333:
591:
493:
1204:
240:. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensure production and dissemination of operas for the wider public. Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company:
3106:
634:
52:
610:, gaining in respectability what it lost in independence. The company was renamed to Opéra-Comique by an edict of the king in 1780, although the names Comédie-Italienne and Théâtre Italien were still used frequently by the press and public for many years thereafter. In 1783 the company moved again, into the Salle Favart (architect
410:
917:. The loss of private sponsors led to a policy of musical comedy and operetta under Jérôme Savary from 2000. A decree of November 2004 put the theatre on a new basis, stressing the variety of productions it should mount: "de l'opéra baroque à la création contemporaine et le patrimoine de l'Opéra-Comique".
400:
the right to use singers, dancers, musicians, and sets, this did not last as
Guyenet died in 1712, leaving the Opéra with a debt in the neighborhood of 400,000 livres. Alard resorted to giving silent performances with the actors' speeches displayed to the audience on large cue cards. The players next
912:
in 1987. The company regained its autonomy and returned, albeit with an inadequate budget, to the Salle Favart in 1990. Although its budget amounted to less than most provincial French opera houses, the first new director of the independent Opéra-Comique, Thierry
Fouquet, attempted to run a balanced
858:
to attract new audiences and keep the attention of the arts establishment. At the start of the 1960s Stéphane Wolff, claimed that the theatre could regain its independence: "well-managed, it could again become what it was for so long, the most active and therefore the leading lyric stage in France".
419:
In 1713 and 1714 several of the fair troupes were able to conclude a new series of agreements with the creditors of the deceased
Guyenet, who at this point had become the managers of the rather expensive Opéra. For an annual fee the troupes obtained the right to perform light comedies interspersed
484:
may also have been the leader of the orchestra. The company was, however, too successful, and the Opéra refused to renew Monnet's privilege in 1745. After working briefly in Lyon, and mounting unsuccessful productions in Dijon (1746) and London (1749), he was able to repurchase the Opéra-Comique
396:, and restrictions were again more strictly enforced. The troupes at the Foire Saint-Germain and the Foire Saint-Laurent received warnings from the police in 1699 and 1706. Although in 1708 the fairground entrepreneurs Charles Alard and Maurice were able to purchase from the Opéra's director
688:
Performances took place on most evenings of the week except for major festivals. Boxes could be hired for a year at a time, and many subscribers were wealthy. Before 1848 a third of subscribers were of the aristocracy, but after then it became an especially middle class theatre. After 1848
798:
was disrupted by the start of a company sit-in demanding the director's resignation. In 1939 financial problems resulted in the Opéra-Comique being merged with the Opéra to become the 'Réunion des Théatres
Lyriques Nationaux'. Notable premieres during this period included Poulenc's
920:
It currently mounts 7 or 8 operas or opéra comiques (some of them co-productions), with complementary concerts, recitals and exhibitions, each season. In common with many other opera houses the Opéra-Comique also offers relayed performances to cinemas (around France and in Europe);
401:
tried including vaudeville airs via audience participation: the musicians would play a popular tune, and the spectators would sing, while the actors remained silent. This was further enhanced when the words began to be displayed to the audience on a large banner.
1207:
Theatres of the Opéra-Comique (engraving for the centenary of the first Salle Favart on 28 April 1883): 1. Salle de la Foire St
Laurent; 2. Hôtel de Bourgogne; 3. Salle Favart (1st); 4. Salle Feydeau; 5. Salle Ventadour; 6. Salle de la Bourse; 7. Salle Favart
655:, in the 19th century at least, was not necessarily "comic" either in the classical sense of ending happily or the modern one of being funny; the term covered a much wider category of work. Notable composers in the history of the Opéra-Comique include
354:
popular light theatrical entertainments had been a part of the seasonal
Parisian fairs, especially the Foire Saint-Germain and the Foire Saint-Laurent. They included farces, tightrope acts, acrobatics, and marionettes, and also included music, such as
504:
During his second period as director, Monnet continued to work with Favart and
Noverre, and Boucher designed and built a substantial new theatre for the company of the Foire Saint-Laurent in 1752. The theatre was later installed in a wing of the
791:(1911), and French premieres of works by Puccini and Falla. Between 1900 and 1950, 401 works by 206 different composers were performed at the Opéra-Comique, of which 222 were either world premieres (136) or the first performance in Paris (86).
671:. After Rossini's arrival in Paris, new works at the Opéra-Comique took in Italian vocal style and techniques, leading to greater virtuosity, although "the repertory as a whole stood as a bulwark against the italianate invasion of Rossini".
467:
paid 12,000 livres to the Opéra for the right to run the Opéra-Comique, He renovated the theatre and brought together a group of highly talented creative artists, including, besides Favart, who also worked as a stage director, the comedian
674:
In 1840, the Opéra-Comique company settled in the second Salle Favart (architect Louis
Charpentier; 1,500 seats), built on the site of the first theatre, destroyed by fire in 1838. The new house was inaugurated with a revival of Hérold's
931:
in March 2010. In 2013 an opera critic was moved to write that of Paris lyric theatres "over the past seven seasons, has best succeeded in establishing a particular identity and achieving consistent quality in its productions".
440:, and composers like Gillier worked primarily as arrangers of existing music. In 1716 one of the troupes' leaders, Catherine Vanderberg purchased additional rights and began to present more original works by authors, such as
714:(1875). In the latter part of the century the theatre revived works it had made its own, restaged works from the repertoire of the Théâtre Lyrique (which had closed in 1872) and premiered new pieces, such as Offenbach's
4109:
935:
In the summer of 2015 the theatre closed for 18 months for major refurbishment including the costume department, the salle Bizet, and the hall
Boieldieu. During the closure a webopera and a fan zone at the
3782:
Based on Wild 2005, p. 96. Performed at the Salle Favart according to
Langham Smith, Richard, "Bruneau, Alfred" in Sadie 1992, vol. 1, p. 621. No Salle Favart existed in 1891 according to Harris-Warrick
3773:
Based on Wild 2005, p. 95. Performed at the Salle Favart according to Macdonald, Hugh, "Lalo, Édouard" in Sadie 1992, vol. 2, p. 1086. No Salle Favart existed in 1888 according to Harris-Warrick 1992.
