493:, had already begun incorporating sitar into their compositions, the ISB featured Jairazbhoy, a musician who was traditionally taught with the instrument, rather than a western instrumentalist. Williamson also drew inspiration from his time in Morocco, becoming influenced by the song structures and vocal techniques. The album's compositions reflected upon these developments, Williamson's adaption of the Arabian oud to the guitar, and the vocal arabesques being major stylistic points in the album's overall sound.
322:, "Painting Box", in June 1967 which evidently failed to chart. An additional promo single, "Way Back in the Sixties" was also released in support of the album. The album established the band within the British folk scene, while also gaining them an underground presence in the United States. At the time of its release, the album was recognised as being ambitious, and for creating a contrasting sound to other musical acts who were also utilising similar instruments at the time.
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Shortly afterwards, in early 1967 the two-piece ISB became regulars on the London folk scene as an opening act in local venues, with a set list that featured the upcoming album's songs. Nearly as exotic as their instruments, Williamson, interested in multi-media, hired two dancers known as Mimi &
546:
juxtaposing both light and darkness. Two singles preceded the album's release, both of which were issued in June 1967, only to the UK. "Painting Box" then "Way Back in the
Sixties" managed to promote the diversity in the band's lyrics and instrumentals, but failed to chart in the UK.
31:
363:, as well, had begun to broaden his musical horizons by experimenting with the sitar in Williamson's absence. Williamson reformed the ISB with Heron, but not with founding member Palmer, who was still travelling in
967:
504:
was released in July 1967 on the
Elektra label to the UK (catalogue item EUK 257), and the US (catalogue item EUK 4010). The album, more successful than the ISB's debut, peaked at number 25 on the
375:
between
October 1966 and February 1967, in a period that was charged by extensive discussions between Williamson and Heron over the instrumental arrangements of the new material.
1229:
563:
1327:
440:
genre, along with the foreign playing
Williamson witnessed in his travels. Williamson and Heron's compositions were eccentric in nature, relating with themes of
573:
379:
Lesandra (incorrectly deemed Mimi & Mouse) to take part in the band's concerts. Promotion of the ISB's songs saw the ISB performing "Chinese White" on
1403:
336:, which incorporated more conventional folk tracks in comparison to their later work. It bestowed upon the group a "Folk Album of the Year" award in
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399:, who had previously worked with the group on their debut album, returned to undergo developments for the duo's second album.
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367:. As a duo, the two rehearsed early versions of the material that configured their second album. Crudely recorded on a
359:. With his arrival, Williamson brought back a wide variety of exotic instruments of African and Middle Eastern origin.
1376:
295:. Notably, the album was a change in musical direction for the two as they transitioned from their more conventional
1238:
280:
43:
404:
1320:
351:
left
England following its release. In late 1966, Williamson returned from leave, in which time he ventured to
1026:
1264:
348:
561:
recorded "First Boy I Loved" (a cover of
Williamson's "First Girl I Loved" with the gender switched) for
388:
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908:
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330:
The ISB came to prominence in the UK in June 1966, as a result of the release of their debut album,
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Following further rehearsal periods (recordings of the resulting demos were later released as
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474:. Future ISB member McKechnie also made her first contributions to the band, appearing as a
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125:
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30:
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287:. The album was recorded following the reformation of the band as a duo consisting of
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441:
1143:"Incredible String Band, The – The 5000 Spirits Or The Layers Of The Onion"
424:, and multi-tracking their wide assortment of instrumentals that included
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468:
433:
396:
207:
138:
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352:
1054:
Chart
Archive - Incredible String Band(Link redirected to OCC website)
1066:"The Incredible String Band- 5000 Spirits or the Layers of the Onion"
850:
838:
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429:
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272:
38:
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299:
structures into complex psychedelic compositions influenced by
846:
571:
also covered "First Girl I Loved" for the
Elektra compilation
380:
580:
also named the album among his top 25 albums of all time.
