 369:

on 31 August 1978, when Marr was 14 and Morrissey was 19. They bonded through their love of poetry and literature. A fan of the

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be successful?" "How dare you move on?" To me, the Smiths were a beautiful thing and Johnny left it, and Mike has destroyed it.

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In 1985, they added keyboards, while retaining the guitar as the lead instrument, achieving mainstream success in Europe with

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reached number two in the UK in October 1987, and was the Smiths' most successful album in the US, reaching number 55 on the

902: 647: 572: 476: 6464: 5642: 4894: 3380: 747: 445: 7127: 4401: 4277: 1622:. Marr often used a capo to tune his guitar up a full step to F-sharp to accommodate Morrissey's vocal range and also used 7587: 7357: 5696: 3750: 2410: 2381: 468:. Hibbert denies that he objected to the band being perceived as gay, and said he was not sure why he was asked to leave. 7420: 5168: 5124: 4658: 4143: 3407: 856:

As they had been severed from the contract with Rough Trade records they sought a new deal with a major label. Marr told

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Morrissey brought a political stance to many of his interviews, courting further controversy. Among his targets were the

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to explain that he had not left the band due to personal tensions but because he wanted wider musical scope. The former

686:. This collected singles, B-sides and tracks recorded throughout the previous year for the Peel and Jensen radio shows. 5544: 3165: 2520: 2027:". Morrissey is included in its 2010 list of the greatest singers. In 2014 and 2015, the Smiths were nominated for the 921:, was released in the US in March 1987, with a UK release following two months later. The Smiths' fourth studio album, 7577: 7193: 6775: 6527: 6386: 6365: 4767: 1632: 5439: 4233: 3840:(London: Omnibus, 2008; rev. edn. 2009), ch. 16, "The Smiths: Seeking Satisfaction Over a Fair Share of the Profits". 1868:". Marr's guitar playing "was a huge building block for more Manchester legends that followed the Smiths", including 1759:

The group's cover artwork had a distinctive visual style and often featured images of film and pop stars, usually in

1456:, to raise money for cancer research. He concentrated on his radio career, beginning with a Saturday-evening show on 563:. Rough Trade were unhappy with the album and Tate's production, insisting the band rerecord it with a new producer, 5754: 754:", was less successful, barely making the top 50. In 1985, the Smiths completed lengthy tours of the UK and the US. 6838: 6358: 5085: 4348: 3198: 2028: 1931: 1377:

until the station changed format in 2008, later reviving it on Manchester Radio Online and Tin Can Media. He hosts

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on backing vocals) which reached numbers 11 and 14 respectively on the UK Singles Chart, and toured the UK.

804: 27: 5463: 5012: 4070: 7045: 6660: 6587: 6492: 6379: 2165: 1230: 1215:(2003), to moderate success, then split up shortly afterwards. He later worked as a guest musician on the 769: 662: 394: 131: 5249: 4250: 7441: 7434: 7183: 7113: 7106: 7024: 6820: 6752: 6601: 6237: 6138: 4298: 2088: 836: 552: 449: 426: 325: 267: 204: 64: 5407: 4382: 1289: 1243:. Marr's association with the band lasted three years and included an appearance on its fourth album, 515:. The single was released in May 1983, and sold well for the next 18 months, but did not chart in the 7255: 7063: 5824:"Blossoms and Rick Astley at Glastonbury review – Smiths hits are the very opposite of miserable now" 4417: 3582: 3307: 2325: 1739: 1607: 1469: 1022:

said that Joyce did not realise he was receiving only 10% of the profits until after the band split.

953: 915:", the band's second (and last during the band's lifetime) UK top-10 hit. Another compilation album, 479:", "Handsome Devil" and "Miserable Lie". This was used as their audition tape for the record company 366: 6143: 2257: 1334:, a memoir of their time with the band, notable for the absence of Marr, Morrissey and their music. 7522: 6971: 6805: 6629: 6188: 5433: 2524: 1988: 1922: 1821: 1550: 1449: 1273: 1245: 1072:

Following the group's split, Morrissey began work on a solo recording, collaborating with producer

712: 500: 278: 162: 4892:"28 January 2006 – Johnny Marr and The Healers – Manchester vs Cancer – MEN Arena – Manchester UK" 4389:, mikejoyce.com. Retrieved 10 January 2012. Joyce says he played with PiL in 1993, but it was the 669:. This caused an uproar after the grandfather of one of the murdered children heard the song on a 7238: 7141: 6996: 6964: 6925: 6897: 6703: 6676: 6259: 6097: 6076: 6068: 6036: 5142: 4680: 3823:

is archived at morrissey-solo.com. Retrieved 8 January 2012. For the history of the dispute, see

3698: 2176: 2128: 1727: 1668: 1461: 1382: 1081: 949: 617: 472: 422: 383: 283: 20: 4326: 995:

were released with live, session and demo tracks as B-sides. The following year, the live album

6457: 4710: 4192: 2020: 1888:

split, the Smiths started, and I totally went for them". The Smiths were an early influence on

1595:

was a repudiation of contemporary dance pop", and the band purposely rejected synthesisers and

716: 651: 389:

A few days later, Morrissey and Marr held their first rehearsal in Marr's rented attic room in

7482: 7389: 7293: 6520: 6429: 6330: 6273: 6165: 6114: 6040: 6015: 5993: 5964: 5942: 5923: 5898: 5833: 5797: 5596: 4830: 4492: 4042: 3445: 3039: 3035: 2832: 2588: 2456: 2357: 2299: 2192: 1893: 1719: 1554: 1403: 1221: 1211: 1151: 1099: 1048: 1018: 917: 912: 835:, he and Marr cancelled the remaining four shows, including a grand finale at New York City's 759: 720: 568: 539: 314: 271: 6171:

Plundering Desire – articles & interviews, release reviews, live reviews, news items

5367: 3694: 2450: 750:" reached number 26 on the UK Singles Chart, although the only single taken from the album, " 7494: 7458: 7307: 7166: 7120: 6911: 6883: 6828: 6795: 6316: 6060: 5204: 4391: 3988: 3646: 3274: 3210: 1962: 1619: 1531: 1429: 1354: 1257: 1209:

In 2000, he started another band, Johnny Marr + the Healers, which released only one album,

1135: 1011: 971: 905:" reached number 12 on the UK Singles Chart. It was followed by a second compilation album, 871: 735: 682: 576: 555:, and under his supervision the band recorded their first album, at the Elephant Studios in 354: 296: 115: 5788:"Rick Astley and Blossoms review – the ultimate Smiths karaoke shouldn't work, but it does" 3724: 3096: 7209: 6815: 5860:"Johnny Marr puts Blossoms and Rick Astley Smiths covers row to bed: "I've dealt with it"" 5603: 5374: 5211: 5128: 5108: 4898: 4879: 4857: 4837: 4818: 4795: 4771: 4748: 4728: 4717: 4662: 4640: 4616: 4564: 4538: 4440: 4424: 4405: 4386: 4363: 4352: 4333: 4305: 4281: 4257: 4237: 4218: 4199: 4188: 4165: 4150: 4130: 4102: 4022: 3995: 3923: 3880: 3833: 3820: 3796: 3733: 3607: 3590: 3366: 3217: 3202: 3136: 2364: 2035: 1997: 1912: 1869: 1800: 1780: 1747:'woe-is-me' posture inspired some hostile critics to dismiss the Smiths as 'miserabilists. 1688: 1676: 1473: 1465: 1441: 1399: 1307: 1127: 1126:" which was released under the banner of both artists. He also collaborated with arranger 850: 739: 622: 434: 300: 5517: 5337: 4181: 3824: 3234: 4356: 845:

also the following year). On 12 December 1986 the band performed their last concert, an

742:. Morrissey famously quipped of the last, "One can have great concern for the people of 448:

during a student music and fashion show, "An Evening of Pure Pleasure", at Manchester's

7489: 7339: 7314: 7198: 7038: 6932: 6876: 6810: 6785: 6266: 5424: 2184: 1967: 1954: 1903: 1881: 1864:

described them as "the band that inspired deeper devotion than any British group since

1812: 1735: 1699: 1664: 1644: 1640: 1611: 1501: 1437: 1389: 1263: 1159: 1139: 1115: 1107: 1103: 1095: 1073: 991:. Morrissey and Marr name it as their favourite Smiths album. Two further singles from 812: 727:

was the band's only album (barring compilations) to reach number one in the UK charts.

703: 655: 370: 305: 7516: 6622: 6608: 6422: 6080: 5913: 5673: 4531: 3437: 2007: 1945: 1849: 1788: 1764: 1660: 1525: 1453: 1445: 1323: 1299: 1268: 1183: 1175: 1143: 985: 708: 666: 591: 504: 457: 444:

In October 1982, the Smiths gave their first public performance as a support act for

5492:"The Weeknd Talks New Album Inspired By Talking Heads, Bad Brains, & The Smiths" 4720:

at morrissey-solo.com, 12 November 2004; retrieved 8 January 2012. See also the VH1

4158: 4095: 3916: 3873: 3599: 579:. Aided by praise from the music press and a series of studio sessions for Peel and 7506: 7470: 7394: 6869: 6800: 6765: 6745: 6298: 6242: 5985: 5828: 5792: 5402: 5199: 4487: 3983: 2112: 1979: 1921:

was a fan of the Smiths and Morrissey. Buckley often covered Smiths songs such as "

1918: 1877: 1808: 1796: 1707: 1684: 1672: 1652: 1627: 1623: 1570: 1566: 1506: 1433: 1366: 1338: 1315: 1311: 1303: 1278: 1226: 1216: 1179: 1154:. Electronic released three albums over the next decade. Marr was also a member of 1147: 1111: 997: 940:

article titled "Smiths to Split" was planted by Morrissey. The article, written by

879: 867: 828: 800: 796: 789: 580: 496: 378: 374: 329: 209: 167: 4811: 4632: 4608: 4211: 4123: 4015: 3953:"Johnny Marr: 'The conversation about re-forming the Smiths came out of the blue'" 3813: 3789: 1267:(2018). In addition to his activities as a musician and songwriter, Marr produced 1249:(2009). His departure was announced in April 2011. He recorded three solo albums, 5646: 4964: 4891: 4274: 2293: 1910:

listed the Smiths as an inspiration during the making of his third studio album,

471:

In December 1982, the Smiths recorded their second demo, at the Drone Studios in

7501: 7278: 6890: 6790: 6780: 6760: 6232: 6227: 5956: 4396: 3169: 2534: 2082: 2076: 2039: 1983: 1899: 1873: 1865: 1816: 1792: 1772: 1768: 1723: 1636: 1615: 1596: 1485: 1358: 1346: 1171: 1167: 1163: 1077: 1060: 975: 875: 626: 601: 584: 560: 484: 465: 438: 398: 362: 350: 295:

sound predominant at the time. Several Smiths singles reached the top 20 of the

263: 259: 199: 194: 60: 52: 6134: 665:", the B-side to "Heaven Knows I'm Miserable Now", touched on the theme of the 629:, a claim strongly denied by the group. In March 1984, the Smiths performed on 507:" as a single. For the cover, Morrissey insisted on a homoerotic photograph by 328:. In 1986, the band briefly became a five-piece with the addition of guitarist 287:, in 1984. Their focus on a guitar, bass and drum sound, fusing 1960s rock and 7222: 6862: 6738: 6506: 6351: 6064: 6028: 5890: 5176: 5121: 5079: 4688: 4655: 3415: 1940: 1907: 1784: 1715: 1703: 1656: 1425: 1362: 1350: 1044: 831:(who Morrissey felt did not do enough to promote the Smiths). After a date in 808: 453: 430: 251: 105: 100: 81: 5837: 5801: 5724:"Green Day, Nine Inch Nails, Smiths Nominated for Rock and Roll Hall of Fame" 4496: 2592: 1978:

movement pre-empted by the Stone Roses and spearheaded by groups like Oasis,

7399: 7099: 6989: 6855: 6726: 6580: 6344: 6222: 6152: 6090:"Black, White and Blue: The Racial Antagonism of the Smiths' Record Sleeves" 4764: 3808:

For the settlement with Rourke, see "Morrissey May Face New Claim for £1m",

2134: 2070: 1889: 1842: 1731: 1592: 1578: 1574: 1562: 1539: 1411: 1342: 1240: 1202: 1198: 1086: 958: 819: 818:

An arrest on drug possession charges almost led to Rourke being replaced by

630: 548: 528: 516: 358: 292: 288: 255: 189: 110: 95: 56: 6051:

Stringer, Julian (1992). "The Smiths: Repressed (But Remarkably Dressed)".

