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The author herself divided her studies into three series, which correspond to three periods: Bioburgos, Helioburgos and BiohĂ©lios. All of them are based on the search for perfection and the expression of internal agitation. The dominant semiological element varies: the âbioburgosâ are, according to
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of the time: knowing how to play the piano and speak French. She tried to continue her piano studies, but by the end of her adolescence, she decided to prepare herself for the School of Arts. However, when she attended the studio of
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is inserted for cosmic connections between beings that are indefinite to conscience and thus can only be expressed by an ambiguity threshold, i.e., between dream and emotion. She calls this type of relationship âcomradeshipâ.
413:. Between 1951 and 1952, Tereza focused on paintings with geometric shapes. In 1966 and 1967, she cooperated with the Sociedade Cooperativa de Gravadores Portugueses (Portuguese Engravers Cooperative Society), known as
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Carmo, Fernando
Infante (editor and preface): Aspectos das Artes PlĂĄsticas em Portugal, 1992 (it does not refer to the painter; reproduction of a painting and painter âs photo)
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regime, she developed cultural and political initiatives between the 1940s and the 1950s. These initiatives included working-class clubs and associations, and conferences on
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De
Carvalho, Orlando M. P. N.: "Entrevistas a Tereza Arriaga e Jorge de Oliveira, 2005-2007", Documentation Centre of the Museu do Neo-Realismo, Vila Franca de Xira, 2007.
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De
Carvalho, Orlando M. P. N.: âEntrevistas a Tereza Arriaga e Jorge de Oliveira, 2005-2007â, documentation Centre of the Museu do Neo-Realismo, Vila Franca de Xira, 2007.
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388:(Child workers). In this series, she depicts the gestures and tired faces of the children wrinkled by dehydration while working in the nearby glass factories.
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the author, ourselves, but biologic, which means they are inserted in a wider system as all the animals have towns. On the other hand, the element â
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Santos, Luiza: Tereza
Arriaga â Pintura, in Exhibition catalogue 22/06 - 21/07, CĂąmara Municipal de Vila Franca de Xira, 2007.
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of 1915, which ended the presidential mandate, and
Arriaga had to leave the Palace. When she was three, her mother died of the
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Santos, Luiza: Tereza
Arriaga â Pintura, in Exhibition catalogue 22/06 â 21/07, CĂąmara Municipal de Vila Franca de Xira, 2007.
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From 1944 to 1985, she taught drawing at different schools, including the Escola de Artes
Decorativas AntĂłnio Arroio.
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Her only child was born in 1948; she kept painting for several years. Meanwhile, her husband,
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Dacosta, AntĂłnio: Dacosta em Paris â textos, Ed. AssĂrio e Alvim, s/d, p. 97.
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Maria Tereza d' Almeida
Pinheiro d' Arriaga was born on 5 February 1915, in the
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from 1944 to 1945, during which she taught drawing at the
Industrial School of
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Tereza
Arriaga, Helioburgos, Exhibition catalogue in Galeria Espiral, Oeiras.
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Tereza Arriaga, Helioburgos, Exhibition catalogue in Galeria Espiral, Oeiras.
582:"Casa Museu Manuel de Arriaga imortaliza o primeiro presidente da RepĂșblica"
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Despite her father being a Republican, her education tended towards the
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Gonçalves, Rui MĂĄrio: ColĂłquio Artes, nÂș 19, October 1994, pp. 31â37.
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or history, where she would take intellectuals and artists from
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Exposição Geral de Artes Plåsticas, Catalogue, SNBA, July 1946.
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movements and events, which culminated in her arrest by the
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and 110 days of imprisonment in the political prison of
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Her work is mainly displayed in the collection of the
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Arriaga died on August 12, 2013, in Alto do Lagoal,
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648:"Morreu artista plĂĄstica Tereza Arriaga"
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309:Early life and education
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467:Fernando Lopes Graça
354:Raquel Roque Gameiro
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704:Artists from Lisbon
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