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stands an image of Themis, as being mother of the Horai. It is the work of
Dorykleidas . . . The Hesperides, five in number, were made by Theokles . . . The Athena wearing a helmet and carrying a spear and shield is, it is said, a work of Medon . . . Then Kore (the Maid) and Demeter sit opposite each other, while Apollon and Artemis stand opposite each other. Here too have been dedicated Leto, Tykhe (Fortune), Dionysos and a winged Nike (Victory). I cannot say who the artists were, but these figures too are in my opinion very ancient. The figures I have enumerated are of ivory and gold, but at a later date other images were dedicated in the Heraion, including a marble Hermes carrying the baby Dionysos, a work of Praxiteles, and a bronze Aphrodite made by Kleon of Sikyon . . . A nude gilded child is seated before Aphrodite, a work fashioned by Boithos of Kalkhedon. There were also brought hither from what is called the Philippeon other images of gold and ivory, Eurydike the wife of Aridaios and Olympias the wife of Philip. There is also a chest made of cedar , with figures on it, some of ivory, some of gold, others carved out of the cedar-wood itself . . . There are here other offerings also : a couch of no great size and for the most part adorned with ivory; the quoit of Iphitos; a table on which are set out the crowns for the victors. The couch is said to have been a toy of Hippodameia. The quoit of Iphitos has inscribed upon it the truce which the Eleans proclaim at the Olympic festivals; the inscription is not written in a straight line, but the letters run in a circle round the quoit. The table is made of ivory and gold, and is the work of Kolotes . . . There are figures of Hera, Zeus, the Mother of the gods, Hermes, and Apollon with Artemis. Behind is the disposition of the games. On one side are Asklepios and Hygeia (Health), one of his daughters; Ares too and Agon (Contest) by his side; on the other are Plouton, Dionysos, Persephone and Nymphai, one of them carrying a ball.
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376:, as each one is slightly different from the next. Another theory holds that the columns are so different, not because wooden columns were being replaced, but because various workshops erected different stone columns at the same time. Perhaps each style represented the major city-states or private donors for whom these builders were working, as Olympia was a pan-Doric sanctuary. No remains of the
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It remains after this for me to describe the temple of Hera and the noteworthy objects contained in it. The Elean account says that it was the people of
Skillos, one of the cities in Triphylia, who built the temple about eight years after Oxylos came to the throne of Elis. The style of the temple is
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In the temple of Hera is an image of Zeus, and the image of Hera is sitting on a throne with Zeus standing by her, bearded and with a helmet on his head. They are crude works of art. The figures of Horai (Seasons) next to them, seated upon thrones, were made by the
Aeginetan Smilis. Beside them
274:. It is suggested that this dedication by a nearby city would originally have been in honour of the main patron deity at Olympia, Hera, and rededicated to include Zeus, her husband and brother, at a later point—perhaps after 580 BC when control of Olympia had passed from Triphylia to
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Doric, and pillars stand all round it. In the rear chamber one of the two pillars is of oak. The length of the temple is one hundred and sixty-nine feet, the breadth sixty-three feet, the height not short of fifty feet. Who the architect was they do not relate.
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A long-standing theory holds that the columns were only gradually replaced with stone ones due to the wood rotting out, and other natural and man-made events. In the second century AD, one of the two columns in the
202:, chief of the gods, until a separate temple was built for him. It is at the altar of this temple, which is oriented east-west, that the Olympic flame is lit and carried to all parts of the world. The torch of the
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superstructure, another feature typical of early Greek architecture. Other parts of the temple were made from limestone, unbaked bricks, and terracotta tiles. Holes in the protrusions at the ends of the
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was reportedly hidden by his mother. The chest was reportedly dedicated at
Olympia in gratitude to the gods, and so, according to folktale, Cypselus gained his name. According to
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periods, and were carved under the influence of their respective contemporary styles, they differ considerably in proportions and detail. This becomes apparent in the columns'
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610:. The chest had various mythological figures inscribed on it in ivory, gold, or in the wood of the chest itself. Accompanying many of the figures were inscriptions in
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397:—indicate that a wooden cladding protected them from the elements. The temple had a Laconian-style roof; its pediments were decorated with disk
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is lit in its ruins to this day. The temple was built in approximately 590 BC, but was destroyed by an earthquake in the early 4th century AD.
