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346:(the former archbishop's brother) is already there, attempting to convince Graveney to bequeath his estate to the Church by threatening him with the pains of Hell, just as his brother had done with the dying Duke of Winchester earlier. Graveney confesses to Edmund that he fears damnation for his many sins, which include killing his father so he could have an affair with his own mother over one thousand times. Edmund convinces Graveney that if he were to go to
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303:. The next day, to reduce his chances of being appointed, Edmund dresses up ridiculously, but to his horror, King Richard announces that he will be the new archbishop. Fearing for his life, Edmund tries to grovel his way out of the job, but Richard refuses, threatening to do to him "what God did unto the
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were in essence just sketches. He points to
Baldrick's scene with the holy relics as an example of one of those sequences – entertaining, but ultimately self-contained. Robinson felt that, because he, Rowan Atkinson and Tim McInnerny had just begun to work together, this scene was the first time that
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produced by
Baldrick himself. Despite his initial displeasure, Edmund starts to settle in as archbishop, given the benefits the position brings him: he is gaining great new wealth for himself and the crown, for the first time his father actually respects him, and even without needing to kill his
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he would spend eternity "singing, talking to God and watering pot plants", contrasting it with a picture of Hell as an opportunity to spend eternity indulging in fornication, murder and pillage. Excited by the prospect of eternal sin, Graveney deeds his lands to the Crown just before dying. In his
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satirises the supposedly unquestioning credulity of the
Mediaeval Christian, Lewis suggests that Chaucer's story, by offering a satirical commentary on the relic trade, shows that the teachings of the Church were open to question and ridicule even in the 14th century.
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Some time later, news arrives that the wealthy Lord
Graveney is on his deathbed. Edmund, fearing reprisals from his father, rushes to Graveney's castle to convince him to leave his lands to the Crown. However, the
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who take it literally as instructions to murder the current archbishop of
Canterbury. The two assassins surprise Edmund, Baldrick and Percy and attempt to kill them. The trio escape by disguising themselves as
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drink a toast to Edmund, and
Richard remarks that he is grateful that he will never again have to say "who will rid me of this turbulent priest?" The end of the sentence is overheard by two drunken
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by Edmund as he prepares to go into exile, bidding farewell to the castle turrets, and King
Richard preaching an angry sermon from the pulpit at the funeral of the dead Archbishop Godfrey.
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his estate to the
Catholic Church. Moments after the will is signed, Winchester dies, and his lands pass on to the Church. Enraged, the King has the Archbishop murdered.
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in the role of the Duke of
Winchester. Brambell walked off set after becoming impatient with delays in shooting the scene. Russell was credited as Russell Enoch.
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of the period which are not always entirely accurate. While the series uses absurdly comic situations to mock religion and belief, the scripts of both
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Edmund attempts to flee to France with
Baldrick and Percy, but is caught trying to escape by King Richard and Prince Harry, and claims he was going to
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In the epilogue, the Mother Superior laments the corruption of the world, and suggestively informs another nun that she won't be needing "the
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Prince Edmund (Rowan Atkinson, right) conspires with Baldrick (Tony Robinson, left) and Lord Percy (Tim McInnerny, middle) to sell holy relics
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The closing credits of this episode list the cast members "in order of reverence".
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Reviewer Katherine J. Lewis draws similarities between Baldrick's relics scene and
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in the late 15th century, and follows the exploits of the fictitious
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in Northumberland and the surrounding countryside in February 1983.
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as Godfrey, Archbishop of Canterbury and William, Bishop of London
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Later, Baldrick reveals a plan to profit from their ordination by
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joy, King Richard embraces Edmund and addresses him as "my son".
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has been the subject of some critical commentary for drawing on
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the three of them truly "gelled" as an ensemble of performers.
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Rowan Atkinson & Richard Curtis (writers) (29 June 1983).
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Among the scenes cut from the final broadcast version of
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learns of Archbishop Godfrey's death from his brother
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