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Texas Flood Tour

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stage with their musical influences; the tour represented, for them, an indicator of success. However, these advantages had been gained at a price; Shannon, in retrospect, noted the stress and strain on the band. They had succumbed to "everything you'd want, right there—and for a long time it was fun". However, Vaughan's friend Lew Stokes, while also expressing concerns, concludes that, despite Vaughan's substance abuse, his moral compass remained, and the way he treated people had never wavered. The tour confirmed Vaughan's mastery of the electric guitar. This was evidenced in his hometown, on June 16, when a number of radio VIPs attended the
377:. These were attended by various musicians, radio station personalities, disc jockeys, record store owners, music critics, and record company executives. The band also made promotional appearances. On tour, even during the busiest traveling days, they would fit these into their daily schedule. The band would later find them exhausting. Before the tour could begin, Vaughan and Double Trouble needed the support of radio stations, Dallas' Q102-FM in particular. At first disc jockey Redbeard received only negative reactions from listeners when he played the album. Nevertheless, he persevered and played 604:. He reckoned that both bands had a common thread in musical genre, however, and accordingly organized concerts for October through December, which were deemed a success. Hodges apparently "didn't have any doubt" in Vaughan's ability to command the audience. During a short hiatus in mid-December, the band turned their attention briefly from performing to composing. Among other compositions, they finished two instrumentals, which were incorporated into the closing shows of the year, which they completed during a return appearance in Norfolk. 706:, but this had grown to $ 1,500 by the beginning of the tour. After four months on the road, during the Moody Blues tour in October–December 1983, the band received $ 5,000 per show, an amount that included additional bonuses dependent on ticket sale plateaus. Layton stated that, "I could actually pay my rent and keep my lights turned on and have money to eat on and put gas in my car—that was our real priority in life." He later recounted that the year before they had "very little money" and were "basically broke". 370:. The plan was for the band to begin the tour performing nationwide then tour Western Europe. They would headline theater dates in Texas playing for their immediate statewide fan base. Agents Rick Alter and Alex Hodges provided marketing assistance. Their philosophies and techniques in the major markets led to the band eventually performing arena tours, which enabled them to earn bonuses for reaching specific ticket sales plateaus. 588:, Austin City Coliseum and the Bronco Bowl in Dallas in early October. An advertisement for the Dallas concert included the phrase "the triumphant return of Stevie Ray Vaughan and Double Trouble". The main reason for their return to Texas was to play celebratory homecoming concerts for Vaughan's immediate fan base in the state. He had performed extensively on the Texas club circuit for nearly a decade. Vaughan featured guitarist 295:. His brother began to teach himself to play the guitar when he was twelve. Vaughan observed him intently, and his musical education was aided by exposure to his brother's constant practicing and playing. According to Vaughan, "he made up three songs the first day. He didn't have to try. It just came out". Steve Stevenson, a family friend, noticed that within a few days Jimmie was able to demonstrate what he had learned. 424:. A review of the concert described it as "one of the lightest turnouts of the season", adding that Gerulaitis and McEnroe "still cannot lure hordes of teenagers to a concert, even a benefit for a worthy cause". However, the review praised the band: "The concert opened strongly with the ubiquitous Texas guitarist Stevie Ray Vaughan leading his trio Double Trouble through a workmanlike set of blues and boogie-woogie." 556:, Vaughan's "technique and command are something quite extraordinary". This was, as former bandmate Billy Alford put it, "just a major drug fest". Referring to Vaughan's escalating substance abuse, Alford said, "I knew he was going to be a star, that he had it. It was just a matter of timing and whether he would kill himself before he got there." The final European concert was performed on September 9 at the 495:. One person who took particular note of this was the band's road crew member Byron Barr, whose journal records the reaction in demeaning terms: "Played Reading Festival. People were rude bastards. They threw bottles full of piss & all kinds of rude shit." Uber Rock writer Andy P's own recollection, written in 2014, was similar: "He kinda stuck out a bit like a sore thumb and like 112: 36: 535:. The interview featured a male and female host. The male host asked questions in English, and the female host translated Vaughan's responses into German. Hopkins comments that the female host came out wearing Vaughan's trademark flat-brim hat, which he did not appear to find humorous. On September 8 the band arrived in 768:
who was now the band's keyboardist. They were away for over ten months, and took a break in May 1986, to change their management team. A second visit to Europe, from September until October 1986, was the last of the exhaustive touring schedule. Vaughan's new personal assistant, Timothy Duckworth, had
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Manager Chesley Millikin had been effusive with his praise in a letter to Epic's Jack Chase, dated October 12. He wrote that the band would not have had the chance to breakout nationally without the benefit of Epic's marketing efforts. He confirmed that Vaughan and Double Trouble would soon return to
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Chase wanted Vaughan and the band to begin touring as soon as possible—the longer the album took to breakout, the more competition it would face. The itinerary he initially planned included the Eastern and Southwestern United States. The additional legs were only added after the growing international
747:. A number of songs were outtakes, including an instrumental and a lyrical piece. The released works include two instrumentals "Scuttle Buttin'" and "Stang's Swang", and two lyrical pieces "Couldn't Stand the Weather" and "Honey Bee". Vaughan's creative progress is reflected in the songs released on 361:
has received the most accolades , but without Jack Chase, the record might have been just another of those grapes withering on the vine", according to Hopkins. However, there is no evidence to suggest that Hammond was less involved in the making of the band's subsequent studio albums; it seems that
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Despite his earnings from the tour, Vaughan and his wife Lenny continued to live in their modest house in Austin. However, travel and public appearances dominated the next two years of Vaughan's life. In March 1984 the band was on tour again, this time around North America, Europe, Australasia and
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In terms of critical reception, while there were some mixed reactions, Vaughan and Double Trouble were generally well received. The band was now known throughout the United States, Canada and Europe. As well as encounters with other musical celebrities, the group now had the ability to share the
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In a memorandum to executives at the southwest branch of Epic written before the tour, marketing Vice President Jack Chase agreed to break Vaughan and Double Trouble out of Texas. After a branch meeting he said: "The prize is having Stevie Ray Vaughn on our label and in your bags to promote and
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in Los Angeles was a sellout. "As we were pulling up to the club, there was a line all the way around the block," recalled Shannon. Two months later, after their success in Europe, Vaughan and Double Trouble received a portion of the near $ 75,000 in ticket sale revenue, following an appearance
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on December 28. The following year, after studio duties were completed, Vaughan and Double Trouble earned a percentage of the near $ 155,000 gross revenue after their performance in Nashville. The stability of the band's career meant they could enjoy making their living by playing music.
