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Aquilon, the northern wind, rushes stormily over the locale; his cold breath of wind awakens Flora and forces her to seek refuge in the foliage. The appearance of chilling dew brings Flora to despair, and she implores Aurora, the goddess of the dawn, to help them.
754:
With the appearance of resplendent Apollo, everything becomes animated. Smitten with the beauty of Flora, Apollo kisses her. At his call, Zephyr, the god of the gentle west wind, flies to his beloved Flora's embrace. He is followed by Cupid and her little amours.
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375:. The production included décor and costumes based on the original designs, and Riccardo Drigo's score was restored from the original hand-written manuscript held in the archives of the Mariinsky Theatre's music library.
864:
775:
Mercury, messenger of the gods, announces Hebé, the goddess of youth, and
Ganymede, cupbearer to the gods. They present Flora and Zephyr a cup of nectar and proclaim that Jupiter has given them eternal youth.
728:
It is night. Flora, the goddess of Spring, is deep asleep with her nymphs; Diana, the goddess of Moon, guards their peace. With the approach of dawn, a freshness is felt in the air. Diana hides in the clouds.
882:
313:. The programme of the ballet was created by L. I. Ivanov and me together, (but) the production of the dances and the mise-en-scène belong exclusively to me; Mr. L. I. Ivanov had no part in them.
218:
25 July] 1894 before the whole of the
Imperial Russian aristocracy, the Imperial court, foreign royalty, and other prominent members of society. Three days later on 9 August [
746:
Aurora consoles Flora with tender caresses and announces that Apollo, the god of day, who will end their sufferings, is following behind her. Aurora, Flora, and her nymphs perform a waltz.
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1208:
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The production was first presented during the VIIth
International Ballet Festival on 12 April 2007 at the Mariinsky Theatre, St. Petersburg. The principal dancers were
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has become a popular piece with both ballet academies and professional companies across Russia, while its variations are frequently performed at ballet competitions.
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of the ballet also credited the choreography to both Petipa and Ivanov. This caused Marius Petipa to write a letter of correction to the newspaper:
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222:
28 July] 1894 the wedding party and guests attended a lavish performance at the newly renovated imperial theatre of
Peterhof where
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1164:
Burlaka, Yuri (2016). "The
Problem of Reconstruction of M. I. Petipa's Choreography (The Ballets "Le Corsaire" and "Flora's Awakening")".
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soon after its premiere in 1894, being among the first ballets to be recorded in this method. Today this notation is part of the
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In no. 201 of your much respected newspaper, a not fully accurate communication was reported about the production of the ballet
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Mathilde
Kschessinskaya as the goddess Flora (right) and Vera Trefilova as the god Cupid (left) in the original production of
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Olympus is revealed; Jupiter appears, Juno, Neptune, Vulcan, Minerva, Ceres, Mars, Pluto, Proserpina, Venus, and others.
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A procession. The chariot of
Bacchus and Ariadne is accompanied by bacchantes, satyrs, fauns, sylvans, and others. A
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8 January] 1895 with the same cast. This performance took place during a farewell benefit for the ballerina
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with four ballerinas performing as the Greco-Roman deities Diana, Aurora, Hebe and Flora. The choreography for the
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was given its final performance in 1919. Marius Petipa's choreography for the ballet was documented in the
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Mathilde
Kschessinskaya as the goddess Flora (left) and Vera Trefilova as the god Cupid (right) in
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was erroneously credited as a joint effort between Marius Petipa and the
Imperial Ballet's second
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Everyone is delighted; Cupid, amours, and nymphs rejoice over the lover's happiness. A classical
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utilized this choreographic notation to prepare for a revival of the original production of
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utilized notations for four variations found among the materials for the full-length
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Souvenir program for the
Mariinsky Ballet's production of "Le Réveil de Flore"
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recorded Pavlova's abridged edition of Drigo's score for his 1974 LP
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Frontispiece for the published piano reduction of Drigo's score for
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Vaganova School: Awakening of Flora/Пробуждение Флоры Pas de quatre
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in the Sergeyev Collection. The music was taken from the score for
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is performed by all assembled, followed by a rousing finale.
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Riccardo Drigo's music was also acclaimed and was issued in
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was praised by contemporary critics, with the critic of the
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Liner note for the LP record "Homage to Pavlova" (CSA 2232)
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Celebration at Peterhof, Ezhegodnik Imperatorskikh Teatrov
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Bulletin of the Academy of Russian Ballet. A. Y. Vaganova
226:
was presented for the first time after the second act of
720:
Taken from the original published piano score of 1894.
