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624:). His compositions tend to underplay the drama of the events they depict (in noticeable contrast to those of Rubens), but often show the start of moments of transformation. His figures are relatively short and stocky, and reflect little of classical ideals. Their poses and gestures are unflamboyant, and their facial expressions resemble those in Early Netherlandish painting rather than the
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In 1606, Elsheimer married Carola
Antonia Stuarda da Francoforte (i.e. Stuart of Frankfurt – she was of Scottish ancestry and a fellow Frankfurter), and in 1609 they had a son. The son was not mentioned in a census a year later, possibly (Klessman says optimistically) because he had been put out to a
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Secondly, his combination of poetic landscape with large foreground figures gives the landscape a prominence that had rarely been seen since the Early
Renaissance. His landscapes do not always feature an extensive view; often the lushness of the vegetation closes it off. They are more realistic, but
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His perfectionism, and an apparent tendency to depression, resulted in a small total output, despite the small size of all his pictures. In all about forty paintings are now generally agreed to be by him (see
Kressmann below). He made a few etchings, but not very successfully. However, his work was
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which praised
Elsheimer's work, and described him as slow-working and making few drawings. He also spent much time in churches, studying the works of the masters. Other writers mention his exceptional visual memory, his melancholy and his kind-heartedness. In a letter after his death,
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and as a result, was published across Europe. However, his association with Goudt, who lodged and trained with him for several years, was difficult. Elsheimer seems to have borrowed money from Goudt, which according to one account resulted in his brief incarceration in
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249:. Uffenbach had specialized in large altarpieces, and although Elsheimer's earliest small paintings on copper seem to date from before he arrived in Italy, Rottenhammer's influence is clear in his mature work.
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Von Neuen
Sternen. Adam Elsheimers "Flucht nach Ägypten". Anlässlich der Ausstellung Von Neuen Sternen. Adam Elsheimers Flucht nach Ägypten, Alte Pinakothek, München, 17. Dezember 2005 bis 26. Februar 2006
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389:) and after Elsheimer's death remarried an Italian artist, Ascanio Quercia, within a year of his death. Elsheimer converted to Catholicism by 1608 (possibly 1606). He was admitted to the
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In a wider sense, he was influential in three respects. Firstly his night scenes were highly original. His lighting effects in general were very subtle, and very different from those of
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wrote: "he had no equal in small figures, landscapes, and in many other subjects. ...one could have expected things from him that one has never seen before and never will see."
166:(18 March 1578 – 11 December 1610) was a German artist working in Rome, who died at only thirty-two, but was very influential in the early 17th century in the field of
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highly regarded by other artists and a few important collectors for its quality. He had a clear and direct influence on other
Northern artists who were in Rome such as
410:(1602–1603; the "small" Tobias, now at Frankfurt) was especially well received because of its new conception of landscape. This picture was engraved by Count
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245:, some of whose drawings he owned. Rottenhammer was a German who had been living in Italy for some years, and was the first German painter to specialize in
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Thirdly, his integration of
Italian styles with the German tradition he was trained in is perhaps more effective than that of any Northern painter since
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which appears to be a response to
Elsheimer's painting of the subject, now in Edinburgh. Some works by Italian artists, such as the six pictures from
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178:. They include a variety of light effects, and an innovative treatment of landscape. He was an influence on many other artists, including
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of
Elsheimer's paintings, which were crucial in spreading his influence, as very few of his paintings were viewable even by artists; as
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481:(Edinburgh) were equally new. Some of his religious scenes were more conventional, but his selection of the moment to depict, as in
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Elsheimer had a definite preference for choosing rare or original subjects, both for his mythological and religious paintings.
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Klessmann, pp. 138–145, 198, 205 (the last two on the provenance, on which the authors seem not wholly in accord)
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330:), and was owed money by him at his death. Like Faber, Bril was a long-term resident in Rome who had converted from
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401:. In spite of his fame and talents, he appears to have both lived and died in difficult financial circumstances.
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in 1601, and who became another friend, later reproaching
Elsheimer for not producing more work. He knew
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419:. After Elsheimer's early death in 1610 in Rome, Goudt owned several of his pictures. Goudt made seven
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https://www.treccani.it/enciclopedia/adam-elsheimer_(Dizionario-Biografico)/?search=ELSHEIMER%2C%20Adam
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Gronert, Stefan (2003). "Adam Elsheimer in Venedig?. Eine kritische Betrachtung zweier Dokumente".