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The band had survived a few setbacks, including three canceled shows which were rescheduled due to Vaughan's laryngitis. The full extent of the tour's earnings and expenses was not highly publicized. Hopkins confirms the band had averaged $ 500 to $ 950 per show before the release of
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was effusive about Hammond's presence during the sessions; Hammond, he said, "was kind of like a nice hand on your shoulder", and: "he was a feedback person". Layton called him "our gyroscope", and praised his keen ability to identify keeper takes and eliminate over processing.
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to play at the Rolling Hills Country Club, and later at the Soap Creek Saloon. Vaughan then joined a band called Krackerjack for a three-month stint. He had accepted offers from several local bands, but within six years of arriving in Austin, Vaughan and his own group,
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The first leg of the tour took the band through the United States and Canada, and then on to Europe where they toured for two weeks. They then returned to North America where, during a leg that lasted more than three months, Vaughan and Double Trouble opened for
272:. The tour concluded in the Mid-Atlantic. The band returned to the studio in January 1984. The tour resumed the following month. The final leg incorporated return stops to several cities, and a visit to Hawaii, before the band returned home in late February. 330:
As the band gave several performances toward year's end, they began to be noticed by music industry representatives. At the end of a two-night stand in Austin, Vaughan and Double Trouble earned more than $ 7,000 for their efforts. The group signed with
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the day before he caught the attention of the bottle throwers. Unlike Steel Pulse who ended their set early with bottles clanging off their steel drums he persisted with real flair asking the crowd politely, 'I know it's fun but put a stop to it'."
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sell". Chase said it was his duty to break Vaughan nationally, otherwise "the pride in selling a 'Men at Work' is long gone". He went on to describe Vaughan as a "remarkable artist". Author Craig Hopkins has suggested that the success of
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on February 8, where they did two shows at the Moonshadow Saloon. During the first performance, Vaughan paused during their set and asked an unruly patron to leave the venue, one of the few times he called out a disruptive patron.
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read about the incident in a local newspaper and wrote the song "Willie the Wimp". He recorded a demo of the song that he gave to Vaughan, who later included his version on the band's live album,
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The tour provided the band with widespread exposure and was a commercial success. Vaughan continued to tour in the ensuing seven years before his death in a helicopter crash in August 1990.
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accountant, and future business partner, Edi Johnson who remembered, "I'm not an authority on music—it's whatever turned me on—but this did". After an appearance before record producer
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The tour began on June 22, 1983. On the second night Vaughan developed laryngitis, requiring the cancellation of three performances. He used this time to rest his throat. In
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was approaching sales of 300,000 units. According to Alex Hodges, one of the band's agents, many people disliked the idea of them performing in an upcoming tour with
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concerns about his escalating substance abuse. This ultimately threatened Vaughan's life—and now threatened Shannon's, who was also immersed by addiction.
335:. The label's approval encouraged Vaughan to pursue further opportunities. On a trip to New York, Vaughan and Double Trouble were the opening act at a 4494: 4389: 4155: 4116: 4174: 806: 508: 2784: 4123: 4043: 3843: 3824: 3772: 722:. However, in December of that year, after the Moody Blues tour concluded, they returned to performing in smaller theaters—they sold out the 251: 197: 102: 709:
At times, the shows were packed to capacity; in August 1983, near the end of the first North American excursion, the group's performance at
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record release party. They were frankly skeptical about Vaughan's performance skills, believing them to be feasible only in the studio.
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The group proceeded to the Northeast, Mid-Atlantic, Midwest and East South Central regions of the US. Returning to Canada, they reached
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for two and a half weeks. The band played no concerts during this period although there were recording sessions scheduled at the
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On August 27, 1983, Vaughan and Double Trouble arrived in England. The band hoped for a positive reception from the crowd at the
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for an additional two weeks leading to more album sales in the Southwest. At least 15,000 units were shipped to record stores.
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The next extended stop was in Canada. Vaughan and Double Trouble played four concerts including a July 20 appearance at the
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artists, Vaughan and the band stood out and were not received well by the audience, some of whom began throwing bottles of
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The tour through the Midwest continued, with concerts in Missouri and Illinois. Less than a week after the band left
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Vaughan was playing the guitar by the time he was seventeen. In that year, 1972, he brought his band Blackbird to
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on Victoria Street. They were advertised as a "special guest at the Reading Rock Festival" with their "new album
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in 1982. The audience disliked the band's music and booed their performance. Vaughan and Double Trouble met
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Japan, remaining on the road until May 1985. In June Vaughan and Double Trouble left for another tour—with
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Interviews by Dan Jackson, July 26–27, 1997: Doyle Bramhall, Jimmie Vaughan, Chris Layton, Tommy Shannon
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Four songs Vaughan and Double Trouble composed at the end of 1983 were included on their next album,
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excessive tables that need to be broken up, smaller, and have some prose for context and explanation.
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Vaughan was one of two children born to Jimmie Lee "Big Jim" and Martha Jean Vaughan. His brother
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The recordings made by Vaughan and Double Trouble during these sessions were released as
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Jarvis, Elena (August 12, 1983). "Stevie Ray Vaughan tends the blues with his guitar".
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Vaughan and Double Trouble prepared for the tour by performing showcases in Dallas and
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Stevie Ray Vaughan – Day by Day, Night After Night: His Final Years, 1983–1990
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Stevie Ray Vaughan – Day by Day, Night After Night: His Early Years, 1954–1982
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Gear Secrets of the Guitar Legends: How to Sound Like Your Favorite Players
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the following night. He offered them free use of his personal studio in
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was largely dependent on Chase's expertise in breaking a new artist: "
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for two shows. There they received their first gold records from the
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Walek, Gordon (August 6, 1983). "ChicagoFest VI at Soldier Field".
564:. The band then returned to the U.S. for a tour of the East Coast. 3882:
Mahin, Bruce P. (September 16, 1983). "Much More concert review".
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List of concert dates, cities, states, venues, and opening act(s)
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on August 19. In late August the band departed for England.
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in 1983 and 1984. The band had released their debut album,
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where they recorded a full-length album in November 1982.
