Knowledge (XXG)

Tenebrism

Source đź“ť

98: 20: 510: 163: 201:
painted many candle-lit scenes. The northern painters (but not always Rembrandt) often achieved a mood of stillness and tranquility through their extreme lighting, rather the reverse of the impression that Spanish painters intended. They are typically as interested in the very dimly-lit areas of the
97: 19: 509: 351: 416: 136:
who painted three versions of a composition with a boy, a man, and a monkey grouped in darkness around a single flame, and lesser known painters such as
143:
Among the best known tenebrist artists are Italian, Dutch and Spanish followers of Caravaggio. These include the Italian Baroque follower of Caravaggio,
391: 332: 263: 197:
was recognized as a leading tenebrist who excelled in scenes in which a single candle has its light blocked by an object. The Dutch artist
177:
Tenebrism is sometimes applied to other seventeenth-century painters in what has been called the "candlelight tradition". These include
140:, who painted night-scenes with a restricted lighted areas. The term is usually applied to artists from the seventeenth century onward. 436: 290: 129: 651: 77:, and where darkness becomes a dominating feature of the image. The technique was developed to add drama to an image through a 305: 109: 89:
is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality.
24: 821: 747: 666: 479: 78: 362: 356: 162: 33: 366:, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Ribera and Tenebrism 120:
is generally credited with the invention of the style, although this technique was used by earlier artists such as
826: 384: 324:
The aesthetics of haemotaphonomy : stylistic parallels between a science and literature and the visual arts
836: 524: 767: 646: 621: 611: 575: 211: 656: 484: 377: 144: 37: 636: 626: 565: 494: 186: 706: 676: 446: 147:, who was an outstanding exponent of tenebrism. Other exponents include the Dutch painters of the 731: 661: 631: 570: 474: 198: 178: 800: 534: 202:
painting as the spot-lit ones, and their light diffuses gently across much of the picture area.
831: 795: 752: 726: 711: 606: 539: 489: 454: 328: 286: 259: 152: 121: 82: 322: 280: 253: 762: 696: 616: 580: 156: 105: 47: 459: 52: 721: 716: 701: 686: 641: 560: 544: 529: 227: 194: 182: 170: 148: 137: 815: 681: 671: 585: 499: 757: 691: 469: 400: 309: 16:
Style of painting that uses strong contrasts of light and dark for dramatic effect
159:, and their followers, with the term most often being applied to these painters. 590: 426: 215: 86: 66: 790: 464: 411: 125: 117: 29: 785: 190: 133: 74: 62: 421: 232: 218:, but the term is rarely used to characterize their work in general. 96: 70: 18: 373: 369: 181:, who painted many works illuminated with a single candle, 85:. Tenebrism is used only to obtain a dramatic impact while 255:
Foundations of Art and Design: An Enhanced Media Edition
