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stands an image of Themis, as being mother of the Horai. It is the work of
Dorykleidas . . . The Hesperides, five in number, were made by Theokles . . . The Athena wearing a helmet and carrying a spear and shield is, it is said, a work of Medon . . . Then Kore (the Maid) and Demeter sit opposite each other, while Apollon and Artemis stand opposite each other. Here too have been dedicated Leto, Tykhe (Fortune), Dionysos and a winged Nike (Victory). I cannot say who the artists were, but these figures too are in my opinion very ancient. The figures I have enumerated are of ivory and gold, but at a later date other images were dedicated in the Heraion, including a marble Hermes carrying the baby Dionysos, a work of Praxiteles, and a bronze Aphrodite made by Kleon of Sikyon . . . A nude gilded child is seated before Aphrodite, a work fashioned by Boithos of Kalkhedon. There were also brought hither from what is called the Philippeon other images of gold and ivory, Eurydike the wife of Aridaios and Olympias the wife of Philip. There is also a chest made of cedar , with figures on it, some of ivory, some of gold, others carved out of the cedar-wood itself . . . There are here other offerings also : a couch of no great size and for the most part adorned with ivory; the quoit of Iphitos; a table on which are set out the crowns for the victors. The couch is said to have been a toy of Hippodameia. The quoit of Iphitos has inscribed upon it the truce which the Eleans proclaim at the Olympic festivals; the inscription is not written in a straight line, but the letters run in a circle round the quoit. The table is made of ivory and gold, and is the work of Kolotes . . . There are figures of Hera, Zeus, the Mother of the gods, Hermes, and Apollon with Artemis. Behind is the disposition of the games. On one side are Asklepios and Hygeia (Health), one of his daughters; Ares too and Agon (Contest) by his side; on the other are Plouton, Dionysos, Persephone and Nymphai, one of them carrying a ball.
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365:, as each one is slightly different from the next. Another theory holds that the columns are so different, not because wooden columns were being replaced, but because various workshops erected different stone columns at the same time. Perhaps each style represented the major city-states or private donors for whom these builders were working, as Olympia was a pan-Doric sanctuary. No remains of the
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It remains after this for me to describe the temple of Hera and the noteworthy objects contained in it. The Elean account says that it was the people of
Skillos, one of the cities in Triphylia, who built the temple about eight years after Oxylos came to the throne of Elis. The style of the temple is
448:
In the temple of Hera is an image of Zeus, and the image of Hera is sitting on a throne with Zeus standing by her, bearded and with a helmet on his head. They are crude works of art. The figures of Horai (Seasons) next to them, seated upon thrones, were made by the
Aeginetan Smilis. Beside them
263:. It is suggested that this dedication by a nearby city would originally have been in honour of the main patron deity at Olympia, Hera, and rededicated to include Zeus, her husband and brother, at a later point—perhaps after 580 BC when control of Olympia had passed from Triphylia to
331:
Doric, and pillars stand all round it. In the rear chamber one of the two pillars is of oak. The length of the temple is one hundred and sixty-nine feet, the breadth sixty-three feet, the height not short of fifty feet. Who the architect was they do not relate.
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A long-standing theory holds that the columns were only gradually replaced with stone ones due to the wood rotting out, and other natural and man-made events. In the second century AD, one of the two columns in the
191:, chief of the gods, until a separate temple was built for him. It is at the altar of this temple, which is oriented east-west, that the Olympic flame is lit and carried to all parts of the world. The torch of the
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superstructure, another feature typical of early Greek architecture. Other parts of the temple were made from limestone, unbaked bricks, and terracotta tiles. Holes in the protrusions at the ends of the
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was reportedly hidden by his mother. The chest was reportedly dedicated at
Olympia in gratitude to the gods, and so, according to folktale, Cypselus gained his name. According to
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periods, and were carved under the influence of their respective contemporary styles, they differ considerably in proportions and detail. This becomes apparent in the columns'
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599:. The chest had various mythological figures inscribed on it in ivory, gold, or in the wood of the chest itself. Accompanying many of the figures were inscriptions in
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386:—indicate that a wooden cladding protected them from the elements. The temple had a Laconian-style roof; its pediments were decorated with disk
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is lit in its ruins to this day. The temple was built in approximately 590 BC, but was destroyed by an earthquake in the early 4th century AD.