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On September 14 Vaughan and Double Trouble arrived in
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Vaughan and Double Trouble's first London show was at
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The Essential Stevie Ray Vaughan and Double Trouble
4108: 4060: 3999: 196: 185: 177: 162: 147: 135: 121: 3901: 3754:Brown, Mick (September 10, 1983). "Weekend Arts". 3574: 3572: 3488: 3486: 3467: 3465: 3463: 3444: 3442: 3408: 3406: 3352: 3350: 3287: 3285: 3275: 3273: 3185: 3183: 3155: 3153: 3125: 3123: 3113: 3111: 3101: 3099: 3068: 3066: 3064: 3062: 3052: 3050: 3048: 3020: 3018: 662:campus. The band traveled to Georgia, arriving in 3946:. Vol. 111, no. 296. Arlington Heights. 315:, Vaughan and Double Trouble were invited to the 527:on September 4 at a nightclub in the borough of 3966: 2940:Patoski & Crawford (1993), pp. 45–6 362:he trusted Vaughan's abilities as an artist. 8: 3619:, May 2000, "Rise & Shine," Andy Aledort 2927: 2925: 2923: 91: 3904:Stevie Ray Vaughan: Caught in the Crossfire 3990:Original 1983–1989 releases are marked in 3973: 3959: 3951: 3900:Patoski, Joe Nick; Crawford, Bill (1993). 731:Critical response and creative development 451:, on August 11. After two performances at 110: 90: 3519:"Success in Disguise" (DVD documentary), 79:Learn how and when to remove this message 1493:Dave Drynan, Red Perry and Walter Chase 916: 515:. In Paris they also visited the famous 3908:. New York: Little, Brown and Company. 3797:"'Tennis Rock': McEnroe and Gerulaitis" 3301:H, Johnny; P, Andy (December 7, 2014). 2917:Patoski & Crawford (1993), pp. 6, 8 2910: 1585:Expresso, Star Lamone and the Deltoids 568:North America (September–December 1983) 509:Canadian Recording Industry Association 203: 917: 4124:The Real Deal: Greatest Hits Volume 2 2985:Patoski & Crawford (1993), p. 150 2976:Patoski & Crawford (1993), p. 149 2967:Patoski & Crawford (1993), p. 148 2958:Patoski & Crawford (1993), p. 145 908:" (The Jimi Hendrix Experience cover) 870:" (The Jimi Hendrix Experience cover) 863:" (The Jimi Hendrix Experience cover) 638:. They played a concert there at the 252:Stevie Ray Vaughan and Double Trouble 198:Stevie Ray Vaughan and Double Trouble 103:Stevie Ray Vaughan and Double Trouble 7: 3240:, Inc. August 20, 1983. p. 44. 2931:Patoski & Crawford (1993), p. 10 2900:Stevie Ray Vaughan live performances 511:(CRIA) for selling 50,000 copies of 3923:Prown, Pete; Sharken, Lisa (2003). 483:. However, in a lineup with mainly 3862:LeLievre, Roger (April 18, 2013). 3801:The New York Times Digital Archive 3782:Haldin, Ken (September 23, 1983). 3589:"AB Boxscore: Top Concert Grosses" 3548:"AB Boxscore: Top Concert Grosses" 3227:"AB Boxscore: Top Concert Grosses" 812:"The Things (That) I Used to Do" ( 592:as the warm-up act for each show. 503:On August 31 the band traveled to 291:) was born on October 3, 1954, in 25: 3927:. San Francisco: Backbeat Books. 3795:Holden, Stephen (July 25, 1983). 3521:Live at Montreux: 1982 & 1985 3307:Uber Rock: Kick Ass Rock 'n' Roll 1882:James L. Knight Convention Center 1777:Johnny Sportcoat and the Casuals 287:was born March 20, 1951; Stevie ( 4495:Stevie Ray Vaughan concert tours 4099:Live at Montreux 1982 & 1985 3699:Hopkins (2011), pp. 99–132 2771:Mike Jordan and the Rockamatics 974:Ray Fuller and the Bluesrockers 642:, appearing at the tenth-annual 260:, a week before the tour began. 34: 4353:Couldn't Stand the Weather Tour 3767:. Bloomington: iUniverse, Inc. 3765:It Looked So Good in the Window 3708:Hopkins (2011), pp. 144–7 3681:Hopkins (2011), pp. 53–98 3637:Hopkins (2011), pp. 29–32 3436:, Album Network, 1993, Redbeard 3216:Hopkins (2011), pp. 29–30 2949:Hopkins (2010), pp. 67–70 2895:Couldn't Stand the Weather Tour 2851:Duke Tumatoe and the Power Trio 1548:Mitch Woods and His Rocket 88's 223:Couldn't Stand the Weather Tour 3400:Hopkins (2011), pp. 44–5 3335:Hopkins (2011), pp. 34–5 3258:Hopkins (2011), pp. 31–3 3198:Hopkins (2011), pp. 27–8 3177:Hopkins (2011), pp. 26–7 3147:Hopkins (2011), pp. 24–5 2672:Nashville Municipal Auditorium 2548:Ron Thompson and the Resistors 2214:Cumberland County Civic Center 640:Nashville Municipal Auditorium 471:Europe (August–September 1983) 385:Opening leg (June–August 1983) 186: 116:Poster for a concert in Dallas 1: 4227:All Your Love (I Miss Loving) 3838:. Milwaukee: Backbeat Books. 3819:. Milwaukee: Backbeat Books. 3365:Hopkins (2011), p. 36–7 3236:. Vol. 95, no. 34. 