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by the farrier working outside. Wright has imagined that a traveller has broken down on a journey and the farrier is therefore working by the light of a candle. This device allows Wright to show off his skill and interest in light and shadow. To the right of the picture is an idle man leaning on a stick. Nicholson notes that this person is not dealt with harshly but with respect. The man appears too old to work but offers gravitas to those that are. Investigations of one of Wright's blacksmith's paintings has revealed the lengths that Wright went to achieve his image. Beneath the image of the ingot and hidden by layers of both yellow and white investigators found a small piece of gold leaf that Wright had placed there two centuries before. The gold is not thought to have added to the painting, but Wright obviously thought it might in some way.
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Joseph Wright of Derby painted five paintings on the theme of a blacksmith's shop or a forge between the years 1771 and 1773. The Derby Museum version is of a blacksmith's shop where three men work to manufacture an iron or steel component. The presence of visitors and the nocturnal work is explained
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in London. In these the main figure is working with a power forge whilst he is observed by his family. The nocturnal nature of Wright's "night pieces" was different to his contemporaries. The real novelty was however in the subject matter. Water-powered forges were not new, but Wright was being
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Catherine the great later bought two other Wright paintings; one was of fireworks and another was from his
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develops the idea of blacksmith's shop which is a craft that has changed little on hundreds of years. Forges seen in the 1772 pension show the addition of
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innovative in proposing that these scenes could be the subject of a fine artist. For this reason
Wrights paintings are frequently used as a symbol of the
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whose members were shaping the development of
Science and Engineering in England. In 1772, Wright created a 44 by 52-inch variation on this theme called
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that allow the forger to stand proud before his family. The painting is in the Tate. A similar painting of a forge but viewed from outside is in the
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Later versions which involve a forge rather than a blacksmith's more traditional way of working are now in the
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for 200 pounds. This version is still in the
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in 1979 for approximately 69,000 pounds from the Greg family who had owned it since 1875.
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Solkin, David H. (2003). "Joseph Wright of Derby and the
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Benedict
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323:ISBN
233:and
225:and
167:1772
163:1772
160:Year
114:1771
110:1771
107:Year
55:1771
51:1771
48:Year
378:doi
1450::
384:.
374:83
372:.
307:^
69:,
1419:)
1415:(
715:e
708:t
701:v
470:e
463:t
456:v
392:.
380::
338:.
254:.
169:)
116:)
57:)
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