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taken from the piano score that was published in 1914.
419:
that the ballet was "... like an ornate Fabergé egg."
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by the brothers Nikolai and Sergei Legat, circa 1903.
246:
where it was first performed on 20 January [
96:
8 January] 1895 (Imperial Mariinsky Theatre)
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L’arrivée et scène de Mercure, de Ganymède et d’Hébé
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907:Caricature of Mikhail Fokine as the god Mercury in
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325:in the repertory of her touring company. Conductor
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1762:The Little Humpbacked Horse (as "The Tsar Maiden")
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186:Marius Petipa and Riccardo Drigo's one-act ballet
1061:. St. Petersburg Imperial Theatres, 426-9. 1894.
846:as well as from other works by Drigo. Today the
830:was based on themes from Marius Petipa's ballet
307:
1002:from the Mariinsky Ballet's reconstruction of
819:for a student workshop of choreography at the
1202:
8:
1846:The Romance of the Rosebud and the Butterfly
980:in the Mariinsky Ballet's reconstruction of
1601:Le Diable à Quatre (as "The Willful Wife")
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1195:
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29:
1888:Ballets premiered at the Peterhof Theatre
1454:Ondine (as "The Naiad and the Fisherman")
1114:. State Academic Mariinsky Theatre. 2007.
636:Entrée de Cupidon suivi des amours–
363:In 2005, the choreographer and historian
350:Stepanov method of choreographic notation
242:was soon transferred to the stage of the
943:Anna Johansson as the goddess Aurora in
1810:Les Ruses d'Amour or The Trial of Damis
1275:The Rose, the Violet, and the Butterfly
1017:
860:
807:In 2004, the teacher and choreographer
162:, to a libretto written by Petipa and
925:Mikhail Fokine as the god Mercury in
7:
1286:(*1858, *1863, *1868, *1885, *1899)
1243:Le Diable amoureux (as "Satanella")
1146:Piano score of "Le Réveil de Flore"
968:, Eugenia Obratzova as the goddess
293:Lev Ivanov in the original printed
1923:Greek and Roman deities in fiction
1918:Works based on classical mythology
1032:The Life and Ballets of Lev Ivanov
972:and Maxim Chaschegorov as the god
25:
603:Scène et danse de la rosée–
413:Sergei Vikharev commented to the
204:Grand Duke Alexander Mikhailovich
154:in one act, with choreography by
90:25 July] 1894 (Peterhof)
1168:(in Russian) (УДК 792.8): 53–63.
1144:Drigo, Riccardo Eugenio (1914).
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321:included an abridged version of
38:
1553:La Vivandière (as "Markitenka")
341:2007 revival by Sergei Vikharev
208:the Cathedral of Peter and Paul
1131:. Retrieved September 11, 2013
206:. Their wedding took place at
1:
1291:A Marriage During the Regency
1217:The ballets and *revivals of
761:"It is the will of the gods."
572:List of scenes and dances of
422:Sergei Vikharev's revival of
1262:(*1850, *1884, *1899, *1903)
543:, the Messenger of the Gods
478:, the God of the North Wind
452:, the Goddess of the Spring
190:was originally created as a
77:Marius Petipa and Lev Ivanov
1682:The Caprices of a Butterfly
1072:Wiley, Roland John (1985).
1034:. Oxford University Press.
1030:Wiley, Roland John (1997).
757:"You must be his helpmate,"
568:Résumé of dances and scenes
517:, the God of the West Wind
194:in honor of the wedding of
1944:
1080:. Oxford University Press.
710:Apothéose: Gloire d’Olympe
491:, the Goddess of the Dawn
465:, the Goddess of the Moon
358:Harvard University Library
244:Imperial Mariinsky Theatre
1878:Ballets by Riccardo Drigo
1502:The Daughter of the Snows
335:London Symphony Orchestra
166:. First presented by the
37:
1868:Ballets by Marius Petipa
1832:The Heart of the Marquis
1470:The Adventures of Peleus
1251:Leda, the Swiss Milkmaid
264:stating that the ballet
178:25 July] 1894.
