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In the poem, Hughes describes the suit as a "mad, execution uniform" which represented what Plath wanted to become. In retrospect, Hughes describes how ill-fitted she was for the short-lived job teaching, using her clothing as a symbol. Critic Lynda
Buntzen writes that the poem plays with the sense
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of time to capture the simultaneously fleeting and permanent sense of loss Hughes felt: Lines like "as I am stilled / Permanently now, permanently / Bending so briefly at your open coffin" juxtapose descriptions of a fleeting moment with a sense of permanence.
54:. While at Cambridge, she met Hughes, and they were living together when she began teaching. Plath found it difficult to both teach and have enough time and energy to write and in the middle of 1958, the couple moved to
34:. Prior to the series, Hughes had rarely discussed their relationship or Plath's death or responded to claims by some critics that he bore some responsibility for her state of mind and death.
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in 1957, just prior to her 25th birthday. Plath had graduated from Smith in 1955 and returned there after attending
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In the poem, Hughes describes the blue flannel suit Plath wore for her first day of teaching at
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This article related to a poem from the UK or its predecessor states is a
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84:'Birthday Letters': A Portrait of Plath in Poetry for Its Own Sake.
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Mourning
Eurydice: Ted Hughes as Orpheus in "Birthday Letters."
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Birthday
Letters by Ted Hughes: Reading Group Guide
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410:Shakespeare and the Goddess of Complete Being
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206:, Vol. 23, No. 3/4, Summer, 2000 pp. 455-469.
139:The Laughter of Foxes: A Study of Ted Hughes.
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119:Sylvia Plath: A Biography.
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157:Sword, Helen (2002).
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