940:
where spectators were invited to sing well-known opéra-comique songs took place. After the works, the theatre reopened in 2017, with the first stage production since the composer's death of Marais's
773:
As the differences between opéra and opéra comique faded, the two main houses in Paris came more into competition, although the Salle Favart saw the premieres of more innovative works: Debussy's
392:, the fair theatres were quick to adopt much of the Italians' repertory, which included parodies of operas and tragedies. The fair theatres were soon viewed as competition by the Opéra and the
513:, which was founded on the same site in 1795. The new theatre was especially important, as it enabled the company to perform at times when the fair was not in operation. Monnet's friend
3760:
Based on Wild 2005, p. 410. Performed at the Nouveautés according to Forbes, Elizabeth, "Thomas, Ambroise" in Sadie 1992, vol. 4, p. 727. The Opéra-Comique was not performing at the
693:
sought to revive the repertoire with more literary and ambitious works. Until 1864 its repertoire was still prescribed, by statute, to have spoken dialogue between musical numbers.
2912:
420:
with songs and dances and to use sets and theatre machines. They were also given the right to use the name "Opéra-Comique". The first work officially given that designation was
332:
4050:
Catalogue des fonds musicaux conservés en Haute-Normandie. Tome I : Bibliothèque municipale de Rouen. Volume 1 : Fonds du Théâtre des Arts (XVIIIe et XIXe siècles)
361:
and popular songs. The audiences were diverse, from all levels of society, and the presentations were given on makeshift stages. However, with the establishment in 1672 of
452:. In these early days the role of librettist for the theatre was more important than that of the composer – and pre-eminent among them for more than forty years was
859:
However, in 1972 the Opéra-Comique company was closed (although the theatre itself received visiting productions) and its government grant added to that of the Opéra.
527:, and began a period of new works in a more Italian style in which music played a much more significant role. Composers for the company during this period included
811:(1959). However, by the end of the Second World War, the Opéra-Comique's best artists, assets and repertory had been gradually taken from it to enrich the Opéra.
625:, which was resolved in 1801 by merger. By 1807 Napoleon had reduced theatrical freedoms, and the Opéra-Comique was named one of four primary theatres in Paris.
3871:
Harris-Warrick, Rebecca; Charlton, David; Johnson, Janet; Langham Smith, Richard; Pitt, Charles (1992). "Paris" in Sadie 1992, vol. 3, pp. 855–879.
757:
was forced to resign, although later he was acquitted of blame and resumed the helm at the company from 1891 to 1897. The third Salle Favart (architect
506:
621:
With the proliferation of opera houses after the Law of 1791 which removed restrictions on the opening of theatres, there was competition with the
4094:
3889:
Levin, Alicia (2009). "Appendix: A Documentary Overview of Musical Theaters in Paris, 1830–1900" in Fauser and Everist 2009, pp. 379–402.
590:
4119:
4061:
4010:
3961:
3946:
3931:
3916:
3901:
3883:
3865:
3850:
3832:
2231:
1373:
1307:
1285:
532:
1269:
753:
A fire at the Salle Favart on 25 May 1887 resulted in the death of 84 people by asphyxiation. The building was destroyed and the director
3201:
2719:
775:
3984:
3976:
3530:
3490:
1193:
913:
programme but handed over in 1994 to Pierre Médecin, who was responsible for the centenary season in 1998 with a new production of
4045:
4104:
1541:
1519:
1496:
1473:
1451:
1429:
1407:
1385:
1363:
990:
909:
607:
381:
213:
3389:
492:
436:, the music was arranged by Jean-Claude Gillier, and the orchestra consisted of 15 players. Lesage authored many of the early
4099:
3142:
523:, first staged in July 1753 and advertised as a translation of an Italian work. The music was actually original, composed by
31:
1557:
1535:
1056:
571:
441:
366:
927:
4053:
2819:
1203:
425:
1180:
2131:
1335:
229:
220:
up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is
3005:
2879:
872:
3571:
2944:
1677:
574:
was first given in Laxenburg, Austria, on 28 May 1759. Other settings were later composed for the Opéra-Comique by
685:
offered competition in the type of repertoire staged, being particularly strong in its policy of new commissions.
2065:
1885:
1841:
1617:
1439:
1351:
1329:
611:
567:
555:
536:
2643:
2621:
2601:
2579:
2557:
1128:
983:
429:
345:
203:
3689:
3640:
3553:
3196:
3056:
801:
3739:
3618:"Décret n°2004-1232 du 20 novembre 2004 fixant le statut du Théâtre national de l'Opéra-Comique. - Légifrance"
3577:
2471:
2311:
1907:
1657:
716:
2109:
1717:
1445:
393:
266:
4114:
2839:
2637:
2405:
2251:
1313:
951:
834:
698:
464:
290:
3237:
3089:
3046:
2271:
2739:
2291:
2151:
1513:
781:
17:
862:
Although the company of the Opéra-Comique was disbanded (followed 20 years later by the closure of the
840:
822:
682:
622:
74:
509:
on the rue Bergère, where it was used by the Opéra in 1781, and then as the first concert hall of the
3181:
3167:
3132:
2799:
2531:
1997:
1863:
1757:
1379:
1357:
1175:
1139:
1002:
828:
816:
787:
677:
603:
579:
481:
477:
453:
433:
377:
296:
242:
208:
184:
397:
3658:
3066:
2673:
2037:
1991:
1967:
1951:
1777:
1341:
1319:
1297:
1275:
1253:
867:
660:
543:
514:
473:
469:
389:
370:
103:
3105:
3084:
1813:
1791:
1731:
1711:
1691:
1631:
633:
3761:
2411:
2115:
2093:
2071:
2049:
2027:
2003:
1697:
1467:
1291:
1095:
902:
in 1984. While still battling for survival the theatre hosted one of the major baroque revivals:
563:
559:
510:
2371:
1671:
1551:
1529:
1507:
1483:
1461:
1417:
1395:
615:
4079:
3617:
614:; ca. 1,100 seats) on the site where the current theatre stands. Around that time the works of
566:, and also included music attributed to the French composers Jean-Louis Laurette and Philidor.