312:. It was longer and narrower than the common architecture of the previous era, though the elongated proportions are a common feature of early
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temple at that site, having a single row of columns on all sides. The location may have previously been the place of worship of an older
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Olympia site map: #4 Temple of Hera is in dark purple (top center). The long ancient
Olympic stadium is at far right.
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perimeter — of 6 by 16 columns which were originally wooden because those were the materials available at the time.
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The opisthodomos was also used to store numerous other objects, including many further statues of deities and
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The temple measures 50.01 by 18.76 m (164.1 by 61.5 ft) at the level of the temple platform, the
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period, the temple stored items important to Greek culture, and other offerings of the people.
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of 2.5 m (8.2 ft) diameter, each made in one single piece (one is on display at the
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offerings of Zeus and Hera. Among the few of these objects to survive was a statue of
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was still oak. As the replacements took place at widely differing periods between the
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Pausanias also witnessed a small ivory-clad couch (purportedly once belonging to
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Set apart from the temple at its eastern side is the Altar of Hera, where the
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The temple was erected in around 590 BC, most likely as a dedication by the
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The
Heraion at Olympia, located in the north of the sacred precinct, the
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Snodgrass, A.M. Alocock, Susan E.; Cherry, John F.; Elsner, Jas (eds.).
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904:"A New View of the Birthplace of the Olympics - Archaeology Magazine"
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942:(New ed.). Cambridge: Cambridge University Press. p. 220.
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above the columns were found, but are believed to have been wooden.
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Pausanias recounts a number of objects beside the cult statues:
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Pausanias, Description of Greece 5. 17. 1 - 5 & 20. 1 - 3
618:) indicating their identity, some of the text being written
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The table was made with ivory and gold, and was sculpted by
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Buildings and structures demolished in the 4th century
67:. Unsourced material may be challenged and removed.
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606:in the 1st century AD, the chest was found in the
429:, one of the most important preserved examples of
1149:6th-century BC religious buildings and structures
425:, which is generally identified as the Hermes of
939:The art of ancient Greece: sources and documents
712:. Greenwood Publishing Group. pp. 195–197.
810:"Temple Architecture - Boundless Open Textbook"
198:. It was originally a joint temple of Hera and
1012:Pausanias: Travel and Memory in Ancient Greece
388:The walls had a bottom course of stone with a
284:persecution of pagans in the late Roman Empire
30:For other temples also dedicated to Hera, see
837:Pausanias, Description of Greece 5. 16. 1 - 8
8:
282:was built. The temple was closed during the
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278:, or in the 5th century BC when the famous
742:Britannica Encyclopedia of World Religions
448:for the victors were displayed during the
978:. USA: Harvard University Press. p.
127:Learn how and when to remove this message
154:
146:
138:
1189:4th-century disestablishments in Greece
1184:6th-century BC establishments in Greece
881:Pausanias vol 5 (Description of Greece)
695:
505:in front of the Games. On one side was
1073:"Jasmine Hill on Alabama Garden Trail"
974:The Ancient Greeks: A Critical History
1027:The Olympic Flame and the Torch Relay
782:The Olympic Flame and the Torch Relay
7:
642:to concentrate the rays of the sun.
65:adding citations to reliable sources
517:and the Olympian spirit of contest
355:Doric columns of the Temple of Hera
252:temples in Greece, and the oldest
25:
1095:
744:. Encyclopaedia Britannica, Inc.
740:Doniger, Wendy (March 1, 2006).
403:Archaeological Museum of Olympia
218:Plan of the Temple of Hera. (A:
41:
970:Fine, John Van Antwerp (1983).
