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772:, "Un Poco Loco" is a significant marker in the establishment of this musical genre, as it revealed "the Afro-Cuban turn settling into bebop's acceptable field of rhetorical conventions". More than Afro-Cuban, the authors of that book detect what they describe as a
29:
739:, Yanow identifies among the highlights of the album "Bouncing with Bud", "52nd Street Theme" and "Dance of the Infidels," performed by the "very exciting quintet" of 1949, and also the 1951 trio's "three stunning versions of '
784:
indicates that Powell's performances of this material in 1951 was "all the more astonishing" in its "level of creativity, and even authenticity" because little was known at the time of
269:
390:
The two volumes were recompiled for their CD reissue, ordering the three sessions chronologically, placing the first session and the solo takes from the second session on
747:, Barry Kernfeld notes with regards to "Un Poco Loco" that "the three takes ...enable us to hear the evolution of a masterpiece", a label with which a critic at
419:, mirroring the original 10" releases. Prior to this, on all releases bar the first, the album also contained a number of tracks from sessions originally on
400:
3198:
3479:
756:
While the song "Un Poco Loco" has been identified as musically outstanding, it has also been discussed as culturally significant. According to
3148:
705:
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3334:
720:
524:
3182:
3469:
3447:
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3292:
3267:
3242:
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3130:
273:
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3020:
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3168:
2698:
1222:
780:', "certainly signaled a 'blackness' that became part of the language of subsequent expressions of modern jazz." The book
666:
384:
776:
in the composition's repetition, harmony and cyclic solo that, while not as obviously Afro-international as
Gillespie's "
258:
3474:
277:
262:
189:
3135:
3126:
1414:
1353:
141:
3174:
421:
224:
3080:
3059:
2966:
Rudy Van Gelder – disc transfers (1989); disc transfers, digital audio restoration and mastering (2001)
159:
222:
in 1956, compiling Powell's first three session for the label, originally released on ten-inch LPs as
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789:
3234:
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1832:
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387:, their first one hundred 12" records after they discontinued their line of 10" records.
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1349:
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333:, and in trio with Potter and Haynes. In the second, Powell performed in trio with
326:
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100:
709:
included both albums in its suggested “core collection” of essential recordings.
411:
remastered the pair of the 2001 RVG edition, he placed the first two sessions on
2923:
2704:
725:
247:
218:, recorded on August 8, 1949, May 1, 1951, and August 14, 1953, and released on
121:
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28:
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2861:
2837:
346:
330:
215:
128:
44:
2883:
371:"s became less popular, Blue Note began reissuing its Modern Jazz Series on
338:
317:
Studios in New York. In the first session, Powell performed in quintet with
712:
The albums are highly rated within Powell's musical library, described by
452:
314:
800:, this composition was Powell's only involvement with Afro-Cuban Jazz.
769:
372:
368:
214:
are a pair of separate but related albums by
American jazz pianist
93:
3199:"Bud Powell: The Amazing Bud Powell Vols. 1 and 2 album review"
724:
as "a great introduction to this awesome pianist". Jazz critic
241:
2886:– drums (except "Over the Rainbow", "It Could Happen to You")
2852:– tenor saxophone (except "You Go to My Head", "Ornithology")
341:, and solo. In the third, Powell is backed by rhythm section
2880:– bass (except "Over the Rainbow", "It Could Happen to You")
2975:
Leonard
Feather (1989), Bob Blumenthal (2001) – liner notes
718:
as "among the pianist's most important recordings" and by
375:. The three sessions were subsequently recompiled across
313:
Powell recorded his first three session for Blue Note at
383:(BLP 1504), the second pair of releases on Blue Note's
3404:
Jazz 101: A Complete Guide to
Learning and Loving Jazz
2528:
All tracks are written by Bud Powell, except as noted.
2101:
All tracks are written by Bud Powell, except as noted.
1798:
All tracks are written by Bud Powell, except as noted.
1447:
All tracks are written by Bud Powell, except as noted.
1139:
All tracks are written by Bud Powell, except as noted.
817:
All tracks are written by Bud Powell, except as noted.
2846:– trumpet (except "You Go to My Head", "Ornithology")
2805:"Collard Greens and Black-Eyed Peas" (alternate take)
1994:"Collard Greens and Black-Eyed Peas" (alternate take)
764:
had been introduced in the 1940s by such artists as
16:
1956 compilation album by the
Amazing Bud Powell
3361:Ramsey, Jr., Guthrie P.; Guthrie P. Ramsey (2004).
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2125:
2111:
1822:
1808:
1471:
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825:
796:) could be applied to jazz. According to Yanow, in
176:
127:
115:
99:
87:
79:
59:
51:
38:
21:
3435:Afro-Cuban Jazz: The Essential Listening Companion
3335:"How Two Pianists Remade (And Upheld) a Tradition"
798:Afro-Cuban Jazz: The Essential Listening Companion
3364:Race Music: Black Cultures from Bebop to Hip-Hop
3100:. USA: Random House/Rolling Stone. p. 163.
758:Race Music: Black Cultures from Bebop to Hip-Hop
394:, and three trio takes and the third session on
3225:Axelrod, Alan; Alpha Development Group (1999).