5755:"Janet Jackson, N.W.A, Los Lobos among Rock and Roll Hall of Fame nominees" 4579:"Cranberries/Smiths supergroup D.A.R.K. share gothic club track 'The Moon'" 4230: 1884:

also cited the Smiths as an influence, especially Marr, saying that "when

4969: 4912:"Com Andy Rourke Johnny Marr faz show possivel do Smiths no lollapalooza" 3622:

Dave Henderson, "I Was Nearly a Suedehead! Ivor Perry and Cradle Tales",

3594: 2262: 1861: 1711: 1421: 743: 495:

Marr and Rourke visited London to hand a cassette of their recordings to

6101: 4789:"Morrissey Turned Down Mega-Bucks Smiths Reunion Offer Over Johnny Marr" 4345: 3195: 2042:

performed several concerts of Smiths covers, including a performance at

1929:". Morrissey expressed admiration for Buckley's work, listing his album 1288:

Andy Rourke and Mike Joyce continued to work together. They toured with

7384: 7081: 6337: 6161: 6156: 6089: 2002: 1975: 1885: 1760: 1648: 1319: 1155: 772:". Marr added ersatz strings with keyboards on several tracks such as " 673: 556: 6072: 5081:

Interview: Johnny Marr plays tribute to guitar hero Bert Jansch – 2015

6147: 4873:"Johnny Marr: 'We've Been Offered $ 50 Million To Reform The Smiths'" 3868:

Richard Duce, "Former Smith Lets Court Know Why He's Miserable Now",

1776: 433:

during his audition. Meanwhile, Morrissey took the demo recording to

5645:. Rolling Stone LLC/Archer & Valerie Productions. Archived from 4554: 1831:. In 1986, when the Smiths performed on the British music programme 600:

tabloid alleged their B-side "Handsome Devil" was an endorsement of

5630:

Saint Morrissey: A Portrait of This Charming Man by an Alarming Fan

4157:, Tuesday, 29 August 2006. Retrieved 10 January 2012. See also the 3524:"Johnny Marr on Fender Signature Guitar: 'It Was Such A Privilege'" 6170: 4965:"Morrissey claims Johnny Marr 'ignored' 2025 Smiths reunion offer" 4431:, Organgrinder Blog, 3 September 2008. Retrieved 10 January 2012. 2295:

White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock

1538:

reunion and to wait until after Marr completed his commitments to

1292:

in the first half of 1988; Rourke also appeared on her 1990 album

1192: 1091: 1059: 606: 519:. Among the audience at the Smiths' second London concert, at the 5111:

at morrissey-solo.com, 12 October 2008. Retrieved 8 January 2012.

4882:, Radio XFM London 104.9, 30 June 2009. Retrieved 7 January 2012. 4609:"Morrissey: 'I'd Rather Eat My Testicles Than Reform The Smiths'" 4221:, 30 November 2005, at true-to-you.net. Retrieved 9 January 2012. 3899:

MOJO the Collectors' Series: The Smiths – Hand in Glove 1982–1987

823:

Rough Trade (whom the band was seriously considering leaving for

3660: 3551: 3549: 3302: 3300: 1187: 1065: 7251: 6699: 6184: 6175: 3583:"Timeline: Johnny Marr – Journeyman Smiths Legend Emerges Solo" 1906:

cited the Smiths as a formative influence. The Canadian artist

642:

The album was followed the same year by the non-album singles "

7247: 5864: 5759: 5203:, 9 August 1997. The full text of the interview is reproduced 4633:"Morrissey: 'The Smiths Don't Deserve to Be on Stage with Me'" 2581:"The Monochrome Set: Remembering the band that history forgot" 2530: 2154: 1838: 1827: 1543: 1519: 1492: 1457: 1233:

on songs that eventually featured on the band's 2007 release,

824: 719:" as a single, and although that song was not on the original 701:

Early in 1985, the Smiths released their second studio album,

670: 533: 480: 361:

to invite him to form a band. Marr and Morrissey had met at a

234: 6180: 6176:

Vulgar Picture – visual Smiths and Morrissey discography

4433:"No Revolution for Joyce as he joins Manchester Radio Online" 4133:

is archived at morrissey-solo.com. Retrieved 10 January 2012.

3466:"This is what the Smiths played at their last ever live show" 429:

joined; he later revealed that he was under the influence of

6695: 4850:"Johnny Marr Doesn't Rule Out Smiths Reunion with Morrissey" 4831:"Morrissey announces new album – reunion tour Smiths a hoax" 4379: 4025:

is archived at morrissey-solo.com. Retrieved 8 January 2012.

3799:

is archived at morrissey-solo.com. Retrieved 8 January 2012.

3442:

A Light That Never Goes Out: The Enduring Saga of the Smiths

2059: 1369:(2007); and toured with Autokat (2008–09). He presented the 1298:. Still in 1988, they were recruited (with Craig Gannon) to 4901:, Shows Archive, johnny-marr.com. Retrieved 8 January 2012. 6109:

Woods, Paul A. (2007). "Morrissey Needs No Introduction".

4448:"Smiths man returns to indie charts with Coalition airing" 3598:, February 2003. Retrieved 30 May 2010; and Johnny Rogan, 2109:

James Maker – dancing, maracas, backing vocals (1982–1983)

299:, and all their studio albums reached the top five of the 1549:

In January 2006, Marr and the Healers played at Rourke's

680:

The year ended with the release of the compilation album

615:

In February 1984, the Smiths released their debut album,

4240:, thecribs.com, 11 April 2011. Retrieved 8 January 2012. 3872:(London), Tuesday, 3 December 1996. A transcript of the 3838:

Pop Goes to Court: Rock 'n' Pop's Greatest Court Battles

2963: 2961: 2959: 2934: 2932: 2682: 2680: 2651: 2649: 2562: 2560: 2558: 2556: 2298:. Ashgate Publishing, Ltd. pp. 71–72, 87, 124–125. 491:

1983–1984: Rough Trade, "Hand in Glove", and first album

5939:

Mozipedia: The Encyclopedia of Morrissey and The Smiths

4180:, BBC Radio 6 Music, Sunday, 27 November 2005. See the 4038:

Mozipedia: The Encyclopedia of Morrissey and The Smiths

1860:

The Smiths have been widely influential. Ian Youngs of

4418:"The Revolution: how not to relaunch a radio station?" 3381:"The Smiths And Rough Trade Records: How Soon Is Now?" 1803:); and anonymous images from old films and magazines. 7418: 6113:. Paul A. Woods (ed.). London: Plexus. pp. 5–8. 4202:

at morrissey-solo.com. Both retrieved 9 January 2012.

3897:

Sheppard, David (2022). "We Changed People's Lives".

3711:

Morrissey and Marr made the point in interviews with

2011:

included four Smiths albums on its 2012 list of the "

5197:

Jennifer Nine, "The Importance of Being Morrissey",

3981:

Jennifer Nine, "The Importance of Being Morrissey",

7367: 7349: 7331: 7285: 7176: 7151: 7091: 7073: 7055: 6981: 6956: 6847: 6653: 6572: 6414: 6396: 6308: 6290: 6251: 6111:

Morrissey in Conversation: The Essential Interviews

4765:"Morrissey rejects fresh attempt at Smiths reunion" 4742:"Morrissey: Smiths Turned Down Millions to Reunite" 4681:"The Smiths – These Things Take Time (documentary)" 4483:"Andy Rourke, bassist for the Smiths, dies aged 59" 4094:, Wednesday, 11 December 1996. A transcript of the 2321:"'The Smiths' at 30: Classic Track-By-Track Review" 1017:Joyce continued with the action, which reached the 956:", later released on Morrissey's debut solo album, 764:

was released in June 1986, following its singles "

