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732:. There is a lot more variation in yellow than other colors because it is such a light color, so some of the colors which are shades of yellow do not look that much like a shade of yellow but they really are. If you would have ever done actual mixing of paints (as I have done) instead of just working with colors on the computer, you would know this. That, then, is why I added those colors that do not seem that yellow to you (but they really are) to the
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which I have (or at least had) in mind is based on how a colour looks. Therefore, to my thinking if a colour doesn't seem yellow, then it is not yellow. Now, I am no painter, as I write, so my idea of shade may well differ to that of a painter. Who's right? I suppose there is no right or wrong.
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Also, the colours you get when mixing paint, are different than the colours you will get from colours-on-a-monitor. One is subtractive, the other additive. That is why in paints the primaries are yellow, red, blue, but in light (monitor) they are green,red,blue. Thus the mixing analogy doesn't
678:) are too green for me. Similarly whilst I'd call amber a shade of orange I s'pose it's yellowish enough to include but including gamboge is pushing it. Similarly dark goldenrod, ecru and khaki look too brown and apricot looks too pink. I'd vote for a little trimming.
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I agree. In fact not only does this seem a monitor question but it seems a question of what colours really are or are not yellow. Whilst I can live with such hues as chartruse yellow; colours such as olive, lime, pear & green-yellow (I'd rather it be called
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I am no painter but I have mixed paint. I can relate to the phenomenon you write of but wouldn't have used the same terminology to describe it. I would say that we are working with different notions of what it is to be a shade of some colour. The sense of
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has an intrinsically higher value (it looks lighter if photographed in black and white) than a color like
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A number of these color swatches do not look like yellow on my monitor.
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