206:. In 1762 the company was merged with – and for a time took the name of – its chief rival, the
4057:
4021:
4006:
3980:
3972:
3957:
3942:
3927:
3912:
3897:
3879:
3861:
3846:
3828:
3221:
3191:
3162:
3157:
3147:
2966:
2859:
2753:
2589:
2525:
2465:
2431:
2365:
2325:
2305:
2265:
2103:
1651:
1577:
1489:
1241:
524:
357:
69:
3137:
3100:
3026:
2982:
2975:
2957:
2759:
1923:
1879:
1771:
1751:
1611:
1591:
1571:
863:
754:
696:
The Opéra-Comique staged the first performances of such important French works as Berlioz's
651:
870:), from 1978 works were staged again at the theatre, both from its traditional repertoire (
3534:
3206:
3041:
2899:
2893:
2873:
2779:
2345:
2225:
2185:
1979:
1957:
1929:
1901:
1857:
1835:
1597:
1079:
942:
898:
884:
807:
254:
3876:
Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime
3527:
3216:
3036:
3000:
2952:
2545:
2245:
690:
456:, who made his first contribution in 1734 and achieved his first important success with
51:
3152:
3094:
3061:
3009:
2970:
2853:
2713:
2693:
2679:
2653:
2631:
2611:
2567:
2551:
2505:
2485:
2425:
2211:
2145:
2087:
2043:
1819:
1423:
762:
746:
664:
575:
449:
362:
260:
237:
233:
224:, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the
138:
3277:
4088:
3172:
3013:
2987:
2833:
2793:
2699:
2511:
2445:
2385:
1935:
1913:
1891:
1869:
1847:
1825:
1803:
1797:
1247:
1064:
1027:
893:
854:
758:
668:
554:
provided by Pierre Baurans and with music parodying a variety of composers including
519:
550:, in 1756. It premiered at the Fair Saint-Laurent on 19 August with verses for the
3393:
3211:
3071:
3031:
2813:
2773:
2285:
2205:
2165:
2125:
2081:
2059:
2015:
1945:
1161:
947:
904:
849:
656:
445:
225:
57:
308:
2573:
2331:
1263:
734:
528:
351:
3969:
Dictionnaire des théâtres parisiens au XIXe siècle: les théâtres et la musique
3894:
The Paris Opéra: an encyclopedia of operas, ballets, composers, and performers
3186:
3050:
2922:
The information in the following list is compiled from Wild, Levin, and Wolff.
2733:
2659:
2595:
2191:
1637:
202:
is a Paris opera company which was founded around 1714 by some of the popular
2021:
248:
3838:
Cook, Elisabeth (1992). "Monnet , Jean" in Sadie 1992, vol. 3, p. 436.
3764:(Théâtre des Nouveautés) in 1850, according to Harris-Warrick 1992, p. 867.
3729:
Wild and Charlton 2005, pp. 21, 33, 48, 61, 64, 65, 77, 78, 81, 85, 95, 98.
2171:
3998:
Wild, Nicole (1992). "Guyenet, Pierre" in Sadie 1992, vol. 2, p. 586.
4033:
4025:
3992:
3988:
2491:
2391:
1737:
1401:
937:
722:
340:
of Comedy assembles Poetry, Music, and Dance to form Opéra Comique (1722)
272:
4029:
2933:
1830, July – 5 August, Jean-François Boursault, Alexandre Huvé de Garel
878:
740:
314:
1173:
Declared a historic monument in 1977. The opening production in 2017,
2451:
2351:
710:
704:
320:
284:
814:
The Opéra-Comique discovered some fresh energy in 1950s, restaging
3104:
1973:
1202:
728:
632:
589:
491:
409:
408:
331:
302:
278:
113:
1022:
first Salle Favart destroyed by fire on 13–14 January 1838
373:, the use of music by fair troupes was significantly curtailed.
337:
4074:
1090:
on the rue Neuve-Ventadour, it was built for the Opéra-Comique
228:(the third on this site), is located at Place Boïeldieu in the
149:
892:, as well as productions with international stars, including
384:
were banished from Paris in 1697 for performing their comedy
3126:
2926:
4110:
Buildings and structures in the 2nd arrondissement of Paris
3493:, (Ed.) Sadie S., London & New York: Macmillan, 1997.
3480:
Opera-Comique website: Historique, accessed 3 April 2009.
602:
On 3 February 1762 the Opéra-Comique was merged into the
4052:, coll. Patrimoine musical régional (in French). Rouen:
324:, the last having been performed more than 2,500 times.
3843:
Music, Theater, and Cultural Transfer: Paris, 1830–1914
3449:
The music and libretto for Bernardo Porta's version of
489:
in December 1751 and remained its director until 1757.
4003:
Théâtre de l'Opéra-Comique Paris: répertoire 1762-1972
3582:
Gallimard, 2010. Chapitre 5 - Une Renaissance, p78-85.
3489:
David Charlton. Paris §4 (iii) The Opéra-Comique. In:
1120:
except Salle Ventadour (26 June – 4 July 1853);
388:("The False Prude"), which satirized the King's wife,
3896:(3 volumes). Westport, Connecticut: Greenwood Press.
3537:
at the Opéra Comique website, accessed 31 March 2010.
1106:
built in 1827 also called the Théâtre des Nouveautés
761:) was officially opened in the presence of President
1122:
second Salle Favart destroyed by fire on 25 May 1887
181:
Théâtre de l'Opéra-Comique de la Foire Saint-Germain
3316:
Opéra-Comique website accessed on 26 November 2010.
