Knowledge (XXG)

The Alchemist Discovering Phosphorus

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131:, which could turn ordinary metal into gold, but instead, to his amazement, he discovers phosphorus. However, Wright does not picture the alchemist in a 17th-century background, but he romanticises the room by imagining medieval gothic arches and high, pointed windows as if he is in a church. He also gave a very favourable impression of the actual process, which involves the reduction by boiling of urine. A 1730 description of the manufacture of phosphorus described the need for 50 or 60 pails of urine that was both putrid and "bred worms". 135: 31: 240: 244: 188:
Since its exhibition in 1771, the picture has provoked many contradictory interpretations. Its mystery disturbed 18th-century viewers, and although Wright was an internationally recognised artist, the painting was not sold when he first exhibited it. The picture travelled with Wright to Italy in
172:) of an alchemist, which also contains similar vaulting, a confusion of objects and a similar assistant who is singled out by the light. This painting from the previous century was on display in London during Wright's lifetime. However, it is clear from a sketch by Wright's companion, 176:, that he had a strong influence on the design. His sketch of 4 February 1771 shows the vaulting and the layout of the painting, with the glass container as its focus. It is Burdett who says where to place the figure in the painting, and Burdett had already referred Wright to 860: 98:
The Alchymist, in Search of the Philosopher's Stone, Discovers Phosphorus, and prays for the successful Conclusion of his operation, as was the custom of the Ancient Chymical Astrologers
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Wright also gives religious connotations to the painting. The alchemist kneels in front of a shining vessel, stretching out his hands in a similar gesture to that used by
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compares his posture to that of one of Christ's disciples receiving communion. He believes that the layout of the painting may have been taken from
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1773–1775, came back to England, was reworked in 1795, but was only sold four years after his death, when his possessions were auctioned at
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in 1669. This story was often printed in popular chemical books in Wright's lifetime, and was widely known.
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originally completed in 1771 then reworked in 1795. The full title of the painting is
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so that Wright might fully understand the underlying science in the painting.
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127 cm × 101.6 cm (50 in × 40.0 in)
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The picture shows the alchemist trying to produce the elusive
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Index


Joseph Wright of Derby
Derby Museum and Art Gallery
Derby
Joseph Wright of Derby
phosphorus
Hamburg
alchemist
Hennig Brand
Philosopher's stone

Thomas Wijck
El Greco
Benedict Nicolson
Thomas Wijck
Peter Perez Burdett
Matthew Turner
Christie's


"Light and Enlightenment in Joseph Wright of Derby's The Alchymist"
the original
"The Alchymist in Search of the Philosopher's Stone (Exhibited 1771)"
the original
Chemistry
ISBN
9780495011965
"Art treasure – The Alchymist"
the original
Nicolson 1968

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