1174:
The
Beatles As Musicians: Revolver Through the Anthology
436:. Much of the instrumentals drew upon influences of the
557:, who named it his favourite album of 1967. In 1968,
391:. Following the band's short touring schedule, their
1291:
718:
707:
605:
594:
310:Upon release, the album peaked at number 25 on the
144:
132:
119:
103:
87:
73:
65:
50:
37:
23:
18:
387:, and was capped off by a brief appearance at the
371:and a single microphone, rehearsals took place in
416:in early 1967. The recordings were conducted on
1165:
1163:
1049:
1047:
485:Although several other musical acts, including
1098:Be Glad: The Incredible String Band Compendium
212:
1223:
999:"The 5000 Spirits or the Layers of the Onion"
8:
1307:The 5000 Spirits or the Layers of the Onion
1027:"Incredible String Band, The– Painting Box"
502:The 5000 Spirits or the Layers of the Onion
268:The 5000 Spirits or the Layers of the Onion
165:The 5000 Spirits or the Layers of the Onion
24:The 5000 Spirits or the Layers of the Onion
1230:
1216:
1208:
444:, life, and religion. For the recordings,
187:
29:
20:
408:), the ISB completed the entire album at
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1021:
1019:
984:, San Francisco, 25 May 1968. page 21.
949:
516:. Its cover, designed by Dutch artists
283:(ISB). It was released in July 1967 on
512:, in part due to its promotion by DJ
193:
7:
420:, in the first instances of the duo
1118:"Incredible String Band - Timeline"
214:
1349:Be Glad for the Song Has No Ending
14:
1404:The Incredible String Band albums
1356:Liquid Acrobat as Regards the Air
145:Incredible String Band chronology
1314:The Hangman's Beautiful Daughter
233:
228:
223:
218:
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174:The Hangman's Beautiful Daughter
708:
595:
1:
564:Who Knows Where the Time Goes
314:, and failed to chart on the
1377:Hard Rope & Silken Twine
936:
769:"You Know What You Could Be"
542:, featured a multi-coloured
1414:Albums produced by Joe Boyd
1430:
1300:The Incredible String Band
1239:The Incredible String Band
355:with his then-girlfriend,
333:The Incredible String Band
281:the Incredible String Band
156:The Incredible String Band
44:the Incredible String Band
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405:The Chelsea Sessions 1967
343:annual poll, but members
318:. It was preceded by the
201:
198:
149:
28:
1321:Wee Tam and the Big Huge
1096:Adrian Whittaker (ed.),
811:"Way Back in the 1960s"
660:"The Mad Hatter's Song"
460:on double bass, and on
448:were featured, such as
1409:Elektra Records albums
968:Pitchfork Media review
508:and number one on the
903:(credited as Soma) -
741:"The Hedgehog's Song"
389:Newport Folk Festival
755:"First Girl I Loved"
727:"Blues for the Muse"
553:was much admired by
472:John "Hoppy" Hopkins
189:Professional ratings
704:
591:
190:
1283:Malcolm Le Maistre
1273:Licorice McKechnie
1198:2007-10-17 at the
986:Worst Reviews Ever
874:Licorice McKechnie
867:- vocals, guitar,
783:"My Name Is Death"
702:
688:"The Eyes of Fate"
589:
538:, better known as
491:The Rolling Stones
385:Late Night Line-up
357:Licorice McKechnie
188:
1386:
1385:
1122:wolfgangrostek.de
941:
940:
849:, bowed and bass
821:
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698:
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446:session musicians
264:
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1258:Robin Williamson
1232:
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1193:Nazir Jairazbhoy
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919:
901:Nazir Jairazbhoy
861:(drums, rattles)
831:Robin Williamson
710:
705:
634:Robin Williamson
630:"No Sleep Blues"
597:
592:
537:
526:
450:Nazir Jairazbhoy
410:Sound Techniques
345:Robin Williamson
312:UK Albums Charts
289:Robin Williamson
277:psychedelic folk
275:by the Scottish
238:
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94:Psychedelic folk
78:Sound Techniques
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1370:No Ruinous Feud
1328:Changing Horses
1287:
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1200:Wayback Machine
1191:
1187:
1176:, 1999, p. 97,
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957:Allmusic review
955:
951:
946:
933:UK Albums Chart
926:
917:
915:Chart positions
827:
822:
797:"Gently Tender"
699:
614:"Chinese White"
586:
531:
520:
506:UK Albums Chart
499:
466:counter-culture
414:Chelsea, London
393:record producer
328:
285:Elektra Records
244:Pitchfork Media
234:
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82:Chelsea, London
57:
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5:
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1185:
1170:Walter Everett
1159:
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883:Danny Thompson
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674:"Little Cloud"
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646:"Painting Box"
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569:Jackson Browne
555:Paul McCartney
498:
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458:Danny Thompson
327:
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271:is the second
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54:July 1967
52:
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26:
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1182:0-19-512941-5
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1106:1-900924-64-1
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983:
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981:Rolling Stone
978:Thompson, J.