2913:
Category:Opera world premieres at the Opéra-Comique
546:wrote the text of his first opera for the company,
160:
144:
134:
120:
109:
99:
89:
81:
65:
3841:Fauser, Annegret; Everist, Mark, editors (2009).
3738:First performed at the Théâtre de la Cour at the
570:was later to compose his own music for the work.
3670:
3668:
3547:
3545:
3543:
3017:1919-1925 Albert Carré, Émile and Vincent Isola
3516:The Harlequin Years: music in Paris 1917-1929.
3303:
3301:
3299:
3263:
3261:
3259:
3257:
598:which housed the company between 1783 and 1801
3711:Opéra-Comique website, accessed 4 April 2009.
3576:L'Opéra-Comique - Le Gavroche de la Musique (
3551:Wolff, Stéphane. The Opéra-Comique of Paris.
3354:
3352:
3350:
744:(French premiere in 1893); and Charpentier's
8:
3845:. Chicago: The University of Chicago Press.
2963:1862, 1 February – 20 December, Émile Perrin
476:, and the ballet master Dupré and his pupil
37:
4080:Opéra Comique at Google Cultural Institute
4018:Un demi-siècle d'Opéra-Comique (1900-1950).
3340:
3338:
3336:
3652:
3650:
3025:1936-1939 14 member committee presided by
1220:
1007:theatre was built in the late 16th century
958:Theatres used by the Opéra-Comique company
882:) as well as more adventurous repertoire:
50:
36:
3827:. Cambridge: Cambridge University Press.
3501:
3499:
3366:
3364:
3878:. Chicago: University of Chicago Press.
3810:Musical Directors taken from Wolff 1953.
3406:
3404:
3402:
3019:1925-1931 Louis Masson and Georges Ricou
2939:1832, 14 January – 1 June, Émile Laurent
1201:
961:
18:Théâtre National de l'Opéra-Comique
4005:. Sprimont, Belgium: Editions Mardaga.
3858:Histoire des salles de l'Opéra de Paris
3693:, August 2017, Vol.68 No.8, p1018-1019.
3678:, February 2017, Vol.68 No.2, p168-171.
3634:Blamont N. Report from Paris/Review of
3567:
3565:
3563:
3418:
3416:
3344:Harris-Warrick 1992, pp. 858–860.
3326:
3324:
3322:
3253:
172:Nouvel Opéra-Comique de Baxter et Sorin
4001:Wild, Nicole; Charlton, David (2005).
3954:The Concise Oxford Dictionary of Opera
3825:Grétry and the Growth of Opéra-Comique
3687:Blanmont, Nicolas. Report from Paris.
3045:1944 (Liberation) 4 member committee:
3607:Macmillan, London and New York, 1997.
369:(popularly known as the Opéra) under
7:
3926:. New Haven: Yale University Press.
3860:, p. 83. Paris: Guy Trédaniel.
3410:Harris-Warrick 1992, vol. 3, p. 863.
3358:Pitou 1983, vol. 1, pp. 24–25.
428:), which was first performed by the
3956:. Oxford: Oxford University Press.
3941:. Oxford: Oxford University Press.
3557:, March 1961, Vol 12 No3, p160-165.
2947:, Alphonse Cerfbeer (administrator)
222:Théâtre national de l'Opéra-Comique
44:Théâtre national de l'Opéra-Comique
3952:Warrack, John; West, Ewan (1996).
3937:Warrack, John; West, Ewan (1992).
3605:The New Grove Dictionary of Opera.
3528:"Historique de 1936 à aujourd'hui"
3518:Thames & Hudson, London, 2002.
3023:1932-1936 Pierre-Barthélemy Gheusi
25:
3971:. Paris: Aux Amateurs de livres.
3909:The new Grove dictionary of opera
3656:News item 'Pendant les travaux'.
3491:The New Grove Dictionary of Opera
1270:Le peintre amoureux de son modèle
1194:The New Grove Dictionary of Opera
681:. During the 1850s and 1860s the
430:Théâtre de la Foire Saint-Germain
178:Théâtre de la Foire Saint-Laurent
175:Théâtre de la Foire Saint-Germain
169:Nouvel Opéra-Comique de Dominique
3911:(4 volumes). London: Macmillan.
3674:Shapiro, Yehuda. Gâteau Favart.
3603:Sadie, S. William Christie. In:
3109:Main façade of the theatre, 2012
500:with text by Michel-Jean Sedaine
3462:Wild and Charlton 2005, p. 221.
3388:Warrack and West 1996, p. 376.
3370:Johnson 2008, p. 162–163.
1374:François-André Danican Philidor
1308:François-André Danican Philidor
1286:François-André Danican Philidor
1191:"Opéra-Comique" and "Paris" in
1040:kept company name Opéra-Comique
984:St Germain and St Laurent fairs
533:François-André Danican Philidor
3939:The Oxford Dictionary of Opera
204:theatres of the Parisian fairs
27:Opera company in Paris, France
1:
4095:1714 establishments in France
3751:Concert conducted by Berlioz.
2974:1870–1874 Adolphe de Leuven,
1038:merger with Théâtre Feydeau;
236:, one of the theatres of the
4120:Organizations based in Paris
3907:Sadie, Stanley, ed. (1992).
2931:1829–1830 Paul-Auguste Ducis
1336:On ne s'avise jamais de tout
794:In June 1936 a broadcast of
405:Foundation and early history
3924:Paris – A Musical Gazetteer
3720:Sadie 1992, vol. 3, p. 688.
3662:No 641, December 2015, p12.