645:The temple was depicted on the
52:needs additional citations for
884:, translated by W. H. S. Jones
679:Architecture of Ancient Greece
557:Hermes and the Infant Dionysos
550:Hermes and the Infant Dionysos
481:. It displayed the figures of
1:
674:List of Ancient Greek temples
586:
143:Restored ruins of the temple
622:in alternating directions.
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1154:Temples in ancient Olympia
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554:
541:awarded to victors at the
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1102:Temple of Hera in Olympia
684:List of Greco-Roman roofs
248:, is one of the earliest
76:"Temple of Hera, Olympia"
186:, that was dedicated to
32:Heraion (disambiguation)
18:Temple of Hera (Olympia)
1159:Destroyed Greek temples
936:Pollitt, J. J. (1990).
653:banknote of 1987–2001.
566:The temple contained a
709:Architecture of Greece
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1125:37.63889°N 21.62972°E
1104:at Wikimedia Commons
852:www.perseus.tufts.edu
562:The Chest of Cypselus
543:ancient Olympic Games
537:. The table bore the
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335:Description of Greece
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902:Sapirstein, Lobell.
658:Jasmine Hill Gardens
521:. On the other were
465:The table of Colotes
333:described it in his
61:improve this article
1121: /
908:www.archaeology.org
848:"No artifact found"
634:has been lit since
473:Temple in the night
1130:37.63889; 21.62972
704:Darling, Janina K.
649:of the Greek 1000
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329:The travel writer
314:Doric architecture
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756:"Ancient Olympia"
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818:the original
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176:Greek temple
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59:Please help
54:verification
51:
1128: /
1037:19 November
1033:, p. 4
995:20 November
955:20 November
888:20 November
878:Pausanias,
792:19 November
788:, p. 4
725:19 November
590:) in which
568:cedar chest
548:The statue
438:Hippodameia
378:entablature
316:. It has a
297:Description
1143:Categories
1116:21°37′47″E
1113:37°38′20″N
913:2016-09-07
857:2015-11-19
824:2015-11-19
765:18 January
690:References
612:Corinthian
531:Persephone
427:Praxiteles
324:colonnaded
319:peripteros
265:Triphylian
254:peripteral
192:Greek gods
87:newspapers
1078:3 January
1057:3 January
1052:"Drachma"
814:Boundless
581:romanized
507:Asclepius
399:acroteria
331:Pausanias
309:stylobate
220:Peristyle
706:(2004).
668:See also
651:drachmae
638:using a
592:Cypselus
527:Dionysos
423:Dionysos
409:Contents
390:mudbrick
374:capitals
272:Skillous
647:reverse
600:Corinth
587:kypsele
583::
503:Artemis
479:Colotes
366:Archaic
347:Columns
289:In the
224:Pronaos
210:History
180:Olympia
173:Archaic
169:Heraion
101:scholar
986:
946:
760:Greeka
716:
626:Legacy
596:tyrant
594:, the
576:κυψἐλη
535:nymphs
513:, and
501:, and
499:Apollo
495:Hermes
419:Hermes
415:votive
393:walls—
302:Layout
196:Greece
184:Greece
103:
96:
89:
82:
74:
1031:(PDF)
786:(PDF)
616:Doric
523:Pluto
511:Aceso
395:antae
370:Roman
268:polis
250:Doric
245:Altis
230:; D:
226:; C:
222:; B:
167:, or
108:JSTOR
94:books
1080:2016
1059:2016
1039:2015
997:2015
984:ISBN
957:2015
944:ISBN
890:2015
794:2015
767:2020
727:2015
714:ISBN
656:The
636:1936
533:and
519:Agon
515:Ares
491:Rhea
487:Zeus
483:Hera
368:and
322:— a
276:Elis
258:cult
228:Naos
200:Zeus
188:Hera
163:The
80:news
980:110
660:at
598:of
405:).
270:of
178:at
63:by
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