421:Decibel one night in August 1982. Aided by drummer 229: 225: 180: 176: 155: 145: 124: 88: 77: 72: 37: 19:This article is about the band. For the album, see 5464:"The Smiths album that changed Alex Turner's life" 5438: 4275:"Haven: Between the Senses: Promising Indie Debut" 4122:, Thursday, 12 December 1996. A transcript of the 4014:, Thursday, 12 December 1996. A transcript of the 3812:, Thursday, 12 December 1996. A transcript of the 3788:, Thursday, 12 December 1996. A transcript of the 2079:– guitars, piano, keyboards, harmonica (1982–1987) 6549:Stop Me If You Think You've Heard This One Before 5545:"Morrissey Reveals His Favourite LPs Of All Time" 5036: 5034: 4336:at morrissey-solo.com. Retrieved 10 January 2012. 4168:at morrissey-solo.com. Retrieved 10 January 2012. 3915:, Tuesday, 10 December 1996. A transcript of the 1787:); figures from sixties British popular culture ( 658:'s long-term working relationship with the band. 587:, the Smiths began to build a dedicated fanbase. 353:and his friend Steve Pomfret went to the home of 5377:BBC News, 13 May 2003. Retrieved 8 January 2012. 4989: 4987: 4656:"Morrissey turns down The Smiths ... again" 3644:Johnny Rogan, "The Smiths: Johnny Marr's View", 1841:-style glasses. Morrissey also would often wave 1472:joined the group and they changed their name to 5909:covers both Smiths and Morrissey's solo career) 5632:(New York: Simon and Schuster, rev. edn. 2006). 4446:, 18 February 2009. Retrieved 10 January 2012. 2001:included them in a Counter Culture playlist on 1957:to today's crop of artful young guitar bands." 1606:Marr's jangly guitar-playing was influenced by 1603:, Marr embellished their songs with keyboards. 1569:to rebuke calls to reunite in the aftermath of 1032: 864: 404: 6096:. Vol. 27, no. 1. pp. 135–149. 3852: 3850: 3848: 3846: 377:, who had formed his working partnership with 7263: 6711: 6196: 5518:"Jeff Buckley revealed as massive Smiths fan" 5490:Claymore, Gabriela Tully (6 September 2016). 4669:, 13 February 2009. Retrieved 8 January 2012. 4264:, 26 October 2011. Retrieved 18 January 2019. 3517: 3515: 3347: 3345: 1330:). In 2007 they released the documentary DVD 799:(formerly a member of Scottish new wave band 324:(1987), which both entered the top 20 of the 8: 4863:, 23 October 2007. Retrieved 8 January 2012. 4731:, 3 November 2004; retrieved 8 January 2012. 4454:, 22 August 2009. Retrieved 10 January 2012. 4288:, 5 February 2002. Retrieved 9 January 2012. 3946: 3944: 3942: 3940: 3938: 3936: 3695:"Artist Chart History – The Smiths: Albums", 3143:, 26 January 2008. Retrieved 8 January 2012. 1523:gave Morrissey as its source for the story. 1197:Johnny Marr performing as part of the group 776:" and "The Boy with the Thorn in His Side". 723:, it has been added to subsequent releases. 6595:Please Please Please Let Me Get What I Want 5419: 5417: 4840:, 3 October 2007. Retrieved 8 January 2012. 4821:, 22 August 2007. Retrieved 7 January 2012. 4802:, 23 August 2007. Retrieved 8 January 2012. 4778:, 23 August 2007. Retrieved 7 January 2011. 3444:. London: Windmill Books. pp. 522–40. 2229:"The Smiths Bassist Andy Rourke Dies at 59" 277:The Smiths signed to the independent label 7270: 7256: 7248: 6718: 6704: 6696: 6542:Last Night I Dreamt That Somebody Loved Me 6203: 6189: 6181: 5338:"Johnny Marr on The Smiths and going solo" 4755:, 16 March 2006. Retrieved 8 January 2012. 4622:, 30 March 2006. Retrieved 9 January 2012. 3559:(London: Omnibus, 1992), pp. 281–282. 1365:(1996–98); toured with Vinny Peculiar and 45: 34: 3505: 3503: 3408:"The Smiths – Rock Legends (documentary)" 3269: 3267: 3265: 3263: 2829:Boy Interrupted. Memoir of a former Smith 1019:High Court of Justice (Chancery Division) 5990:Morrissey and Marr: The Severed Alliance 5276:Morrissey and Marr: The Severed Alliance 5223: 5143:"The Ultimate Johnny Marr Guitar Lesson" 5122:Johnny Marr – The Joy Of The Guitar Riff 4646:, 5 June 2006. Retrieved 9 January 2012. 4312:, 23 May 2001. Retrieved 7 January 2012. 4299:"Two Ex-Smiths Sniffing for Record Deal" 4118:"Morrissey may face new claim for £1m", 3557:Morrissey and Marr: The Severed Alliance 3091: 3089: 3087: 3085: 3083: 2085:– bass (1982–1986, 1986–1987; died 2023) 1511:Coachella Valley Music and Arts Festival 511:which he had found in Margaret Walters' 281:in 1983 and released their debut album, 51:The Smiths in 1984. From left to right: 7425: 5753:France, Lisa Respers (8 October 2015). 5368:"The Smiths: The Influential Alliance," 5323: 5311: 5299: 5287: 5100:, November 2004. Marr's selections are 3370:, April 2001. Retrieved 8 January 2012. 3152: 3074: 3062: 3058: 3015: 3003: 2991: 2979: 2967: 2950: 2938: 2911: 2899: 2887: 2875: 2863: 2851: 2814: 2798: 2786: 2774: 2762: 2746: 2734: 2722: 2710: 2698: 2686: 2671: 2655: 2640: 2624: 2612: 2566: 2507: 2491: 2352: 2350: 2348: 2219: 1687:and Keith Richards." Marr also used an 411:— Marr, on arriving at Morrissey's door 6644:A Rush and a Push and the Land Is Ours 5919:The Smiths: Songs That Saved Your Life 5858:Trendell, Andrew (24 September 2021). 5429:"The Backpages Interview: Johnny Marr" 5235: 5141:Brennan, Patrick (29 September 2023). 4476: 4474: 4071:"The Pleasure, the Privilege Was Ours" 3951:Hattenstone, Simon (29 October 2016). 2258:"The Smiths | Biography & History" 1236:We Were Dead Before the Ship Even Sank 930:A Rush and a Push and the Land Is Ours 590:The Smiths generated controversy when 345:1982: Formation and early performances 7558:Musical groups disestablished in 1987 6535:I Started Something I Couldn't Finish 4589:from the original on 26 February 2019 3613:, August 1997. Retrieved 30 May 2010. 3494: 3351:Kelly, Danny. "Exile on Mainstream". 3336: 3285:from the original on 17 February 2011 3124: 3122: 3107:from the original on 17 February 2011 2333:from the original on 23 November 2020 2270:from the original on 15 December 2018 2073:– lead vocals, percussion (1982–1987) 1935:as his 12th-favourite album in 2010. 1819:and highlighted in magazines such as 1402:(with whom he played for two years); 780:reached number two in the UK charts. 7: 6919:World Peace Is None of Your Business 6556:There Is a Light That Never Goes Out 5767:from the original on 11 October 2015 5734:from the original on 19 October 2014 5386:Dowling, "The Influential Alliance". 5167:Franklin, Jamie (16 December 2009). 5096:"Johnny Marr's Top Ten Guitarists", 4812:"Press release regarding tour dates" 4577:Galbraith, Alex (6 September 2016). 4481:Beaumont-Thomas, Ben (19 May 2023). 4408:database. Retrieved 10 January 2012. 3963:from the original on 30 October 2016 3911:"Smiths' Cash Split 'Never Equal'", 3767:from the original on 10 January 2021 3671:from the original on 25 October 2017 3318:from the original on 25 October 2017 2923: 2810: 2758: 2667: 2636: 2521:"Desert Island Discs with Morrissey" 2503: 2487: 2469:from the original on 10 January 2021 2444: 2442: 2427:from the original on 10 January 2021 2398:from the original on 10 January 2021 2170:List of songs recorded by the Smiths 1225:(2002). In 2006, he began work with 774:There Is a Light That Never Goes Out 250:were an English rock band formed in 7217:Panic on the Streets of Springfield 5961:Set The Boy Free: The Autobiography 3476:from the original on 15 August 2020 1328:The Fall and Rise of Vinny Peculiar 575:" reached numbers 25 and 12 on the 503:. Travis agreed to cut their song " 7563:Musical groups established in 1982 6486:The Boy with the Thorn in His Side 5822:Williams, Jenessa (24 June 2023). 5697:"100 Greatest Singers of All Time" 5348:from the original on 19 April 2013 5256:from the original on 13 April 2012 4144:"Can a New Film Heal Smiths Rift?" 3998:of the interview is reproduced at 3176:from the original on 14 March 2012 1927:The Boy with the Thorn in His Side 766:The Boy with the Thorn in His Side 621:, which reached number two on the 14: 7533:1987 disestablishments in England 6637:Some Girls Are Bigger Than Others 5786:Simpson, Dave (10 October 2021). 5569:Simon Goddard, "The Last Rites", 5054:McStea, Mark (22 February 2022). 4918:from the original on 7 April 2014 4709:The encounter is described in an 4465:Mike Joyce's Coalition Chart Show 4370:. Both retrieved 10 January 2012. 3760:. 24 September 1988. p. 26. 3235:"Band Aid vs. Morrissey ..." 2541:from the original on 3 April 2019 2449:Simon Goddard (1 February 2013). 2319:Payne, Chris (20 February 2014). 