1641:The Sacrifices to Cupid
1129:: The Mariinsky Ballet"
655:Scène et Pas d'ensemble
556:, the Goddess of Youth
456:Mathilde Kschessinskaya
434:Roles and original cast
406:as the God Mercury and
386:as the Goddess Aurora,
360:'s theatre collection.
278:by the music publisher
1746:The Awakening of Flora
1334:The Pharaoh's Daughter
1127:The Awakening of Flora
1095:. Decca Records. 1974.
1006:. St. Petersburg, 2007
984:. St. Petersburg, 2007
597:L’apparition d’Aquilon
390:as the Goddess Diana,
382:as the Goddess Flora,
315:
299:St. Petersburg Gazette
262:St. Petersburg Gazette
214:on 6 August [
174:on 6 August [
135:The Awakening of Flora
100:St. Petersburg, Russia
18:The Awakening of Flora
1883:1894 ballet premieres
1873:Ballets by Lev Ivanov
1569:The Night and the Day
1382:The Benevolent Cupid
1342:The Beauty of Lebanon
1076:Tchaikovsky's Ballets
612:L’apparition d’Aurore
588:Danse de Diane–
560:Claudia Kulichevskaya
504:, the God of the Sun
426:was awarded the 2007
410:as the Goddess Hebe.
285:The choreography for
196:Emperor Alexander III
141:«Пробуждение Флоры»,
92:20 January [
1674:The Enchanted Forest
1628:(1886, *1887, *1900)
1401:(1868, *1891, *1903)
1350:The Traveling Dancer
1337:(1862, *1885, *1898)
689:Grande marche–
416:St. Petersburg Times
384:Xenia Ostreikovskaya
272:orchestral partition
119:Ballet anacréontique
1913:Mercury (mythology)
1690:The Sleeping Beauty
1609:La Fille Mal Gardée
1596:(*1884, 1899, 1903)
1299:The Parisian Market
1267:The Star of Granada
840:Le Réveile de Flore
661:Variation de Zéphyr
645:Pas d’action—
444:St Petersburg 1894
398:as the God Apollo,
394:as the God Zephyr,
354:Sergeyev Collection
331:"Homage to Pavlova"
303:répétition générale
200:Grand Duchess Xenia
86:6 August [
1893:Aurora (mythology)
1625:The King's Command
1537:La Fille du Danube
1091:Manchester, P. W.
1004:Le Réveil de Flore
982:Le Réveil de Flore
945:Le Réveil de Flore
927:Le Réveil de Flore
909:Le Réveil de Flore
891:Le Réveil de Flore
873:Le Réveil de Flore
844:Le Réveil de Flore
832:Le Réveil de Flore
793:Apotheosis —
759:Apollo tells her,
667:Variation de Flore
574:Le Réveil de Flore
530:, the God of Love
424:Le Réveil de Flore
402:as the God Cupid,
396:Maxim Chaschegorov
392:Vladimir Shklyarov
380:Evgenia Obraztsova
369:Le Réveil de Flore
346:Le Réveil de Flore
323:Le Réveil de Flore
311:Le Réveil de Flore
297:. A review in the
287:Le Réveil de Flore
258:Le Réveil de Flore
240:Le Réveil de Flore
224:Le Réveil de Flore
188:Le Réveil de Flore
143:Probuzhdenie Flory
127:Le Réveil de Flore
46:Le Réveil de Flore
33:Le Réveil de Flore
1928:Flora (mythology)
1898:Diana (mythology)
1855:
1854:
1848:(never presented)
1510:Frizak the Barber
1000:"Gloire d’Olympe"
781:Tableau 6 —
772:Tableau 5 —
751:Tableau 4 —
743:Tableau 3 —
734:Tableau 2 —
725:Tableau 1 —
673:Grande valse-coda
565:
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408:Daria Sukhorukova
400:Valeria Martynyuk
295:theatre programme
233:Roméo et Juliette
198:'s daughter, the
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1769:The Cavalry Halt
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482:Alexander Gorsky
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404:Alexei Timofeyev
388:Svetland Ivanova
373:Mariinsky Ballet
291:Maître de ballet
192:piece d'occasion
111:Mikhail Bocharov
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800:Pas de quatre
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365:Sergei Vikharev
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327:Richard Bonynge
276:piano reduction
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172:Peterhof Palace