975:
972:
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922:Chart (1967)
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593:
584:Track listing
583:
581:
579:
576:
575:
570:
566:
565:
560:
556:
552:
548:
545:
544:hermaphrodite
541:
535:
530:
529:Marijke Koger
524:
519:
518:Simon Postuma
515:
511:
510:UK Folk Chart
507:
503:
496:
494:
492:
488:
483:
481:
480:percussionist
477:
473:
470:
467:
463:
459:
455:
451:
447:
443:
439:
435:
431:
427:
423:
419:
415:
411:
407:
406:
400:
398:
394:
390:
386:
382:
376:
374:
370:
369:tape recorder
366:
362:
358:
354:
350:
346:
342:
340:
335:
334:
325:
323:
321:
317:
316:Billboard 200
313:
308:
306:
302:
298:
294:
290:
286:
282:
278:
274:
270:
269:
259:
257:
256:
255:Rolling Stone
252:
251:
247:
245:
242:
241:
211:
209:
206:
205:
197:
194:Review scores
192:
176:
175:
171:
167:
166:
162:
158:
157:
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99:
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72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
1375:
1368:
1361:
1354:
1347:
1340:
1333:
1326:
1319:
1312:
1306:
1305:
1298:
1278:Rose Simpson
1265:Clive Palmer
1263:
1256:
1249:
1188:
1173:
1150:. Retrieved
1146:
1137:
1125:. Retrieved
1121:
1112:
1097:
1073:. Retrieved
1069:
1060:
1034:. Retrieved
1030:
1006:. Retrieved
1003:allmusic.com
1002:
997:Thom Jurek.
992:
979:
974:
963:
952:
892:John Hopkins
572:
562:
559:Judy Collins
551:5000 Spirits
550:
549:
501:
500:
484:
403:
401:
384:
377:
349:Clive Palmer
339:Melody Maker
337:
331:
329:
309:
305:Indian music
301:British folk
267:
266:
265:
260:(favourable)
253:
172:
164:
163:
154:
98:English folk
39:Studio album
15:
1399:1967 albums
1335:I Looked Up
1147:discogs.com
1031:discogs.com
887:double bass
578:David Bowie
567:. In 1990,
532: [
521: [
487:The Beatles
438:psychedelic
422:overdubbing
365:Afghanistan
1393:Categories
1251:Mike Heron
944:References
878:percussion
876:- vocals,
865:Mike Heron
859:percussion
814:Williamson
786:Williamson
758:Williamson
730:Williamson
691:Williamson
663:Williamson
618:Mike Heron
452:on sitar,
418:four-track
361:Mike Heron
326:Background
297:folk music
293:Mike Heron
1363:Earthspan
927:position
869:harmonica
825:Personnel
716:Writer(s)
603:Writer(s)
574:Rubáiyát.
514:John Peel
454:Pentangle
442:mythology
1196:Archived
1100:, 2003,
843:mandolin
540:The Fool
476:vocalist
469:activist
434:mandolin
397:Joe Boyd
208:AllMusic
139:Joe Boyd
134:Producer
66:Recorded
51:Released
41: by
1152:6 April
1127:5 April
1075:5 April
1036:5 April
1008:5 April
909:tanpura
497:Release
373:Balmore
353:Morocco
178:(1968)
169:(1967)
160:(1966)
126:Elektra
58:1967-07
56: (
1292:Albums
1180:
1104:
851:gimbri
839:guitar
835:vocals
719:Length
703:Side B
606:Length
590:Side A
478:and a
432:, and
430:gimbri
320:single
279:group
248:7.3/10
202:Rating
199:Source
104:Length
74:Studio
905:sitar
896:piano
855:flute
800:Heron
772:Heron
744:Heron
713:Title
677:Heron
649:Heron
600:Title
536:]
525:]
462:piano
426:sitar
273:album
128:/ WEA
121:Label
89:Genre
1178:ISBN
1154:2015
1129:2015
1102:ISBN
1077:2015
1038:2015
1010:2015
925:Peak
817:3:11
803:4:49
789:2:46
775:2:46
761:4:55
747:3:30
733:2:49
694:4:02
680:4:05
666:5:40
652:4:04
638:3:53
622:3:40
527:and
489:and
464:was
347:and
303:and
291:and
69:1967
937:25
847:oud
709:No.
596:No.
456:'s
383:'s
381:BBC
1395::
1172:,
1162:^
1145:.
1120:.
1085:^
1068:.
1046:^
1029:.
1018:^
1001:.
907:,
894:-
885:-
857:,
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