1361:(1995); toured and recorded with 1341:(1990); toured and recorded with 303:, including the number-one album 7500: 7488: 7476: 7464: 7452: 7440: 7428: 7234: 7233: 7004:Suedehead: The Best of Morrissey 5669:"500 Greatest Songs of All Time" 5336:Youngs, Ian (17 February 2013). 4069:Kurson, Ken (28 December 2012). 3626:, No. 13, April 1988, p. 5. 3364:John Harris, "Trouble at Mill", 3224:. Both retrieved 8 January 2012. 3196:"Heaven Knows I'm Miserable Now" 3031:British Hit Singles & Albums 2051:and horrible at the same time". 1892:and inspired their 2001 single " 1876:said Marr was an influence. The 1460:Manchester. He was a regular on 1388:Rourke played and recorded with 1295:I Do Not Want What I Haven't Got 757:The Smiths' third studio album, 711:of "Nowhere Fast", and the anti- 661:More controversy followed when " 499:of the independent record label 7538:English alternative rock groups 5722:Greene, Andy (9 October 2014). 3751:"European Hot 100 Albums Chart" 3308:"The Smiths: The Queen Is Dead" 3248:from the original on 1 May 2012 3166:"Interview With Stephen Street" 2420:. 31 October 1987. p. 26. 2411:"European Hot 100 Albums Chart" 2382:"European Hot 100 Albums Chart" 2103:Steven Pomfret – guitars (1982) 2091:– drums, percussion (1982–1987) 2013:500 Greatest Albums of All Time 1917:The American singer-songwriter 1452:concert series, later known as 1385:, which streams from New York. 795:Rourke was replaced on bass by 7568:Musical groups from Manchester 7548:English post-punk music groups 7528:1982 establishments in England 6514:Shoplifters of the World Unite 6451:William, It Was Really Nothing 6444:Heaven Knows I'm Miserable Now 5979:The Smiths: The Complete Story 5895:Morrissey: Scandal and Passion 5597:"The Passion of the Morrissey" 5250:"The Smiths. Under the Covers" 5248:Powell, Mike (15 March 2005). 5040:Joe Gore, "Guitar Anti-hero", 4251:"Whatever Happened To Marion?" 4191:at BBC Radio 6 Music; and the 3857:Joyce vs. Morrissey and Others 3826:Joyce vs. Morrissey and Others 3691:British Hit Singles and Albums 3528:UltimateGuitar.com (interview) 2025:500 Greatest Songs of All Time 2017:William, It Was Really Nothing 903:Shoplifters of the World Unite 738:and the famine relief project 648:William, It Was Really Nothing 644:Heaven Knows I'm Miserable Now 1: 6479:That Joke Isn't Funny Anymore 6437:What Difference Does It Make? 5398:"The Golden Age of Radiohead" 5396:Randall, Mac (1 April 1998). 4178:The Mint Show with Marc Riley 3097:"The Smiths Uk charts albums" 2579:Robb, John (9 January 2009). 1043:In November 2005, Joyce told 870:, or self-lacerating diarist 752:That Joke Isn't Funny Anymore 573:What Difference Does It Make? 477:What Difference Does It Make? 16:English rock band (1982–1987) 7128:Who Put the M in Manchester? 6947:Without Music the World Dies 6905:Ringleader of the Tormentors 5643:"Top 500 albums of all time" 4545:. Retrieved 10 January 2012. 4468:. Retrieved 10 January 2012. 4325:, 14 December 2001. See the 3028:Roberts, David, ed. (2006). 2391:. 26 July 1986. p. 26. 2227:Monroe, Jazz (19 May 2023). 1420:, 2007). In 2007, he formed 475:; the tracks recorded were " 215: 7583:Rough Trade Records artists 6366:The Very Best of The Smiths 5610:. Retrieved 8 January 2012. 4321:Originally reported in the 4109:. Retrieved 8 January 2012. 4041:. Ebury Press. p. 81. 4002:. Retrieved 8 January 2012. 4000:The Motor Cycle Au Pair Boy 3930:. Retrieved 8 January 2012. 3887:. Retrieved 8 January 2012. 3740:. Retrieved 8 January 2012. 3702:. Retrieved 13 August 2008. 2455:. Titan Books. p. 16. 2371:. Retrieved 8 January 2012. 2123:Session and touring members 2118:Ivor Perry – guitars (1987) 2034:In 2021 and 2023, the band 2023:" on its 2004 list of the " 1134:Marr returned in 1989 with 1114:". He recorded a duet with 827:) and their American label 7609: 7135:Live at the Hollywood Bowl 4939:"WAR IS OLD, ART IS YOUNG" 4567:Retrieved 10 January 2012. 4522:Retrieved 10 January 2012. 4212:"Statement from Morrissey" 2452:Songs That Saved Your Life 2163: 2106:Dale Hibbert – bass (1982) 2029:Rock and Roll Hall of Fame 1599:. From their second album 1205:in Washington, DC, in 2010 521:University of London Union 18: 7553:English jangle pop groups 7543:English indie rock groups 7375:Guest musician recordings 7231: 6940:I Am Not a Dog on a Chain 6733: 6563:Sweet and Tender Hooligan 6281:Strangeways, Here We Come 6218: 6065:10.1017/s0261143000004815 5586:, No. 120, May 2007. 5573:, No. 250, May 2007. 5214:Retrieved 8 January 2012. 5013:"MESSAGES FROM MORRISSEY" 4231:"Cribs Back to a 3 Piece" 3832:23 September 2015 at the 3726:Strangeways, Here We Come 3650:, November/December 1992. 3201:26 September 2008 at the 2201:Strangeways, Here We Come 2044:2023 Glastonbury Festival 1902:of the English rock band 1880:songwriter and guitarist 1834:The Old Grey Whistle Test 1681:Siouxsie and the Banshees 1557:on 19 May 2023, aged 59. 1448:). Rourke co-founded the 1120:Siouxsie and the Banshees 982:Strangeways, Here We Come 967:Strangeways, Here We Come 924:Strangeways, Here We Come 895:Strangeways, Here We Come 321:Strangeways, Here We Come 291:, was a rejection of the 44: 7573:English musical quartets 7406:The Amazing Spider-Man 2 6684:Shoplifters of the World 6472:Barbarism Begins at Home 5373:14 February 2009 at the 5278:(London: Omnibus, 1992). 4794:13 November 2017 at the 4716:20 November 2012 at the 4639:12 December 2008 at the 4615:12 December 2008 at the 4385:29 December 2011 at the 4332:20 November 2012 at the 4304:10 February 2012 at the 4187:18 November 2008 at the 4164:20 November 2012 at the 4129:20 November 2012 at the 4021:20 November 2012 at the 3819:20 November 2012 at the 3795:20 November 2012 at the 3732:14 December 2011 at the 3211:"Suffer Little Children" 3130:"Marr Rocking the Cribs" 2254:Erlewine, Stephen Thomas 1395:Last of the Independents 1379:The Coalition Chart Show 1068:in Austin, Texas in 2006 1064:Morrissey performing at 7011:My Early Burglary Years 6373:The Sound of The Smiths 6088:Warnes, Andrew (2008). 5937:Goddard, Simon (2009). 5619:Veltman, "The Passion". 5210:20 January 2012 at the 5169:"Johnny Marr – PowerOn" 5131:, accessed 7 April 2018 5127:18 January 2020 at the 4747:25 October 2018 at the 4563:19 October 2013 at the 4537:10 January 2021 at the 4404:26 January 2012 at the 4362:19 October 2013 at the 4323:Manchester Evening News 4155:Manchester Evening News 4149:21 January 2012 at the 4120:Manchester Evening News 4092:Manchester Evening News 3994:20 January 2012 at the 3913:Manchester Evening News 3810:Manchester Evening News 3738:Passions Just Like Mine 3635:Henderson, "Suedehead". 3222:Passions Just Like Mine 3216:6 February 2012 at the 3141:Manchester Evening News 3135:21 January 2012 at the 1345:(1990–91); toured with 1084:. The resulting album, 1005:1989: Royalties dispute 932:", features no guitar. 833:St. Petersburg, Florida 7593:Warner Records artists 7046:Very Best of Morrissey 7018:The CD Singles '88–91' 6588:Suffer Little Children 6493:Bigmouth Strikes Again 6380:The Smiths Singles Box 6324:The World Won't Listen 5922:. Reynolds and Hearn. 5252:. stylusmagazine.com. 5107:1 January 2012 at the 4897:1 January 2012 at the 4878:26 August 2012 at the 4395:tour of 1992. See the 4346:"About Vinny Peculiar" 4256:16 August 2018 at the 4035:Simon Goddard (2009). 3600:"Mike Joyce Interview" 3589:28 August 2005 at the 3275:"The Smiths Uk Charts" 3194:See the discussion of 2356:Simon C. W. Reynolds, 2166:The Smiths discography 2115:– guitars, bass (1986) 1497:Backstage Pass Special 1357:(1992); recorded with 1206: 1069: 1037: 908:The World Won't Listen 884: 842:The World Won't Listen 770:Bigmouth Strikes Again 663:Suffer Little Children 612: 408: 395:Suffer Little Children 73:Background information 26:. For other uses, see 7114:Introducing Morrissey 7107:The Malady Lingers On 7025:The Best of Morrissey 6602:The Headmaster Ritual 4914:. musica.uol.com.br. 4661:27 March 2012 at the 4423:18 April 2016 at the 4236:16 April 2011 at the 4198:13 March 2019 at the 4073:. Wall Street Journal 3987:, 9 August 1997. The 3606:15 March 2016 at the 3279:Theofficialcharts.com 3172:. 27 September 2005. 3101:Theofficialcharts.com 1424:with fellow bassists 1196: 1076:and fellow Mancunian 1063: 887:— Paul A. Woods, 2007 837:Radio City Music Hall 610: 553:the Teardrop Explodes 326:European Albums Chart 254:in 1982, composed of 7588:Sire Records artists 7322:Fever Dreams Pts 1–4 7064:Bonfire of Teenagers 6528:Girlfriend in a Coma 6465:Shakespeare's Sister 5981:(Omnibus 1985, 1988) 5602:28 July 2008 at the 5410:on 3 September 2017. 