301:. It was longer and narrower than the common architecture of the previous era, though the elongated proportions are a common feature of early
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temple at that site, having a single row of columns on all sides. The location may have previously been the place of worship of an older
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Olympia site map: #4 Temple of Hera is in dark purple (top center). The long ancient
Olympic stadium is at far right.
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perimeter — of 6 by 16 columns which were originally wooden because those were the materials available at the time.
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The opisthodomos was also used to store numerous other objects, including many further statues of deities and
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The temple measures 50.01 by 18.76 m (164.1 by 61.5 ft) at the level of the temple platform, the
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period, the temple stored items important to Greek culture, and other offerings of the people.
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of 2.5 m (8.2 ft) diameter, each made in one single piece (one is on display at the
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offerings of Zeus and Hera. Among the few of these objects to survive was a statue of
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was still oak. As the replacements took place at widely differing periods between the
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Pausanias also witnessed a small ivory-clad couch (purportedly once belonging to
653:(United States), contained a full-sized replica of the (ruined) Temple of Hera.
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Set apart from the temple at its eastern side is the Altar of Hera, where the
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The temple was erected in around 590 BC, most likely as a dedication by the
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183:. It was the oldest temple at Olympia and one of the most venerable in all
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The
Heraion at Olympia, located in the north of the sacred precinct, the
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Snodgrass, A.M. Alocock, Susan E.; Cherry, John F.; Elsner, Jas (eds.).
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893:"A New View of the Birthplace of the Olympics - Archaeology Magazine"
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931:(New ed.). Cambridge: Cambridge University Press. p. 220.
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above the columns were found, but are believed to have been wooden.
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Pausanias recounts a number of objects beside the cult statues:
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Pausanias, Description of Greece 5. 17. 1 - 5 & 20. 1 - 3
607:) indicating their identity, some of the text being written
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The table was made with ivory and gold, and was sculpted by
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Buildings and structures demolished in the 4th century
56:. Unsourced material may be challenged and removed.
960:
595:in the 1st century AD, the chest was found in the
418:, one of the most important preserved examples of
1138:6th-century BC religious buildings and structures
414:, which is generally identified as the Hermes of
928:The art of ancient Greece: sources and documents
701:. Greenwood Publishing Group. pp. 195–197.
799:"Temple Architecture - Boundless Open Textbook"
187:. It was originally a joint temple of Hera and
1001:Pausanias: Travel and Memory in Ancient Greece
377:The walls had a bottom course of stone with a
273:persecution of pagans in the late Roman Empire
19:For other temples also dedicated to Hera, see
826:Pausanias, Description of Greece 5. 16. 1 - 8
8:
271:was built. The temple was closed during the
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267:, or in the 5th century BC when the famous
731:Britannica Encyclopedia of World Religions
437:for the victors were displayed during the
967:. USA: Harvard University Press. p.
116:Learn how and when to remove this message
143:
135:
127:
1178:4th-century disestablishments in Greece
1173:6th-century BC establishments in Greece
870:Pausanias vol 5 (Description of Greece)
684:
494:in front of the Games. On one side was
1062:"Jasmine Hill on Alabama Garden Trail"
963:The Ancient Greeks: A Critical History
1016:The Olympic Flame and the Torch Relay
771:The Olympic Flame and the Torch Relay
7:
631:to concentrate the rays of the sun.
54:adding citations to reliable sources
506:and the Olympian spirit of contest
344:Doric columns of the Temple of Hera
241:temples in Greece, and the oldest
14:
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733:. Encyclopaedia Britannica, Inc.
729:Doniger, Wendy (March 1, 2006).
392:Archaeological Museum of Olympia
207:Plan of the Temple of Hera. (A:
30:
959:Fine, John Van Antwerp (1983).
