Knowledge (XXG)

The Anteroom

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666:, and Krell admitted that his production on the album lead to Ford's interest and passion for music being renewed after a prior negative experience; Krell coped with "super mangled emotions" through Ford's presence in the studio. They also developed a technique known as "Incomplete Picture", an analogy for their gradually reductive production process and tendencies to engage in 465: 403: 398: 365: 327: 460: 455: 450: 445: 393: 388: 383: 360: 355: 350: 345: 322: 317: 312: 307: 530:, and intended it as a "testament" to a two-year spiritually exploratory and intense period in his life that followed where he "felt slipping out of the world and into a cosmic loneliness in which would eventually be dissolved". Prior to the album's release, Krell addressed that he was "no longer making music for the 722:
sound experimentation". Prior to the album's release, Krell called it his "most sonically, biographically and conceptually detailed and intense record to date". He also admitted that he "got in such an intense space mentally", and that the album ended up becoming "this kind of big,
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playlist titled "The Anteroom Influences (LOTOU 1.1)" which documented the album's overall musical influences, as well as songs he listened to before and during the production of the album as reference points for its production style and emotional tone.
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The album cover of The Anteroom, different for the CD and vinyl editions, was created by Krell in collaboration with artist and friend Joshua Clancy. The deluxe vinyl edition in particular features art created in a
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of itself". The album also lyrically addresses elements of Krell's own personal life, emphasized the most on "Nonkilling 6 | Hunger", "July 13 No Hope No Pain", and "Love Means Taking Action".
756:. Krell commented that "the way write is very free associative", and that he "had a canon of books was reading; over and over, books of poetry that were essential"; he compared himself to a 546:-influenced sounds of his early work, but more cohesive and detailed; the press release subsequently described the album as a "single continuous piece of 21st century 1461: 1376: 1559: 1656: 527: 1583: 1681: 1402: 1661: 1651: 567: 1676: 1552: 1290: 1607: 683: 172: 1599: 1515: 1545: 736: 1671: 1462:"How To Dress Well talks philosophy, metaphysics, duality, and the truth in 'The Anteroom' [Interview]" 1345: 1053: 503:. The album was influenced by a spiritually intense period in Krell's life, as well as his renewed interest in 500: 125: 1346:"How To Dress Well Announces The Anteroom, Shares "Nonkilling 6 | Hunger" | Music News | Consequence of Sound" 1666: 1206: 550:". Domino described the album as incorporating "blizzardous electronic noise, fragile melodies and poignant 1318: 730:
The album features literary and poetic references; the title track, "The Anteroom", lyrically references
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music with abrasive and atmospheric textures that he had explored at the beginning of his career.
1591: 1048: 700: 639: 595: 535: 531: 504: 744:'s poem "The Cleaving", and "Brutal | False Skull 5" uses vocal samples of readings of poems by 1568: 1490: 607: 547: 496: 159: 139: 41: 1267: 724: 703: 587: 555: 507: 412: 85: 80: 1427: 1262: 1180: 642:, demonic negative transcendence, the end of life on the earth: How to Dress Well presents 1623: 1239: 791: 770: 631: 599: 374: 147: 132: 1211: 790:
All tracks are written by Tom Krell unless indicated, and co-produced by Joel Ford and
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is stylistically radically different from Krell's prior album under How to Dress Well,
615: 336: 206: 1640: 731: 707: 635: 623: 591: 571: 539: 95: 719: 1070: 1058:"Love Means Taking Action" interpolates "Love Means Taking Action" by Croatian Amor 1043: 753: 741: 619: 603: 579: 492: 120: 1066: 1062: 774: 749: 745: 715: 627: 611: 575: 563: 543: 523: 73: 1158: 757: 667: 663: 558:. Krell also detailed the album's artistic and literary inspirations, citing: 276: 1377:"The Inside Story of How To Dress Well's Music, as Told by How To Dress Well" 740:
multiple times, "Nonkilling 6 | Hunger" begins with a sample of a reading of
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Artist and producer Joel Ford, who contributed production and engineering to
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by American singer-songwriter Tom Krell, best known under his project name
28: 1323: 1184: 692: 436: 299: 1061:"Brutal | False Skull 5" samples "After Rapture" written and spoken by 778: 651: 1042:"Nonkilling 6 | Hunger" samples "The Cleaving" written and spoken by 551: 1537: 1291:"The new record from How To Dress Well is an urgent, uneasy return" 222:"Vacant Boat (shred) | Nonkilling 1 | The Anteroom | False Skull 1" 36: 1541: 499:, released on October 19, 2018 digitally and physically on 1516:"Class of 2018 – The 100 Greatest Songs of the Year!" 1065:, elements of "Wanting To Die" written and spoken by 1403:"How To Dress Well announces new album The Anteroom" 1096:"How to Dress Well - The Anteroom | Pitchfork Media" 1069:, and elements of "Valentine" written and spoken by 1575: 815: 804: 205: 158: 131: 119: 103: 72: 64: 56: 48: 35: 21: 917:"A Memory, The Spinning of a Body | Nonkilling 2" 1371: 1369: 1367: 1130:"How To Dress Well - The Anteroom – Rough Trade" 1428:"The Anteroom Influences (LOTOU 1.1) | Spotify" 777:, which Krell and Clancy described as a "hyper- 1553: 866:"Nonkilling 3 | The Anteroom | False Skull 1" 670:, creating "openness for the listening act". 534:". With the album, he aimed to return to the 8: 1124: 1122: 1120: 1118: 1116: 824:"Humans Disguised as Animals | Nonkilling 1" 442: 380: 342: 304: 1090: 1088: 1086: 1560: 1546: 1538: 1491:"How To Dress Well The Anteroom Interview" 1485: 1483: 1456: 1454: 1452: 1450: 1448: 256: 27: 18: 16:2018 studio album by How to Dress Well 718:pop songwriting, which was described as " 662:, was described as a "facilitator" and a 795: 1082: 1022: 687:(2016), which was focused strictly on 1261:Wilkinson, Henry (October 26, 2018). 1023: 894:"Nonkilling 13 | Ceiling for the Sky" 285: 262: 7: 1289:Biddles, Claire (October 18, 2018). 1233:Young, Martyyn (October 16, 2018). 14: 444: 382: 344: 306: 1317:Devlin, Ben (October 15, 2018). 463: 458: 453: 448: 443: 401: 396: 391: 386: 381: 363: 358: 353: 348: 343: 325: 320: 315: 310: 305: 1657:Domino Recording Company albums 650:Krell additionally published a 554:", and compared the album to a 518:Krell initially conceptualized 805: 1: 1682:Post-industrial music albums 234:Released: September 11, 2018 528:United States 2016 election 1698: 959:"Love Means Taking Action" 781:at the end of the world". 