2551:Pamela Rose and Wild Kingdom 1441:Lowell Showboat Amphitheater 608:United States (February 1984) 596:the studio, and learned that 4368:The Fire Meets the Fury Tour 4330:Voodoo Child (Slight Return) 4321:The Things That I Used to Do 3717:Hopkins (2011), pp. 136, 146 2334:Omaha Civic Auditorium Arena 1057:George Faber and Stronghold 796:Voodoo Child (Slight Return) 435:. The concert also featured 4464:Death of Stevie Ray Vaughan 3480:Hopkins (2011), pp. 48, 145 2400:Veterans Memorial Coliseum 2169:Buffalo Memorial Auditorium 1071:Asbury Park Convention Hall 816:cover) or "Tin Pan Alley" ( 800:The Jimi Hendrix Experience 620:with John Hammond. Drummer 166:February 25, 1984 54:. The specific problem is: 4511: 4018:Couldn't Stand the Weather 3501:Hopkins (2011), pp. 39, 45 3380:The Heart of Rock and Roll 3138:Hopkins (2011), pp. 19, 23 3093:Hopkins (2011), pp. 22, 24 2667: 2134: 2126: 2057:Portland Memorial Coliseum 1755: 1437: 952: 749:Couldn't Stand the Weather 745:Couldn't Stand the Weather 631:Couldn't Stand the Weather 50:to meet Knowledge (XXG)'s 3988: 2829: 2654: 2569: 2556: 2450: 2410: 2093: 2060: 2014: 1903: 1742: 1678: 1660: 1657: 1652: 1645: 1624: 1514: 1451: 1448: 1425: 1272: 1217: 1209: 1168: 1135: 1105: 973: 939: 934: 931: 928: 925: 922: 246:, undertaken by American 204: 109: 96: 2714:P.B. Scott's Music Hall 1826:P.B. Scott's Music Hall 1422:Montreal Olympic Stadium 1118:Lupo's Heartbreak Hotel 881: 868:Third Stone From the Sun 654:where they performed at 646:, an event organized by 3884:Richmond Times-Dispatch 3834:Hopkins, Craig (2011). 3815:Hopkins, Craig (2010). 2386:Seattle Center Coliseum 1830:Reverend Billy C. Wirtz 660:University of Tennessee 285:Jimmie Lawrence Vaughan 151:June 22, 1983 4397:Live at the El Mocambo 3646:Hopkins (2011), p. 301 3238:Nielsen Business Media 2455:McNichols Sports Arena 2244:Pittsburgh Civic Arena 2229:Baltimore Civic Center 1997:G.T. and the Trustees 1197:Vincent Michaels Band 1165:Schines Auburn Theatre 825:Mary Had a Little Lamb 317:Montreux Jazz Festival 236:Texas Flood World Tour 18:Texas Flood World Tour 4085:Live at Carnegie Hall 3855:The Gazette Telegraph 3690:Hopkins (2011), p. 99 3628:Hopkins (2011), p. 24 3578:Hopkins (2011), p. 44 3510:Hopkins (2011), p. 45 3492:Hopkins (2011), p. 49 3471:Hopkins (2011), p. 48 3457:Hopkins (2011), p. 47 3448:Hopkins (2011), p. 59 3412:Hopkins (2011), p. 46 3356:Hopkins (2011), p. 36 3326:Hopkins (2011), p. 34 3291:Hopkins (2011), p. 33 3279:Hopkins (2011), p. 32 3267:Hopkins (2011), p. 31 3189:Hopkins (2011), p. 27 3168:Hopkins (2011), p. 26 3159:Hopkins (2011), p. 25 3129:Hopkins (2011), p. 22 3117:Hopkins (2011), p. 28 3105:Hopkins (2011), p. 23 3084:Hopkins (2011), p. 39 3072:Hopkins (2011), p. 38 3056:Hopkins (2011), p. 35 3042:Hopkins (2011), p. 11 3033:Hopkins (2011), p. 18 3024:Hopkins (2011), p. 19 3012:Hopkins (2011), p. 16 3003:Hopkins (2011), p. 17 2573:Wax Museum Nightclub 2304:St. Paul Civic Center 2184:Philadelphia Spectrum 2131:Hartford Civic Center 2030:Austin City Coliseum 1957:University of Florida 1661:Rock and Roll Circus 1545:Fabulous Pork Swords 1374:Street Light Knights 612:The band traveled to 477:Reading Rock Festival 420:as a benefit for the 242:in North America and 3763:Cooper, Sid (2008). 3658:"Stevie Ray Vaughan" 3656:Barr, Byron (2013). 2994:Hopkins (2011), p. 9 2610:Upper Darby Township 2425:Northlands Coliseum 2289:Rockford MetroCentre 2154:Centrum in Worcester 2080:Seattle Center Arena 1993:McAlister Auditorium 1901:Brassy's Night Club 1805:Scott Lake Pavilion 1603:Hodge Brothers Band 61:improve this article 27:1983–84 concert tour 3895:. November 8, 2006. 3857:. Colorado Springs. 3662:Vintage Texas Blues 2749:Tate Student Center 2697:Alumni Memorial Gym 2470:ASU Activity Center 2319:Five Seasons Center 2259:Riverfront Coliseum 2199:Brendan Byrne Arena 2113:Northlands Coliseum 1948:September 30, 1983 1935:September 28, 1983 1922:September 27, 1983 1909:September 26, 1983 1893:September 25, 1983 1873:September 23, 1983 1857:September 22, 1983 1836:September 21, 1983 1818:September 20, 1983 1797:September 17, 1983 1782:September 16, 1983 1766:September 15, 1983 1748:September 14, 1983 1457:Vanessa Davis Band 1370:Saint Andrew's Hall 1087:First City Cabaret 919: 656:Alumni Memorial Gym 650:. They moved on to 289:Stephen Ray Vaughan 93: 4490:1984 concert tours 4485:1983 concert tours 4235:Come On (Part III) 4202:Chitlins con Carne 3982:Stevie Ray Vaughan 3868:The Ann Arbor News 3784:"Concert Listings" 3344:Brown (1983), p. 8 2857:February 25, 1984 2842:February 18, 1984 2827:February 17, 1984 2811:February 16, 1984 2794:February 15, 1984 2776:February 12, 1984 2767:Shryock Auditorium 2758:February 11, 1984 2740:February 10, 1984 2732:Moonshadow Saloon 2640:December 31, 1983 2624:December 30, 1983 2606:December 29, 1983 2581:December 28, 1983 2562:December 27, 1983 2461:November 30, 1983 2443:November 28, 1983 