4856:8 March 2012 at the 4770:6 March 2016 at the 4727:5 March 2016 at the 4679:ITV (3 April 2011). 4583:Consequence of Sound 4518:Andy Rourke's Jetlag 4439:7 March 2012 at the 4351:21 July 2012 at the 4280:5 March 2016 at the 4101:20 June 2012 at the 3922:20 June 2012 at the 3879:20 June 2012 at the 3581:Lorraine Carpenter, 3509:Rogan, Johnny. 1992. 3244:. 18 November 2004. 3038:. pp. 509–510. 2529:. 29 November 2009. 1718:and singers such as 1608:James Honeyman-Scott 1349:(1992); toured with 1337:Joyce recorded with 1318:), Aziz Ibrahim and 954:Bengali in Platforms 874:, than a licentious 748:Shakespeare's Sister 446:Blue Rondo à la Turk 441:was not interested. 365:gig at Manchester's 6972:Live at Earls Court 5963:. London: Century. 5470:. 16 September 2021 5019:. 27 September 2015 4836:9 June 2012 at the 4817:10 May 2012 at the 4787:Elizabeth Goodman, 4249:Talia Soghomonian, 4217:10 May 2012 at the 3786:The Daily Telegraph 3355:. 14 February 1987. 2926:, pp. 275–276. 2827:Hibbert, D (2015). 2761:, pp. 34, 35; 2526:Desert Island Discs 1989:The South Bank Show 1811:pop groups such as 1714:, along with 1960s 1551:Manchester v Cancer 1479:Reunion speculation 1450:Manchester v Cancer 1371:Alternative Therapy 1246:Ignore the Ignorant 811:" (the latter with 732:Thatcher government 713:corporal punishment 650:", which featured " 501:Rough Trade Records 279:Rough Trade Records 7578:NME Awards winners 7447:Greater Manchester 7142:Morrissey: 25 Live 6997:World of Morrissey 6982:Compilation albums 6965:Beethoven Was Deaf 6926:Low in High School 6898:You Are the Quarry 6677:The Smiths Is Dead 6309:Compilation albums 6037:Three Rivers Press 5677:. 11 December 2003 5443:on 13 October 2001 5427:(September 2001). 4691:on 29 October 2021 4142:Robert Bottomley, 3242:Overyourhead.co.uk 2363:4 May 2015 at the 2290:Bannister, Matthew 2129:Simon Wolstencroft 1872:, whose guitarist 1728:Marianne Faithfull 1669:the Rolling Stones 1626:. Citing producer 1491:In November 2004, 1462:East Village Radio 1417:The World Is Yours 1383:East Village Radio 1375:Revolution 96.2 FM 1283:Between the Senses 1207: 1150:in the supergroup 1082:the Durutti Column 1070: 613: 611:The Smiths in 1984 527:, the producer of 473:Chorlton-cum-Hardy 423:Simon Wolstencroft 384:the Monochrome Set 132:Albums and singles 7416: 7415: 7245: 7244: 7056:Unreleased albums 6693: 6692: 6671:Live performances 6616:The Queen Is Dead 6521:Sheila Take a Bow 6430:This Charming Man 6405:The Peel Sessions 6331:Louder Than Bombs 6274:The Queen Is Dead 6120:978-0-85965-394-7 6045:978-0-609-81040-8 6033:How Soon Is Never 6021:978-0-946719-75-4 5970:978-1-780-89432-4 5703:. 3 December 2010 5649:on 2 January 2014 5366:Stephen Dowling, 5290:, pp. 23–24. 5017:MORRISSEY CENTRAL 4943:Morrissey Central 3758:Music & Media 3065:, pp. 35–36. 3036:HIT Entertainment 3034:(19th ed.). 3018:, pp. 50–51. 3006:, pp. 47–50. 2982:, pp. 46–47. 2890:, pp. 32–33. 2854:, pp. 30–31. 2838:978-1-904590-30-9 2817:, pp. 27–30. 2801:, pp. 28–29. 2789:, pp. 27–29. 2749:, pp. 26–27. 2737:, pp. 25–26. 2725:, pp. 23–24. 2494:, pp. 16–17. 2418:Music & Media 2389:Music & Media 2369:Britannica Online 2305:978-1-4094-9374-7 2193:The Queen Is Dead 2146: 2145: 2065:Principal members 2015:", and included " 1845:flowers onstage. 1720:Dusty Springfield 1555:pancreatic cancer 1470:Dolores O'Riordan 1332:Inside the Smiths 1271:'s second album, 1222:Heathen Chemistry 1166:, Pet Shop Boys, 1100:Piccadilly Palare 1049:BBC Radio 6 Music 1012:session musicians 918:Louder Than Bombs 913:Sheila Take a Bow 878:or a drugged-out 778:The Queen Is Dead 760:The Queen Is Dead 696:The Queen Is Dead 569:This Charming Man 315:The Queen Is Dead 272:independent music 245: 244: 7600: 7505: 7504: 7493: 7492: 7481: 7480: 7479: 7469: 7468: 7467: 7457: 7456: 7455: 7445: 7444: 7433: 7432: 7431: 7424: 7368:Related articles 7272: 7265: 7258: 7249: 7237: 7236: 7177:Related articles 7167:List of the Lost 6912:Years of Refusal 6884:Southpaw Grammar 6829:Matt Chamberlain 6825:Dean Butterworth 6796:Matthew Seligman 6720: 6713: 6706: 6697: 6654:Related articles 6630:I Know It's Over 6458:How Soon Is Now? 6317:Hatful of Hollow 6205: 6198: 6191: 6182: 6124: 6105: 6084: 6025: 6003: 5974: 5952: 5933: 5908: 5877: 5876: 5874: 5872: 5855: 5849: 5848: 5846: 5844: 5819: 5813: 5812: 5810: 5808: 5783: 5777: 5776: 5774: 5772: 5750: 5744: 5743: 5741: 5739: 5719: 5713: 5712: 5710: 5708: 5693: 5687: 5686: 5684: 5682: 5665: 5659: 5658: 5656: 5654: 5639: 5633: 5626: 5620: 5617: 5611: 5593: 5587: 5582:Simon Reynolds, 5580: 5574: 5567: 5561: 5560: 5558: 5556: 5551:. 13 August 2010 5540: 5534: 5533: 5531: 5529: 5513: 5507: 5506: 5504: 5502: 5486: 5480: 5479: 5477: 5475: 5468:Far Out Magazine 5459: 5453: 5452: 5450: 5448: 5442: 5437:. Archived from 5434:Rock's Backpages 5421: 5412: 5411: 5406:. Archived from 5393: 5387: 5384: 5378: 5364: 5358: 5357: 5355: 5353: 5333: 5327: 5321: 5315: 5309: 5303: 5297: 5291: 5285: 5279: 5272: 5266: 5265: 5263: 5261: 5245: 5239: 5233: 5227: 5221: 5215: 5195: 5189: 5188: 5186: 5184: 5179:on 5 August 2014 5175:. Archived from 5164: 5158: 5157: 5155: 5153: 5138: 5132: 5118: 5112: 5094: 5088: 5082: 5077: 5071: 5070: 5068: 5066: 5051: 5045: 5038: 5029: 5028: 5026: 5024: 5009: 5003: 5002: 4991: 4982: 4981: 4979: 4977: 4960: 4954: 4953: 4951: 4949: 4934: 4928: 4927: 4925: 4923: 4908: 4902: 4889: 4883: 4870: 4864: 4847: 4841: 4828: 4822: 4809: 4803: 4785: 4779: 4762: 4756: 4738: 4732: 4707: 4701: 4700: 4698: 4696: 4687:. Archived from 4676: 4670: 4653: 4647: 4629: 4623: 4607:Scott Colothan, 4605: 4599: 4598: 4596: 4594: 4574: 4568: 4552: 4546: 4529: 4523: 4514: 4508: 4507: 4505: 4503: 4478: 4469: 4461: 4455: 4415: 4409: 4392:That What Is Not 4377: 4371: 4357:"Two Fat Lovers" 4343: 4337: 4319: 4313: 4295: 4289: 4273:Siobhan Grogan, 4271: 4265: 4247: 4241: 4228: 4222: 4209: 4203: 4175: 4169: 4140: 4134: 4116: 4110: 4089: 4083: 4082: 4080: 4078: 4066: 4060: 4059: 4057: 4055: 4032: 4026: 4009: 4003: 3979: 3973: 3972: 3970: 3968: 3948: 3931: 3909: 3903: 3902: 3894: 3888: 3866: 3860: 3854: 3841: 3806: 3800: 3783: 3777: 3776: 3774: 3772: 3766: 3755: 3747: 3741: 3723:(1994). See the 3709: 3703: 3687: 3681: 3680: 3678: 3676: 3661:"Morrissey-solo" 3657: 3651: 3647:Record Collector 3642: 3636: 3633: 3627: 3620: 3614: 3579: 3573: 3572:, 8 August 1987. 3566: 3560: 3553: 3544: 3543: 3541: 3539: 3530:. Archived from 3519: 3510: 3507: 3498: 3492: 3486: 3485: 3483: 3481: 3462: 3456: 3455: 3434: 3428: 3427: 3425: 3423: 3418:on 15 April 2021 3414:. Archived from 3403: 3397: 3396: 3394: 3392: 3387:. 4 October 2006 3377: 3371: 3362: 3356: 3349: 3340: 3334: 3328: 3327: 3325: 3323: 3304: 3295: 3294: 3292: 3290: 3271: 3258: 3257: 3255: 3253: 3239: 3231: 3225: 3192: 3186: 3185: 3183: 3181: 3162: 3156: 3150: 3144: 3126: 3117: 3116: 3114: 3112: 3093: 3078: 3072: 3066: 3056: 3050: 3049: 3025: 3019: 3013: 3007: 3001: 2995: 2989: 2983: 2977: 2971: 2965: 2954: 2948: 2942: 2936: 2927: 2921: 2915: 2909: 2903: 2897: 2891: 2885: 2879: 2873: 2867: 2861: 2855: 2849: 2843: 2842: 2824: 2818: 2808: 2802: 2796: 2790: 2784: 2778: 2772: 2766: 2756: 2750: 2744: 2738: 2732: 2726: 2720: 2714: 2708: 2702: 2696: 2690: 2684: 2675: 2665: 2659: 2653: 2644: 2634: 2628: 2622: 2616: 2610: 2604: 2603: 2601: 2599: 2576: 2570: 2564: 2551: 2550: 2548: 2546: 2517: 2511: 2501: 2495: 2485: 2479: 2478: 2476: 2474: 2446: 2437: 2436: 2434: 2432: 2426: 2415: 2407: 2405: 2403: 2397: 2386: 2378: 2372: 2354: 2343: 2342: 2340: 2338: 2316: 2310: 2309: 2286: 2280: 2279: 2277: 2275: 2250: 2244: 2243: 2241: 2239: 2224: 2060: 2021:How Soon Is Now? 1923:I Know it's Over 1750: 1746: 1633:James Williamson 1532:BBC Radio 5 Live 1355:Public Image Ltd 1281:'s debut album, 1080:, guitarist for 901:In early 1987, " 888: 872:Kenneth Williams 736:British monarchy 717:How Soon Is Now? 683:Hatful of Hollow 652:How Soon Is Now? 577:UK Singles Chart 437:, but Factory's 412: 355:Steven Morrissey 297:UK Singles Chart 241: 238: 236: 183: 148: 116:alternative rock 49: 35: 7608: 7607: 7603: 7602: 7601: 7599: 7598: 7597: 7513: 7512: 7511: 7499: 7487: 7477: 7475: 7465: 7463: 7453: 7451: 7439: 7429: 7427: 7419: 7417: 7412: 7363: 7345: 7327: 7281: 7276: 7246: 7241: 7227: 7210:England Is Mine 7172: 7147: 7087: 7069: 7051: 6977: 6952: 6843: 6839:Michael Farrell 6776:Kevin Armstrong 6729: 6724: 6694: 6689: 6649: 6568: 6410: 6392: 6304: 6286: 6247: 6214: 6209: 6155:discography at 6131: 6121: 6108: 6087: 6050: 6022: 6012:Saint Morrissey 6006: 6000: 5984: 5977:Middles, Mick. 5971: 5955: 5949: 5941:. Ebury Press. 