72:"received a number of commendations for its public service and humanitarian work", it lasted only 10 months because it lacked a sponsor. It was initially broadcast on Wednesdays from 8:30 to 9 p.m. Eastern Time. From August 1949 through October 1949, it was on Mondays at "various times". In November and December 1949 it was on Saturdays from 10 to 10:30 p.m. E. T. In January 1950 it was moved to Thursdays from 8 to 8:30 p.m. E. T., remaining in that time slot until it went off the air.
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photographed and interviewed, and specific comments about their appearance and mannerisms were noted on file cards. Those selected to appear on the program went to the staff's offices to be briefed on the case in which they would appear. Rather than follow a script, they learned to use their own words to present their case.
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was "a remarkably successful example of television's peculiar ability to project absolute realism and naturalness." Gould complimented the directorial work, noting that the way cameras were used enhanced the feeling of the program's being a documentary. The only flaw mentioned in the review was the
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praised the assortment of non-actor characters but commented that "the program goes overboard" in its efforts to achieve realistic images and dialog. The reviewer also found that the episode presented too many cases, which limited their development and resulted in a bare-bones presentation of each
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Frankie Thomas Sr. portrayed the judge, and John Green was the court clerk. People who were not professional actors portrayed attorneys and witnesses. They sometimes appeared embarrassed and erred in delivering their lines, making the program seem more true-to-life. In some cases, defendants and
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regularly went around New York City seeking potential participants for the show. "From Harlem to the Bowery, from Hell's
Kitchen to the East River" staff members asked "people in bars, on street corners, on busses and in the subway" if they might want to be on TV. Willing respondents were
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wrote that the show was effective because of its use of non-professional actors. "No dialogue writer could make it so convincing or so gripping," he said, as "their halting explanations in their own picturesque speech."
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witnesses from the actual cases appeared in the dramatized versions of them, but their names and appearances were altered.
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Encyclopedia of
Television Law Shows: Factual and Fictional Series About Judges, Lawyers and the Courtroom, 1948–2008
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340:"Radio and Television: Garden Arranges for Boxing Bouts to Be Aired -- Networks Will Split Coverage"
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206:(2nd ed.). Jefferson, N.C.: McFarland & Company, Inc., Publishers. p. 111.
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Total
Television: the Comprehensive Guide to Programming from 1948 to the Present
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The
Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present
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demeanor of the judge, who was "altogether too pompous and stuffed-shirt."
181:(4th ed.). New York, New York: Penguin Books USA, Inc. p. 101.
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237:"Television in Review: 'The Black Robe' on NBC -- Other Current Shows"
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based on actual police night court cases that was broadcast on the
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from May 18, 1949, until March 30, 1950. Its creator was
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is a weekly 30-minute
American docu-drama anthology
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Encyclopedia of
Television Shows, 1925 through 2010
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309:"'Black Robe' taps night court for cold realism"
276:. Random House Publishing Group. p. 151.
270:Brooks, Tim; Marsh, Earle F. (June 24, 2009).
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61:Warren Wade was the executive producer, and
468:1950s American anthology television series
463:1940s American anthology television series
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435:Police Night Court: The Black Robe
90:A review in the trade publication
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401:"Unrehearsed TV Show Best Of All"
399:Crosby, John (November 9, 1949).
307:Larkin, Lou (December 12, 1949).
369:Franken, Jerry (June 25, 1949).
443:The Black Robe (1949 TV series)
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234:Gould, Jack (June 26, 1949).
144:. McFarland. pp. 44–45.
30:National Broadcasting Company
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347:. July 8, 1949. p. 36
202:Terrace, Vincent (2011).
138:Erickson, Hal (2009).
48:The research staff of
488:NBC television dramas
177:McNeil, Alex (1996).
345:The New York Times
313:Los Angeles Mirror
242:The New York Times
106:The New York Times
80:Police Night Court
65:was the director.
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213:978-0-7864-6477-7
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118:John Crosby
78:was titled
457:Categories
125:References
101:Jack Gould
57:Production
26:court show
378:Billboard
103:wrote in
93:Billboard
68:Although
384:28 March
157:28 March
437:at CVTA
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97:case.
40:Format
374:(PDF)
109:that
448:IMDb
413:2023
386:2019
353:2023
321:2023
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278:ISBN
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183:ISBN
159:2019
146:ISBN
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