2437:Olympic Saddledome 2430:November 25, 1983 2419:November 24, 1983 2405:November 22, 1983 2392:November 21, 1983 2379:November 20, 1983 2360:Frank Erwin Center 2011:Houston Music Hall 1917:Tom's Point After 1720:September 9, 1983 1702:September 8, 1983 1687:September 7, 1983 1671:September 4, 1983 1666:September 2, 1983 1650:September 1, 1983 1507:Rainbow Music Hall 1103:Ripley Music Hall 1024:Short Stuff, Truc 1020:Summerfest Grounds 1003:Mississippi Nights 786:The Isley Brothers 586:Houston Music Hall 200:concert chronology 4472: 4471: 4358:Soul to Soul Tour 4198:The Sky Is Crying 4148:Official bootlegs 4051:The Sky Is Crying 3893:Los Angeles Times 3845:978-1-61774-022-0 3826:978-1-4234-8598-8 3788:Ocala Star-Banner 3774:978-0-5955-2140-1 2879: 2878: 2870:Opening act for: 2835:Embassy Ballroom 2803:Braden Auditorium 2724:February 8, 1984 2706:February 7, 1984 2688:February 5, 1984 2660:February 4, 1984 2635:Skip Castro Band 2534:December 4, 1983 2526:Opening act for: 2513:December 3, 1983 2496:December 2, 1983 2476:December 1, 1983 2414:Pacific Coliseum 2366:November 7, 1983 2353:November 6, 1983 2340:November 4, 1983 2325:November 2, 1983 2310:November 1, 1983 2295:October 31, 1983 2280:October 30, 1983 2265:October 29, 1983 2250:October 28, 1983 2235:October 26, 1983 2220:October 25, 1983 2205:October 23, 1983 2190:October 22, 1983 2175:October 21, 1983 2160:October 19, 1983 2145:October 18, 1983 2135:Opening act for: 2119:October 17, 1983 2104:October 15, 1983 2086:October 13, 1983 2071:October 12, 1983 2061:Opening act for: 2048:October 11, 1983 1962:Artimus Pyle Band 1930:Playground South 1865:Playground South 1790:York Fairgrounds 1568:Northern Rockers 1231:Montreal Spectrum 1136:The Lost Tropics 1037:Quinsippi Island 899: 479:in the county of 455:with opening act 232: 231: 89: 88: 81: 52:quality standards 43:This article may 16:(Redirected from 4502: 4407:Related articles 4348:Texas Flood Tour 4190:Love Struck Baby 4131:Blues at Sunrise 4078:In the Beginning 3975: 3968: 3961: 3952: 3947: 3944:The Daily Herald 3938: 3919: 3907: 3896: 3887: 3878: 3876: 3874: 3858: 3849: 3830: 3811: 3809: 3807: 3791: 3778: 3759: 3742: 3741: 3739: 3738: 3724: 3718: 3715: 3709: 3706: 3700: 3697: 3691: 3688: 3682: 3679: 3673: 3672: 3670: 3668: 3653: 3647: 3644: 3638: 3635: 3629: 3626: 3620: 3614: 3608: 3607: 3593: 3585: 3579: 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1984:October 2, 1983 1968:October 1, 1983 1943:Mr. T's Club 19 1642:Reading Festival 1630:August 27, 1983 1612:Huntington Beach 1608:August 23, 1983 1590:August 22, 1983 1574:August 21, 1983 1555:August 20, 1983 1515:August 19, 1983 1498:August 16, 1983 1486:Colorado Springs 1482:August 15, 1983 1467:August 13, 1983 1446:August 12, 1983 1430:August 11, 1983 1329:Washington, D.C. 1194:Rooftop Skyroom 1132:Paradise Theatre 920: 906:Manic Depression 897: 836:Love Struck Baby 422:Special Olympics 414:Vitas Gerulaitis 214:Texas Flood Tour 188: 173: 171: 158: 156: 136:Associated album 114: 105: 99: 94: 92:Texas Flood Tour 84: 77: 73: 70: 64: 38: 37: 30: 21: 4510: 4509: 4505: 4504: 4503: 4501: 4500: 4499: 4475: 4474: 4473: 4468: 4402: 4377: 4363:Live Alive Tour 4336: 4214: 4161: 4143: 4104: 4056: 3995: 3984: 3979: 3941: 3935: 3922: 3916: 3899: 3890: 3881: 3872: 3870: 3861: 3852: 3846: 3833: 3827: 3814: 3805: 3803: 3794: 3781: 3775: 3762: 3753: 3750: 3745: 3736: 3734: 3726: 3725: 3721: 3716: 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1904:The Road Ducks 1868:The Road Ducks 1851:The Road Ducks 1848:The Heartfixers 1809:The Spongetones 1477:, Clark Street 1412:August 3, 1983 1394:August 1, 1983 935:Opening Act(s) 915: 775: 773:Typical Setlist 761: 733: 699: 694: 648:Charlie Daniels 610: 602:The Moody Blues 570: 521:Arc de Triomphe 473: 433:Olympic Stadium 387: 350: 345: 281: 270:The Moody Blues 225: 216: 169: 167: 154: 152: 117: 101: 97: 85: 74: 68: 65: 58: 39: 35: 28: 23: 22: 15: 12: 11: 5: 4508: 4506: 4498: 4497: 4492: 4487: 4477: 4476: 4470: 4469: 4467: 4466: 4461: 4456: 4454:Lou Ann Barton 4451: 4446: 4444:Jimmie Vaughan 4441: 4436: 4431: 4429:Doyle Bramhall 4426: 4421: 4419:Double Trouble 4416: 4410: 4408: 4404: 4403: 4401: 4400: 4393: 4385: 4383: 4379: 4378: 4376: 4375: 4370: 4365: 4360: 4355: 4350: 4344: 4342: 4338: 4337: 4335: 4334: 4325: 4316: 4307: 4298: 4289: 4280: 4271: 4264: 4255: 4248: 4239: 4230: 4222: 4220: 4216: 4215: 4213: 4212: 4205: 4194: 4185: 4169: 4167: 4163: 4162: 4160: 4159: 4151: 4149: 4145: 4144: 4142: 4141: 4134: 4127: 4120: 4112: 4110: 4106: 4105: 4103: 4102: 4095: 4088: 4081: 4074: 4064: 4062: 4058: 4057: 4055: 4054: 4047: 4040: 4031: 4022: 4013: 4003: 4001: 3997: 3996: 3989: 3986: 3985: 3980: 3978: 3977: 3970: 3963: 3955: 3949: 3948: 3939: 3933: 3920: 3914: 3897: 3891:"Obituaries". 