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in Kingston, Ontario, badly damaged by fire at some point in its history; it had been part of the
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Bachner, Franziska. "Gleichartigkeit und Gegensatz: Zur Figurenbildung bei Adam Elsheimer". In:
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is undocumented, but the influence on his style is clear. He probably worked as an assistant to
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1046:. Marburg: Verlag des Kunstgeschichtlichen Seminars der Philipps-Universität Marburg: 211–216.
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Howard, Deborah (1992). "Elsheimer's Flight into Egypt and the Night Sky in the Renaissance".
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Photo of 1900 of the house in Frankfurt where Elsheimer was born and grew up. Destroyed 1944.
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Parlato, Enrico, Elsheimer, Adam, in Dizionario Biografico degli Italiani, 42, 1993,
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1278:. Ausstellung 1977 im Städelschen Kunstinstitut. Frankfurt am Main: Städel, 1977.
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Elsheimer is believed to have produced some significant works in Venice, such as
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Im Detail die Welt entdecken: Adam Elsheimer 1578–1610. Ausstellungskatalog des
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Department of Image Collections, National Gallery of Art Library, Washington, DC
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1247:(in German), vol. 4, Berlin: Duncker & Humblot, pp. 465–466
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Adam Elsheimer. Werkverzeichnis der Gemälde, Zeichnungen und Radierungen.
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was created from a revision of this article dated 17 June 2006
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Natural Light: The Art of Adam Elsheimer and the Dawn of Modern Science
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1320:(in German), vol. 6, Leipzig: Duncker & Humblot, p. 66
1077:. For the catalogue by RĂĽdiger Klessmann and others, see References.
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170:. His relatively few paintings were small-scale, nearly all painted
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Only two works are on public display outside Europe. One is in the
385:. She was the recent widow of the artist Nicolas de Breul (born in
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Another friend of Rottenhammer was the Flemish landscape painter
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and quickly made friends with contacts of Rottenhammer, notably
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1208:. Würzburg, 2006. (Dissertation, Universität Würzburg, 1995).
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767:, oil on silvered copper, c. 1605, only 9.8 cm high,
961:"Adam Elsheimer (1578 - 1610) | National Gallery, London"
307:, a Papal doctor, botanist and collector originally from
357:, a Dutchman recently returned from Rome, published his
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Jupiter and Mercury in the house of Philemon and Baucis
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from the Frankfurt Tabernacle, c. 1605, 48 Ă— 35 cm
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they were mostly kept in small and very private rooms.
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was then displayed. He was apprenticed to the artist
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1295:Thielemann, Andreas & Stefan Gronert (Hrsg.)
1206:Figur und Erzählung in der Kunst Adam Elsheimers
210:in 1944) was a few metres from the church where
1297:Adam Elsheimer in Rom: Werk – Kontext – Wirkung
585:, and play a part in the formation of those of
226:in 1596. At the age of twenty, he travelled to
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1073:"Discovering the World in Detail" exhibition
690:in London reunited almost all of his oeuvre.
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1264:. Frankfurt am Main: Edition Minerva, 2006.
842:, Munich—perhaps his most famous night scene
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638:The largest collection of his work is in
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1040:Marburger Jahrbuch fĂĽr Kunstwissenschaft
1201:. Neue Folge, Bd. 16, 1997, S. 249–256.
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650:has three paintings with others in the
611:George Villiers, 1st Duke of Buckingham
693:There are drawings in Paris (Musée du
581:no less poetic, than those of Bril or
1276:Adam Elsheimer. Die Gemälde im Städel
452:, and had never been painted before.
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374:Holy Family with St John the Baptist
299:In early 1600, Elsheimer arrived in
857:, c. 1608, Dresden, 17 x 22 cm
234:, where he was documented in 1598.
630:of most Italian Renaissance work.
620:(with the exception of his friend
140:Accademia di San Luca, Rome (1606)
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1011:"Discovering the World in Detail"
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1359:Orazio and Artemisia Gentileschi
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127:Carla Antonia Stuart (1606–1610)
1179:MĂĽnchen: Schirmer/Mosel, 1985;
1147:Source unless otherwise stated
927:Zeitschrift fĂĽr Kunstgeschichte
678:. In 2006 an exhibition at the
1317:Allgemeine Deutsche Biographie
1187:; erweiterte Neuauflage 2006.
1151:RĂĽdiger Klessmann and others,
875:, 19th century, photogravure,
1:
1211:Baumstark, Reinhold (Hrsg.).
174:, of the type often known as
1455:17th-century German painters
1233:. Thames & Hudson, 2023.
722:Agnes Etherington Art Centre
652:National Gallery of Scotland
488:(London), is often unusual.
