Knowledge (XXG)

The Celestial Hawk

Source πŸ“

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elements, ostinato patterns and percussive figures... which recall gamelan music, but Jarrett seems to write equally well for all sections of the orchestra..." Carr also noted that a number of critics "were puzzled as to whether the piece was a piano concerto or a symphony, and found themselves unable to classify it... The work, like Jarrett himself, requires a completely fresh response – something which is rarely found among professional critics anywhere".
278:, and featuring piano, with Jarrett as the soloist. The result was a 200-page 40-minute fully-composed piece with minimal improvisation, completed in 1978. (The title refers to a bird depicted in Tibetan mythology, of which one wing represents compassion and the other represents wisdom.) Unfortunately, the BSO were expecting a jazz-based work, with Jarrett improvising at the piano, and lost interest in the piece. 421: 416: 383: 378: 350: 345: 411: 406: 401: 373: 368: 340: 335: 330: 294:
with the Syracuse Symphony, conducted by Christopher Keene, on March 22, 1980. Eicher reflected: "I had to work with a team I'd never met before... We did the recording in a few hours, despite the underground trains roaring by all the time – we had to stop and start and stop and start. And the union
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that they never did it. They thought it was going to be a big kick for the orchestra sales and they would have this jazz piece with me as soloist. And then they discovered this isn't jazz at all – it doesn't even swing, and it's different from what we expected, and it won't sell, and so... sorry!...
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Jarrett biographer Ian Carr commented: "considering it is his first major orchestral piece, the writing is astonishingly assured, there is a discernible inner logic, and a fluidity in some of the scoring so fine that it seems to have the spontaneity of improvisation. There are strong non-Western
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In an article for Between Sound and Space, Tyran Grillo wrote: "Despite being very programmatic, this music is far more than incidental to the narrative it describes. At times tumbling in billowy romance, at others even jarringly uncomfortable, Jarrett's piano embraces itself, following the
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Later, Jarrett recalled: "I had stumbled into what I would call the marketing world of classical music, without realizing it. I'm
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orchestral advice that surrounds it to the letter. It is an honest music, a painful truth, a call for peace in a violent world."
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rate!... it was an incredibly expensive project for ECM, but it worked... The records didn't sell very well... but so what!"
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then decided to record the music for ECM, financing the project themselves. The recording took place at
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It's pathetic, but it's normal practice." However, Jarrett and
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came about when, in 1976, Jarrett received a commission from
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The Celestial Hawk: For Orchestra, Percussion and Piano
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Robert Hurwitz, Brian Carr – production coordination
