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The Blonde Odalisque

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room. The open book that seems to be abandoned, the lone rose left on the floor, and even her expression can be interpreted a few different ways. She could either be surprised or anxious. Maybe someone is entering the room that she wasn't expecting, or she could be waiting anxiously for someone to arrive.
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in Paris, which is also known as The Academy of Painting. Boucher was the principal painter at the academy when he met Marie and chose her to be his chief model. Boucher claimed to have relied on Marie's looks for inspiration for his future paintings. Marie quickly succeeded as a model at The Academy
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era. The nude girl and suggestive symbols throughout the painting help convey an eroticism. The different shades of yellow throughout the piece create a serene tone that accentuates the girl's pinkish nude body. The viewer's eye is directed to the girl by the drapes that hang down the side of the
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The woman seen in the painting is Marie-Louise O'Murphy, an Irish woman who was also known as Louison. Born in 1737, she was only 14 years old when she modeled for this painting. After the painting was commissioned by the French court of the
185:. The paintings feature a naked woman on her stomach on a couch. The first was made in 1751, whilst the second was made in 1752, although both were made by Boucher. The nude figure is thought to be 769: 137: 668: 312: 497: 121: 403:, Louis XV's most famous mistress, would regularly dismiss young mistresses for trying to get closer to Louis XV: these accusations are often overlooked. 764: 453: 789: 604: 304:
are two of Boucher's other works that convey these themes. Both pieces show how Boucher's work progressed and helped pave the way to creating
351: 253: 42: 692: 573: 308:. His painting style is soft and delicate, yet bold brush strokes are representative of common Rococo themes such as delicacy and beauty. 520: 377: 279: 108: 490: 89: 708: 612: 61: 439: 700: 534: 355: 257: 46: 68: 581: 213:, is filled with soft pastel colors such as pinks, yellows, and blues. The profusion of flowery tones boldly embodies the 660: 483: 126: 75: 340: 242: 359: 344: 261: 246: 35: 734: 620: 57: 186: 779: 774: 565: 542: 652: 589: 644: 628: 557: 300: 294: 526: 506: 413: 400: 182: 82: 193:
of France, who was only 14-15 years old when the painting was made. The paintings fall into the
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of Painting and was eventually recognized by King Louis XV and became his youngest mistress.
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Boucher and Marie-Louise O'Murphy met through their affiliation with the
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Intimacy and delicacy are common themes found in Boucher's work.
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The 1752 version of the painting, which is currently held in the
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The 1751 version of the painting, which is currently held in the
479: 323: 225: 18: 454:"Marie-Louise O'Murphy, the Versailles king's Irish mistress" 181:), are two oil-on-canvas paintings by the French painter 399:, which was what Louis XV's secret brothel was called. 726: 513: 49:. Unsourced material may be challenged and removed. 491: 8: 669:Vulcan Presenting Venus with Arms for Aeneas 358:. Unsourced material may be challenged and 313:AcadĂ©mie royale de peinture et de sculpture 260:. Unsourced material may be challenged and 498: 484: 476: 770:Collection of the Wallraf–Richartz Museum 378:Learn how and when to remove this message 280:Learn how and when to remove this message 109:Learn how and when to remove this message 431: 605:Pastoral with a Couple near a Fountain 7: 356:adding citations to reliable sources 258:adding citations to reliable sources 47:adding citations to reliable sources 14: 765:Collection of the Alte Pinakothek 16:Two paintings by François Boucher 328: 230: 189:, one of the many mistresses of 23: 701:Portrait of Madame de Pompadour 34:needs additional citations for 1: 790:Paintings by François Boucher 739: 713: 594: 582:Diana Returning from the Hunt 547: 806: 735:The Game of Chinese Chess 621:Pompadour at Her Toilette 543:Landscape near Beauvais 127:Wallraf–Richartz Museum 653:The Setting of the Sun 613:The Light of the World 590:The Brunette Odalisque 170: 150: 134: 58:"The Blonde Odalisque" 709:The Judgment