8:
672:
639:
607:
568:
531:
492:
458:
401:The Complete Blue Note and Roost Recordings
276:. Unsourced material may be challenged and
3367:. University of California Press. p.
432:
188:
27:
18:
3121:
3119:
3117:
2511:"It Could Happen to You" (alternate take)
1875:"It Could Happen to You" (alternate take)
939:"It Could Happen to You" (alternate take)
296:Learn how and when to remove this message
3285:Bebop: The Best Musicians and Recordings
2737:"Autumn in New York" (alternate take #2)
2720:"Autumn in New York" (alternate take #1)
2530:
2314:"Dance of the Infidels" (alternate take)
2103:
1800:
1592:"Dance of the Infidels" (alternate take)
1449:
1275:
1141:
964:
819:
737:Bebop: The Best Musicians and Recordings
398:. These remasters were also included on
3091:
3089:
2985:
2280:"Bouncing with Bud" (alternate take #2)
2263:"Bouncing with Bud" (alternate take #1)
1506:"Bouncing with Bud" (alternate take #2)
1480:"Bouncing with Bud" (alternate take #1)
211:The Amazing Bud Powell, Vols. 1 & 2
360:was initially released in March 1956;
3312:. Blackwell Publishing. p. 232.
3260:Jazz on Record: The First Sixty Years
2494:"A Night in Tunisia" (alternate take)
1858:"A Night in Tunisia" (alternate take)
993:"A Night in Tunisia" (alternate take)
438:
7:
3310:The Blackwell Guide to Recorded Jazz
3136:The Penguin Guide to Jazz Recordings
2612:"Collard Greens and Black-Eyed Peas"
2011:"Collard Greens and Black-Eyed Peas"
1325:"Collard Greens and Black-Eyed Peas"
745:The Blackwell Guide to Recorded Jazz
706:The Penguin Guide to Jazz Recordings
634:The Penguin Guide to Jazz Recordings
601:The Penguin Guide to Jazz Recordings
274:adding citations to reliable sources
3098:The Rolling Stone Jazz Record Guide
563:The Rolling Stone Jazz Record Guide
525:The Rolling Stone Jazz Record Guide
3287:. Backbeat Books. pp. 62–63.
3229:The Complete Idiot's Guide to Jazz
2477:"Un Poco Loco" (alternate take #2)
2460:"Un Poco Loco" (alternate take #1)
1738:"Un Poco Loco" (alternate take #2)
1721:"Un Poco Loco" (alternate take #1)
865:"Un Poco Loco" (alternate take #2)
848:"Un Poco Loco" (alternate take #1)
721:The Complete Idiot's Guide to Jazz
364:was released the following month.
14:
2929:Doug Hawkins – recording engineer
2771:"Reets and I" (alternate take #2)
2754:"Reets and I" (alternate take #1)
674:
641:
609:
570:
533:
494:
460:
2533:The Amazing Bud Powell, Volume 2
2106:The Amazing Bud Powell, Volume 1
1803:The Amazing Bud Powell, Volume 2
1452:The Amazing Bud Powell, Volume 1
1132:The Amazing Bud Powell, Volume 2
810:The Amazing Bud Powell, Volume 1
693:
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381:The Amazing Bud Powell, Volume 2
377:The Amazing Bud Powell, Volume 1
246:
3333:Piazza, Tom (January 1, 1995).
3262:. Backbeat Books. p. 359.
774:"Pan-African" musical influence
728:characterized them in his book
3480:Albums produced by Alfred Lion
3075:The Amazing Bud Powell, Vol. 2
3054:The Amazing Bud Powell, Vol. 1
2539:
2331:"Ornithology" (alternate take)
2112:
1960:"Reets and I" (alternate take)
1809:
1695:"Ornithology" (alternate take)
1458:
1282:
1148:
971:
826:
732:as "full of essential music".
422:The Amazing Bud Powell, Vol. 1
231:The Amazing Bud Powell, Vol. 2
1:
3308:Kernfeld, Barry Dean (1995).
3170:Encyclopedia of Popular Music
3083:. Retrieved January 21, 2024.
3062:. Retrieved January 21, 2024.
2788:"Sure Thing" (alternate take)
667:Encyclopedia of Popular Music
3391:Ramsey and Ramsey, 128–130.
3501:
3438:. Backbeat Books. p.
2699:I've Got You Under My Skin
2629:"Polka Dots and Moonbeams"
2028:"Polka Dots and Moonbeams"
1259:"Polka Dots and Moonbeams"
3096:Swenson, J., ed. (1985).
2938:John Hermansader – design
2801:
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415:and the third session on
203:
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187:
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135:
26:
3470:Blue Note Records albums
3029:. 1956-05-19. p. 20
3021:"The Amazing Bud Powell"
3002:. 1956-03-31. p. 34
2994:"The Amazing Bud Powell"
2417:"It Could Happen to You"
1892:"It Could Happen to You"
142:The Genius of Bud Powell
3401:Szwed, John F. (2000).
3233:. Alpha Books. p.