168:Imperial Ballet
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317:The ballerina
252:Maria Anderson
228:Charles Gounod
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160:Riccardo Drigo
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1430:The Two Stars
1427:
1424:
1423:
1419:
1416:
1415:
1411:
1409:(1869, *1871)
1408:
1407:
1403:
1400:
1399:
1395:
1392:
1391:
1387:
1384:
1383:
1379:
1376:
1375:
1371:
1368:
1367:
1363:
1360:
1359:
1355:
1352:
1351:
1347:
1344:
1343:
1339:
1336:
1335:
1331:
1328:
1327:
1323:
1321:(1860, *1875)
1320:
1319:
1315:
1314:
1312:
1308:
1302:(1859, *1861)
1301:
1300:
1296:
1293:
1292:
1288:
1285:
1284:
1280:
1277:
1276:
1272:
1269:
1268:
1264:
1261:
1260:
1256:
1253:
1252:
1248:
1245:
1244:
1240:
1237:
1236:
1232:
1231:
1229:
1225:
1220:
1219:Marius Petipa
1212:
1207:
1205:
1200:
1198:
1193:
1192:
1189:
1183:
1180:
1179:
1175:
1167:
1160:
1158:
1156:
1152:
1147:
1140:
1138:
1134:
1130:
1128:
1121:
1118:
1113:
1107:
1105:
1103:
1099:
1094:
1087:
1084:
1078:
1077:
1068:
1065:
1060:
1054:
1052:
1048:
1043:
1037:
1033:
1026:
1024:
1022:
1018:
1012:
1005:
1001:
993:
988:
983:
979:
975:
971:
967:
963:
956:
951:
946:
938:
933:
929:, circa 1901.
928:
920:
915:
910:
902:
897:
892:
884:
879:
874:
866:
861:
856:
854:
852:
849:
848:pas de quatre
845:
841:
837:
836:pas de quatre
833:
829:
826:
825:pas de quatre
822:
818:
814:
813:pas de quatre
810:
803:
799:
797:
795:
794:
789:
787:
783:
782:
777:
774:
773:
768:
766:
762:
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753:
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747:
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739:
736:
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730:
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670:
668:
664:
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621:
619:
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594:
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591:
585:
583:
579:
578:
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567:
561:
558:
555:
552:
551:
548:
545:
542:
539:
538:
535:
532:
529:
526:
525:
522:
521:Nikolai Legat
519:
516:
513:
512:
509:
506:
503:
500:
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493:
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487:
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480:
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389:
385:
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376:
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359:
355:
351:
347:
340:
338:
336:
332:
328:
324:
320:
314:
312:
306:
304:
301:of the first
300:
296:
292:
288:
283:
281:
277:
273:
268:
267:
263:
259:
255:
253:
249:
245:
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234:
229:
225:
221:
217:
213:
209:
205:
201:
197:
193:
189:
181:
179:
177:
173:
169:
165:
161:
158:and music by
157:
156:Marius Petipa
153:
152:
151:anacréontique
149:
144:
140:
136:
133:
129:
128:
118:
114:
110:
106:
101:
95:
89:
84:
80:
76:
72:
69:
66:
62:
59:
58:Marius Petipa
56:
54:Choreographer
52:
47:
41:
36:
31:
19:
1845:
1837:
1831:
1825:Harlequinade
1823:
1815:
1809:
1790:
1782:
1774:
1768:
1760:
1752:
1745:
1744:
1736:
1728:
1720:
1714:A Fairy Tale
1712:
1704:
1696:
1688:
1680:
1672:
1666:The Talisman
1664:
1656:
1648:
1639:
1633:La Esmeralda
1631:
1623:
1615:
1607:
1599:
1591:
1583:
1575:
1567:
1559:
1551:
1543:
1535:
1516:
1508:
1500:
1492:
1484:
1476:
1468:
1460:
1452:
1444:
1436:
1428:
1420:
1412:
1404:
1396:
1388:
1380:
1372:
1364:
1356:
1348:
1340:
1332:
1324:
1316:
1297:
1289:
1281:
1273:
1265:
1257:
1249:
1241:
1233:
1165:
1148:. Zimmerman.
