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Cézanne worked on the painting for seven years, and it remained unfinished at the time of his death in 1906. The painting was purchased in 1937 for $ 110,000 with funds from a trust fund for the
Philadelphia Museum of Art by their major benefactor,
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give the painting tension and density. It is exceptional among his work in symmetrical dimensions, with the adaptation of the nude forms to the triangular pattern of the trees and river. Using the same technique as employed in painting
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and give a timeless quality to his work, and in so doing paved the way for future artists to disregard current trends and paint pieces that would appeal equally to all generations. The abstract nude females present in
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to distinguish it from the smaller works, the painting is considered one of the masterpieces of modern art, and is often considered Cézanne's finest work.
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The purchase of the painting, while generally praised, was nevertheless questioned by
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434:"Cézanne, reclusive 19th century genius, gets recognition he craved a century on"
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210.5 cm × 250.8 cm (82.9 in × 98.7 in)
644:
Artists, Writers, and
Musicians: An Encyclopedia of People Who Changed the World
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Les
Demoiselles D'Avignon: Picasso's influences in the creation of a masterwork
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112:(1839-1906) first exhibited in 1906. The painting, which is exhibited in the
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Masterpieces Of
Western Art: A History Of Art In 900 Individual Studies
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Mont Sainte-Victoire and the
Viaduct of the Arc River Valley
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La
Montagne Sainte-Victoire vue du bosquet du Château Noir
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486:"Art View; Cezanne, in All His Magnificent Mystery"
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1013:Portrait of Madame Cézanne with Loosened Hair
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120:paintings by Cézanne; the others are in the
1357:Paintings in the Philadelphia Museum of Art
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461:Review: MoMA reunites Cezanne and Pissarro
34:
25:
1372:Paintings in the Art Institute of Chicago
1362:Paintings in the National Gallery, London
983:Chestnut Trees and Farm at Jas de Bouffan
952:Chestnut Trees and Farm at Jas de Bouffan
587:
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512:"Cezanne: The Hot New Artist of the 90's"
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967:Mont Sainte-Victoire seen from Bellevue
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623:, New York: Harry N. Abrams, p. 44,
544:. New York: Time-Life Books. p.
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998:Mont Sainte-Victoire with Large Pine
136:. Occasionally referred to as the
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1387:Paintings in the Hermitage Museum
1037:Still Life with Peaches and Pears
767:at the Philadelphia Museum of Art
484:Kimmelman, Michael (1996-06-09),
344:List of paintings by Paul Cézanne
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1045:View of the Domaine Saint-Joseph
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270:Bathers (Les Grandes Baigneuses)
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559:Sheets, Hilarie (3 June 2011).
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1125:Pipe Smoker Leaning on a Table
189:is reminiscent of the work of
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641:Bossy, Michel-Andre (2001),
411:, 1937-11-29, archived from
374:, 1965-02-12, archived from
1086:Portrait of Gustave Geffroy
936:Portrait of Louis Guillaume
510:Riding, Alan (1995-10-24),
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844:The Overture to Tannhäuser
649:Greenwood Publishing Group
536:Murphy, Richard A (1968).
432:Brown, Mark (2006-02-15),
311:Metropolitan Museum of Art
114:Philadelphia Museum of Art
81:Philadelphia Museum of Art
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1352:Paintings by Paul Cézanne
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592:Walther, Ingo F. (2002),
204:Les Demoiselles d'Avignon
163:With each version of the
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619:Schapiro, Meyer (1988).
293:Art Institute of Chicago
134:Art Institute of Chicago
132:, Pennsylvania, and the
126:National Gallery, London
16:Painting by Paul Cézanne
1078:The Boy in the Red Vest
920:View of Auvers-sur-Oise
852:L'Estaque, Melting Snow
775:at the National Gallery
704:Grove Dictionary of Art
213:The Philadelphia Record
1195:Still Life with Teapot
1067:
1021:The Banks of the Marne
867:The Hanged Man's House
101:Les Grandes Baigneuses
1257:Marie-Hortense Fiquet
1029:Pierrot and Harlequin
890:L'Après-midi à Naples
701:Turner, Jane (1996),
1382:Unfinished paintings
1239:Mont Sainte-Victoire
1179:The Bunch of Flowers
1094:Bridge Across a Pond
1053:The Basket of Apples
905:The Eternal Feminine
744:on November 21, 2007
709:Macmillan Publishers
540:The World of Cézanne
256:Merion, Pennsylvania
122:Museum of Modern Art
19:For other uses, see
1320:Corbarimys cezannei
415:on January 25, 2012
227:100 Great Paintings
1299:The Impressionists
566:The New York Times
378:on January 5, 2012
332:, Saint Petersburg
124:in New York City,
1329:
1328:
1291:Homage to Cézanne
1163:Pyramid of Skulls
975:House in Provence
836:The Negro Scipion
830:List of paintings
252:Barnes Foundation
248:The Large Bathers
195:Peter Paul Rubens
154:Joseph E. Widener
130:Barnes Foundation
108:by French artist
91:
90:
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1314:Cézanne (crater)
1274:Cézanne's studio
1259:(model and wife)
1231:The Card Players
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187:Large Bathers
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174:Large Bathers
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1148:Lady in Blue
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1048:(late 1880s)
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815:Paul Cézanne
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746:, retrieved
742:the original
732:
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686:, retrieved
682:the original
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570:. Retrieved
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439:The Guardian
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110:Paul Cézanne
106:oil painting
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85:Philadelphia
47:Paul Cézanne
1310:(2016 film)
1242:(1904–1906)
1234:(1890–1895)
1198:(1902–1906)
1190:(1898–1905)
1187:The Bathers
1182:(1902–1904)
1174:(1902–1904)
1156: 1900
1141: 1900
1128:(1895–1900)
1110: 1892
1097:(1895–1898)
1081:(1894–1895)
1073:(1893–1894)
1061: 1893
1040:(1888–1890)
1032:(1888–1890)
1016:(1883–1887)
1006: 1887
991: 1886
960: 1884
947:(1882–1885)
939:(1879–1882)
931:(1879–1882)
913: 1877
898: 1876
860: 1871
773:The Bathers
765:The Bathers
183:still lifes
139:Big Bathers
95:The Bathers
29:The Bathers
21:The Bathers
1336:Categories
748:2008-03-07
688:2008-03-10
651:, p.
523:2008-03-07
497:2008-03-07
471:2008-03-07
445:2008-03-07
419:2008-03-06
382:2008-03-07
350:References
179:landscapes
69:Dimensions
923:(1879–80)
823:Paintings
158:Leo Stein
98:(French:
56:1898–1905
1367:Nude art
338:See also
276:, London
218:bathtubs
104:) is an
77:Location
1283:Related
1267:Museums
621:Cézanne
598:Taschen
326:Bathers
307:Bathers
289:Bathers
224:series
222:BBC Two
199:Picasso
165:Bathers
1250:Family
1223:Series
1206:(1904)
1171:Forest
1166:(1901)
1120:(1899)
1112:–1896)
1089:(1895)
1024:(1888)
978:(1885)
970:(1885)
870:(1873)
847:(1869)
839:(1867)
715:
659:
627:
604:
572:6 June
191:Titian
128:, the
118:Bather
61:Medium
43:Artist
738:Time
713:ISBN
657:ISBN
625:ISBN
602:ISBN
574:2011
409:Time
372:Time
193:and
181:and
169:fads
53:Year
546:114
466:CNN
201:'s
142:or
1338::
1153:c.
1138:c.
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