3175:Oxford University Press
2443:"Parisian Thoroughfare"
2297:"Wail" (alternate take)
2177:"Dance of the Infidels"
1909:"Parisian Thoroughfare"
1609:"Dance of the Infidels"
1558:"Wail" (alternate take)
1114:"Parisian Thoroughfare"
899:"Dance of the Infidels"
404:, a four-disc box set.
2969:Ron McMaster (1989) –
1223:It Could Happen to You
225:The Amazing Bud Powell
178:The Amazing Bud Powell
151:The Amazing Bud Powell
45:the Amazing Bud Powell
22:The Amazing Bud Powell
3432:Yanow, Scott (2000).
3283:Yanow, Scott (2000).
3258:Yanow, Scott (2003).
1134:(1956, 12", BLP 1504)
812:(1956, 12", BLP 1503)
3407:. Hyperion. p.
2646:"I Want to Be Happy"
2561:"Autumn in New York"
2391:"A Night in Tunisia"
2045:"I Want to Be Happy"
1926:"Autumn in New York"
1861:Gillespie, Paparelli
1204:"I Want to Be Happy"
1187:"Autumn in New York"
1019:"A Night in Tunisia"
434:Professional ratings
270:improve this section
2913:Technical personnel
2535:
2211:"You Go to My Head"
2194:"52nd Street Theme"
2134:"Bouncing with Bud"
2108:
1805:
1643:"You Go to My Head"
1626:"52nd Street Theme"
1532:"Bouncing with Bud"
1454:
1278:
1144:
1088:"Bouncing with Bud"
967:
822:
435:
3340:The New York Times
3071:Yanow, Scott.
3050:Yanow, Scott.
2999:Billboard Magazine
2896:Bud Powell – piano
2874:Bud Powell – piano
2531:
2365:"Over the Rainbow"
2104:
1833:A Night in Tunisia
1801:
1772:"Over the Rainbow"
1450:
1417:" (alternate take)
1354:E.Y. "Yip" Harburg
1276:
1142:
965:
820:
778:A Night in Tunisia
750:The New York Times
433:
160:Bud Powell's Moods
3475:Bud Powell albums
3150:978-0-141-03401-0
2971:digital transfers
2818:
2817:
2680:"Glass Enclosure"
2632:Van Heusen, Burke
2524:
2523:
2092:
2091:
2079:"Glass Enclosure"
2031:Van Heusen, Burke
1895:Van Heusen, Burke
1878:Van Heusen, Burke
1794:
1793:
1433:
1432:
1388:You Go to My Head
1272:
1271:
1262:Van Heusen, Burke
1228:Van Heusen, Burke
1127:
1126:
961:
960:
918:52nd Street Theme
702:
701:
489:AllMusic (Vol. 2)
306:
305:
298:
207:
206:
168:
167:
111:BLP 1504 (Vol. 2)
109:BLP 1503 (Vol. 1)
40:Compilation album
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3173:(4th ed.).
3161:
3155:
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3143:. p. 1177.
3139:(9th ed.).
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2096:2001 RVG edition
1811:
1806:
1460:
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1344:Over the Rainbow
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1145:
973:
968:
828:
823:
792:(aside from the
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2987:
2982:
2961:Michael Cuscuna
2957:
2948:Leonard Feather
2933:Rudy Van Gelder
2920:
2915:
2900:George Duvivier
2893:
2891:August 14, 1953
2871:
2834:
2829:
2824:
2819:
2811:August 14, 1953
2794:August 14, 1953
2777:August 14, 1953
2760:August 14, 1953
2743:August 14, 1953
2726:August 14, 1953
2709:August 14, 1953
2686:August 14, 1953
2669:August 14, 1953
2652:August 14, 1953
2649:Youmans, Caesar
2635:August 14, 1953
2618:August 14, 1953
2601:August 14, 1953
2584:August 14, 1953
2567:August 14, 1953
2525:
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2085:August 14, 1953
2068:August 14, 1953
2051:August 14, 1953
2048:Youmans, Caesar
2034:August 14, 1953
2017:August 14, 1953
2000:August 14, 1953
1983:August 14, 1953
1966:August 14, 1953
1949:August 14, 1953
1932:August 14, 1953
1843:Frank Paparelli
1839:Dizzy Gillespie
1795:
1784:
1707:
1681:
1655:
1544:
1518:
1492:
1444:
1439:
1434:
1398:Haven Gillespie
1375:August 14, 1953
1331:August 14, 1953
1314:August 14, 1953
1306:Glass Enclosure
1273:
1265:August 14, 1953
1248:August 14, 1953
1210:August 14, 1953
1207:Youmans, Caesar
1193:August 14, 1953
1176:August 14, 1953
1136:
1128:
1100:
1074:
1031:
1005:
962:
951:
924:Thelonious Monk
814:
806:
794:Cuban influence
766:Dizzy Gillespie
762:Afro-Cuban jazz
694:
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409:Rudy Van Gelder
379:(BLP 1503) and
355:
353:Release history
343:George Duvivier
311:
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72:August 14, 1953
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3204:All About Jazz
3190:
3184:978-0195313734
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2878:Curley Russell
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2832:August 8, 1949
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2674:
2673:
2670:
2667:
2664:
2661:
2657:
2656:
2653:
2650:
2647:
2644:
2640:
2639:
2636:
2633:
2630:
2627:
2623:
2622:
2619:
2616:
2613:
2610:
2606:
2605:
2602:
2599:
2596:
2593:
2589:
2588:
2585:
2582:
2579:
2576:
2572:
2571:
2568:
2565:
2562:
2559:
2555:
2554:
2551:
2548:
2545:
2542:
2526:
2522:
2521:
2518:
2515:
2512:
2509:
2505:
2504:
2501:
2498:
2495:
2492:
2488:
2487:
2484:
2481:
2478:
2475:
2471:
2470:
2467:
2464:
2461:
2458:
2454:
2453:
2450:
2447:
2444:
2441:
2437:
2436:
2433:
2430:
2428:
2427:
2424:
2420:
2418:
2415:
2411:
2410:
2407:
2404:
2402:
2401:
2398:
2394:
2392:
2389:
2385:
2384:
2381:
2378:
2376:
2375:
2372:
2368:
2366:
2363:
2359:
2358:
2355:
2352:
2349:
2348:"Un Poco Loco"
2346:
2342:
2341:
2338:
2337:August 8, 1949
2335:
2332:
2329:
2325:
2324:
2321:
2320:August 8, 1949
2318:
2315:
2312:
2308:
2307:
2304:
2303:August 8, 1949
2301:
2298:
2295:
2291:
2290:
2287:
2286:August 8, 1949
2284:
2281:
2278:
2274:
2273:
2270:
2269:August 8, 1949
2267:
2264:
2261:
2257:
2256:
2253:
2252:August 8, 1949
2250:
2248:
2247:
2244:
2240:
2238:
2235:
2231:
2230:
2227:
2226:August 8, 1949
2224:
2222:
2221:
2218:
2214:
2212:
2209:
2205:
2204:
2201:
2200:August 8, 1949
2198:
2195:
2192:
2188:
2187:
2184:
2183:August 8, 1949
2181:
2178:
2175:
2171:
2170:
2167:
2166:August 8, 1949
2164:
2161:
2158:
2154:
2153:
2150:
2149:August 8, 1949
2147:
2145:
2144:
2141:
2137:
2135:
2132:
2128:
2127:
2124:
2121:
2118:
2115:
2099:
2097:
2094:
2090:
2089:
2086:
2083:
2080:
2077:
2073:
2072:
2069:
2066:
2063:
2060:
2056:
2055:
2052:
2049:
2046:
2043:
2039:
2038:
2035:
2032:
2029:
2026:
2022:
2021:
2018:
2015:
2012:
2009:
2005:
2004:
2001:
1998:
1995:
1992:
1988:
1987:
1984:
1981:
1978:
1975:
1971:
1970:
1967:
1964:
1961:
1958:
1954:
1953:
1950:
1947:
1944:
1941:
1937:
1936:
1933:
1930:
1927:
1924:
1920:
1919:
1916:
1913:
1910:
1907:
1903:
1902:
1899:
1896:
1893:
1890:
1886:
1885:
1882:
1879:
1876:
1873:
1869:
1868:
1865:
1862:
1859:
1856:
1852:
1851:
1848:
1845:
1836:
1829:
1825:
1824:
1821:
1818:
1815:
1812:
1796:
1792:
1791:
1788:
1785:
1783:
1782:
1779:
1775:
1773:
1770:
1766:
1765:
1762:
1759:
1756:
1755:"Un Poco Loco"
1753:
1749:
1748:
1745:
1742:
1739:
1736:
1732:
1731:
1728:
1725:
1722:
1719:
1715:
1714:
1711:
1710:August 8, 1949
1708:
1706:
1705:
1702:
1698:
1696:
1693:
1689:
1688:
1685:
1684:August 8, 1949
1682:
1680:
1679:
1676:
1672:
1670:
1667:
1663:
1662:
1659:
1658:August 8, 1949
1656:
1654:
1653:
1650:
1646:
1644:
1641:
1637:
1636:
1633:
1632:August 8, 1949
1630:
1627:
1624:
1620:
1619:
1616:
1615:August 8, 1949
1613:
1610:
1607:
1603:
1602:
1599:
1598:August 8, 1949
1596:
1593:
1590:
1586:
1585:
1582:
1581:August 8, 1949
1579:
1576:
1573:
1569:
1568:
1565:
1564:August 8, 1949
1562:
1559:
1556:
1552:
1551:
1548:
1547:August 8, 1949
1545:
1543:
1542:
1539:
1535:
1533:
1530:
1526:
1525:
1522:
1521:August 8, 1949
1519:
1517:
1516:
1513:
1509:
1507:
1504:
1500:
1499:
1496:
1495:August 8, 1949
1493:
1491:
1490:
1487:
1483:
1481:
1478:
1474:
1473:
1470:
1467:
1464:
1461:
1445:
1443:
1440:
1438:
1435:
1431:
1430:
1427:
1426:August 8, 1949
1424:
1422:Charlie Parker
1420:Benny Harris,
1418:
1411:
1407:
1406:
1403:
1402:August 8, 1949
1400:
1391:
1384:
1380:
1379:
1376:
1373:
1370:
1367:
1363:
1362:
1359:
1356:
1347:
1340:
1336:
1335:
1332:
1329:
1326:
1323:
1319:
1318:
1315:
1312:
1309:
1302:
1298:
1297:
1294:
1291:
1288:
1285:
1274:
1270:
1269:
1266:
1263:
1260:
1257:
1253:
1252:
1249:
1246:
1243:
1240:
1236:
1235:
1232:
1229:
1226:
1219:
1215:
1214:
1211:
1208:
1205:
1202:
1198:
1197:
1194:
1191:
1188:
1185:
1181:
1180:
1177:
1174:
1171:
1168:
1164:
1163:
1160:
1157:
1154:
1151:
1137:
1135:
1129:
1125:
1124:
1121:
1118:
1115:
1112:
1108:
1107:
1104:
1103:August 8, 1949
1101:
1099:
1098:
1095:
1091:
1089:
1086:
1082:
1081:
1078:
1077:August 8, 1949
1075:
1073:
1072:
1069:
1065:
1063:
1060:
1056:
1055:
1052:
1051:August 8, 1949
1049:
1046:
1043:
1039:
1038:
1035:
1032:
1030:
1029:
1026:
1022:
1020:
1017:
1013:
1012:
1009:
1006:
1004:
1003:
1000:
996:
994:
991:
987:
986:
983:
980:
977:
974:
963:
959:
958:
955:
952:
950:
949:
946:
942:
940:
937:
933:
932:
929:
928:August 8, 1949
926:
921:
914:
910:
909:
906:
905:August 8, 1949
903:
900:
897:
893:
892:
889:
886:
883:
882:"Un Poco Loco"
880:
876:
875:
872:
869:
866:
863:
859:
858:
855:
852:
849:
846:
842:
841:
838:
835:
832:
829:
815:
813:
807:
805:
802:
730:Jazz on Record
715:All About Jazz
700:
699:
670:
662:
661:
637:
630:
629:
605:
596:
595:
566:
559:
558:
529:
520:
519:
490:
486:
485:
456:
449:
448:
445:
441:
440:
430:
427:
354:
351:
335:Curley Russell
310:
307:
304:
303:
254:
252:
245:
239:
236:
205:
204:
201:
200:
197:
196:
193:
185:
184:
181:
180:
174:
173:
170:
169:
166:
165:
156:
147:
133:
132:
125:
124:
119:
113:
112:
103:
97:
96:
91:
85:
84:
81:
77:
76:
74:
73:
70:
67:
66:August 8, 1949
63:
61:
57:
56:
53:
49:
48:
43:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
3497:
3486:
3483:
3481:
3478:
3476:
3473:
3471:
3468:
3467:
3465:
3451:
3449:0-87930-619-X
3445:
3441:
3437:
3436:
3428:
3425:
3420:
3418:0-7868-8496-7
3414:
3410:
3406:
3405:
3397:
3394:
3388:
3385:
3380:
3378:0-520-24333-1
3374:
3370:
3366:
3365:
3357:
3354:
3342:
3341:
3336:
3329:
3326:
3321:
3319:0-631-19552-1
3315:
3311:
3304:
3301:
3296:
3294:0-87930-608-4
3290:
3286:
3279:
3276:
3271:
3269:0-87930-755-2
3265:
3261:
3254:
3251:
3246:
3244:0-02-862731-8
3240:
3236:
3231:
3230:
3221:
3218:
3206:
3205:
3200:
3194:
3191:
3186:
3180:
3176:
3172:
3171:
3166:
3165:Larkin, Colin
3160:
3157:
3152:
3146:
3142:
3138:
3137:
3132:
3131:Morton, Brian
3128:
3127:Cook, Richard
3122:
3120:
3118:
3114:
3109:
3107:0-394-72643-X
3103:
3099:
3092:
3090:
3086:
3082:
3078:
3076:
3073:Bud Powell –
3068:
3065:
3061:
3057:
3055:
3052:Bud Powell –
3047:
3044:
3039:
3028:
3027:
3026:The Billboard
3022:
3016:
3013:
3001:
3000:
2995:
2989:
2986:
2979:
2974:
2972:
2968:
2965:
2962:
2959:
2958:
2954:
2950:– liner notes
2949:
2946:
2944:– photography
2943:
2942:Francis Wolff
2940:
2937:
2934:
2931:
2928:
2925:
2922:
2921:
2917:
2912:
2907:
2904:
2901:
2898:
2895:
2894:
2890:
2885:
2882:
2879:
2876:
2873:
2872:
2868:
2863:
2860:
2857:
2854:
2851:
2850:Sonny Rollins
2848:
2845:
2842:
2839:
2836:
2835:
2831:
2826:
2821:
2813:
2810:
2807:
2804:
2800:
2796:
2793:
2790:
2787:
2783:
2779:
2776:
2773:
2770:
2766:
2762:
2759:
2756:
2753:
2749:
2745:
2742:
2739:
2736:
2732:
2728:
2725:
2722:
2719:
2715:
2711:
2708:
2706:
2703:
2700:
2696:
2692:
2688:
2685:
2682:
2679:
2675:
2671:
2668:
2665:
2662:
2658:
2654:
2651:
2648:
2645:
2641:
2637:
2634:
2631:
2628:
2624:
2620:
2617:
2614:
2611:
2607:
2603:
2600:
2597:
2594:
2590:
2586:
2583:
2580:
2578:"Reets and I"
2577:
2573:
2569:
2566:
2563:
2560:
2556:
2550:Date recorded
2537:
2534:
2529:
2519:
2516:
2513:
2510:
2506:
2502:
2499:
2496:
2493:
2489:
2485:
2482:
2479:
2476:
2472:
2468:
2465:
2462:
2459:
2455:
2451:
2448:
2445:
2442:
2438:
2434:
2431:
2425:
2422:
2421:
2419:
2416:
2412:
2408:
2405:
2399:
2396:
2395:
2393:
2390:
2386:
2382:
2379:
2373:
2370:
2369:
2367:
2364:
2360:
2356:
2353:
2350:
2347:
2343:
2339:
2336:
2333:
2330:
2326:
2322:
2319:
2316:
2313:
2309:
2305:
2302:
2299:
2296:
2292:
2288:
2285:
2282:
2279:
2275:
2271:
2268:
2265:
2262:
2258:
2254:
2251:
2245:
2242:
2241:
2239:
2237:"Ornithology"
2236:
2232:
2228:
2225:
2219:
2216:
2215:
2213:
2210:
2206:
2202:
2199:
2196:
2193:
2189:
2185:
2182:
2179:
2176:
2172:
2168:
2165:
2162:
2159:
2155:
2151:
2148:
2142:
2139:
2138:
2136:
2133:
2129:
2123:Date recorded
2110:
2107:
2102:
2095:
2087:
2084:
2081:
2078:
2074:
2070:
2067:
2064:
2061:
2057:
2053:
2050:
2047:
2044:
2040:
2036:
2033:
2030:
2027:
2023:
2019:
2016:
2013:
2010:
2006:
2002:
1999:
1996:
1993:
1989:
1985:
1982:
1979:
1976:
1972:
1968:
1965:
1962:
1959:
1955:
1951:
1948:
1945:
1943:"Reets and I"
1942:
1938:
1934:
1931:
1928:
1925:
1921:
1917:
1914:
1911:
1908:
1904:
1900:
1897:
1894:
1891:
1887:
1883:
1880:
1877:
1874:
1870:
1866:
1863:
1860:
1857:
1853:
1849:
1846:
1844:
1840:
1837:
1834:
1830:
1826:
1820:Date recorded
1807:
1804:
1799:
1789:
1786:
1780:
1777:
1776:
1774:
1771:
1767:
1763:
1760:
1757:
1754:
1750:
1746:
1743:
1740:
1737:
1733:
1729:
1726:
1723:
1720:
1716:
1712:
1709:
1703:
1700:
1699:
1697:
1694:
1690:
1686:
1683:
1677:
1674:
1673:
1671:
1669:"Ornithology"
1668:
1664:
1660:
1657:
1651:
1648:
1647:
1645:
1642:
1638:
1634:
1631:
1628:
1625:
1621:
1617:
1614:
1611:
1608:
1604:
1600:
1597:
1594:
1591:
1587:
1583:
1580:
1577:
1574:
1570:
1566:
1563:
1560:
1557:
1553:
1549:
1546:
1540:
1537:
1536:
1534:
1531:
1527:
1523:
1520:
1514:
1511:
1510:
1508:
1505:
1501:
1497:
1494:
1488:
1485:
1484:
1482:
1479:
1475:
1469:Date recorded
1456:
1453:
1448:
1441:
1436:
1428:
1425:
1423:
1419:
1416:
1412:
1408:
1404:
1401:
1399:
1395:
1394:J. Fred Coots
1392:
1389:
1385:
1381:
1377:
1374:
1371:
1368:
1364:
1360:
1357:
1355:
1351:
1348:
1345:
1341:
1337:
1333:
1330:
1327:
1324:
1320:
1316:
1313:
1310:
1307:
1303:
1299:
1293:Date recorded
1280:
1267:
1264:
1261:
1258:
1254:
1250:
1247:
1244:
1241:
1237:
1233:
1230:
1227:
1224:
1220:
1216:
1212:
1209:
1206:
1203:
1199:
1195:
1192:
1189:
1186:
1182:
1178:
1175:
1172:
1170:"Reets and I"
1169:
1165:
1159:Date recorded
1146:
1140:
1133:
1130:
1122:
1119:
1116:
1113:
1109:
1105:
1102:
1096:
1093:
1092:
1090:
1087:
1083:
1079:
1076:
1070:
1067:
1066:
1064:
1062:"Ornithology"
1061:
1057:
1053:
1050:
1047:
1044:
1040:
1036:
1033:
1027:
1024:
1023:
1021:
1018:
1014:
1010:
1007:
1001:
998:
997:
995:
992:
988:
982:Date recorded
969:
956:
953:
947:
944:
943:
941:
938:
934:
930:
927:
925:
922:
919:
915:
911:
907:
904:
901:
898:
894:
890:
887:
884:
881:
877:
873:
870:
867:
864:
860:
856:
853:
850:
847:
843:
837:Date recorded
824:
818:
811:
808:
804:Track listing
803:
801:
799:
795:
791:
787:
786:African music
783:
779:
775:
771:
767:
763:
759:
754:
752:
751:
746:
742:
738:
733:
731:
727:
723:
722:
717:
716:
710:
708:
707:
671:
669:
668:
664:
663:
638:
635:
632:
631:
606:
603:
602:
598:
597:
567:
564:
561:
560:
530:
527:
526:
522:
521:
491:
488:
487:
457:
454:
451:
450:
442:
439:Review scores
437:
428:
426:
424:
423:
418:
414:
410:
405:
403:
402:
397:
393:
388:
386:
382:
378:
374:
370:
365:
363:
359:
352:
350:
348:
344:
340:
336:
332:
328:
324:
323:Sonny Rollins
320:
316:
308:
300:
297:
289:
279:
275:
271:
265:
264:
260:
255:This section
253:
249:
244:
243:
237:
235:
233:
232:
227:
226:
221:
217:
213:
212:
202:
198:
191:
186:
182:
179:
175:
171:
162:
161:
157:
153:
152:
148:
144:
143:
139:
138:
134:
130:
126:
123:
120:
118:
114:
107:
104:
102:
98:
95:
92:
90:
86:
82:
78:
71:
68:
65:
64:
62:
58:
54:
50:
46:
41:
37:
30:
25:
20:
3434:
3427:
3403:
3396:
3387:
3363:
3356:
3344:. Retrieved
3338:
3328:
3309:
3303:
3284:
3278:
3259:
3253:
3228:
3220:
3209:. Retrieved
3207:. 2001-10-01
3202:
3193:
3169:
3159:
3134:
3097:
3074:
3067:
3053:
3046:
3038:Google Books
3036:– via
3031:. Retrieved
3024:
3015:
3004:. Retrieved
2997:
2988:
2856:Tommy Potter
2844:Fats Navarro
2595:"Sure Thing"
2532:
2527:
2220:H. Gillespie
2105:
2100:
1977:"Sure Thing"
1802:
1797:
1652:H. Gillespie
1451:
1446:
1442:1989 reissue
1350:Harold Arlen
1242:"Sure Thing"
1138:
1131:
816:
809:
797:
781:
757:
755:
748:
744:
741:Un Poco Loco
736:
734:
729:
719:
713:
711:
704:
703:
665:
633:
599:
562:
523:
420:
416:
412:
406:
399:
395:
391:
389:
380:
376:
366:
361:
357:
356:
327:Tommy Potter
319:Fats Navarro
312:
292:
286:January 2024
283:
268:Please help
256:
229:
223:
210:
209:
208:
177:
158:
150:
149:
140:
3485:1956 albums
2935:– mastering
2924:Alfred Lion
2869:May 1, 1951
2705:Cole Porter
2517:May 1, 1951
2500:May 1, 1951
2483:May 1, 1951
2466:May 1, 1951
2449:May 1, 1951
2432:May 1, 1951
2406:May 1, 1951
2380:May 1, 1951
2354:May 1, 1951
1915:May 1, 1951
1898:May 1, 1951
1881:May 1, 1951
1864:May 1, 1951
1847:May 1, 1951
1787:May 1, 1951
1761:May 1, 1951
1744:May 1, 1951
1727:May 1, 1951
1437:CD reissues
1415:Ornithology
1358:May 1, 1951
1231:May 1, 1951
1120:May 1, 1951
1034:May 1, 1951
1008:May 1, 1951
954:May 1, 1951
888:May 1, 1951
871:May 1, 1951
854:May 1, 1951
790:Latin music
760:, although
753:concurred.
726:Scott Yanow
385:1500 series
228:(1952) and
122:Alfred Lion
69:May 1, 1951
3464:Categories
3211:2024-01-23
3033:2024-01-23
3006:2024-01-23
2980:References
2963:– producer
2926:– producer
2906:Art Taylor
2862:Roy Haynes
2838:Bud Powell
2426:Van Heusen
948:Van Heusen
347:Art Taylor
331:Roy Haynes
238:Background
216:Bud Powell
131:chronology
129:Bud Powell
55:April 1956
3346:28 August
2884:Max Roach
2827:Musicians
2822:Personnel
2615:Pettiford
2547:Writer(s)
2400:Paparelli
2397:Gillespie
2120:Writer(s)
2014:Pettiford
1817:Writer(s)
1466:Writer(s)
1328:Pettiford
1290:Writer(s)
1156:Writer(s)
1028:Paparelli
1025:Gillespie
1002:Paparelli
999:Gillespie
979:Writer(s)
834:Writer(s)
429:Reception
339:Max Roach
309:Recording
257:does not
220:Blue Note
106:Blue Note
3167:(2007).
3133:(2008).