3572:de Saint Pulgent, Maryvonne
2935:1830–1831 Alexandre Singier
2889:
2869:
2849:
2829:
2809:
2789:
2769:
2749:
2729:
2709:
2689:
2669:
2649:
2627:
2607:
2585:
2563:
2541:
2521:
2501:
2481:
2461:
2441:
2421:
2401:
2381:
2361:
2341:
2321:
2301:
2281:
2261:
2241:
2221:
2201:
2181:
2161:
2141:
2132:Les diamants de la couronne
2121:
2099:
2077:
2055:
2033:
2009:
1985:
1963:
1941:
1919:
1897:
1875:
1853:
1831:
1809:
1787:
1767:
1747:
1727:
1707:
1687:
1667:
1647:
1627:
1607:
1598:Nina, ou La folle par amour
1587:
1567:
1547:
1525:
1503:
1479:
1457:
1435:
1413:
1391:
1369:
1347:
1325:
1303:
1281:
1259:
1237:
769:The 20th century and beyond
432:in 1715. The words were by
230:2nd arrondissement of Paris
4136:
3874:Johnson, Victoria (2008).
3702:Pitou 1983, vol. 1, p. 56.
3079:1990-1994 Thierry Fouquet
2979:1874-1876 Camille du Locle
2949:1845–1848 Alexandre Basset
2910:
1197:; Wild and Charlton 2005.
1100:24 September 1832 –
1059:(3–23 October 1804)
1032:16 September 1801 –
442:Jacques-Philippe d'Orneval
424:(a parody of the opera by
367:Académie royale de Musique
343:
95:Louis Gaultier de St. Edme
29:
3989:View formats and editions
3202:Désiré-Émile Inghelbrecht
2961:1860–1862 Alfred Beaumont
2820:Mârouf, savetier du Caire
2232:Le songe d'une nuit d'été
2066:Le postillon de Lonjumeau
1842:Les rendez-vous bourgeois
1618:Les deux petits savoyards
1440:Pierre-Alexandre Monsigny
1352:Pierre-Alexandre Monsigny
1330:Pierre-Alexandre Monsigny
1187:
1069:2 September 1805 –
568:Christoph Willibald Gluck
556:Vincenzo Legrenzio Ciampi
537:Pierre-Alexandre Monsigny
426:André Cardinal Destouches
216:. It was also called the
49:
42:
4016:Wolff, Stéphane (1953).
3823:Charlton, David (1986).
3594:, October 1978, page 83.
3081:1994-1999 Pierre Médecin
3006:Pierre-Barthélemy Gheusi
2995:1888-1891 Louis Paravey
2880:Les mamelles de Tirésias
1147:Théatre du Château-d'Eau
1133:15 October 1887 –
1129:Salle du Théâtre Lyrique
995:3 February 1762 –
946:(on 25 April 2017) with
802:Les Mamelles de Tiresias
507:Hôtel des Menus-Plaisirs
43:
3922:Simeone, Nigel (2000).
3431:Gourret 1985, pp. 81–84
2997:1891-1897 Léon Carvalho
2986:1887, May to December,
2945:François-Louis Crosnier
2941:1832–1834 Paul Dutreich
2937:1831–1832 Émile Lubbert
1168:7 December 1898 –
578:(14 February 1790) and
517:wrote the libretto for
463:In 1743 the impresario
4105:French opera companies
3856:Gourret, Jean (1985).
3622:www.legifrance.gouv.fr
3110:
3021:1931-1932 Louis Masson
2252:Les noces de Jeannette
1209:
1084:20 April 1829 –
1016:28 April 1783 –
952:Le Concert des Nations
835:Les noces de Jeannette
699:The Damnation of Faust
646:
612:Jean-François Heurtier
599:
501:
458:La chercheuse d'esprit
416:
341:
291:Les noces de Jeannette
127:Place Boïeldieu, Paris
4100:Opera houses in Paris
4075:Opéra-Comique website
3892:Pitou, Spire (1983).
3740:Château Fontainebleau
3578:Découvertes Gallimard
3440:Simeone 2000, p. 214.
3108:
2740:Ariane et Barbe-bleue
2472:Les contes d'Hoffmann
2312:Le pardon de Ploërmel
2152:La damnation de Faust
1908:Le maître de chapelle
1558:Richard Coeur-de-lion
1536:Aucassin et Nicolette
1514:Les mariages samnites
1206:
1049:23 July 1804 –
976:at fairs, seasonally
873:Le médecin malgré lui
796:Les Contes d'Hoffmann
782:Ariane et Barbe-bleue
717:Les Contes d'Hoffmann
636:
593:
495:
472:, the stage designer
412:
335:
4020:Paris: André Bonne.
3505:Harris-Warrick 1992.
3471:Charlton 1986, p. 6.
3453:have not been found.
2720:Pelléas et Mélisande
2110:La fille du régiment
1718:Mélidore et Phrosine
1358:Le roi et le fermier
1179:, was staged at the
1114:16 May 1840 –
928:Béatrice et Bénédict
915:Pelléas et Mélisande
910:Les Arts Florissants
776:Pelléas et Mélisande
765:on 7 December 1898.
708:(1866), and Bizet's
582:(30 November 1809).
482:Jean-Philippe Rameau
478:Jean-Georges Noverre
454:Charles-Simon Favart
267:La fille du régiment
243:Cavalleria Rusticana
30:For other uses, see
3801:Levin 2009, p. 386.
3742:on 9 November 1771.