5936: 5930: 5912: 5905: 5889: 5886: 5881: 5880: 5870: 5868: 5857: 5856: 5852: 5842: 5840: 5821: 5820: 5816: 5806: 5804: 5785: 5784: 5780: 5770: 5768: 5752: 5751: 5747: 5737: 5735: 5721: 5720: 5716: 5706: 5704: 5695: 5694: 5690: 5680: 5678: 5667: 5666: 5662: 5652: 5650: 5641: 5640: 5636: 5627: 5623: 5618: 5614: 5604:Wayback Machine 5595:Chloe Veltman, 5594: 5590: 5581: 5577: 5568: 5564: 5554: 5552: 5543: 5541: 5537: 5527: 5525: 5516: 5514: 5510: 5500: 5498: 5489: 5487: 5483: 5473: 5471: 5462: 5460: 5456: 5446: 5444: 5425:Hoskyns, Barney 5423: 5422: 5415: 5395: 5394: 5390: 5385: 5381: 5375:Wayback Machine 5365: 5361: 5351: 5349: 5335: 5334: 5330: 5322: 5318: 5310: 5306: 5298: 5294: 5286: 5282: 5273: 5269: 5259: 5257: 5247: 5246: 5242: 5234: 5230: 5222: 5218: 5212:Wayback Machine 5196: 5192: 5182: 5180: 5166: 5165: 5161: 5151: 5149: 5140: 5139: 5135: 5129:Wayback Machine 5119: 5115: 5109:Wayback Machine 5095: 5091: 5080: 5078: 5074: 5064: 5062: 5053: 5052: 5048: 5044:, January 1990. 5039: 5032: 5022: 5020: 5011: 5010: 5006: 4993: 4992: 4985: 4975: 4973: 4962: 4961: 4957: 4947: 4945: 4936: 4935: 4931: 4921: 4919: 4910: 4909: 4905: 4899:Wayback Machine 4890: 4886: 4880:Wayback Machine 4871: 4867: 4858:Wayback Machine 4848: 4844: 4838:Wayback Machine 4829: 4825: 4819:Wayback Machine 4810: 4806: 4796:Wayback Machine 4786: 4782: 4772:Wayback Machine 4763: 4759: 4749:Wayback Machine 4740:Barry Jeckell, 4739: 4735: 4729:Wayback Machine 4718:Wayback Machine 4708: 4704: 4694: 4692: 4678: 4677: 4673: 4663:Wayback Machine 4654: 4650: 4641:Wayback Machine 4630: 4626: 4617:Wayback Machine 4606: 4602: 4592: 4590: 4576: 4575: 4571: 4565:Wayback Machine 4553: 4549: 4539:Wayback Machine 4530: 4526: 4515: 4511: 4501: 4499: 4480: 4479: 4472: 4462: 4458: 4441:Wayback Machine 4425:Wayback Machine 4416: 4412: 4406:Wayback Machine 4387:Wayback Machine 4378: 4374: 4364:Wayback Machine 4353:Wayback Machine 4344: 4340: 4334:Wayback Machine 4320: 4316: 4306:Wayback Machine 4296: 4292: 4282:Wayback Machine 4272: 4268: 4258:Wayback Machine 4248: 4244: 4238:Wayback Machine 4229: 4225: 4219:Wayback Machine 4210: 4206: 4200:Wayback Machine 4189:Wayback Machine 4176: 4172: 4166:Wayback Machine 4151:Wayback Machine 4141: 4137: 4131:Wayback Machine 4117: 4113: 4105:is archived at 4103:Wayback Machine 4090: 4086: 4076: 4074: 4068: 4067: 4063: 4053: 4051: 4049: 4034: 4033: 4029: 4023:Wayback Machine 4010: 4006: 3996:Wayback Machine 3980: 3976: 3966: 3964: 3950: 3949: 3934: 3926:is archived at 3924:Wayback Machine 3910: 3906: 3896: 3895: 3891: 3883:is archived at 3881:Wayback Machine 3867: 3863: 3855: 3844: 3834:Wayback Machine 3821:Wayback Machine 3807: 3803: 3797:Wayback Machine 3784: 3780: 3770: 3768: 3764: 3753: 3749: 3748: 3744: 3734:Wayback Machine 3710: 3706: 3688: 3684: 3674: 3672: 3659: 3658: 3654: 3643: 3639: 3634: 3630: 3621: 3617: 3608:Wayback Machine 3591:Wayback Machine 3580: 3576: 3568:"Marr Speaks", 3567: 3563: 3554: 3547: 3537: 3535: 3522:Rosen, Steven. 3521: 3520: 3513: 3508: 3501: 3493: 3489: 3479: 3477: 3472:. 1 July 2020. 3464: 3463: 3459: 3452: 3436: 3435: 3431: 3421: 3419: 3405: 3404: 3400: 3390: 3388: 3385:Magnet Magazine 3379: 3378: 3374: 3363: 3359: 3350: 3343: 3335: 3331: 3321: 3319: 3306: 3305: 3298: 3288: 3286: 3273: 3272: 3261: 3251: 3249: 3237: 3233: 3232: 3228: 3218:Wayback Machine 3203:Wayback Machine 3193: 3189: 3179: 3177: 3164: 3163: 3159: 3151: 3147: 3137:Wayback Machine 3127: 3120: 3110: 3108: 3095: 3094: 3081: 3073: 3069: 3061:, p. 108; 3057: 3053: 3046: 3027: 3026: 3022: 3014: 3010: 3002: 2998: 2990: 2986: 2978: 2974: 2966: 2957: 2949: 2945: 2937: 2930: 2922: 2918: 2910: 2906: 2898: 2894: 2886: 2882: 2874: 2870: 2862: 2858: 2850: 2846: 2839: 2826: 2825: 2821: 2809: 2805: 2797: 2793: 2785: 2781: 2773: 2769: 2757: 2753: 2745: 2741: 2733: 2729: 2721: 2717: 2709: 2705: 2697: 2693: 2685: 2678: 2666: 2662: 2654: 2647: 2635: 2631: 2623: 2619: 2611: 2607: 2597: 2595: 2578: 2577: 2573: 2565: 2554: 2544: 2542: 2519: 2518: 2514: 2502: 2498: 2486: 2482: 2472: 2470: 2463: 2448: 2447: 2440: 2430: 2428: 2424: 2413: 2409: 2408: 2401: 2399: 2395: 2384: 2380: 2379: 2375: 2365:Wayback Machine 2355: 2346: 2336: 2334: 2318: 2317: 2313: 2306: 2288: 2287: 2283: 2273: 2271: 2252: 2251: 2247: 2237: 2235: 2226: 2225: 2221: 2216: 2211: 2172: 2164:Main articles: 2162: 2157: 2155: 2152: 2147: 2057: 2038:and the singer 1998:Teezo Touchdown 1870:the Stone Roses 1858: 1801:Shelagh Delaney 1781:Joe Dallesandro 1757: 1748: 1744: 1689:overdrive pedal 1588: 1481: 1442:the Stone Roses 1400:Badly Drawn Boy 1308:the Stone Roses 1290:Sinéad O'Connor 1128:Ennio Morricone 1058: 1007: 899: 890: 886: 851:Brixton Academy 699: 623:UK Albums Chart 567:. The singles " 493: 435:Factory Records 431:magic mushrooms 414: 410: 347: 342: 301:UK Albums Chart 233: 221: 181: 172: 146: 141: 120: 68: 40: 31: 17: 12: 11: 5: 7606: 7604: 7596: 7595: 7590: 7585: 7580: 7575: 7570: 7565: 7560: 7555: 7550: 7545: 7540: 7535: 7530: 7525: 7515: 7514: 7510: 7509: 7497: 7485: 7473: 7461: 7449: 7437: 7435:United Kingdom 7414: 7413: 7411: 7410: 7402: 7397: 7392: 7387: 7382: 7377: 7371: 7369: 7365: 7364: 7362: 7361: 7353: 7351: 7347: 7346: 7344: 7343: 7340:Adrenalin Baby 7335: 7333: 7329: 7328: 7326: 7325: 7318: 7315:Call the Comet 7311: 7304: 7297: 7289: 7287: 7283: 7282: 7277: 7275: 7274: 7267: 7260: 7252: 7243: 7242: 7232: 7229: 7228: 7226: 7225: 7220: 7213: 7206: 7201: 7199:The Nosebleeds 7196: 7191: 7186: 7180: 7178: 7174: 7173: 7171: 7170: 7163: 7155: 7153: 7149: 7148: 7146: 7145: 7138: 7131: 7124: 7117: 7110: 7103: 7095: 7093: 7089: 7088: 7086: 7085: 7077: 7075: 7074:Extended plays 7071: 7070: 7068: 7067: 7059: 7057: 7053: 7052: 7050: 7049: 7042: 7035: 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6277: 6270: 6267:Meat Is Murder 6263: 6255: 6253: 6249: 6248: 6246: 6245: 6240: 6235: 6230: 6225: 6219: 6216: 6215: 6210: 6208: 6207: 6200: 6193: 6185: 6179: 6178: 6173: 6168: 6159: 6150: 6141: 6130: 6129:External links 6127: 6126: 6125: 6119: 6106: 6085: 6048: 6026: 6020: 6004: 5998: 5982: 5975: 5969: 5953: 5948:978-0091927103 5947: 5934: 5928: 5914:Goddard, Simon 5910: 5903: 5885: 5882: 5879: 5878: 5850: 5814: 5778: 5745: 5714: 5688: 5660: 5634: 5628:Mark Simpson, 5621: 5612: 5588: 5575: 5562: 5535: 5508: 5481: 5454: 5413: 5388: 5379: 5359: 5328: 5316: 5314:, p. 102. 5304: 5302:, p. 101. 5292: 5280: 5274:Johnny Rogan, 5267: 5240: 5238:, p. 143. 5228: 5216: 5190: 5159: 5133: 5113: 5089: 5072: 5046: 5030: 5004: 4983: 4955: 4929: 4903: 4884: 4865: 4842: 4823: 4804: 4780: 4757: 4733: 4711:anonymous post 4702: 4671: 4648: 4631:Daniel Melia, 4624: 4600: 4569: 4547: 4532:"About Jetlag" 4524: 4509: 4470: 4456: 4410: 4372: 4368:Vinny Peculiar 4338: 4314: 4297:Joe D'Angelo, 4290: 4266: 4242: 4223: 4204: 4170: 4135: 4111: 4084: 4061: 4048:978-0091927103 4047: 4027: 4012:The Daily Star 4004: 3974: 3932: 3904: 3889: 3861: 3842: 3801: 3778: 3742: 3704: 3682: 3665:Morrissey-solo 3652: 3637: 3628: 3615: 3574: 3561: 3555:Johnny Rogan, 3545: 3511: 3499: 3487: 3457: 3450: 3438:Fletcher, Tony 3429: 3398: 3372: 3357: 3341: 3329: 3296: 3259: 3226: 3187: 3157: 3145: 3118: 3079: 3067: 3051: 3044: 3020: 3008: 2996: 2984: 2972: 2955: 2943: 2928: 2916: 2904: 2892: 2880: 2868: 2856: 2844: 2837: 2819: 2813:, p. 36; 2803: 2791: 2779: 2767: 2751: 2739: 2727: 2715: 2703: 2691: 2676: 2670:, p. 34; 2660: 2645: 2639:, p. 34; 2629: 2617: 2605: 2571: 2552: 2512: 2506:, p. 32; 2496: 2490:, p. 32; 2480: 2461: 2438: 2373: 2344: 2311: 2304: 2281: 2245: 2218: 2217: 2215: 2212: 2210: 2207: 2206: 2205: 2197: 2189: 2185:Meat Is Murder 2181: 2161: 2158: 2153: 2151: 2148: 2144: 2143: 2139: 2138: 2132: 2131:– drums (1982) 2120: 2119: 2116: 2110: 2107: 2104: 2094: 2093: 2092: 2086: 2080: 2074: 2058: 2056: 2053: 1968:Simon Reynolds 1955:the Libertines 1951:Meat Is Murder 1904:Arctic Monkeys 1882:Noel Gallagher 1857: 1854: 1813:Spandau Ballet 1756: 1753: 1740:"kitchen sink" 1736:social realism 1700:New York Dolls 1665:Keith Richards 1645:Pete Townshend 1641:Rory Gallagher 1612:the Pretenders 1601:Meat Is Murder 1587: 1584: 1502:Bands Reunited 1480: 1477: 1414:(featuring on 1408:Love and Light 1406:(featuring on 1392:(featuring on 1390:the Pretenders 1373:radio show on 1264:Call the Comet 1160:the Pretenders 1140:Bernard Sumner 1116:Siouxsie Sioux 1108:the Pretenders 1104:Chrissie Hynde 1074:Stephen Street 1057: 1054: 1006: 1003: 898: 891: 863: 847:anti-apartheid 813:Kirsty MacColl 725:Meat Is Murder 704:Meat Is Murder 698: 692:Meat Is Murder 688: 656:Stephen Street 633:music program 492: 489: 456:'s version of 403: 371:New York Dolls 367:Apollo Theatre 346: 343: 341: 338: 306:Meat Is Murder 243: 242: 235:officialsmiths 231: 227: 226: 223: 222: 220: 219: 212: 207: 202: 197: 192: 186: 184: 178: 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7182: 7181: 7179: 7175: 7169: 7168: 7164: 7162: 7161: 7160:Autobiography 7157: 7156: 7154: 7150: 7144: 7143: 7139: 7137: 7136: 7132: 7130: 7129: 7125: 7123: 7122: 7121:¡Oye Esteban! 