Knowledge (XXG)

The Cairn on the Headland

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the cairn a thousand years earlier. As Ortali bends down, a sprig of holly drops from his lapel onto Odin's corpse. Odin immediately reawakens and comes to monstrous life, shedding his human appearance before transforming into "a fiendish spirit of ice, frost, and darkness", with "the shuddering gleams of the aurora playing around his grisly head". Feeling no gratitude towards Ortali, but rather a deep hatred against all humans, Odin proceeds to kill Ortali with a single bolt of lightning.
325:, and it includes many elements of an exorcism as depicted in Christian tradition. Holding out a crucifix is commonly mentioned as an effective method of confronting a demon. According to Christian theology - specifically, Catholic theology - one need not be a clergyman in order to perform an exorcism. However, if one is not especially holy oneself, the chances of overcoming the demon are much increased if one has a 232:
alerts his fellow Irish warriors. Together, they erected a cairn on the hillside, completely covering Odin's body. Cumal quickly warns everyone around him that the cairn must never be disturbed and no holly should ever be placed anywhere near it - thus originating the "Legend" which would survive into the Twentieth Century.
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disappears behind an alleyway. Suddenly, O'Brien realizes Meve MacDonnal has been dead for three centuries and is buried in a nearby cemetery. The Cross, buried with her, was given to MacDonnal as safekeeping by her uncle, the Bishop Liam O'Brien, who died in 1655. After falling into a troubled sleep, O'Brien relives the
174:, O'Brien and Ortali discover an ancient cairn on a hillside. The area is shunned by the local citizens, and therefore remains nearly unchanged since the Middle Ages - though the bustle and bright lights of modern Dublin are just around the corner. It's known that the cairn was erected in the aftermath of the 1014 349:, one of the most important early Irish Saints. Meve MacDonnal's words: "Saint Brandon's Cross, fashioned by the hands of the holy man in long ago, before the Norse barbarians made Erin a red hell - in the days when a golden peace and holiness ruled the land" fit with the known dates of Saint Brendan's life. 166:
O'Brien's promising academic career, and his life's work, is threatened by an insidious blackmailer named Ortali. Ortali is now in possession of evidence which could implicate O'Brien in a murder he didn't commit. With this threat hanging over his head, O'Brien must give Ortali much of his salary and
272:. As presented here, Clontarf defined not only the future of Ireland but also the fate of the entire world, the whole of humanity - though other Christians in other places failed to appreciate what Brian Boru and his warriors had done for them. The same point was made by Howard in the related story, 209:
Shocked and puzzled that MacDonnal would give away such a rare artifact to an absolute stranger, he points out its priceless value. However, MacDonnal scolds O'Brien for placing a monetary value on the cross and explains she gave it to him as a free gift since he would have need of it - and then she
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Waking up and finding Ortali missing from the hotel, O'Brien realizes that he might have returned to the cairn and rushes back there. He arrives at the location just in time to witnesses Ortali uncovering the body of Odin, which remains exactly the same as it was when Red Cumal and his allies built
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Mistaking the man for a Viking (due to his red hair, unshaven beard, and Norse armor), Odin begged Cumal to provide him with a bundle of holly - the only substance which could restore him to his spirit form. Soon, Odin is dead (or at least went into a kind of suspended animation). Red Cumal quickly
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Later, O'Brien encounters a mysterious woman, who wears archaic clothing and speaks an ancient version of Gaelic. She introduces herself as Meve MacDonnal and gives O'Brien a golden crucifix, decorated with tiny jewels, of an extremely archaic and unmistakably Celtic workmanship. After a moment, he
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Odin quickly turns his attention towards O'Brien. Fortunately, he remembers in time the cross which Meve MacDonnal gave him, holding it high and pointing the relic towards Odin. The cross unleashes a single beam of white light - "unbearably pure, unbearably white" - and the demon shrieks in pain.