3067:Emmanuel Bondeville
2905:Salle Favart (3rd)
2885:Salle Favart (3rd)
2865:Salle Favart (3rd)
2845:Salle Favart (3rd)
2840:Les cadeaux de Noël
2825:Salle Favart (3rd)
2805:Salle Favart (3rd)
2785:Salle Favart (3rd)
2765:Salle Favart (3rd)
2745:Salle Favart (3rd)
2725:Salle Favart (3rd)
2705:Salle Favart (3rd)
2685:Salle Favart (3rd)
2674:Gustave Charpentier
2665:Salle Favart (3rd)
2638:L'attaque du moulin
2537:Salle Favart (2nd)
2517:Salle Favart (2nd)
2497:Salle Favart (2nd)
2477:Salle Favart (2nd)
2457:Salle Favart (2nd)
2437:Salle Favart (2nd)
2417:Salle Favart (2nd)
2406:Camille Saint-Saëns
2397:Salle Favart (2nd)
2377:Salle Favart (2nd)
2357:Salle Favart (2nd)
2337:Salle Favart (2nd)
2317:Salle Favart (2nd)
2297:Salle Favart (2nd)
2277:Salle Favart (2nd)
2257:Salle Favart (2nd)
2237:Salle Favart (2nd)
2217:Salle Favart (2nd)
2197:Salle Favart (2nd)
2177:Salle Favart (2nd)
2157:Salle Favart (2nd)
2137:Salle Favart (2nd)
1783:Salle Favart (1st)
1778:Le calife de Bagdad
1763:Salle Favart (1st)
1743:Salle Favart (1st)
1723:Salle Favart (1st)
1703:Salle Favart (1st)
1683:Salle Favart (1st)
1663:Salle Favart (1st)
1643:Salle Favart (1st)
1623:Salle Favart (1st)
1603:Salle Favart (1st)
1583:Salle Favart (1st)
1563:Salle Favart (1st)
1342:Foire Saint-Laurent
1320:Foire Saint-Laurent
1314:Le maréchal ferrant
1298:Foire Saint-Germain
1276:Foire Saint-Laurent
1254:Foire Saint-Laurent
1181:Théâtre du Châtelet
1151:26 October –
1111:Salle Favart (2nd)
1046:Salle Favart (1st)
1013:Salle Favart (1st)
888:in 1984, Denisov's
868:Paris Conservatoire
726:(1883); Massenet's
637:Fire at the second
618:featured strongly.
544:Michel-Jean Sedaine
390:Madame de Maintenon
371:Jean-Baptiste Lully
346:Théâtre de la foire
232:, not far from the
104:Foire Saint-Germain
39:
4040:Additional sources
3762:Salle de la Bourse
3533:2010-05-06 at the
3451:Le diable à quatre
3422:Cook 1992, p. 436.
3379:Wild 1992, p. 586.
3307:Wild 1989, p. 325.
3267:Wild 1989, p. 324.
3143:Charles Constantin
3111:
3053:and Émile Rousseau
2412:La princesse jaune
2116:Salle de la Bourse
2094:Salle de la Bourse
2072:Salle de la Bourse
2050:Salle de la Bourse
2028:Salle de la Bourse
2004:Salle de la Bourse
1768:16 September 1801
1542:Hôtel de Bourgogne
1520:Hôtel de Bourgogne
1497:Hôtel de Bourgogne
1474:Hôtel de Bourgogne
1468:Le tableau parlant
1458:20 September 1769
1452:Hôtel de Bourgogne
1430:Hôtel de Bourgogne
1408:Hôtel de Bourgogne
1386:Hôtel de Bourgogne
1364:Hôtel de Bourgogne
1326:14 September 1761
1292:Blaise le savetier
1210:
1096:Salle de la Bourse
991:Hôtel de Bourgogne
979:1714 – 1762
885:La chatte anglaise
841:Bluebeard's Castle
823:Orphée et Eurydice
647:
608:Hôtel de Bourgogne
600:
564:Giuseppe Scarlatti
560:Baldassare Galuppi
548:Le diable à quatre
511:Paris Conservatory
502:
498:Le diable à quatre
417:
382:Hôtel de Bourgogne
342:
214:Hôtel de Bourgogne
4062:978-2-87775-333-3
4011:978-2-87009-898-1
3967:Wild, Nicole ().
3962:978-0-19-280028-2
3947:978-0-19-869164-8
3932:978-0-300-08053-7
3917:978-1-56159-228-9
3902:978-0-686-46036-7
3884:978-0-226-40195-9
3866:978-2-85707-180-8
3851:978-0-226-23926-2
3833:978-0-521-25129-7
3792:Wild 1989, p. 330
3644:, June 2013, 758.
3229:
3228:
3182:François Ruhlmann
3168:François Ruhlmann
3163:Alexandre Luigini
3148:Charles Lamoureux
3133:Théophile Tilmant
3118:
3117:
2967:Adolphe de Leuven
2909:
2908:
2860:Le pauvre matelot
2850:16 December 1927
2830:25 December 1915
2800:L'heure espagnole
2770:30 November 1910
2690:20 November 1901
2628:23 November 1893
2532:Le roi malgré lui
2526:Emmanuel Chabrier
2466:Jacques Offenbach
2462:10 February 1881
2366:Jacques Offenbach
2362:23 November 1867
2342:17 November 1866
2306:Giacomo Meyerbeer
2282:23 February 1856
2266:Giacomo Meyerbeer
2262:16 February 1854
2162:28 December 1847
2104:Gaetano Donizetti
2100:11 February 1840
2034:16 December 1835
2011:25 September 1834
1998:Le Pré aux clercs
1920:10 December 1825
1854:22 February 1810
1810:17 February 1807
1652:Rodolphe Kreutzer
1628:4 September 1790
1480:16 December 1771
1370:27 February 1765
1348:22 November 1762
1242:Antoine Dauvergne
1217:Notable premieres
1214:
1213:
1140:Place du Châtelet
1003:Comédie-Italienne
925:in June 2009 and
890:L'Écume des Jours
829:Le roi malgré lui
817:Roméo et Juliette
788:L'heure espagnole
720:(1881); Delibes'
678:Le Pré aux clercs
606:and occupied the
604:Comédie-Italienne
580:Jean-Pierre Solié
525:Antoine Dauvergne
434:Alain-René Lesage
394:Comédie-Française
297:Le pré aux clercs
209:Comédie-Italienne
196:
195:
185:Comédie-Italienne
70:Comedie-Italienne
16:(Redirected from
4127:
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3274:
3268:
3265:
3238:Frédéric Blasius
3138:Adolphe Deloffre
3127:
3090:Jérôme Deschamps
3049:, Pierre Jamin,
3047:Roger Désormière
3027:Antoine Mariotte
2976:Camille du Locle
2958:Nestor Roqueplan
2927:
2890:6 February 1959
2670:2 February 1900
2502:19 January 1884
2272:L'étoile du nord
2242:4 February 1853
2142:6 December 1846
2078:2 December 1837
2056:13 October 1836
2038:Fromental Halévy
2012:
1992:Ferdinand Hérold
1988:
1987:15 December 1832
1968:Ferdinand Hérold
1942:28 January 1830
1924:Adrien Boieldieu
1880:Adrien Boieldieu
1772:Adrien Boieldieu
1752:Nicolas Dalayrac
1748:23 October 1800
1728:11 October 1799
1658:Paul et Virginie
1648:15 January 1791
1612:Nicolas Dalayrac
1608:14 January 1789
1592:Nicolas Dalayrac
1572:Nicolas Dalayrac
1548:21 October 1784
1499:
1221:
1169:
1154:
1153:30 November 1898
1148:
1136:
1123:
