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85:, and is said to epitomise the British aristocrat. The tall hat and the fluted pilaster of the wall behind, the clear silhouette of his long coat, and subtle changes that Sargent made to the sitter's physiognomy – such as an elongated nose, and the head disproportionately small in comparison to the body – emphasise Ribblesdale's thinness and height. The portrait is in the collection of the
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is an oil-on-canvas portrait painted in 1902 by the
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