7118: 7116: 7115: 7111: 7109: 7108: 7104: 7102: 7101: 7097: 7096: 7094: 7090: 7084: 7083: 7079: 7078: 7076: 7072: 7066: 7065: 7061: 7060: 7058: 7054: 7048: 7047: 7043: 7041: 7040: 7036: 7034: 7033: 7032:Greatest Hits 7029: 7027: 7026: 7022: 7020: 7019: 7015: 7013: 7012: 7008: 7006: 7005: 7001: 6999: 6998: 6994: 6992: 6991: 6987: 6986: 6984: 6980: 6974: 6973: 6969: 6967: 6966: 6962: 6961: 6959: 6955: 6949: 6948: 6944: 6942: 6941: 6937: 6935: 6934: 6930: 6928: 6927: 6923: 6921: 6920: 6916: 6914: 6913: 6909: 6907: 6906: 6902: 6900: 6899: 6895: 6893: 6892: 6888: 6886: 6885: 6881: 6879: 6878: 6874: 6872: 6871: 6867: 6865: 6864: 6860: 6858: 6857: 6853: 6852: 6850: 6848:Studio albums 6846: 6840: 6837: 6835: 6834:Roger Manning 6832: 6830: 6827: 6824: 6822: 6819: 6817: 6816:Andrew Paresi 6814: 6812: 6809: 6807: 6804: 6802: 6799: 6797: 6794: 6792: 6789: 6787: 6784: 6782: 6779: 6777: 6774: 6772: 6769: 6767: 6764: 6762: 6759: 6758: 6755: 6754: 6750: 6748: 6747: 6743: 6741: 6740: 6736: 6735: 6732: 6728: 6721: 6716: 6714: 6709: 6707: 6702: 6701: 6698: 6686: 6685: 6681: 6679: 6678: 6674: 6672: 6669: 6667: 6664: 6662: 6659: 6658: 6656: 6652: 6645: 6641: 6638: 6634: 6631: 6627: 6624: 6623:Cemetry Gates 6620: 6617: 6613: 6610: 6606: 6603: 6599: 6596: 6592: 6589: 6585: 6582: 6578: 6577: 6575: 6571: 6564: 6560: 6557: 6553: 6550: 6546: 6543: 6539: 6536: 6532: 6529: 6525: 6522: 6518: 6515: 6511: 6508: 6504: 6501: 6497: 6494: 6490: 6487: 6483: 6480: 6476: 6473: 6469: 6466: 6462: 6459: 6455: 6452: 6448: 6445: 6441: 6438: 6434: 6431: 6427: 6424: 6423:Hand in Glove 6420: 6419: 6417: 6413: 6407: 6406: 6402: 6401: 6399: 6395: 6389: 6388: 6384: 6382: 6381: 6377: 6375: 6374: 6370: 6368: 6367: 6363: 6361: 6360: 6356: 6354: 6353: 6349: 6347: 6346: 6342: 6340: 6339: 6335: 6333: 6332: 6328: 6326: 6325: 6321: 6319: 6318: 6314: 6313: 6311: 6307: 6301: 6300: 6296: 6295: 6293: 6289: 6283: 6282: 6278: 6276: 6275: 6271: 6269: 6268: 6264: 6262: 6261: 6257: 6256: 6254: 6252:Studio albums 6250: 6244: 6241: 6239: 6236: 6234: 6231: 6229: 6226: 6224: 6221: 6220: 6217: 6213: 6206: 6201: 6199: 6194: 6192: 6187: 6186: 6183: 6177: 6174: 6172: 6169: 6167: 6163: 6160: 6158: 6154: 6151: 6149: 6145: 6142: 6140: 6136: 6133: 6132: 6128: 6122: 6116: 6112: 6107: 6103: 6099: 6095: 6094:Popular Music 6091: 6086: 6082: 6078: 6074: 6070: 6066: 6062: 6058: 6054: 6053:Popular Music 6049: 6046: 6042: 6038: 6034: 6030: 6027: 6023: 6017: 6013: 6009: 6008:Simpson, Mark 6005: 6001: 5999:0-7119-3000-7 5995: 5991: 5987: 5986:Rogan, Johnny 5983: 5980: 5976: 5972: 5966: 5962: 5958: 5954: 5950: 5944: 5940: 5935: 5931: 5929:1-905287-14-3 5925: 5921: 5920: 5915: 5911: 5906: 5904:1-86105-787-3 5900: 5896: 5892: 5888: 5887: 5883: 5867: 5866: 5861: 5854: 5851: 5839: 5835: 5831: 5830: 5825: 5818: 5815: 5803: 5799: 5795: 5794: 5789: 5782: 5779: 5766: 5762: 5761: 5756: 5749: 5746: 5733: 5729: 5728:Rolling Stone 5725: 5718: 5715: 5702: 5701:Rolling Stone 5698: 5692: 5689: 5676: 5675: 5674:Rolling Stone 5670: 5664: 5661: 5648: 5644: 5638: 5635: 5631: 5625: 5622: 5616: 5613: 5609: 5605: 5601: 5598: 5592: 5589: 5585: 5579: 5576: 5572: 5566: 5563: 5550: 5546: 5539: 5536: 5524:. 25 May 2007 5523: 5519: 5512: 5509: 5497: 5493: 5485: 5482: 5469: 5465: 5458: 5455: 5441: 5436: 5435: 5430: 5426: 5420: 5418: 5414: 5409: 5405: 5404: 5399: 5392: 5389: 5383: 5380: 5376: 5372: 5369: 5363: 5360: 5347: 5343: 5339: 5332: 5329: 5326:, p. 24. 5325: 5320: 5317: 5313: 5308: 5305: 5301: 5296: 5293: 5289: 5284: 5281: 5277: 5271: 5268: 5255: 5251: 5244: 5241: 5237: 5232: 5229: 5226:, p. 16. 5225: 5224:Stringer 1992 5220: 5217: 5213: 5209: 5206: 5202: 5201: 5194: 5191: 5178: 5174: 5170: 5163: 5160: 5148: 5147:Guitar Player 5144: 5137: 5134: 5130: 5126: 5123: 5117: 5114: 5110: 5106: 5103: 5099: 5093: 5090: 5087: 5083: 5076: 5073: 5061: 5060:Guitar Player 5057: 5050: 5047: 5043: 5042:Guitar Player 5037: 5035: 5031: 5018: 5014: 5008: 5005: 5000: 4996: 4990: 4988: 4984: 4972: 4971: 4966: 4963:Long, Chris. 4959: 4956: 4944: 4940: 4933: 4930: 4917: 4913: 4907: 4904: 4900: 4896: 4893: 4888: 4885: 4881: 4877: 4874: 4869: 4866: 4862: 4859: 4855: 4851: 4846: 4843: 4839: 4835: 4832: 4827: 4824: 4820: 4816: 4813: 4808: 4805: 4801: 4800:Rolling Stone 4797: 4793: 4790: 4784: 4781: 4777: 4773: 4769: 4766: 4761: 4758: 4754: 4750: 4746: 4743: 4737: 4734: 4730: 4726: 4723: 4722:media release 4719: 4715: 4712: 4706: 4703: 4690: 4686: 4682: 4675: 4672: 4668: 4664: 4660: 4657: 4652: 4649: 4645: 4642: 4638: 4634: 4628: 4625: 4621: 4618: 4614: 4610: 4604: 4601: 4588: 4584: 4580: 4573: 4570: 4566: 4562: 4559: 4557: 4551: 4548: 4544: 4540: 4536: 4533: 4528: 4525: 4521: 4519: 4513: 4510: 4498: 4494: 4490: 4489: 4484: 4477: 4475: 4471: 4467: 4466: 4460: 4457: 4453: 4449: 4445: 4442: 4438: 4434: 4430: 4426: 4422: 4419: 4414: 4411: 4407: 4403: 4400: 4399: 4394: 4393: 4388: 4384: 4381: 4376: 4373: 4369: 4365: 4361: 4358: 4354: 4350: 4347: 4342: 4339: 4335: 4331: 4328: 4324: 4318: 4315: 4311: 4307: 4303: 4300: 4294: 4291: 4287: 4283: 4279: 4276: 4270: 4267: 4263: 4259: 4255: 4252: 4246: 4243: 4239: 4235: 4232: 4227: 4224: 4220: 4216: 4213: 4208: 4205: 4201: 4197: 4194: 4190: 4186: 4183: 4179: 4174: 4171: 4167: 4163: 4160: 4156: 4152: 4148: 4145: 4139: 4136: 4132: 4128: 4125: 4121: 4115: 4112: 4108: 4107:Cemetry Gates 4104: 4100: 4097: 4093: 4088: 4085: 4072: 4065: 4062: 4050: 4044: 4040: 4039: 4031: 4028: 4024: 4020: 4017: 4013: 4008: 4005: 4001: 3997: 3993: 3990: 3986: 3985: 3978: 3975: 3962: 3958: 3954: 3947: 3945: 3943: 3941: 3939: 3937: 3933: 3929: 3928:Cemetry Gates 3925: 3921: 3918: 3914: 3908: 3905: 3900: 3893: 3890: 3886: 3885:Cemetry Gates 3882: 3878: 3875: 3871: 3865: 3862: 3858: 3853: 3851: 3849: 3847: 3843: 3839: 3835: 3831: 3828: 3827: 3822: 3818: 3815: 3811: 3805: 3802: 3798: 3794: 3791: 3787: 3782: 3779: 3763: 3759: 3752: 3746: 3743: 3739: 3735: 3731: 3728: 3727: 3722: 3718: 3714: 3708: 3705: 3701: 3700: 3696: 3692: 3686: 3683: 3670: 3666: 3662: 3656: 3653: 3649: 3648: 3641: 3638: 3632: 3629: 3625: 3619: 3616: 3612: 3609: 3605: 3601: 3597: 3596: 3592: 3588: 3584: 3578: 3575: 3571: 3565: 3562: 3558: 3552: 3550: 3546: 3534:on 6 May 2014 3533: 3529: 3525: 3518: 3516: 3512: 3506: 3504: 3500: 3496: 3491: 3488: 3475: 3471: 3467: 3461: 3458: 3453: 3451:9780099537922 3447: 3443: 3439: 3433: 3430: 3417: 3413: 3409: 3402: 3399: 3386: 3382: 3376: 3373: 3369: 3368: 3361: 3358: 3354: 3348: 3346: 3342: 3338: 3333: 3330: 3317: 3313: 3309: 3303: 3301: 3297: 3284: 3280: 3276: 3270: 3268: 3266: 3264: 3260: 3247: 3243: 3236: 3230: 3227: 3223: 3219: 3215: 3212: 3208: 3204: 3200: 3197: 3191: 3188: 3175: 3171: 3167: 3161: 3158: 3155:, p. 45. 3154: 3149: 3146: 3142: 3138: 3134: 3131: 3125: 3123: 3119: 3106: 3102: 3098: 3092: 3090: 3088: 3086: 3084: 3080: 3077:, p. 37. 3076: 3071: 3068: 3064: 3060: 3055: 3052: 3047: 3045:1-904994-10-5 3041: 3037: 3033: 3032: 3024: 3021: 3017: 3012: 3009: 3005: 3000: 2997: 2994:, p. 47. 2993: 2988: 2985: 2981: 2976: 2973: 2970:, p. 43. 2969: 2964: 2962: 2960: 2956: 2953:, p. 38. 2952: 2947: 2944: 2941:, p. 42. 2940: 2935: 2933: 2929: 2925: 2920: 2917: 2914:, p. 34. 2913: 2908: 2905: 2902:, p. 33. 2901: 2896: 2893: 2889: 2884: 2881: 2878:, p. 32. 2877: 2872: 2869: 2866:, p. 31. 2865: 2860: 2857: 2853: 2848: 2845: 2840: 2834: 2830: 2823: 2820: 2816: 2812: 2807: 2804: 2800: 2795: 2792: 2788: 2783: 2780: 2777:, p. 28. 2776: 2771: 2768: 2765:, p. 27. 2764: 2760: 2755: 2752: 2748: 2743: 2740: 2736: 2731: 2728: 2724: 2719: 2716: 2713:, p. 23. 2712: 2707: 2704: 2701:, p. 19. 2700: 2695: 2692: 2689:, p. 21. 2688: 2683: 2681: 2677: 2674:, p. 42. 2673: 2669: 2664: 2661: 2658:, p. 20. 2657: 2652: 2650: 2646: 2643:, p. 20. 2642: 2638: 2633: 2630: 2627:, p. 22. 2626: 2621: 2618: 2615:, p. 18. 