514:Background and composition 243:Released: October 15, 2018 1662:Experimental music albums 1263:"Drowned in Sound Review" 1009: 995: 981: 955: 945:"July 13 No Hope No Pain" 941: 927: 913: 890: 876: 862: 848: 834: 820: 812: 809: 293: 290: 270: 267: 251: 216: 201: 166: 26: 1652:How to Dress Well albums 1046:and a sound effect from 985:"Brutal | False Skull 5" 1677:Experimental pop albums 931:"Nonkilling 6 | Hunger" 231:"Nonkilling 6 | Hunger" 225:Released: June 27, 2018 1235:"Dork Magazine Review" 674:Concept and influences 648: 190:What Remains (Remixes) 68:Pat House, Los Angeles 1600:"What Is This Heart?" 1207:"DIY Magazine Review" 712:post-industrial music 560: 522:when he relocated to 1350:Consequence of Sound 1296:The Line of Best Fit 689:contemporary R&B 425:The Line of Best Fit 258:Professional ratings 1352:. 10 September 2018 1155:"Metacritic Review" 1052:(2008) directed by 801: 582:, Neil Landstrumm, 259: 1522:. 14 December 2018 796: 699:focuses mainly on 640:Alejandra Pizarnik 596:Dambudzo Marechera 257: 1634: 1633: 1569:How to Dress Well 1520:Songs For Whoever 1468:. 5 November 2018 1383:. 24 October 2018 1319:"MusicOMH Review" 1181:"AllMusic Review" 1179:Phares, Heather. 1033: 1032: 695:. In comparison, 608:Unknown Pleasures 566:(especially the " 548:psychedelic music 497:How to Dress Well 484: 483: 255: 254: 197: 196: 160:How to Dress Well 42:How to Dress Well 1689: 1672:Avant-pop albums 1562: 1555: 1548: 1539: 1532: 1531: 1529: 1527: 1512: 1506: 1505: 1503: 1501: 1487: 1478: 1477: 1475: 1473: 1458: 1443: 1442: 1440: 1438: 1424: 1418: 1417: 1415: 1413: 1399: 1393: 1392: 1390: 1388: 1373: 1362: 1361: 1359: 1357: 1342: 1336: 1335: 1333: 1331: 1314: 1308: 1307: 1305: 1303: 1286: 1280: 1279: 1277: 1275: 1268:Drowned in Sound 1258: 1252: 1251: 1249: 1247: 1230: 1224: 1223: 1221: 1219: 1202: 1196: 1195: 1193: 1191: 1176: 1170: 1169: 1167: 1165: 1151: 1145: 1144: 1142: 1140: 1126: 1111: 1110: 1108: 1106: 1092: 1026: 999:"False Skull 12" 807: 802: 760:for such works. 725:exquisite corpse 588:Paul B. Preciado 556:weighted blanket 468: 467: 466: 462: 461: 457: 456: 452: 451: 447: 446: 413:Drowned in Sound 406: 405: 404: 400: 399: 395: 394: 390: 389: 385: 384: 368: 367: 366: 362: 361: 357: 356: 352: 351: 347: 346: 330: 329: 328: 324: 323: 319: 318: 314: 313: 309: 308: 263:Aggregate scores 260: 244: 241: 235: 232: 226: 223: 168: 167: 115: 114: 110: 81:Experimental pop 52:October 19, 2018 31: 19: 1697: 1696: 1692: 1691: 1690: 1688: 1687: 1686: 1637: 1636: 1635: 1630: 1624:I Am Toward You 1571: 1566: 1536: 1535: 1525: 1523: 1514: 1513: 1509: 1499: 1497: 1489: 1488: 1481: 1471: 1469: 1460: 1459: 1446: 1436: 1434: 1426: 1425: 1421: 1411: 1409: 1401: 1400: 1396: 1386: 1384: 1375: 1374: 1365: 1355: 1353: 1344: 1343: 1339: 1329: 1327: 1316: 1315: 1311: 1301: 1299: 1288: 1287: 1283: 1273: 1271: 1260: 1259: 1255: 1245: 1243: 1232: 1231: 1227: 1217: 1215: 1204: 1203: 1199: 1189: 1187: 1178: 1177: 1173: 1163: 1161: 1153: 1152: 1148: 1138: 1136: 1128: 1127: 1114: 1104: 1102: 1094: 1093: 1084: 1079: 1034: 1024: 974: 906: 852:"False Skull 7" 787: 766: 676: 632:Silvia Federici 516: 464: 459: 454: 449: 402: 397: 392: 387: 364: 359: 354: 349: 326: 321: 316: 311: 247: 242: 239: 238: 233: 230: 229: 224: 221: 220: 192: 185: 176: 112: 108: 107: 44: 17: 12: 11: 5: 1695: 1693: 1685: 1684: 1679: 1674: 1669: 1667:Ambient albums 1664: 1659: 1654: 1649: 1639: 1638: 1632: 1631: 1629: 1628: 1620: 1612: 1604: 1596: 1588: 1579: 1577: 1573: 1572: 1567: 1565: 1564: 1557: 1550: 1542: 1534: 1533: 1507: 1479: 1444: 1419: 1394: 1363: 1337: 1309: 1281: 1253: 1225: 1205:Goggins, Joe. 1197: 1171: 1146: 1112: 1081: 1080: 1078: 1075: 1074: 1073: 1059: 1056: 1037:Sample credits 1031: 1030: 1027: 1021: 1020: 1017: 1014: 1011: 1007: 