57:("dark, gloomy, mysterious"), also occasionally called 740: 599: 553: 517: 445: 385: 8: 327:. Editorial Club Universitario. p. 38. 210:Later, similar compositions were painted by 128:in his dramatic religious paintings such as 417:Artists in biographies by Giovanni Baglione 392: 378: 370: 161: 321:Policarp HortolĂ  i GĂłmez (April 2013). 244: 69:, where there are violent contrasts of 7: 252:Lois Fichner-Rathus (January 2011). 437:Paintings attributed to Caravaggio 14: 412:Michelangelo Merisi da Caravaggio 508: 285:. Cengage Learning. p. 89. 258:. Cengage Learning. p. 74. 124:in his several self portraits, 110:Museum of Fine Arts (Budapest) 1: 28:(John in the Wilderness), by 667:Giovanni Francesco Guerrieri 480:Jan Gerritsz van Bronckhorst 167:A Man Singing by Candlelight 65:using especially pronounced 363:Jusepe de Ribera, 1591-1652 34:Nelson-Atkins Museum of Art 855: 282:Experiencing Art Around Us 776: 748:BartolomĂ© Esteban Murillo 506: 407: 214:and other artists of the 151:and the Spanish painters 81:effect, and is common in 525:Flemish Baroque painting 647:Paolo Domenico Finoglia 306:Notes on Adam de Coster 51: 652:Giovanni Antonio Galli 622:Battistello Caracciolo 612:Marco Antonio Bassetti 212:Joseph Wright of Derby 174: 130:The Miracle of St Mark 113: 102:Martyrdom of St Andrew 40: 768:Francisco de Zurbarán 657:Artemisia Gentileschi 485:Hendrick ter Brugghen 352:Baroque (Cartage.org) 279:Thomas Buser (2006). 165: 145:Artemisia Gentileschi 100: 59:dramatic illumination 22: 741:Spanish Caravaggisti 637:Bartolomeo Cavarozzi 627:Cecco del Caravaggio 600:Italian Caravaggisti 566:Valentin de Boulogne 518:Flemish Caravaggisti 495:Gerard van Honthorst 187:Gerrit van Honthorst 822:Artistic techniques 707:Bartolomeo Schedoni 677:Bartolomeo Manfredi 554:French Caravaggisti 732:Giuseppe Vermiglio 662:Orazio Gentileschi 632:Bernardo Cavallino 571:Georges de La Tour 475:Hendrick Bloemaert 447:Dutch Caravaggisti 199:Godfried Schalcken 179:Georges de La Tour 175: 114: 41: 809: 808: 796:Peter Paul Rubens 753:Francisco Ribalta 727:Massimo Stanzione 712:Giovanni Serodine 607:Giovanni Baglione 540:Theodoor Rombouts 490:Wouter Crabeth II 455:Dirck van Baburen 334:978-84-9948-991-9 265:978-1-111-77145-4 216:Romantic Movement 206:Later development 153:Francisco Ribalta 83:Baroque paintings 844: 827:Baroque painting 782: 763:Jusepe de Ribera 697:Orazio Riminaldi 617:Orazio Borgianni 581:Nicolas Tournier 512: 394: 387: 380: 371: 339: 338: 318: 312: 303: 297: 296: 276: 270: 269: 249: 157:Jusepe de Ribera 106:Jusepe de Ribera 61:, is a style of 25:John the Baptist 854: 853: 847: 846: 845: 843: 842: 841: 837:Spanish Baroque 812: 811: 810: 805: 801:Diego Velázquez 780: 772: 736: 595: 549: 535:Nicolas RĂ©gnier 513: 504: 460:Jan van Bijlert 441: 403: 398: 348: 343: 342: 335: 320: 319: 315: 304: 300: 293: 278: 277: 273: 266: 251: 250: 246: 241: 224: 208: 95: 32:, 1604, in the 17: 12: 11: 5: 852: 851: 848: 840: 839: 834: 829: 824: 814: 813: 807: 806: 804: 803: 798: 793: 788: 783: 781:Related topics 777: 774: 773: 771: 770: 765: 760: 755: 750: 744: 742: 738: 737: 735: 734: 729: 724: 722:Leonello Spada 719: 717:Carlo Sellitto 714: 709: 704: 702:Carlo Saraceni 699: 694: 689: 687:Pietro Paolino 684: 679: 674: 669: 664: 659: 654: 649: 644: 642:Domenico Fetti 639: 634: 629: 624: 619: 614: 609: 603: 601: 597: 596: 594: 593: 588: 583: 578: 573: 568: 563: 561:Trophime Bigot 557: 555: 551: 550: 548: 547: 545:Gerard