3888: 3879: 3859: 3850: 3844: 3831: 3825: 3812: 3792: 3779: 3773: 3760: 3749: 3746: 3744: 3743: 3732:www.setlist.fm 3719: 3710: 3701: 3692: 3683: 3674: 3648: 3639: 3630: 3621: 3609: 3580: 3568: 3539: 3525: 3512: 3503: 3494: 3482: 3473: 3459: 3450: 3438: 3426: 3414: 3402: 3393: 3367: 3358: 3346: 3337: 3328: 3319: 3293: 3281: 3269: 3260: 3251: 3218: 3209: 3200: 3191: 3179: 3170: 3161: 3149: 3140: 3131: 3119: 3107: 3095: 3086: 3074: 3058: 3044: 3035: 3026: 3014: 3005: 2996: 2987: 2978: 2969: 2960: 2951: 2942: 2933: 2919: 2909: 2907: 2904: 2903: 2902: 2897: 2892: 2883: 2880: 2877: 2876: 2868: 2863: 2858: 2854: 2853: 2848: 2846:Ida Noyes Hall 2843: 2839: 2838: 2836: 2833: 2828: 2824: 2823: 2820: 2819:Second Chance 2817: 2812: 2808: 2807: 2805: 2800: 2795: 2791: 2790: 2787: 2785:Uptown Theater 2782: 2777: 2773: 2772: 2769: 2764: 2759: 2755: 2754: 2751: 2746: 2741: 2737: 2736: 2733: 2730: 2725: 2721: 2720: 2715: 2712: 2707: 2703: 2702: 2699: 2694: 2689: 2685: 2684: 2681:Rodney Crowell 2674: 2669: 2668:United States 2666: 2661: 2657: 2656: 2655:North America 2652: 2651: 2649: 2648:The Boathouse 2646: 2641: 2637: 2636: 2633: 2630: 2625: 2621: 2620: 2617: 2612: 2607: 2603: 2602: 2599:The Nighthawks 2592: 2590:Beacon Theatre 2587: 2582: 2578: 2577: 2574: 2571: 2570:United States 2568: 2563: 2559: 2558: 2557:North America 2554: 2553: 2545: 2540: 2535: 2531: 2530: 2524: 2519: 2514: 2510: 2509: 2507: 2502: 2497: 2493: 2492: 2487: 2485:Montezuma Hall 2482: 2477: 2473: 2472: 2467: 2462: 2458: 2457: 2452: 2451:United States 2449: 2444: 2440: 2439: 2434: 2431: 2427: 2426: 2423: 2420: 2416: 2415: 2412: 2409: 2406: 2402: 2401: 2398: 2393: 2389: 2388: 2383: 2380: 2376: 2375: 2370: 2367: 2363: 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1783: 1779: 1778: 1775: 1772: 1767: 1763: 1762: 1760: 1759:The Boathouse 1757: 1756:United States 1754: 1749: 1745: 1744: 1743:North America 1740: 1739: 1734: 1729: 1726: 1721: 1717: 1716: 1711: 1708: 1703: 1699: 1698: 1693: 1688: 1684: 1683: 1680: 1677: 1672: 1668: 1667: 1663: 1662: 1659: 1656: 1651: 1647: 1646: 1644: 1639: 1636: 1631: 1627: 1626: 1622: 1621: 1619: 1614: 1609: 1605: 1604: 1601: 1596: 1591: 1587: 1586: 1583: 1580: 1575: 1571: 1570: 1564: 1561: 1556: 1552: 1551: 1543: 1538: 1532: 1531: 1526: 1521: 1516: 1512: 1511: 1509: 1504: 1499: 1495: 1494: 1491: 1488: 1483: 1479: 1478: 1468: 1464: 1463: 1455: 1450: 1447: 1443: 1442: 1439: 1438:United States 1436: 1431: 1427: 1426: 1424: 1419: 1416: 1413: 1409: 1408: 1403: 1400: 1395: 1391: 1390: 1388: 1385: 1380: 1379:July 31, 1983 1376: 1375: 1372: 1367: 1362: 1361:July 30, 1983 1358: 1357: 1354: 1351: 1346: 1345:July 28, 1983 1342: 1341: 1336: 1331: 1326: 1325:July 27, 1983 1322: 1321: 1318: 1313: 1308: 1307:July 25, 1983 1304: 1303: 1300: 1295: 1294:July 24, 1983 1291: 1290: 1285: 1284:New York City 1282: 1281:July 23, 1983 1278: 1277: 1274: 1273:United States 1271: 1266: 1265:July 22, 1983 1262: 1261: 1256: 1253: 1252:July 20, 1983 1249: 1248: 1243: 1238: 1237:July 19, 1983 1234: 1233: 1228: 1223: 1222:July 18, 1983 1219: 1218: 1216: 1211: 1208: 1203: 1202:July 16, 1983 1199: 1198: 1195: 1192: 1187: 1186:July 15, 1983 1183: 1182: 1181:Red Creek Inn 1179: 1174: 1173:July 14, 1983 1170: 1169: 1167: 1162: 1157: 1156:July 13, 1983 1153: 1152: 1147: 1142: 1141:July 12, 1983 1138: 1137: 1134: 1129: 1124: 1123:July 10, 1983 1120: 1119: 1116: 1111: 1107: 1106: 1104: 1101: 1096: 1092: 1091: 1088: 1085: 1080: 1076: 1075: 1073: 1068: 1063: 1059: 1058: 1055: 1050: 1045: 1041: 1040: 1038: 1035: 1030: 1026: 1025: 1022: 1017: 1012: 1008: 1007: 1005: 1000: 995: 994:June 29, 1983 991: 990: 985: 980: 979:June 28, 1983 976: 975: 972: 971:Pirate's Cove 969: 964: 963:June 23, 1983 960: 959: 957: 954: 953:United States 951: 946: 945:June 22, 1983 942: 941: 940:North America 937: 936: 933: 932:Venue / Event 930: 927: 924: 914: 911: 910: 909: 894: 887: 880: 872: 871: 864: 857: 850: 839: 832: 821: 810: 803: 792: 789: 774: 771: 760: 757: 732: 729: 724:Beacon Theatre 698: 695: 693: 690: 609: 606: 569: 566: 472: 469: 386: 383: 349: 346: 344: 343:Tour itinerary 341: 321:Jackson Browne 305:Double Trouble 280: 277: 244:Western Europe 230: 229: 228: 227: 220: 218: 211: 209: 207: 202: 201: 194: 193: 190: 183: 182: 179: 175: 174: 164: 160: 159: 149: 145: 144: 137: 133: 132: 123: 119: 118: 115: 107: 106: 87: 86: 42: 40: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4507: 4496: 4493: 4491: 4488: 4486: 4483: 4482: 4480: 4465: 4462: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4440: 4437: 4435: 4434:Tommy Shannon 4432: 4430: 4427: 4425: 4422: 4420: 4417: 4415: 4412: 4411: 4409: 4405: 4399: 4398: 