1006: 1003: 1000: 997: 993: 992: 989: 986: 983: 979: 978: 975: 973: 972: 969: 966: 962: 960: 957: 953: 952: 949: 946: 943: 939: 938: 935: 932: 929: 925: 924: 921: 918: 915: 911: 910: 907: 905: 904: 903:Nick Sylvester 901: 897: 895: 892: 888: 887: 884: 881: 878: 874: 873: 870: 867: 864: 860: 859: 856: 853: 850: 846: 845: 842: 839: 836: 832: 831: 828: 825: 822: 818: 817: 814: 811: 808: 792:Michael Silver 788: 786: 783: 765: 762: 675: 672: 616:Akira Rabelais 600:Vatican Shadow 515: 512: 482: 481: 478: 470: 469: 440: 432: 431: 428: 420: 419: 416: 408: 407: 378: 370: 369: 340: 332: 331: 302: 296: 295: 292: 288: 287: 283: 282: 279: 273: 272: 269: 265: 264: 253: 252: 249: 248: 246: 245: 236: 227: 217: 214: 213: 203: 202: 199: 198: 195: 194: 187: 178: 164: 163: 156: 155: 154: 153: 150: 148:Michael Silver 145: 142: 135: 129: 128: 123: 117: 116: 105: 101: 100: 99: 98: 93: 88: 83: 76: 70: 69: 66: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1694: 1683: 1680: 1678: 1675: 1673: 1670: 1668: 1665: 1663: 1660: 1658: 1655: 1653: 1650: 1648: 1645: 1644: 1642: 1626: 1625: 1621: 1618: 1617: 1613: 1610: 1609: 1605: 1602: 1601: 1597: 1594: 1593: 1589: 1586: 1585: 1581: 1580: 1578: 1574: 1570: 1563: 1558: 1556: 1551: 1549: 1544: 1543: 1540: 1521: 1517: 1511: 1508: 1496: 1492: 1486: 1484: 1480: 1467: 1463: 1457: 1455: 1453: 1451: 1449: 1445: 1433: 1429: 1423: 1420: 1408: 1404: 1398: 1395: 1382: 1378: 1372: 1370: 1368: 1364: 1356:September 17, 1351: 1347: 1341: 1338: 1326: 1325: 1320: 1313: 1310: 1298: 1297: 1292: 1285: 1282: 1270: 1269: 1264: 1257: 1254: 1242: 1241: 1236: 1229: 1226: 1214: 1213: 1208: 1201: 1198: 1186: 1182: 1175: 1172: 1160: 1156: 1150: 1147: 1135: 1131: 1125: 1123: 1121: 1119: 1117: 1113: 1101: 1100:pitchfork.com 1097: 1091: 1089: 1087: 1083: 1076: 1072: 1068: 1064: 1060: 1057: 1055: 1054:Steve McQueen 1051: 1050: 1045: 1041: 1040: 1039: 1038: 1028: 1025:Total length: 1018: 1015: 1012: 1008: 1004: 1001: 998: 994: 990: 987: 984: 980: 976: 970: 967: 964: 963: 961: 958: 954: 950: 947: 944: 940: 936: 933: 930: 926: 922: 919: 916: 912: 908: 902: 899: 898: 896: 893: 889: 885: 882: 880:"Vacant Boat" 879: 875: 871: 868: 865: 861: 857: 854: 851: 847: 843: 840: 837: 833: 829: 826: 823: 819: 803: 800:track listing 799: 794: 793: 785:Track listing 784: 782: 780: 776: 773:cave" on the 772: 763: 761: 759: 755: 751: 747: 743: 739: 738: 733: 732:Maggie Nelson 728: 726: 721: 717: 713: 709: 708:ambient music 705: 702: 698: 694: 690: 686: 685: 680: 673: 671: 669: 665: 661: 656: 653: 647: 645: 641: 637: 636:Maggie Nelson 633: 629: 625: 624:Basic Channel 621: 617: 613: 609: 605: 601: 597: 593: 592:Acid Mt. Fuji 589: 585: 581: 577: 573: 572:Robert Ashley 569: 565: 559: 557: 553: 549: 545: 541: 537: 533: 529: 525: 521: 513: 511: 509: 506: 502: 498: 494: 491:is the fifth 490: 489: 479: 477: 476: 472: 471: 441: 439: 438: 434: 433: 429: 427: 426: 422: 421: 417: 415: 414: 410: 409: 379: 377: 376: 372: 371: 341: 339: 338: 334: 333: 303: 301: 298: 297: 289: 286:Review scores 284: 280: 278: 275: 274: 266: 261: 250: 237: 228: 219: 218: 215: 212: 211:The Anteroom 208: 204: 200: 191: 188: 184: 183: 179: 175: 174: 170: 169: 165: 161: 157: 151: 149: 146: 143: 141: 138: 137: 136: 134: 130: 127: 124: 122: 118: 106: 102: 97: 94: 92: 89: 87: 84: 82: 79: 78: 77: 75: 71: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1622: 1616:The Anteroom 1615: 1614: 1606: 1598: 1590: 1584:Love Remains 1582: 1524:. Retrieved 1519: 1510: 1498:. Retrieved 1494: 1470:. Retrieved 1465: 1435:. Retrieved 1431: 1422: 1410:. Retrieved 1407:Domino Music 1406: 1397: 1385:. Retrieved 1380: 1354:. Retrieved 1349: 1340: 1328:. 