448:) is based on an episode in
376:, 37.5 x 24 cm, Berlin-
782:The Denial of Peter, 1605,
519:The Exaltation of the Cross
276:, as well as Rottenhammer.
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1310:Woltmann, Alfred (1877), "
965:www.nationalgallery.org.uk
686:, then Edinburgh, and the
338:, as Elsheimer did later.
1465:German Mannerist painters
1299:. MĂĽnchen: Hirmer, 2008.
1256:Klessmann, RĂĽdiger u. a.
1237:Holzinger, Ernst (1959),
1117:. Aeac.ca. 12 August 2012
784:Städelsches Kunstinstitut
603:King Charles I of England
341:Both Faber and Bril knew
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152:Francesco Maria del Monte
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1244:Neue Deutsche Biographie
1153:Adam Elsheimer 1578-1610
716:), and the other is the
648:National Gallery, London
508:National Gallery, London
404:Elsheimer's painting of
313:Vatican Botanical Garden
311:. He was Curator of the
258:National Gallery, London
1285:. MĂĽnchen: Beck, 1988.
1089:"The Flight into Egypt"
906:List of German painters
820:Wallraf-Richartz Museum
701:among other locations.
463:, a copy exists in the
351:David Teniers the Elder
1475:German Roman Catholics
1450:Artists from Frankfurt
1393:
1373:Listen to this article
1219:. Köln: DuMont, 2005.
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486:prepared for Martyrdom
393:, the Roman painters'
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315:, and a member of the
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266:Gemäldegalerie, Berlin
254:The Baptism of Christ
222:. He probably visited
202:Elsheimer was born in
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1348:at Wikimedia Commons
1075:Edinburgh information
835:The Flight into Egypt
765:The Flight into Egypt
730:Charles II of England
714:The Flight into Egypt
548:Stoning of St Stephen
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500:Copy after the large
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391:Accademia di San Luca
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118:The Flight into Egypt
83:San Lorenzo in Lucina
37:Self-portrait at the
1460:German male painters
1424:More spoken articles
1204:Bachner, Franziska.
1095:. Kimbell Art Museum
1087:Kimbell Art Museum.
892:Tobias and the Angel
890:The "small Tobias",
736:Examples of his work
560:Museo di Capodimonte
503:Tobias and the Angel
407:Tobias and the Angel
317:Accademia dei Lincei
1262:, Frankfurt am Main
894:, 1607/8, Frankfurt
441:Philemon and Baucis
284:The burning of Troy
243:Johann Rottenhammer
106:Johann Rottenhammer
1470:Painters from Rome
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1353:Web Gallery of Art
1281:Sello, Gottfried.
990:Digital Collection
798:Apollo and Coronis
769:Kimbell Art Museum
706:Kimbell Art Museum
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1344:Media related to
1305:978-3-7774-4255-6
1274:Lenz, Christian.
1239:"Elsheimer, Adam"
752:, c. 1600, Berlin
477:(Liverpool), and
461:Kingston, Ontario
425:cabinet paintings
290:, 36 x 50 cm
247:cabinet paintings
220:Philipp Uffenbach
216:Heller Altarpiece
204:Frankfurt am Main
184:Peter Paul Rubens
176:cabinet paintings
168:Baroque paintings
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54:Frankfurt am Main
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66:(1610-12-11)
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1440:1578 births
1143:Main source
838:(c. 1609),
558:now in the
484:St Lawrence
479:Il Contento
336:Catholicism
332:Lutheranism
286:, c. 1604,
90:Nationality
1434:Categories
1420:Audio help
1411:2006-06-17
1121:15 January
912:References
726:Dutch Gift
710:Fort Worth
575:Caravaggio
421:engravings
270:Tintoretto
224:Strasbourg
41:, Florence
800:, 1606–08
732:in 1660.
699:Edinburgh
684:Frankfurt
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634:Galleries
544:Rembrandt
532:Jan Pynas
528:Paul Bril
492:Influence
383:wet-nurse
324:Paul Bril
180:Rembrandt
147:Patron(s)
98:Education
1422: ·
900:See also
599:van Dyck
542:, later
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970:4 March
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399:Uffizi
387:Verdun
364:Rubens
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239:Venice
232:Munich
124:Spouse
93:German
85:, Rome
1048:JSTOR
943:JSTOR
618:DĂĽrer
465:Prado
456:Ceres
395:Guild
228:Italy
1301:ISBN
1287:ISBN
1266:ISBN
1221:ISBN
1189:ISBN
1181:ISBN
1157:ISBN
1123:2014
1101:2015
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972:2021
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