2614: 2609: 2606: 2594: 2590: 2586: 2582: 2575: 2572: 2569:, p. 17. 2568: 2563: 2561: 2559: 2557: 2553: 2540: 2536: 2532: 2528: 2527: 2522: 2516: 2513: 2510:, p. 16. 2509: 2505: 2500: 2497: 2493: 2489: 2484: 2481: 2468: 2464: 2462:9781781162590 2458: 2454: 2453: 2445: 2443: 2439: 2423: 2419: 2412: 2394: 2390: 2383: 2377: 2374: 2370: 2366: 2362: 2359: 2353: 2351: 2349: 2345: 2332: 2328: 2327: 2322: 2315: 2312: 2307: 2301: 2297: 2296: 2291: 2285: 2282: 2269: 2265: 2264: 2259: 2255: 2249: 2246: 2234: 2230: 2223: 2220: 2213: 2208: 2203: 2202: 2198: 2195: 2194: 2190: 2187: 2186: 2182: 2179: 2178: 2174: 2173: 2171: 2167: 2159: 2149: 2142: 2137:– bass (1986) 2136: 2133: 2130: 2127: 2126: 2125: 2124: 2117: 2114: 2111: 2108: 2105: 2102: 2101: 2100: 2099: 2098:Other members 2095: 2090: 2087: 2084: 2081: 2078: 2075: 2072: 2069: 2068: 2067: 2066: 2062: 2061: 2054: 2052: 2049: 2045: 2041: 2037: 2032: 2030: 2026: 2022: 2018: 2014: 2010: 2009: 2008:Rolling Stone 2004: 2000: 1999: 1994: 1991: 1990: 1985: 1981: 1977: 1972: 1969: 1966: 1964: 1958: 1956: 1952: 1947: 1946:Simon Goddard 1944: 1942: 1936: 1934: 1933: 1928: 1924: 1920: 1916: 1914: 1909: 1905: 1901: 1897: 1895: 1891: 1887: 1883: 1879: 1875: 1871: 1867: 1863: 1855: 1853: 1851: 1850:New Romantics 1846: 1844: 1840: 1836: 1835: 1830: 1829: 1824: 1823: 1818: 1814: 1810: 1804: 1802: 1798: 1794: 1790: 1789:Viv Nicholson 1786: 1782: 1778: 1774: 1770: 1766: 1765:Terence Stamp 1762: 1754: 1752: 1741: 1737: 1733: 1729: 1725: 1721: 1717: 1713: 1709: 1705: 1701: 1696: 1694: 1690: 1686: 1682: 1678: 1674: 1670: 1666: 1662: 1658: 1654: 1650: 1646: 1642: 1638: 1634: 1629: 1625: 1621: 1617: 1613: 1609: 1604: 1602: 1598: 1594: 1586:Musical style 1585: 1583: 1580: 1576: 1572: 1568: 1564: 1558: 1556: 1552: 1547: 1545: 1541: 1535: 1533: 1528: 1527: 1526:Rolling Stone 1522: 1521: 1514: 1512: 1508: 1505:showing host 1504: 1503: 1498: 1494: 1489: 1487: 1478: 1476: 1475: 1471: 1467: 1463: 1459: 1455: 1454:Versus Cancer 1451: 1447: 1446:Primal Scream 1443: 1439: 1435: 1431: 1427: 1423: 1419: 1418: 1413: 1410:, 2004); and 1409: 1405: 1401: 1397: 1396: 1391: 1386: 1384: 1380: 1376: 1372: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1335: 1333: 1329: 1325: 1324:Happy Mondays 1321: 1317: 1313: 1309: 1305: 1301: 1300:the Adult Net 1297: 1296: 1291: 1286: 1284: 1280: 1276: 1275: 1270: 1266: 1265: 1260: 1259: 1254: 1253: 1252:The Messenger 1248: 1247: 1242: 1238: 1237: 1232: 1228: 1224: 1223: 1218: 1214: 1213: 1204: 1200: 1195: 1191: 1189: 1185: 1184:Crowded House 1181: 1177: 1176:Talking Heads 1173: 1169: 1165: 1161: 1157: 1153: 1149: 1145: 1144:Pet Shop Boys 1141: 1137: 1132: 1129: 1125: 1121: 1117: 1113: 1109: 1105: 1101: 1097: 1093: 1089: 1088: 1083: 1079: 1075: 1067: 1062: 1055: 1053: 1050: 1046: 1041: 1036: 1031: 1027: 1023: 1020: 1015: 1013: 1004: 1002: 1000: 999: 994: 990: 988: 983: 979: 977: 973: 968: 963: 961: 960: 955: 951: 947: 943: 939: 933: 931: 927: 925: 920: 919: 914: 910: 909: 904: 896: 892: 889: 883: 881: 877: 873: 869: 862: 859: 854: 852: 848: 844: 843: 838: 834: 830: 826: 821: 816: 814: 810: 806: 802: 798: 793: 791: 787: 781: 779: 775: 771: 767: 763: 761: 755: 753: 749: 745: 741: 737: 733: 728: 726: 722: 718: 714: 710: 709:republicanism 706: 705: 697: 693: 689: 687: 685: 684: 678: 675: 672: 668: 667:Moors murders 664: 659: 657: 653: 649: 645: 640: 638: 637: 632: 628: 624: 620: 619: 609: 605: 603: 599: 598: 593: 592:Garry Bushell 588: 586: 582: 578: 574: 570: 566: 562: 558: 554: 550: 544: 542: 541: 536: 535: 530: 526: 522: 518: 514: 513:The Nude Male 510: 506: 505:Hand in Glove 502: 498: 490: 488: 486: 482: 478: 474: 469: 467: 463: 459: 458:Henry Purcell 455: 451: 447: 442: 440: 436: 432: 428: 424: 418: 413: 407: 402: 400: 396: 392: 387: 385: 380: 376: 372: 368: 364: 360: 356: 352: 349:In May 1982, 344: 339: 337: 333: 331: 327: 323: 322: 317: 316: 310: 308: 307: 302: 298: 294: 290: 286: 285: 280: 275: 273: 269: 265: 261: 257: 253: 249: 240: 232: 228: 224: 217: 213: 211: 208: 206: 203: 201: 198: 196: 193: 191: 188: 187: 185: 179: 175: 169: 166: 164: 161: 160: 158: 154: 150: 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Retrieved 5863: 5853: 5841:. Retrieved 5829:The Guardian 5827: 5817: 5805:. Retrieved 5793:The Guardian 5791: 5781: 5769:. Retrieved 5758: 5748: 5736:. Retrieved 5727: 5717: 5707:19 September 5705:. Retrieved 5700: 5691: 5681:19 September 5679:. Retrieved 5672: 5663: 5651:. Retrieved 5647:the original 5637: 5629: 5624: 5615: 5608:The Believer 5607: 5591: 5583: 5578: 5570: 5565: 5553:. Retrieved 5548: 5538: 5526:. Retrieved 5521: 5511: 5499:. Retrieved 5495: 5484: 5472:. Retrieved 5467: 5457: 5445:. Retrieved 5440:the original 5432: 5408:the original 5403:Guitar World 5401: 5391: 5382: 5362: 5350:. Retrieved 5341: 5331: 5324:Simpson 2004 5319: 5312:Simpson 2004 5307: 5300:Simpson 2004 5295: 5288:Simpson 2004 5283: 5275: 5270: 5258:. Retrieved 5243: 5231: 5219: 5200:Melody Maker 5198: 5193: 5181:. Retrieved 5177:the original 5172: 5162: 5150:. Retrieved 5146: 5136: 5116: 5097: 5092: 5075: 5063:. Retrieved 5059: 5049: 5041: 5023:17 September 5021:. Retrieved 5016: 5007: 4998: 4974:. 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Retrieved 2388: 2376: 2368: 2358:"The Smiths" 2335:. Retrieved 2324: 2314: 2294: 2284: 2272:. Retrieved 2261: 2248: 2236:. Retrieved 2232: 2222: 2199: 2191: 2183: 2175: 2140: 2122: 2121: 2113:Craig Gannon 2097: 2096: 2064: 2063: 2047: 2033: 2006: 1996: 1995: 1987: 1973: 1961: 1959: 1950: 1939: 1937: 1930: 1919:Jeff Buckley 1911: 1898: 1859: 1847: 1832: 1826: 1820: 1809:New Romantic 1805: 1797:Yootha Joyce 1758: 1708:the Specials 1697: 1685:Nile Rodgers 1673:John McGeoch 1653:Jimi Hendrix 1628:Phil Spector 1624:open tunings 1605: 1600: 1589: 1567:Nigel Farage 1559: 1548: 1536: 1524: 1518: 1515: 1507:Aamer Haleem 1500: 1496: 1490: 1482: 1434:Joy Division 1415: 1407: 1393: 1387: 1378: 1370: 1367:Paul Arthurs 1336: 1331: 1327: 1320:Rowetta Idah 1312:Paul Arthurs 1304:Aziz Ibrahim 1293: 1287: 1282: 1272: 1262: 1256: 1250: 1244: 1234: 1227:Modest Mouse 1220: 1210: 1208: 1180:Modest Mouse 1148:Neil Tennant 1133: 1112:My Love Life 1085: 1071: 1056:Solo careers 1042: 1038: 1033: 1028: 1024: 1016: 1008: 996: 992: 986: 981: 980: 966: 965:By the time 964: 957: 945: 937: 934: 922: 916: 906: 900: 894: 885: 880:Jim Morrison 868:Alan Bennett 865: 857: 855: 840: 829:Sire Records 817: 801:Aztec Camera 797:Craig Gannon 794: 790:Post-it Note 785: 782: 777: 758: 756: 729: 724: 702: 700: 695: 691: 681: 679: 660: 641: 634: 616: 614: 595: 589: 581:David Jensen 545: 538: 532: 525:John Walters 512: 497:Geoff Travis 494: 470: 461: 443: 419: 415: 409: 405: 388: 379:Mike Stoller 375:Jerry Leiber 348: 334: 330:Craig Gannon 319: 313: 311: 304: 282: 276: 247: 246: 210:Craig Gannon 182:Past members 147:Years active 32: 21: 7332:Live albums 7279:Johnny Marr 7184:Discography 6957:Live albums 6891:Maladjusted 6791:Andy Rourke 6781:Alain Whyte 6771:Neil Taylor 6761:Vini Reilly 6753:Matt Walker 6661:Discography 6573:Other songs 6291:Live albums 6233:Andy Rourke 6228:Johnny Marr 5992:. 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Arnold 1347:Julian Cope 1277:(1998) and 1274:The Program 1261:(2014) and 1231:Isaac Brock 1172:Black Grape 1168:Billy Bragg 1164:Bryan Ferry 1078:Vini Reilly 993:Strangeways 976:Cilla Black 950:Easterhouse 942:Danny Kelly 897:and breakup 876:Mick Jagger 849:benefit at 690:1985–1986: 627:paedophilia 602:paedophilia 585:BBC Radio 1 565:John Porter 561:East London 466:Andy Rourke 439:Tony Wilson 399:the Cookies 363:Patti Smith 351:Johnny Marr 318:(1986) and 266:(bass) and 264:Andy Rourke 260:Johnny Marr 218:for others) 200:Andy Rourke 195:Johnny Marr 163:Rough Trade 125:Discography 61:Johnny Marr 53:Andy Rourke 7523:The Smiths 7517:Categories 7483:Rock music 7390:Electronic 7380:The Smiths 7358:Easy Money 7223:Mexrrissey 7204:The Smiths 6863:Kill Uncle 6821:Mike Joyce 6739:Boz Boorer 6260:The Smiths 6238:Mike Joyce 6212:The Smiths 6162:The Smiths 6153:The Smiths 6144:The Smiths 6135:The Smiths 6029:Marc Spitz 5897:. Robson. 5771:11 October 5738:11 January 5447:16 October 5120:BBC Four, 5102:summarised 4593:18 January 4452:Music Week 4327:discussion 4193:discussion 4159:discussion 4077:22 October 4054:22 October 3967:29 October 3771:14 October 3675:20 October 3495:Woods 2007 3337:Rogan 1993 3289:20 October 3220:lyrics at 3209:; and the 3111:20 October 2831:. 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