of Paris 645:The Rising of the Sun 320:Marie-Louise O'Murphy 306:The Blonde Odalisque' 187:Marie-Louise O'Murphy 140: 124: 693:Jupiter and Callisto 637:The Blonde Odalisque 629:Venus Consoling Love 574:Jupiter and Callisto 558:The Triumph of Venus 535:Hercules and Omphale 352:improve this section 319: 301:The Triumph of Venus 295:Venus Consoling Love 254:improve this section 207:The Blonde Odalisque 171:Jeune fille allongĂ©e 155:The Blonde Odalisque 43:improve this article 527:Aurora and Cephalus 414:100 Great Paintings 401:Madame de Pompadour 175:Jeune fille couchĂ©e 661:The Birth of Venus 179:L'Odalisque blonde 151: 135: 752: 751: 521:List of paintings 388: 387: 380: 290: 289: 282: 119: 118: 111: 93: 797: 744: 741: 718: 715: 685:Lovers in a Park 599: 596: 552: 549: 507:François Boucher 500: 493: 486: 477: 468: 467: 465: 464: 450: 444: 443: 436: 383: 376: 372: 369: 363: 332: 324: 285: 278: 274: 271: 265: 234: 226: 183:François Boucher 114: 107: 103: 100: 94: 92: 51: 27: 19: 805: 804: 800: 799: 798: 796: 795: 794: 755: 754: 753: 748: 742: 722: 716: 597: 550: 509: 504: 472: 471: 462: 460: 458:The Irish Times 452: 451: 447: 438: 437: 433: 428: 409: 384: 373: 367: 364: 349: 333: 322: 286: 275: 269: 266: 251: 235: 224: 203: 143:Alte Pinakothek 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 803: 801: 793: 792: 787: 782: 780:1752 paintings 777: 775:1751 paintings 772: 767: 757: 756: 750: 749: 747: 746: 730: 728: 724: 723: 721: 720: 705: 697: 689: 681: 673: 665: 657: 649: 641: 633: 625: 617: 609: 601: 586: 578: 570: 562: 554: 539: 531: 523: 517: 515: 511: 510: 505: 503: 502: 495: 488: 480: 470: 469: 445: 430: 429: 427: 424: 423: 422: 417: 408: 405: 397:Parc-aux-Cerfs 386: 385: 368:September 2023 336: 334: 327: 321: 318: 288: 287: 270:September 2023 238: 236: 229: 223: 220: 202: 199: 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 802: 791: 788: 786: 783: 781: 778: 776: 773: 771: 768: 766: 763: 762: 760: 737: 736: 732: 731: 729: 725: 711: 710: 706: 703: 702: 698: 695: 694: 690: 687: 686: 682: 679: 678: 674: 671: 670: 666: 663: 662: 658: 655: 654: 650: 647: 646: 642: 639: 638: 634: 631: 630: 626: 623: 622: 618: 615: 614: 610: 607: 606: 602: 592: 591: 587: 584: 583: 579: 576: 575: 571: 568: 567: 566:Diana Bathing 563: 560: 559: 555: 545: 544: 540: 537: 536: 532: 529: 528: 524: 522: 519: 518: 516: 512: 508: 501: 496: 494: 489: 487: 482: 481: 478: 474: 459: 455: 449: 446: 441: 435: 432: 425: 421: 418: 416: 415: 411: 410: 406: 404: 402: 398: 394: 393:Ancien RĂ©gime 382: 379: 371: 361: 357: 353: 347: 346: 342: 337:This section 335: 331: 326: 325: 317: 314: 309: 307: 303: 302: 297: 296: 284: 281: 273: 263: 259: 255: 249: 248: 244: 239:This section 237: 233: 228: 227: 221: 219: 216: 212: 208: 200: 198: 196: 192: 191:King Louis XV 188: 184: 180: 176: 172: 168: 164: 163: 158: 156: 148: 144: 139: 132: 128: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: â€“  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 733: 707: 699: 691: 683: 675: 667: 659: 651: 643: 640:(1751, 1752) 636: 635: 627: 619: 611: 603: 588: 580: 572: 564: 556: 541: 533: 525: 473: 461:. Retrieved 457: 448: 434: 412: 389: 374: 365: 350:Please help 338: 310: 305: 299: 293: 291: 276: 267: 252:Please help 240: 211:Resting Girl 210: 206: 204: 178: 174: 162:Resting Girl 161: 160: 154: 153: 152: 105: 99:October 2019 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 743: 1741 717: 1763 598: 1745 551: 1740 759:Categories 463:2023-09-09 426:References 420:Nude (art) 222:Background 205:Boucher's 69:newspapers 514:Paintings 339:does not 241:does not 195:odalisque 785:Nude art 727:Drawings 407:See also 201:Analysis 677:Fishing 360:removed 345:sources 262:removed 247:sources 197:genre. 131:Cologne 83:scholar 745:–1763) 704:(1759) 696:(1759) 688:(1758) 680:(1757) 672:(1757) 664:(1754) 656:(1752) 648:(1752) 632:(1751) 624:(1750) 616:(1750) 608:(1749) 585:(1745) 577:(1744) 569:(1742) 561:(1740) 538:(1734) 530:(1733) 215:Rococo 167:French 147:Munich 85:  78:  71:  64:  56:  209:, or 90:JSTOR 76:books 343:any 341:cite 298:and 245:any 243:cite 62:news 354:by 256:by 177:or 159:or 145:in 129:in 45:by 761:: 740:c. 714:c. 595:c. 548:c. 456:. 173:, 169:: 738:( 719:) 712:( 600:) 593:( 553:) 546:( 499:e 492:t 485:v 466:. 442:. 381:) 375:( 370:) 366:( 362:. 348:. 283:) 277:( 272:) 268:( 264:. 250:. 165:( 157:, 149:. 133:. 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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Wallraf–Richartz Museum
Cologne

Alte Pinakothek
Munich
French
François Boucher
Marie-Louise O'Murphy
King Louis XV
odalisque
Rococo

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