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Ortali decides on coming back around midnight and dismantle the cairn, in the hope of finding treasure under it. O'Brien strongly objects to Ortali's decision, both because it's a historic landmark and he feels a premonition about what lays beneath it. Ortali ignores O'Brien's advice and his view
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in human form. Odin has transformed himself into a human so he could aid his followers in battle. However, taking a human form left him vulnerable and he was severely wounded by a spear bearing a cross. Now, Odin is trapped in a mortal body and unable to resume his true form as a malevolent wild
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Soon, O'Brien has survived his encounter, saved Dublin from the demonic fury of Odin, and freed himself of Ortali's blackmail - since police would later determine that Ortali was struck by lightning and no blame attaches to O'Brien. The story never reveals what O'Brien did afterwards with Saint
202:. Ortali laughs and scoffs about that, too. The two part in great anger, separately walking back to their hotel. Soon, O'Brien picks up a jagged stone and conceives the idea of killing Ortali with it - even though he would then be charged with a murder of which he would be truly guilty. 222:
in service of King Brian Boru (his nickname derived from his having red hair and beard). Following the Irish victory, Cumal loots the armor and helm of a slain Viking. Surveying the battlefield, he sights a severely wounded and one-eyed Viking chieftain, who is actually the god
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The two also argue about the Battle of Clontarf - O'Brien regarding King Brian Boru as not only having freed Ireland from centuries of Viking oppression, but also having saved all of humanity from the occult worship of the Norse deity
298:, where Howard's earlier Irish protagonist Cormac Mac Art joins a Viking band, feels no objection to his Danish comrades-in-arms worshiping Odin, and conversely is not particularly fond of Christianity. 329:
connected to a venerated Saint, thus being able to draw on that Saint's holiness. In all that, O'Brien follows on the well-established rules for carrying out an exorcism - and it works.
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liberated his kingdom from an army of Vikings. However, O'brien isn't sure if this structure was erected by the victorious Irish or by the defeated Norse, and who is buried underneath.
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The story makes no reference to why it was necessary to hide the Cross. It's noteworthy that in 1655, the date of Bishop Liam O'Brien's death, coincides with the
362:- a time of great persecution and oppression for Irish Catholics, when valuable Catholic items were in concrete danger of being looted by Protestant troops. 420: 415: 410: 425: 151:
fluently, can read ancient Irish manuscripts or inscriptions in their original state. and is thoroughly familiar with such works as
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should never be brought near the cairn, Ortali simply laughs and says he will wear a bundle of holly on his lapel when he returns.
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This perception of Vikings and of the Norse religion as utterly evil is quite at variance with that presented in
147:- a subject which he is highly well-informed on and has a passionate feeling of partisanship towards. He speaks 60: 79:, but with added fantasy elements. Howard failed to sell the story in either version during his lifetime. 206:
recognizes it as a legendary relic, the Cross of Saint Brandon, which was considered lost centuries ago.
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noted the trend of pagan deities sometimes degenerating into Christian demons, as for example the Greek
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the money he got from various academic awards. Ortali enjoys taunting O'Brien and humiliating him.
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With a great rush of vulture-like wings, he soared into the stars, dwindling and disappearing.
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It has a rather convoluted history, being in effect an adaptation of Howard's earlier story
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Howard's text as printed refers to "Saint Brandon". Evidently, Howard actually meant
64: 199: 120: 103: 68: 286: 215: 198:, whose followers abandoned their ancestral beliefs and eventually embraced the 86:) was a horror story set in the present, and succeeded in getting published in 326: 179: 108: 322: 314:. Clearly, Odin went through a similar transformation in Howard's story. 186:
towards superstition. When O'Brien mentions how local citizens believe
305: 171: 318: 187: 224: 195: 321:, his banishment at the climax of the story is an effect an 55:, a historical adventure story by Howard focusing on the 82:"The Cairn on the Headland" (Howard's third version of 214:- in which he had, himself, taken part in his earlier 131:
was finally published in an eponymous 1978 chapbook).
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created by Howard. Howard later rewrote "Spears" as "
36:. As often in Howard stories, there is a link to the 40:, in this case mixed also with elements of both 252:Essential to the story are very sharp, polar 143:researcher who specializes in the history of 8: 262:Irish Christians vs. Odin-worshiping Vikings 92:(January, 1933). It was later reprinted in 396:Review on "The Cromcast", October 22, 2014 317:Odin being in Howard's interpretation a 338: 308:becoming "The Foul Fiend Apollyon" of 119:was posthumously published in a 1962 24:is a short story by American writer 7: 421:Norse mythology in popular culture 416:Short stories set in Dublin (city) 218:as the Irish warrior Red Cumal, a 14: 411:Short stories by Robert E. Howard 360:Cromwellian Conquest of Ireland 258:Christianity vs. Norse Religion 16:Short story by Robert E. Howard 264:– is depicted as no less than 1: 275:The Twilight of the Grey Gods 75:", which was very similar to 381:. Penguin Books. p. 20. 67:, a fictional 11th Century 452: 426:Novels about reincarnation 161:Annals of the Four Masters 21:The Cairn on the Headland 106:' paperback collection 436:Fiction about exorcism 311:The Pilgrim's Progress 125:Dark Minds, Dark Heart 431:Viking Age in Ireland 99:Skull-Face and Others 59:(1014) and featuring 46:Catholic Christianity 153:The Book of Leinster 139:James O'Brien is an 61:Turlogh Dubh O'Brien 157:Great Book of Lecan 117:The Grey God Passes 73:The Grey God Passes 28:, with elements of 270:Light vs. Darkness 256:. The conflict of 212:Battle of Clontarf 176:Battle of Clontarf 129:Spears of Clontarf 84:Spears of Clontarf 77:Spears of Clontarf 57:Battle of Clontarf 53:Spears of Clontarf 295:Tigers of the Sea 244:Brandon's Cross. 443: 383: 382: 369: 363: 356: 350: 343: 260:– specifically, 254:value judgements 145:Medieval Ireland 102:, as well as in 26:Robert E. Howard 451: 450: 446: 445: 444: 442: 441: 440: 401: 400: 392: 387: 386: 371: 370: 366: 357: 353: 344: 340: 335: 283:Götterdämmerung 250: 170:While visiting 137: 42:Norse Mythology 17: 12: 11: 5: 449: 447: 439: 438: 433: 428: 423: 418: 413: 403: 402: 399: 398: 391: 390:External links 388: 385: 384: 378:Song of Roland 373:Dorothy Sayers 364: 351: 337: 336: 334: 331: 302:Dorothy Sayers 249: 246: 141:Irish-American 136: 133: 94:August Derleth 38:Cthulhu Mythos 15: 13: 10: 9: 6: 4: 3: 2: 448: 437: 434: 432: 429: 427: 424: 422: 419: 417: 414: 412: 409: 408: 406: 397: 394: 393: 389: 380: 379: 374: 368: 365: 361: 355: 352: 348: 347:Saint Brendan 342: 339: 332: 330: 328: 324: 320: 315: 313: 312: 307: 303: 299: 297: 296: 290: 288: 284: 281: 277: 276: 271: 267: 266:Good vs. Evil 263: 259: 255: 247: 245: 241: 237: 233: 229: 226: 221: 217: 213: 207: 203: 201: 197: 191: 189: 183: 181: 177: 173: 168: 164: 162: 158: 154: 150: 146: 142: 134: 132: 130: 126: 122: 118: 113: 111: 110: 105: 101: 100: 95: 91: 90: 89:Strange Tales 85: 80: 78: 74: 70: 66: 65:Black Turlogh 62: 58: 54: 49: 47: 43: 39: 35: 31: 27: 23: 22: 377: 367: 354: 341: 316: 309: 300: 293: 291: 273: 269: 265: 261: 257: 251: 242: 238: 234: 230: 208: 204: 200:White Christ 192: 184: 169: 165: 138: 135:Plot summary 128: 124: 121:Arkham House 116: 114: 107: 104:Lancer Books 97: 88: 83: 81: 76: 52: 50: 20: 19: 18: 216:incarnation 405:Categories 333:References 327:holy relic 180:Brian Boru 159:, and the 123:hardcover 280:Wagnerian 109:Wolfshead 375:(1957). 323:exorcism 287:Ragnarök 228:spirit. 127:, while 69:Irishman 178:, when 30:fantasy 306:Apollo 248:Themes 172:Dublin 155:, the 149:Gaelic 34:horror 319:demon 188:holly 225:Odin 220:kern 196:Odin 44:and 32:and 285:or 268:or 96:'s 63:or 407:: 289:. 163:. 112:. 48:. 115:(

Index

Robert E. Howard
fantasy
horror
Cthulhu Mythos
Norse Mythology
Catholic Christianity
Battle of Clontarf
Turlogh Dubh O'Brien
Black Turlogh
Irishman
The Grey God Passes
Strange Tales
August Derleth
Skull-Face and Others
Lancer Books
Wolfshead
Arkham House
Irish-American
Medieval Ireland
Gaelic
The Book of Leinster
Great Book of Lecan
Annals of the Four Masters
Dublin
Battle of Clontarf
Brian Boru
holly
Odin
White Christ
Battle of Clontarf

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