Seghers 542: 537: 532: 530:Adam de Coster 527: 521: 519: 515: 514: 507: 505: 503: 502: 497: 492: 487: 482: 477: 472: 467: 462: 457: 451: 449: 443: 442: 440: 439: 434: 429: 424: 419: 414: 408: 405: 404: 399: 397: 396: 389: 382: 374: 368: 367: 359: 354: 347: 346:External links 344: 341: 340: 333: 313: 298: 291: 271: 264: 243: 242: 240: 237: 236: 235: 230: 228:Effets de soir 223: 220: 207: 204: 195:Adam de Coster 193:. In Flanders 183:Trophime Bigot 171:Adam de Coster 149:Utrecht School 138:Adam Elsheimer 122:Albrecht DĂĽrer 94: 91: 15: 13: 10: 9: 6: 4: 3: 2: 850: 849: 838: 835: 833: 830: 828: 825: 823: 820: 819: 817: 802: 799: 797: 794: 792: 789: 787: 784: 779: 778: 775: 769: 766: 764: 761: 759: 756: 754: 751: 749: 746: 745: 743: 739: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 703: 700: 698: 695: 693: 690: 688: 685: 683: 682:Mario Minniti 680: 678: 675: 673: 672:Ottavio Leoni 670: 668: 665: 663: 660: 658: 655: 653: 650: 648: 645: 643: 640: 638: 635: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 608: 605: 604: 602: 598: 592: 589: 587: 586:Claude Vignon 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 558: 556: 552: 546: 543: 541: 538: 536: 533: 531: 528: 526: 523: 522: 520: 516: 511: 501: 500:Matthias Stom 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 463: 461: 458: 456: 453: 452: 450: 448: 444: 438: 435: 433: 430: 428: 425: 423: 420: 418: 415: 413: 410: 409: 406: 402: 395: 390: 388: 383: 381: 376: 375: 372: 365: 364: 360: 358: 355: 353: 350: 349: 345: 336: 330: 326: 325: 317: 314: 311: 307: 302: 299: 294: 292:0-534-64114-8 288: 284: 283: 275: 272: 267: 261: 257: 256: 248: 245: 238: 234: 231: 229: 226: 225: 221: 219: 217: 213: 205: 203: 200: 196: 192: 188: 184: 180: 172: 168: 164: 160: 158: 154: 150: 146: 141: 139: 135: 131: 127: 123: 119: 111: 107: 103: 99: 92: 90: 88: 84: 80: 76: 72: 68: 64: 60: 56: 55: 54: 49: 45: 39: 35: 31: 27: 26: 21: 758:Juan Ribalta 692:Mattia Preti 576:Jean LeClerc 470:Andries Both 431: 401:Caravaggisti 361: 323: 316: 301: 281: 274: 254: 247: 209: 176: 166: 142: 115: 101: 58: 50: 43: 42: 23: 591:Simon Vouet 427:Chiaroscuro 357:Art Lexicon 173:, 1625–1635 116:The artist 87:chiaroscuro 67:chiaroscuro 38:Kansas City 816:Categories 791:Gerrit Dou 465:Paulus Bor 239:References 126:Tintoretto 118:Caravaggio 30:Caravaggio 786:Rembrandt 432:Tenebrism 310:Sotheby's 191:Rembrandt 79:spotlight 53:tenebroso 44:Tenebrism 832:Painting 222:See also 134:El Greco 108:, 1628 ( 63:painting 422:Baroque 233:Low key 93:Baroque 48:Italian 46:, from 331:  289:  262:  189:, and 169:, by 71:light 329:ISBN 287:ISBN 260:ISBN 75:dark 73:and 308:at 104:by 818:: 185:, 155:, 132:, 36:, 393:e 386:t 379:v 337:. 295:. 268:. 112:)

Index


John the Baptist
Caravaggio
Nelson-Atkins Museum of Art
Kansas City
Italian
tenebroso
painting
chiaroscuro
light
dark
spotlight
Baroque paintings
chiaroscuro

Jusepe de Ribera
Museum of Fine Arts (Budapest)
Caravaggio
Albrecht DĂĽrer
Tintoretto
The Miracle of St Mark
El Greco
Adam Elsheimer
Artemisia Gentileschi
Utrecht School
Francisco Ribalta
Jusepe de Ribera

Adam de Coster
Georges de La Tour

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