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172:, the capital of Thailand, was founded in 1782 and is represented by the Bencharong and Lai Nam Thong wares. It would seem that Bencharong ceramics first made their appearance during the final phases of the Ayutthaya period in the 18th century, while the Lai Nam Thong wares developed during the 19th century. Bencharong, meaning five colours in Thai, is a hand painted enamel over glazed ceramic. Bencharong was originally made in China and exclusively designed by Thai artists for Thai royals during the 18th – 19th centuries. Lai Nam Thong is an exclusive version of the Bencharong using gold embellishment instead of gold enamel. Both of these wares can be found in private collections of well-to-do citizens.
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125:. Sukhothai wares were generally treated with a creamy white slip and decorated in black with an opaque or greenish glaze. The most famous Sukhothai kiln is the Si Satchanalai. Examples of the wares can be found in many leading museums of the world. Sawankhalok products tend to be more finely made than the Sukhothai ones. These products are incised and often include animal shapes. Some of the original examples can be found in many private collections and museums today. Ceramics based on these styles are still made at present and widely exported, particularly to the Philippines and Indonesia.
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The second important prehistoric Thai ceramics is the Ban Kao which was in
Kanchanburi Province. Unlike Ban Chiang, Ban Kao's wares were thinner and had a glossy surface finish. What is interesting is that there are a wide range of forms and shapes, some of which are similar to bronze wares of Han
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who appeared in about the 9th century CE Little is known about Khmer ceramics because archaeological research has focused on their great achievements in stone and bronze sculpture. The ceramics of Khmer era are quite interesting. Many of the designs include parts from animal and have a dark brown
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period from the kilns of S(r)i
Satchanalai, which is around Sawankalok in north-central Thailand. This period started in the 13th century CE and continued until the 16th century. The art reached its apex in the 14th century. Examples of Si Satchanalai can be found in many leading museums of the
47:, but has always remained distinct by mixing indigenous styles with preferences for unique shapes, colors and decorative motifs. Thai pottery and ceramics were an essential part of the trade between Thailand and its neighbors during feudalistic times, throughout many dynasties.
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Thai ceramics show a continuous development through different clay types and methods of manufacturing since the prehistoric period and are one of the most common Thai art forms. The first type of Thai ceramics ever recorded was the Ban Chiang, dating back to about 3600 BCE.
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Sukothai traded with these precious ceramics with its neighbours. The transport was often by ship across the oceans. A number of Si
Satchanalai ceramics in excellent condition have been excavated in
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jars, vessel, pots, vase, and tripods. Decorated with simple geometric patterns. Ban Kao's ceramics are thinner when compared to Ban Chiang. Glazed – red and black clay
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106:. They made considerable ceramics uses in relation to religious symbols in the form of figurines. Ceramics were also used as a building decorations.
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spoons, beads, jars, vessel, pots, and vases. Some decorated with simple geometric patterns. Unglazed – red clay, some red on buff painted
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bowls, pedestal plates, roof tiles, and votive tablets. Enameled painted – creamy white slip – fine clay
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ware, the most famous style of Thai ceramics, is exported to many countries around the world today.
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China. After the prehistoric period the kingdom that emerged at about 1st century CE was the
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animal figurines, bowls, and boxes. Opaque or greenish glazed – creamy white slip – fine clay
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animal figurines, bowls, and boxes. Opaque or greenish glazed – creamy white slip – fine clay
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animal figurines, bowls, and boxes. Opaque or greenish glazed – creamy white slip – fine clay
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bowls, pedestal plates, roof tiles, and votive tablets. five colours, influenced from China
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Ming Gap and
Shipwreck Ceramics in Southeast Asia: Towards a Chronology of Thai Trade Ware
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figurines, votive tablets and building decorations. Unglazed – red clay
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Prehistoric Thai
Ceramics: Ban Chiang in Regional Cultural Perspective
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Painted ceramic bowl with base, Lopburi 2300 BCE. Bang Chiang culture.