4394: 4392: 4391: 4390:Pride and Joy 4387: 4386: 4384: 4380: 4374: 4371: 4369: 4366: 4364: 4361: 4359: 4356: 4354: 4351: 4349: 4346: 4345: 4343: 4341:Concert tours 4339: 4332: 4331: 4326: 4323: 4322: 4317: 4314: 4313: 4308: 4305: 4304: 4299: 4296: 4295: 4290: 4287: 4286: 4281: 4278: 4277: 4272: 4269: 4265: 4262: 4261: 4256: 4253: 4249: 4246: 4245: 4240: 4237: 4236: 4231: 4228: 4224: 4223: 4221: 4217: 4210: 4206: 4203: 4199: 4195: 4192: 4191: 4186: 4183: 4182: 4177: 4176: 4175:Pride and Joy 4171: 4170: 4168: 4164: 4158: 4157: 4156:Live in Tokyo 4153: 4152: 4150: 4146: 4140: 4139: 4135: 4133: 4132: 4128: 4126: 4125: 4121: 4119: 4118: 4117:Greatest Hits 4114: 4113: 4111: 4107: 4101: 4100: 4096: 4094: 4093: 4089: 4087: 4086: 4082: 4080: 4079: 4075: 4073: 4072: 4071: 4066: 4065: 4063: 4059: 4053: 4052: 4048: 4046: 4045: 4041: 4039: 4038: 4037: 4032: 4030: 4029: 4028: 4023: 4021: 4020: 4019: 4014: 4012: 4011: 4010: 4005: 4004: 4002: 4000:Studio albums 3998: 3993: 3987: 3983: 3976: 3971: 3969: 3964: 3962: 3957: 3956: 3953: 3945: 3940: 3936: 3934:0-879-30751-X 3930: 3926: 3921: 3917: 3915:0-316-16069-5 3911: 3906: 3905: 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1016: 1013: 1011:July 1, 1983 1010: 1009: 1006: 1004: 1001: 999: 996: 993: 992: 989: 986: 984: 981: 978: 977: 970: 968: 965: 962: 961: 958: 955: 950: 947: 944: 943: 938: 921: 912: 907: 903: 895: 892: 888: 885: 879: 878: 877: 876: 869: 865: 862: 858: 855: 851: 848: 844: 840: 837: 833: 830: 826: 822: 819: 815: 811: 808: 807:Pride and Joy 804: 801: 797: 793: 790: 787: 783: 779: 778: 777: 772: 770: 767: 758: 756: 754: 750: 746: 741: 739: 730: 728: 725: 721: 717: 712: 707: 705: 696: 691: 689: 687: 686:Aloha Stadium 683: 682: 677: 673: 668: 665: 661: 657: 653: 649: 645: 644:Volunteer Jam 641: 637: 633: 632: 626: 623: 619: 618:Power Station 615: 614:New York City 607: 605: 603: 599: 593: 591: 587: 583: 579: 575: 567: 565: 563: 559: 555: 554: 549: 545: 540: 538: 534: 530: 526: 522: 518: 514: 510: 506: 501: 498: 494: 490: 486: 482: 478: 470: 468: 466: 462: 458: 454: 450: 446: 442: 441:Talking Heads 438: 434: 430: 425: 423: 419: 415: 411: 407: 402: 400: 396: 392: 384: 382: 380: 376: 371: 369: 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Retrieved 3867: 3854: 3835: 3816: 3804:. Retrieved 3800: 3787: 3764: 3756:The Guardian 3755: 3735:. Retrieved 3731: 3722: 3713: 3704: 3695: 3686: 3677: 3665:. Retrieved 3661: 3651: 3642: 3633: 3624: 3617:Guitar World 3616: 3612: 3595: 3583: 3554: 3542: 3534:Guitar World 3532: 3528: 3520: 3515: 3506: 3497: 3476: 3453: 3433: 3429: 3396: 3384:. Retrieved 3379: 3370: 3361: 3340: 3331: 3322: 3310:. Retrieved 3306: 3296: 3263: 3254: 3233: 3221: 3212: 3203: 3194: 3173: 3164: 3143: 3134: 3089: 3038: 3029: 3008: 2999: 2990: 2981: 2972: 2963: 2954: 2945: 2936: 2913: 2887: 2871: 2679: 2619:The Outlaws 2597: 2550: 2527: 2490:The Paladins 2314:Cedar Rapids 2179:Philadelphia 2136: 2062: 2043:Bronco Bowl 2016:Eric Johnson 1861:Jacksonville 1850: 1811: 1737:Harry Muskee 1728:Netherlands 1567: 1566:The Uptones 1546: 1460:Eddie Taylor 1458: 1356:Loan Sharks 1339:Bob Margolin 1316:Toad's Place 1145:Poughkeepsie 1099:Philadelphia 900:or "Wham!" ( 874: 873: 854:Howlin' Wolf 791:"So Excited" 776: 766:Reese Wynans 762: 752: 748: 744: 742: 737: 734: 714:opening for 708: 703: 700: 679: 669: 629: 627: 622:Chris Layton 611: 597: 594: 590:Eric Johnson 571: 553:The Guardian 551: 547: 541: 532: 517:Eiffel Tower 512: 502: 474: 461:Junior Wells 449:Grand Rapids 426: 418:John McEnroe 403: 391:Philadelphia 388: 378: 372: 367: 364: 359:John Hammond 354: 351: 348:Preparations 333:Epic Records 329: 313:Jerry Wexler 297: 282: 274: 262: 255: 240:concert tour 235: 233: 213: 139: 75: 69:January 2019 66: 59:Please help 55: 44: 4459:W. C. Clark 4424:David Bowie 4414:Discography 4312:Texas Flood 4268:Little Wing 4061:Live albums 4009:Texas Flood 2889:Texas Flood 2780:Kansas City 2595:The Outlaws 2064:Men at Work 1988:New Orleans 1952:Gainesville 1897:Cocoa Beach 1887:Mitch Ryder 1675:West Berlin 1617:Golden Bear 1594:Los Angeles 1406:Lonnie Mack 1353:The Decade 1302:Radio City 1246:Barrymore's 1066:Asbury Park 949:Bloomington 904:cover) or " 902:Lonnie Mack 861:Little Wing 852:"Tell Me" ( 847:Larry Davis 843:Texas Flood 818:Bob Geddins 814:Guitar Slim 753:Texas Flood 738:Texas Flood 716:Men at Work 704:Texas Flood 676:Bill Carter 598:Texas Flood 548:Texas Flood 533:Texas Flood 519:, then the 513:Texas Flood 497:Steel Pulse 489:heavy metal 465:Sammy Hagar 453:ChicagoFest 379:Texas Flood 368:Texas Flood 366:success of 355:Texas Flood 337:Bryan Adams 325:Los Angeles 309:Manor Downs 266:Men at Work 257:Texas Flood 141:Texas Flood 98:Global tour 63:if you can. 4479:Categories 4092:In Session 4070:Live Alive 3737:2019-12-12 2906:References 2873:The Police 2762:Carbondale 2408:Vancouver 2373:The Summit 2299:Saint Paul 2254:Cincinnati 2239:Pittsburgh 1939:Clearwater 1774:Much More 1599:The Palace 1563:The Stone 1519:Sacramento 1398:Louisville 1349:Pittsburgh 1259:El Mocambo 1150:The Chance 1114:Providence 983:Cincinnati 913:Tour dates 896:"Testify" 711:The Palace 697:Commercial 681:Live Alive 445:Peter Tosh 437:The Police 406:El Mocambo 395:Providence 279:Background 248:blues rock 170:1984-02-25 155:1983-06-22 148:Start date 4285:Say What! 4252:Hide Away 4244:Crossfire 4181:Rude Mood 3873:August 1, 3758:. London. 