634:The temple was depicted on the
41:needs additional citations for
873:, translated by W. H. S. Jones
668:Architecture of Ancient Greece
546:Hermes and the Infant Dionysos
539:Hermes and the Infant Dionysos
470:. It displayed the figures of
1:
663:List of Ancient Greek temples
575:
132:Restored ruins of the temple
611:in alternating directions.
1196:
1143:Temples in ancient Olympia
564:
543:
530:awarded to victors at the
18:
1091:Temple of Hera in Olympia
673:List of Greco-Roman roofs
237:, is one of the earliest
65:"Temple of Hera, Olympia"
175:, that was dedicated to
21:Heraion (disambiguation)
1148:Destroyed Greek temples
925:Pollitt, J. J. (1990).
642:banknote of 1987–2001.
555:The temple contained a
698:Architecture of Greece
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429:), the bronze disc of
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149:
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1114:37.63889°N 21.62972°E
1093:at Wikimedia Commons
841:www.perseus.tufts.edu
551:The Chest of Cypselus
532:ancient Olympic Games
526:. The table bore the
461:
343:
324:Description of Greece
206:
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891:Sapirstein, Lobell.
647:Jasmine Hill Gardens
510:. On the other were
454:The table of Colotes
322:described it in his
50:improve this article
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897:www.archaeology.org
837:"No artifact found"
623:has been lit since
462:Temple in the night
1119:37.63889; 21.62972
693:Darling, Janina K.
638:of the Greek 1000
464:
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318:The travel writer
303:Doric architecture
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1089:Media related to
745:"Ancient Olympia"
651:Wetumpka, Alabama
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61:Find sources:
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39:This article
37:
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28:
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807:the original
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752:. Retrieved
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597:opisthodomos
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165:Greek temple
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48:Please help
43:verification
40:
1117: /
1026:19 November
1022:, p. 4
984:20 November
944:20 November
877:20 November
867:Pausanias,
781:19 November
777:, p. 4
714:19 November
579:) in which
557:cedar chest
537:The statue
427:Hippodameia
367:entablature
305:. It has a
286:Description
1132:Categories
1105:21°37′47″E
1102:37°38′20″N
902:2016-09-07
846:2015-11-19
813:2015-11-19
754:18 January
679:References
601:Corinthian
520:Persephone
416:Praxiteles
313:colonnaded
308:peripteros
254:Triphylian
243:peripteral
181:Greek gods
76:newspapers
1067:3 January
1046:3 January
1041:"Drachma"
803:Boundless
570:romanized
496:Asclepius
388:acroteria
320:Pausanias
298:stylobate
209:Peristyle
695:(2004).
657:See also
640:drachmae
627:using a
581:Cypselus
516:Dionysos
412:Dionysos
398:Contents
379:mudbrick
363:capitals
261:Skillous
636:reverse
589:Corinth
576:kypsele
572::
492:Artemis
468:Colotes
355:Archaic
336:Columns
278:In the
213:Pronaos
199:History
169:Olympia
162:Archaic
158:Heraion
90:scholar
975:
935:
749:Greeka
705:
615:Legacy
585:tyrant
583:, the
565:κυψἐλη
524:nymphs
502:, and
490:, and
488:Apollo
484:Hermes
408:Hermes
404:votive
382:walls—
291:Layout
185:Greece
173:Greece
92:
85:
78:
71:
63:
1020:(PDF)
775:(PDF)
605:Doric
512:Pluto
500:Aceso
384:antae
359:Roman
257:polis
239:Doric
234:Altis
219:; D:
215:; C:
211:; B:
156:, or
97:JSTOR
83:books
1069:2016
1048:2016
1028:2015
986:2015
973:ISBN
946:2015
933:ISBN
879:2015
783:2015
756:2020
716:2015
703:ISBN
645:The
625:1936
522:and
508:Agon
504:Ares
480:Rhea
476:Zeus
472:Hera
357:and
311:— a
265:Elis
247:cult
217:Naos
189:Zeus
177:Hera
152:The
69:news
969:110
649:at
587:of
394:).
259:of
167:at
52:by
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