3081:AllMusic
3077:: Review
3060:AllMusic
3056:: Review
2918:Original
2663:"Audrey"
2062:"Audrey"
1369:"Audrey"
782:Jazz 101
743:'". In
636:(Vol. 2)
604:(Vol. 1)
565:(Vol. 2)
528:(Vol. 1)
455:(Vol. 1)
453:AllMusic
417:Volume 2
413:Volume 1
396:Volume 2
392:Volume 1
362:Volume 2
358:Volume 1
234:(1954).
194:Volume 2
117:Producer
83:WOR, NYC
60:Recorded
52:Released
42: by
33:Volume 1
3141:Penguin
2955:Reissue
2908:– drums
2864:– drums
2858:– bass
2840:– piano
2374:Harburg
1781:Harburg
788:or how
770:Machito
278:removed
263:sources
164:(1956)
155:(1956)
146:(1956)
3446:
3415:
3375:
3316:
3291:
3266:
3241:
3181:
3147:
3104:
2902:– bass
2808:
2791:
2774:
2757:
2740:
2723:
2683:
2666:
2598:
2581:Harris
2553:Length
2514:
2497:
2480:
2463:
2446:
2351:
2334:
2317:
2300:
2283:
2266:
2246:Parker
2243:Harris
2180:
2163:
2160:"Wail"
2143:Powell
2140:Fuller
2126:Length
2082:
2065:
1997:
1980:
1963:
1946:Harris
1912:
1823:Length
1758:
1741:
1724:
1704:Parker
1701:Harris
1678:Parker
1675:Harris
1612:
1595:
1578:
1575:"Wail"
1561:
1541:Powell
1538:Fuller
1515:Powell
1512:Fuller
1489:Powell
1486:Fuller
1472:Length
1372:
1311:
1296:Length
1277:Side 2
1245:
1173:Harris
1162:Length
1143:Side 1
1117:
1097:Powell
1094:Fuller
1071:Parker
1068:Harris
1048:
1045:"Wail"
985:Length
966:Side 2
902:
885:
868:
851:
840:Length
821:Side 1
447:Rating
444:Source
367:After
80:Studio
2544:Title
2423:Burke
2371:Arlen
2217:Coots
2117:Title
1814:Title
1778:Arlen
1649:Coots
1463:Title
1287:Title
1153:Title
976:Title
945:Burke
831:Title
407:When
101:Label
94:Bebop
89:Genre
3444:ISBN
3413:ISBN
3373:ISBN
3348:2018
3314:ISBN
3289:ISBN
3264:ISBN
3239:ISBN
3179:ISBN
3145:ISBN
3102:ISBN
2814:2:11
2797:2:45
2780:3:13
2763:2:33
2746:2:58
2729:2:13
2712:2:37
2689:2:25
2672:2:58
2655:2:53
2638:4:04
2621:3:04
2604:2:40
2587:3:22
2570:2:54
2564:Duke
2520:2:23
2503:3:53
2486:4:32
2469:3:49
2452:3:26
2435:3:17
2409:4:17
2383:2:59
2357:4:46
2340:3:12
2323:2:51
2306:2:42
2289:3:16
2272:3:06
2255:2:23
2229:3:15
2203:2:50
2197:Monk
2186:2:54
2169:3:06
2152:3:04
2088:2:21
2071:2:54
2054:2:50
2037:4:00
2020:3:01
2003:2:11
1986:2:39
1969:2:30
1952:3:18
1935:2:51
1929:Duke
1918:3:25
1901:3:16
1884:2:22
1867:3:52
1850:4:16
1790:2:55
1764:4:42
1747:4:28
1730:3:46
1713:3:07
1687:2:20
1661:3:11
1635:2:45
1629:Monk
1618:2:50
1601:2:52
1584:3:02
1567:2:38
1550:3:01
1524:3:12
1498:3:03
1429:3:11
1405:3:15
1378:2:54
1361:2:57
1334:3:01
1317:2:21
1268:4:00
1251:2:39
1234:3:13
1213:2:50
1196:2:51
1190:Duke
1179:3:18
1123:3:23
1106:3:01
1080:2:20
1054:3:02
1037:4:12
1011:3:49
957:3:12
931:2:45
908:2:50
891:4:42
874:4:28
857:3:46
768:and
373:12"s
345:and
337:and
329:and
261:any
259:cite
3440:188
3409:170
3369:127
3235:167
3079:at
3058:at
2802:15.
2785:14.
2768:13.
2751:12.
2734:11.
2717:10.
2540:No.
2508:20.
2491:19.
2474:18.
2457:17.
2440:16.
2414:15.
2388:14.
2362:13.
2345:12.
2328:11.
2311:10.
2113:No.
2076:15.
2059:14.
2042:13.
2025:12.
2008:11.
1991:10.
1810:No.
1769:15.
1752:14.
1735:13.
1718:12.
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1459:No.
1283:No.
1149:No.
972:No.
827:No.
735:In
315:WOR
272:by
3466::
3442:.
3411:.
3371:.
3337:.
3237:.
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3129:;
3116:^
3088:^
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2996:.
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2157:2.
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1957:8.
1940:7.
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325:,
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1386:"
1346:"
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299:)
293:(
288:)
284:(
280:.
266:.
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