1145:
1126:
1120:
1111:
1092:
1086:
1075:
1067:
1058:
1031:
1003:
999:
981:
977:
944:
926:
908:
890:
872:
850:
847:
843:
839:
835:
831:
827:
824:
816:
812:
809:Yuri Burlaka
806:
801:
792:
791:
790:
785:
780:
779:
778:
771:
770:
769:
765:Pas d’action
764:
760:
756:
750:
749:
748:
742:
741:
740:
733:
732:
731:
724:
723:
722:
719:
709:
703:
697:
688:
682:
672:
666:
660:
654:
644:
635:
634:№07–c
629:
628:№07–b
623:
622:№07–a
617:
611:
602:
596:
587:
581:
573:
571:
547:Sergei Legat
469:Olga Leonova
423:
421:
414:
412:
377:
368:
362:
345:
344:
330:
322:
319:Anna Pavlova
316:
310:
308:
290:
286:
284:
269:
265:
257:
256:
239:
238:
231:
223:
191:
187:
185:
146:
142:
134:
126:
125:
124:
45:
1817:The Seasons
1722:La Sylphide
1478:La Bayadère
1462:The Bandits
1446:Le Papillon
1406:Don Quixote
1326:Terpsichore
1283:Le Corsaire
964:as the god
851:La Roseraie
828:La Roseraie
817:La Roseraie
802:La Roseraie
508:Pavel Gerdt
428:Golden Mask
1862:Categories
1738:Cinderella
1706:Kalkabrino
1658:The Vestal
1561:Pâquerette
811:created a
691:bacchanale
671:—d.
665:—c.
659:—b.
653:—a.
356:, held in
164:Lev Ivanov
1784:Bluebeard
1776:The Pearl
1754:Swan Lake
1577:Pygmalion
1390:The Slave
1221:in Russia
1013:Footnotes
976:with the
786:Grand pas
698:Grand pas
638:pizzicato
333:with the
282:in 1914.
280:Zimmerman
202:, to the
1792:Raymonda
1698:Nénuphar
1650:Fiametta
1585:Coppélia
1422:Catarina
716:Libretto
590:nocturne
371:for the
212:Peterhof
82:Premiere
74:Libretto
1803:1900–03
1765:(*1895)
1757:(*1895)
1725:(*1892)
1677:(*1889)
1612:(*1885)
1604:(*1885)
1593:Giselle
1588:(*1884)
1564:(*1882)
1556:(*1881)
1545:Zoraiya
1540:(*1880)
1529:1880–99
1494:Ariadne
1449:(*1874)
1438:Camargo
1425:(*1870)
1377:(*1867)
1366:Titania
1358:Florida
1310:1860–79
1259:Giselle
1246:(*1848)
1235:Paquita
1227:1847–59
947:, 1894.
893:, 1894.
875:, 1914.
857:Gallery
815:called
605:scherzo
582:Prélude
541:Mercury
476:Aquilon
430:award.
182:History
145:) is a
48:, 1894.
1903:Apollo
1842:(1903)
1834:(1902)
1828:(1900)
1820:(1900)
1812:(1900)
1795:(1898)
1787:(1896)
1779:(1896)
1771:(1896)
1749:(1894)
1741:(1893)
1733:(1892)
1717:(1891)
1709:(1891)
1701:(1890)
1693:(1890)
1661:(1888)
1653:(1887)
1644:(1886)
1620:(1886)
1580:(1883)
1572:(1883)
1548:(1881)
1513:(1879)
1505:(1879)
1497:(1878)
1489:(1878)
1486:Roxana
1465:(1875)
1441:(1872)
1433:(1871)
1417:(1870)
1414:Trilby
1393:(1868)
1385:(1868)
1369:(1866)
1361:(1866)
1353:(1864)
1345:(1863)
1329:(1861)
1294:(1858)
1278:(1857)
1270:(1855)
1254:(1849)
1038:
974:Zephyr
966:Apollo
823:. The
515:Zephyr
502:Apollo
489:Aurora
148:ballet
108:Design
27:Ballet
1908:Cupid
1518:Mlada
1374:Faust
970:Flora
618:Valse
528:Cupid
463:Diana
450:Flora
441:Role
116:Genre
64:Music
1036:ISBN
708:№13
702:№12
696:№11
687:№10
681:№09
643:№08
616:№06
610:№05
601:№04
595:№03
586:№02
580:№01
554:Hebe
274:and
248:O.S.
220:O.S.
216:O.S.
176:O.S.
137:), (
94:O.S.
88:O.S.
230:'s
210:at
170:at
139:ru.
132:en.
1864::
1647:*
1154:^
1136:^
1101:^
1050:^
1020:^
337:.
236:.
1210:e
1203:t
1196:v
1125:"
1044:.
130:(
20:)
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