3604:0006-2510 3596:Billboard 3563:0006-2510 3555:Billboard 3246:0006-2510 3234:Billboard 2822:Deluxury 2735:The XL's 2710:Charlotte 2692:Knoxville 2664:Nashville 2628:Baltimore 2517:Inglewood 2480:San Diego 2422:Edmonton 2269:Ann Arbor 2224:Baltimore 2149:Worcester 2090:Vancouver 1976:Nightown 1844:Harlow's 1822:Charlotte 1724:Amsterdam 1714:The Venue 1582:Keystone 1578:Palo Alto 1475:Jr. Wells 1471:Buddy Guy 1415:Montreal 1402:Stage II 1334:The Bayou 1311:New Haven 1177:Rochester 1090:Eve Moon 1015:Milwaukee 998:St. Louis 967:Cleveland 898:(Reprise) 891:Rude Mood 829:Buddy Guy 759:Aftermath 692:Reception 652:Knoxville 636:Nashville 562:Amsterdam 544:The Venue 529:Kreuzberg 485:hard rock 481:Berkshire 457:Buddy Guy 399:Rochester 339:concert. 226:(1984–85) 217:(1983–84) 4276:Pipeline 3806:March 5, 3667:March 5, 3386:March 5, 3312:March 5, 2882:See also 2861:Honolulu 2433:Calgary 2396:Portland 2382:Seattle 2369:Houston 2284:Rockford 2209:Portland 2123:Hartford 2108:Edmonton 2052:Portland 1926:Sarasota 1770:Richmond 1732:Paradiso 1710:England 1638:England 1541:Keystone 1536:Berkeley 1524:Cal Expo 1449:Chicago 1387:Gilly's 1320:Current 1276:Colmans 1255:Toronto 1226:Montreal 988:Bogart's 929:Country 558:Paradiso 429:Montreal 189:of shows 163:End date 122:Location 45:require 4303:Testify 4166:Singles 4036:In Step 3748:Sources 2831:Chicago 2728:Atlanta 2644:Norfolk 2411:Canada 2356:Austin 2343:Dallas 2164:Buffalo 2094:Canada 2075:Seattle 2006:Houston 1913:Orlando 1752:Norfolk 1691:Hamburg 1682:Sektor 1658:France 1634:Reading 1625:Europe 1529:Y&T 1490:Rose's 1418:Canada 1365:Detroit 1288:Pier 84 1210:Canada 1206:Toronto 1190:Buffalo 1048:Chicago 956:Jake's 875:Encore: 782:Testify 720:Seattle 672:Chicago 664:Atlanta 658:on the 574:Norfolk 410:Toronto 375:Houston 168: ( 153: ( 47:cleanup 4209:Taxman 3931:  3912:  3842:  3823:  3771:  3602:  3561:  3382:. 2018 3244:  2815:Peoria 2798:Normal 2744:Athens 2447:Denver 2039:Dallas 2026:Austin 1972:Destin 1801:Benson 1706:London 1696:Fabrik 1502:Denver 1434:Lowell 1383:Dayton 1298:Scotia 1241:Ottawa 1160:Auburn 1127:Boston 1033:Quincy 856:cover) 849:cover) 831:cover) 820:cover) 802:cover) 788:cover) 537:London 525:Berlin 300:Austin 293:Dallas 238:was a 130:Europe 4260:Lenny 4219:Songs 3592:(PDF) 3551:(PDF) 3230:(PDF) 2465:Tempe 2329:Omaha 1877:Miami 1654:Paris 926:City 923:Date 884:Lenny 582:Miami 505:Paris 493:urine 250:band 3992:bold 3929:ISBN 3910:ISBN 3875:2016 3840:ISBN 3821:ISBN 3808:2018 3769:ISBN 3669:2018 3600:ISSN 3559:ISSN 3388:2018 3314:2018 3242:ISSN 1786:York 1473:and 1269:Rome 578:WSHE 487:and 459:and 443:and 416:and 268:and 234:The 178:Legs 4200:"/" 4178:"/" 845:" ( 827:" ( 798:" ( 784:" ( 718:in 580:in 560:in 408:in 192:115 187:No. 100:by 4481:: 3866:. 3799:. 3786:. 3730:. 3660:. 3594:. 3571:^ 3553:. 3485:^ 3462:^ 3441:^ 3417:^ 3405:^ 3378:. 3349:^ 3305:. 3284:^ 3272:^ 3232:. 3182:^ 3152:^ 3122:^ 3110:^ 3098:^ 3077:^ 3061:^ 3047:^ 3017:^ 2922:^ 688:. 539:. 439:, 401:. 128:, 4333:" 4327:" 4324:" 4318:" 4315:" 4309:" 4306:" 4300:" 4297:" 4291:" 4288:" 4282:" 4279:" 4273:" 4270:" 4266:" 4263:" 4257:" 4254:" 4250:" 4247:" 4241:" 4238:" 4232:" 4229:" 4225:" 4211:" 4207:" 4204:" 4196:" 4193:" 4187:" 4184:" 4172:" 3994:. 3974:e 3967:t 3960:v 3937:. 3918:. 3886:. 3877:. 3848:. 3829:. 3810:. 3790:. 3777:. 3740:. 3671:. 3606:. 3565:. 3523:. 3390:. 3316:. 3248:. 893:" 889:" 886:" 882:" 866:" 859:" 841:" 838:" 834:" 823:" 809:" 805:" 794:" 780:" 181:5 172:) 157:) 82:) 76:( 71:) 67:( 20:)

Index

Texas Flood World Tour
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Stevie Ray Vaughan and Double Trouble

North America
Europe
Texas Flood
Stevie Ray Vaughan and Double Trouble
Couldn't Stand the Weather Tour
concert tour
Western Europe
blues rock
Stevie Ray Vaughan and Double Trouble
Texas Flood
Men at Work
The Moody Blues
Jimmie Lawrence Vaughan
Stephen Ray Vaughan
Dallas
Austin
Double Trouble
Manor Downs
Jerry Wexler
Montreux Jazz Festival
Jackson Browne
Los Angeles
Epic Records

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