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1103:
1087:
1072:
1052:
1041:
1035:
1019:
1008:
998:
982:operated at the
962:
838:and introducing
785:(1907), Ravel's
702:(1846), Thomas'
644:
629:The 19th century
515:Jean-Joseph Vadé
474:François Boucher
156:
153:
151:
93:Catherine Baron,
66:Merged into
56:Interior of the
54:
40:
21:
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3535:Wayback Machine
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3509:
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3207:Maurice Frigara
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3042:Lucien Muratore
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2923:
2920:
2915:
2900:La voix humaine
2894:Francis Poulenc
2874:Francis Poulenc
2644:Théâtre Lyrique
2622:Théâtre Lyrique
2602:Théâtre Lyrique
2580:Théâtre Lyrique
2558:Théâtre Lyrique
2372:Robinson Crusoé
2346:Ambroise Thomas
2226:Ambroise Thomas
2186:Ambroise Thomas
2182:3 January 1849
2010:
1986:
1980:Salle Ventadour
1958:Salle Ventadour
1930:La dame blanche
1902:Ferdinando Paer
1858:Nicolas Isouard
1836:Nicolas Isouard
1758:Maison à vendre
1526:3 January 1780
1495:
1414:5 January 1769
1392:20 August 1768
1304:22 August 1761
1219:
1167:
1152:
1146:
1134:
1121:
1115:
1101:
1085:
1080:Salle Ventadour
1070:
1057:Salle Olympique
1050:
1039:
1033:
1017:
1006:
996:
960:
866:classes at the
808:La Voix humaine
779:(1902), Dukas'
771:
683:Théâtre Lyrique
642:
631:
623:Théâtre Feydeau
588:
438:opéras comiques
415:
407:
386:La fausse prude
378:Italian players
348:
330:
255:La dame blanche
218:Théâtre-Italien
192:
189:Théâtre-Italien
163:
162:Formerly called
148:
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75:Théâtre Feydeau
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4069:External links
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3284:. Mar 22, 2013
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3222:André Cluytens
3192:André Messager
3177:
3158:André Messager
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3095:Olivier Mantei
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2714:Claude Debussy
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2710:30 April 1902
2707:
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2694:Jules Massenet
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2632:Alfred Bruneau
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542:The dramatist
450:Louis Fuzelier
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363:King Louis XIV
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234:Palais Garnier
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3987:(paperback).
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1890:
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1886:Jean de Paris
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1870:Salle Feydeau
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1814:Étienne Méhul
1812:
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1712:Étienne Méhul
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1668:9 April 1791
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864:opéra comique
860:
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855:Volo di Notte
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200:Opéra-Comique
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41:
38:Opéra-Comique
33:
32:Opera comique
19:
4049:
4046:Élart, Joann
4017:
4002:
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3485:
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3467:
3458:
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3436:
3427:
3394:Google Books
3390:Partial view
3384:
3375:
3312:
3286:. Retrieved
3281:
3272:
3236:
3217:Eugène Bigot
3212:Paul Bastide
3197:Albert Wolff
3179:
3130:
3112:
3078:
3072:Louis Beydts
3057:Albert Wolff
3037:Max d'Ollone
3032:Henri Busser
3001:Albert Carré
2994:
2953:Émile Perrin
2930:
2921:
2898:
2878:
2870:3 June 1947
2858:
2838:
2818:
2814:Henri Rabaud
2810:15 May 1914
2798:
2790:19 May 1911
2778:
2774:Ernest Bloch
2758:
2750:5 June 1907
2738:
2730:10 May 1907
2718:
2698:
2678:
2658:
2650:24 May 1899
2636:
2616:
2594:
2586:30 May 1890
2572:
2564:15 May 1889
2550:
2546:Édouard Lalo
2530:
2522:18 May 1887
2510:
2490:
2470:
2450:
2430:
2422:24 May 1873
2410:
2390:
2382:22 May 1872
2370:
2350:
2330:
2322:12 May 1862
2310:
2290:
2286:Daniel Auber
2270:
2250:
2246:Victor Massé
2230:
2210:
2206:Adolphe Adam
2202:18 May 1849
2190:
2170:
2166:Daniel Auber
2150:
2130:
2126:Daniel Auber
2108:
2086:
2082:Daniel Auber
2064:
2060:Adolphe Adam
2042:
2020:
2016:Adolphe Adam
1996:
1972:
1950:
1946:Daniel Auber
1928:
1906:
1884:
1862:
1840:
1818:
1796:
1788:17 May 1806
1776:
1756:
1736:
1716:
1696:
1676:
1672:André Grétry
1656:
1636:
1616:
1596:
1588:15 May 1786
1576:
1556:
1552:André Grétry
1534:
1530:André Grétry
1512:
1508:André Grétry
1488:
1484:André Grétry
1466:
1462:André Grétry
1446:Le déserteur
1444:
1422:
1418:André Grétry
1400:
1396:André Grétry
1378:
1356:
1334:
1312:
1290:
1268:
1246:
1192:
1188:
1174:
1162:Salle Favart
1135:30 June 1898
1034:22 July 1804
1018:20 July 1801
1001:merged into
997:4 April 1783
948:Jordi Savall
941:
934:
926:
922:
919:
914:
903:
897:
889:
883:
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871:
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850:Dallapiccola
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745:
739:
738:(1889), and
733:
727:
721:
715:
709:
703:
697:
695:
691:Émile Perrin
687:
676:
673:
650:
648:
645:(engraving).
