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168:"So that is the way you play". And for some reason he repeated the statement. And he hit the strings! His bandura was large, and loud. His manner of playing was very specific: his left hand played the basses, and the right using a specific device: the fingers hit in one direction and then the other. (Our kobzars tried it but they could not do it). His voice - a high clear tenor. A song no-one had heard before about "
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forgotten recordings, so that the song does not have a bookish character. In such a way we can see that the intelligentsia is able to give back to the people their lost culture, and although it does not look after this culture very well, at least some aspects have been conserved. God grant
Terentiy the energy to learn all that he wants. His is the future."
222:, folk songs and humorous songs are so numerous in his repertoire. .... Terentiy plays on the bandura very well, and I want you to pay particular attention to the manner of playing the instrument. The matter lies in the fact that his ability to play the bandura has undergone an evolution, and in my opinion Terentiy's manner of playing is very old..."
250:, Mohyla-Podilsk and other towns. The magazine "Ridniy krai" write about Parkhomenko's concert in 1908 that "it was a unique in its type: there performed blind kobzars without any intelligentsia influence. The organizer of the concert was a kobzar himself - Terentiy Parkhomenko. (Apart from Parkhomenko the concert had performances by
184:"About the kobzars from Chernihiv province I would like to say a bit more because this is a totally new type of bandurist which are establishing themselves and have a great future. This is Terentiy Makarovych Parkhomenko. He is 30 years old and studied under Andriy Hojdenko, however he did not learn any
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in his repertoire, many historic songs - one of which - About
Morozenko - you will hear tonight. But taking the melodies of his songs from the intelligentsia which can read and write. Terentiy does not go blindly creating arrangement which are foreign, but gives each song and individuality, returning
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Pchilka also wrote that
Parkhomenko's voice was not good, but fresher than those other voiceless grandfathers and because of this Parkhomenko is successful. I feel that Parkhomenko gets applause just for the fact that he performs with the bandura and not for his performances. He sings without taste
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Reminiscing the performance of the kobzars after the conference
Khotkevych wrote: "the most visible career was made by T. Parkhomenko. A tall with lank appearance he had a nice tenor voice as if made for the stage. He was able to use his talents: performing solo and in groups. In the periodic press
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After a period of success, he wound up living very poorly. In the spring of 1910, Parkhomenko was given a terrible beating by police. He became sick and did not have money to get medical care. At the age of 38, back in his native village of
Voloskivtsi, he died of his injuries on 23 March 1910.
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230:, showed a new direction in the development of kobzar art - the potential to perform this art on the stage. This new found potential was exploited initially by the kobzars that took part in the conference.
289:..." The Chernihivite Parkhomenko - is of middle age, - this is a new kobzar a concert performer who has now gotten used to performing on stage, he is dress in a theatrical manner. he knows the words of
172:". Everything added up to a victory for Tereshko. The Kharkiv kobzars sat quiet. The first place of Tereshko was a given fact, and his song about Morozenko became the most popular song.
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and historic songs like this
Parkhomenko. And his energies did not fall on barren ground: after meeting some Ukrainian intellectuals, he asked that they show him some
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on 21 October 1908 - Parkhomenko - she wrote - "He can give to a sad duma a happy accompaniment. This cuts the ear, and only because no-one understands our
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As an artist, Parkhomenko was able to become extremely popular in a short time. - They even had cigarette packets with his portrait on them.
206:, he purchased books and song books, and he has a literate guide boy specifically for the reason, that he have the potential to learn
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Despite the popularity of
Parkhomenko, there were anti-Parkhomenko writings in the press. The editor of the magazine "Ridniy krai" -
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136:. He had a tenor voice and a loud bandura and played songs with a patriotic content that were rarely performed by other kobzars.
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and old songs. "I didn't just come to the conference to perform - he said to me - but to learn more songs". And now he has nine
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330:"Kobzars", "Parkhomenko, Terentii," Encyclopedia of Ukraine, Vols. 2, 3 (Toronto: University of Toronto Press, 1988, 1993).
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from books, and does not understand the melodies - he sings anything even a dance melody. he sang for us
Morozenko."
198:- something spoke to his soul. I have not seen such a bandurists who listens with such intent to the performance of
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I gave them, nothing came out of it" - he said. In the meantime
Terentiy wanted greatly to learn to perform
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after hearing the performance of the kobzar at the
Archeological conference in 1905 in Katerynoslav wrote:
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played (and demonstrated what they knew) it was time for Tereshko to demonstrate his art.
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A similar article was published by Pchilka in a review of a concert by five kobzars in
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Andriy Haydenko and became a sought out performer after his performance at the
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Mishalow, V. and M. - Ukrains'ki kobzari-bandurysty - Sydney, Australia, 1986
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This was the first stage performance of the kobzars organized by
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and understanding, and barely is able to play on the bandura."
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He was born 10 September 1872 in the village of Voloskivtsi,
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province. After both the Kharkiv bandurists played and the
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there are numerous mentions about his performances in
100:(1872–1910) was one of the most respected Ukrainian
190:from him nor from his friends. "No matter how much
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176:In his essay "Some facts about the kobzars and
376:19th-century musicians from the Russian Empire
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98:Terentiy (Tereshko) Makarovych Parkhomenko
104:of the late 19th and early 20th century.
77:Learn how and when to remove this message
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381:19th-century Ukrainian musicians
371:20th-century Ukrainian musicians
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228:XIIth Archeological conference
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351:1910 deaths
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361:Bandurists
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