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Retrieved 1099: 1071:Frank Bidart 1047: 1044:Li-Young Lee 1036: 1035: 798:The Anteroom 797: 789: 767: 754:Frank Bidart 742:Li-Young Lee 735: 729: 701:experimental 697:The Anteroom 696: 682: 679:The Anteroom 678: 677: 660:The Anteroom 659: 657: 649: 644:The Anteroom 643: 620:Frank Bidart 604:Joy Division 580:Helena Hauff 562:Inspired by 561: 536:experimental 520:The Anteroom 519: 517: 505:experimental 493:studio album 488:The Anteroom 487: 486: 485: 473: 435: 423: 411: 373: 335: 210: 189: 182:The Anteroom 181: 180: 171: 37:Studio album 22:The Anteroom 1647:2018 albums 1526:January 30, 1500:January 30, 1472:January 30, 1437:October 16, 1412:October 16, 1387:January 30, 1139:January 30, 1134:Rough Trade 1067:Anne Sexton 1063:Ocean Vuong 971:Loke Rahbek 775:Oculus Rift 750:Anne Sexton 746:Ocean Vuong 628:Ocean Vuong 612:Alec Empire 576:Kathy Acker 568:Moon Musick 524:Los Angeles 152:Ben Babbitt 1641:Categories 1592:Total Loss 1381:AnotherMan 1330:August 13, 1302:August 13, 1274:August 13, 1246:August 13, 1218:August 13, 1190:August 12, 1164:August 12, 1159:Metacritic 1105:January 8, 1077:References 838:"Body Fat" 720:bewitching 716:abstracted 704:electronic 668:minimalism 570:" phase), 526:after the 508:electronic 277:Metacritic 240:"Body Fat" 162:chronology 86:electronic 1013:"Nothing" 813:Writer(s) 764:Album art 584:Front 242 532:algorithm 475:Pitchfork 144:Joel Ford 140:Tom Krell 60:2016–2018 1495:Red Bull 1324:MusicOMH 1185:AllMusic 693:synthpop 437:MusicOMH 300:AllMusic 133:Producer 57:Recorded 49:Released 39: by 1466:Earmilk 1432:Spotify 779:Lascaux 758:channel 706:music, 652:Spotify 540:ambient 207:Singles 193:(2023) 186:(2018) 177:(2016) 96:ambient 91:R&B 1627:(2024) 1619:(2018) 1611:(2016) 1603:(2014) 1595:(2012) 1587:(2010) 1576:Albums 1049:Hunger 1016:  1002:  988:  948:  934:  920:  883:  869:  855:  841:  827:  816:Length 737:Bluets 664:medium 552:poetry 542:- and 501:Domino 480:7.3/10 430:7.5/10 294:Rating 291:Source 281:74/100 271:Rating 268:Source 126:Domino 104:Length 65:Studio 1029:57:24 965:Krell 900:Krell 810:Title 714:with 544:noise 209:from 121:Label 74:Genre 1608:Care 1528:2019 1502:2019 1474:2019 1439:2018 1414:2018 1389:2019 1358:2018 1332:2020 1304:2020 1276:2020 1248:2020 1240:Dork 1220:2020 1192:2020 1166:2020 1141:2019 1107:2020 1019:3:52 1005:2:20 991:3:20 977:4:23 968:Ford 951:6:35 937:5:40 923:5:04 909:5:21 886:3:03 872:6:42 858:1:13 844:5:02 830:4:50 752:and 710:and 691:and 684:Care 564:Coil 418:4/10 375:Dork 173:Care 1212:DIY 1010:13. 996:12. 982:11. 956:10. 806:No. 734:'s 606:'s 594:," 590:, " 538:-, 337:DIY 1643:: 1518:. 1493:. 1482:^ 1464:. 1447:^ 1430:. 1405:. 1379:. 1366:^ 1348:. 1321:. 1293:. 1265:. 1237:. 1209:. 1183:. 1157:. 1132:. 1115:^ 1098:. 1085:^ 942:9. 928:8. 914:7. 891:6. 877:5. 863:4. 849:3. 835:2. 821:1. 771:VR 748:, 638:, 634:, 630:, 626:, 622:, 618:, 614:, 610:, 602:, 598:, 586:, 578:, 574:, 113:24 109:57 1561:e 1554:t 1547:v 1530:. 1504:. 1476:. 1441:. 1416:. 1391:. 1360:. 1334:. 1306:. 1278:. 1250:. 1222:. 1194:. 1168:. 1143:. 1109:. 769:" 646:. 111::

Index


Studio album
How to Dress Well
Genre
Experimental pop
electronic
R&B
ambient
Label
Domino
Producer
Tom Krell
Michael Silver
How to Dress Well
Care
Singles
Metacritic
AllMusic
DIY
Dork
Drowned in Sound
The Line of Best Fit
MusicOMH
Pitchfork
studio album
How to Dress Well
Domino
experimental
electronic
Los Angeles

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