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563:. Hong Kong : The Hong kong Museum of History. p. 79.
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The best known of all traditional Thai ceramics are those from
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One of the most famous examples of Thai pottery are from the
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Thailand For
Visitor.com | Ceramic Kilns at Si Satchanalai
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Medieval Thai wares were especially influenced by
Chinese
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The earliest trace of Thai ceramics ever recorded is the
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Thai ceramics: Ban Chiang, Khmer, Sukothai, Sawankhalok
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Birmingham Museum of Art : guide to the collection
657:(in Thai). Bangkok: Cultural Arts Center. p. 111.
600:. Art Gallery of South Australia. 1977. p. 208.
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726:Si Satchanalai Historical Park | Ceramic industry
137:Box with a lid. Si Satchanalai, 13th-14th century
736:Maritime Asia | Ceramics background & issues
582:. Thailand : Craftsman Press. p. 111.
580:Introducing Thai ceramics also Burmese and Khmer
537:"Types of Ancient Ceramics: thailandceramicart”
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704:. River Books Press Dist A C. p. 206.
515:"History in five colors : asianewsnet"
494:. : Birmingham Museum of Art. p. 61.
619:. Oxford University Press. p. 136.
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617:Thai Ceramics from the Sosai Collection
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638:. Duangphorn Kemasingki. p. 136.
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666:. Sun Tree Publishing. p. 320.
731:Asia-art.net | Art of Thai ceramics
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416:Bangkok, 19th century - present
179:was opened in 2005 in Bangkok.
177:Southeast Asian Ceramics Museum
561:Thai ceramics through the ages
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700:Brown, Roxanna Maude (2009).
356:, 14th century – 16th century
332:, 14th century – 16th century
309:, 14th century – 16th century
289:, 14th century – 16th century
268:, 14th century – 16th century
771:Cultural history of Thailand
685:. White Lotus. p. 155.
109:Following the Mons were the
376:17th century - 18th century
165:18th century to present day
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681:Labbé, Armand J. (2007).
526:"Thai Ceramics: asia-art"
486:Birmingham Museum of Art
396:, 18th century - present
64:blue and white porcelain
655:Northern Thai Ceramics
636:Northern Thai Ceramics
542:April 2, 2012, at the
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662:Lau, Aileen (2004).
615:Itoi, Kenji (1989).
94:. The ceramics were
756:History of ceramics
653:Shaw, John (1990).
634:Shaw, J.C. (1989).
578:Shaw, J.C. (1987).
458:Philippine ceramics
229:2000 BCE – 500 BCE
88:Udon Thani Province
24:glaze, 15th century
247:, 200 CE – 1000 CE
161:and other waters.
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711:978-974-9863-77-0
692:978-974-480-020-6
673:978-981-05-0736-7
645:978-974-7315-17-2
626:978-0-19-588918-5
607:978-0-7243-3456-8
559:Yip, C.H (1978).
501:978-1-904832-77-5
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324:Sawankhalok
283:Kalong ware
159:Andaman Sea
151:ship wrecks
123:Sawankhalok
96:earthenware
33:ceramic art
750:Categories
553:Literature
469:References
240:Mon people
205:Ban Chiang
84:Ban Chiang
388:Benjarong
372:Ayutthaya
354:Sukhothai
330:Sukhothai
307:Sukhothai
287:Sukhothai
266:Sukhothai
143:Sukhothai
119:Sukhothai
53:Sukhothai
766:Thai art
540:Archived
488:(2010).
433:Thai art
427:See also
92:Thailand
60:celadons
41:Thai art
463:Tapayan
394:Bangkok
225:Ban Kao
170:Bangkok
153:in the
146:world.
70:History
37:pottery
22:celadon
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193:Period
157:, the
111:Khmers
196:Notes
183:Types
706:ISBN
687:ISBN
668:ISBN
640:ISBN
621:ISBN
602:ISBN
584:ISBN
565:ISBN
496:ISBN
350:ware
326:ware
190:Name
175:The
121:and
104:Mons
35:and
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