639:Salle Favart
638:
620:
601:
596:Salle Favart
595:
586:1762 to 1807
551:
547:
541:
518:
503:
497:
486:
462:
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446:Alexis Piron
437:
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226:Salle Favart
221:
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199:
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58:Salle Favart
3514:Nichols R.
3330:Wolff 1953.
3153:Jules Danbé
2971:Eugène Ritt
2574:Esclarmonde
2552:Le roi d'Ys
2542:7 May 1888
2486:Léo Delibes
2426:Léo Delibes
2332:Lalla-Roukh
2212:Le toréador
1964:3 May 1831
1952:Fra Diavolo
1832:9 May 1807
1708:6 May 1794
1688:3 May 1792
1264:Egidio Duni
1116:25 May 1887
1051:4 July 1805
968:Dates used
950:conducting
805:(1947) and
763:Félix Faure
735:Esclarmonde
643:25 May 1887
572:His version
529:Egidio Duni
465:Jean Monnet
358:vaudevilles
352:Middle Ages
238:Paris Opéra
4089:Categories
3636:Ciboulette
3243:References
3220:1947-1953
3215:1936-1944
3210:1932-1936
3205:1925-1932
3200:1924-1925
3195:1921-1924
3190:1919-1921
3187:Paul Vidal
3185:1914-1919
3180:1910-1913
3171:1909
3166:1906-1908
3161:1904-1906
3156:1898-1904
3151:1877-1898
3146:1876-1877
3141:1876
3136:1868-1876
3131:1849-1868
3099:2021-2026
3093:2015-2021
3088:2007-2015
3083:2000-2007
3070:1952-1953
3065:1948-1951
3060:1946-1948
3055:1945-1946
3051:Louis Musy
3035:1941-1944
3030:1939-1940
3004:1914-1918
2999:1898-1913
2981:1876-1887
2965:1862–1870
2956:1857–1860
2951:1848–1857
2943:1834–1845
2911:See also:
2734:Paul Dukas
2700:Grisélidis
2660:Cendrillon
2596:La Basoche
1864:Cendrillon
1698:Stratonice
1638:Euphrosine
846:Les Adieux
594:The first
350:Since the
344:See also:
100:Founded at
2918:Directors
2022:Le chalet
1380:Tom Jones
1227:Composer
487:privilège
460:in 1741.
422:Télémaque
376:When the
309:La bohème
249:Le chalet
82:Formation
4048:(2004).
4034:78755097
4026:44733987
3993:WorldCat
3659:Diapason
3531:Archived
3278:"A team"
3233:See also
2760:Fortunio
2392:Djamileh
2044:L'éclair
1738:Ariodant
1402:Le Huron
1233:Theatre
1189:Sources:
1176:Fantasio
1170:present
965:Theatre
938:UEFA Cup
750:(1900).
732:(1884),
558:, Duni,
552:ariettes
470:Préville
121:Location
4030:2174128
2780:Macbeth
2617:Le rêve
2192:Le caïd
1055:except
943:Alcione
908:, with
879:Werther
741:Werther
665:Berlioz
649:French
380:at the
328:Origins
315:Werther
212:at the
145:Website
116:company
90:Founder
4060:
4024:
4009:
3983:
3975:
3960:
3945:
3930:
3915:
3900:
3882:
3864:
3849:
3831:
3592:Lyrica
3288:Mar 3,
3224:
3113:
2680:Louise
2452:Carmen
2352:Mignon
2172:Haydée
1820:Joseph
1424:Lucile
1164:(3rd)
971:Notes
923:Carmen
747:Louise
711:Carmen
705:Mignon
661:Halévy
616:Grétry
562:, and
448:, and
414:Favart
321:Carmen
285:Mignon
135:Leader
77:(1801)
72:(1762)
60:, 2008
3783:1992.
3690:Opera
3676:Opera
3641:Opera
3580:567).
3554:Opera
3248:Notes
3040:1944
3010:Émile
2512:Manon
2492:Lakmé
1974:Zampa
1798:Uthal
1230:Work
1224:Date
1208:(2nd)
729:Manon
723:Lakmé
669:Bizet
657:Auber
303:Tosca
279:Manon
273:Lakmé
114:Opera
4058:ISBN
4054:PURH
4022:OCLC
4007:ISBN
3981:ISBN
3973:ISBN
3958:ISBN
3943:ISBN
3928:ISBN
3913:ISBN
3898:ISBN
3880:ISBN
3862:ISBN
3847:ISBN
3829:ISBN
3290:2021
3012:and
905:Atys
899:Dido
876:and
848:and
832:and
667:and
535:and
338:Muse
336:The
318:and
198:The
154:.com
110:Type
85:1714
3991:at
3392:at
896:as
852:'s
641:on
365:'s
150:www
4091::
4056:.
4032:,
4028:,
3979:.
3667:^
3649:^
3638:.
3620:.
3574:.
3562:^
3542:^
3498:^
3415:^
3401:^
3363:^
3349:^
3335:^
3321:^
3298:^
3280:.
3256:^
3008:,
2969:,
1183:.
1005:;
954:.
826:,
820:,
663:,
659:,
539:.
531:,
480:.
444:,
312:,
306:,
300:,
294:,
288:,
282:,
276:,
270:,
264:,
258:,
252:,
246:,
4064:.
4013:.
3995:.
3964:.
3949:.
3934:.
3919:.
3904:.
3886:.
3868:.
3853:.
3835:.
3624:.
3396:.
3292:.
3097:.
34:.
20:)
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