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USA: Random House/Rolling Stone. p. 112. 235:is an album of contemporary classical music by 721:"Keith Jarrett: The Celestial Hawk (ECM 1175)" 365: 757: 8: 398: 327: 764: 750: 742: 641: 639: 593: 591: 575: 573: 302: 27: 18: 557: 555: 522: 1451:Mysteries: The Impulse Years 1975–1976 16:1980 studio album by Keith Jarrett 528: 526: 308: 7: 667:The Penguin Guide to Jazz Recordings 630:Keith Jarrett: The Man and his Music 615:Keith Jarrett: The Man and his Music 600:Keith Jarrett: The Man and his Music 582:Keith Jarrett: The Man and his Music 564:Keith Jarrett: The Man and his Music 251:, on March 22, 1980 and released on 696:The Rolling Stone Jazz Record Guide 393:The Rolling Stone Jazz Record Guide 367: 997:Invocations/The Moth and the Flame 434:review awarded the album 3 stars. 163:Invocations/The Moth and the Flame 14: 1497:Albums produced by Manfred Eicher 719:Grillo, Tyran (October 8, 2011). 452:All compositions by Keith Jarrett 400: 329: 506:Martin Wieland – mixing engineer 503:Stan Tonkel – recording engineer 419: 414: 409: 404: 399: 381: 376: 371: 366: 348: 343: 338: 333: 328: 813:Gary Burton & Keith Jarrett 1248:Keith Jarrett at the Blue Note 1104:Solo Concerts: Bremen/Lausanne 1: 1053:The Melody at Night, with You 1459:The Impulse Years: 1973–1974 989:G.I. Gurdjieff: Sacred Hymns 632:. Da Capo. pp. 126–127. 617:. Da Capo. pp. 106–107. 145:G.I. Gurdjieff: Sacred Hymns 83:Contemporary classical music 797:Life Between the Exit Signs 484:Syracuse Symphony Orchestra 270:to compose a piece for the 245:Syracuse Symphony Orchestra 183:orchestral works chronology 1513: 545:Keith Jarrett discography 512:Barbara Worjirsch – design 1344:Paris / London: Testament 1320:The Carnegie Hall Concert 885:El Juicio (The Judgement) 779: 694:Swenson, J., ed. (1985). 500:Manfred Eicher – producer 360:The Penguin Guide to Jazz 316: 313: 272:Boston Symphony Orchestra 255:November that same year. 224: 187: 175: 138: 26: 648:accessed August 15, 2011 497:Keith Jarrett – producer 464:"Third Movement" – 14:33 461:"Second Movement" – 7:06 458:"First Movement" – 18:15 725:Between Sound and Space 602:. Da Capo. p. 127. 584:. Da Capo. p. 106. 821:The Mourning of a Star 566:. Da Capo. p. 94. 1392:A Multitude of Angels 474:Keith Jarrett – piano 274:, to be conducted by 1487:Keith Jarrett albums 1232:At the Deer Head Inn 957:The Survivors' Suite 901:Death and the Flower 304:Professional ratings 1240:Standards in Norway 305: 268:Deutsche Grammophon 1482:ECM Records albums 1443:Compilation albums 1304:The Out-of-Towners 1184:Personal Mountains 981:The Celestial Hawk 628:Carr, Ian (1992). 613:Carr, Ian (1992). 598:Carr, Ian (1992). 580:Carr, Ian (1992). 562:Carr, Ian (1992). 547:The Celestial Hawk 534:The Celestial Hawk 303: 264:The Celestial Hawk 203:The Celestial Hawk 154:The Celestial Hawk 123:Keith Jarrett and 22:The Celestial Hawk 1469: 1468: 1136:Eyes of the Heart 1128:Sun Bear Concerts 1021:Standards, Vol. 2 1005:Standards, Vol. 1 680:978-0-141-03401-0 549:accessed May 2020 536:accessed May 2020 478:Christopher Keene 428: 427: 249:Christopher Keene 228: 227: 220: 219: 171: 170: 1504: 1432:Bordeaux Concert 1424:Budapest Concert 1328:My Foolish Heart 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722: 715: 712: 707: 705:0-394-72643-X 701: 697: 690: 687: 682: 676: 672: 668: 664: 663:Morton, Brian 660: 659:Cook, Richard 654: 651: 647: 642: 640: 636: 631: 624: 621: 616: 609: 606: 601: 594: 592: 588: 583: 576: 574: 570: 565: 558: 556: 552: 548: 542: 539: 535: 529: 527: 523: 516: 511: 508: 505: 502: 499: 496: 495: 491: 485: 482: 481: 479: 476: 473: 472: 468: 463: 460: 457: 456: 453: 450: 449: 446:Track listing 445: 443: 439: 435: 433: 397: 395: 394: 390: 389: 364: 362: 361: 357: 356: 326: 324: 321: 320: 312: 309:Review scores 307: 298: 296: 293: 292:Carnegie Hall 289: 284: 279: 277: 273: 269: 265: 258: 256: 254: 250: 246: 242: 241:Carnegie Hall 238: 237:Keith Jarrett 234: 233: 223: 214: 213: 209: 205: 204: 200: 196: 195: 191: 190: 186: 182: 181:Keith Jarrett 178: 174: 165: 164: 160: 156: 155: 151: 147: 146: 142: 141: 137: 133: 132:Keith Jarrett 129: 126: 122: 120: 116: 112: 109: 107: 103: 91: 87: 84: 81: 79: 75: 72:New York City 70: 69:Carnegie Hall 67: 63: 59: 55: 52:November 1980 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Index


Studio album
Keith Jarrett
Carnegie Hall
Genre
Contemporary classical music
Label
ECM
Producer
Manfred Eicher
Keith Jarrett
G.I. Gurdjieff: Sacred Hymns
Invocations/The Moth and the Flame
Keith Jarrett
Arbour Zena
Ritual
Keith Jarrett
Carnegie Hall
Syracuse Symphony Orchestra
Christopher Keene
ECM
Deutsche Grammophon
Boston Symphony Orchestra
Seiji Ozawa
Manfred Eicher
Carnegie Hall
AllMusic
The Penguin Guide to Jazz
The Rolling Stone Jazz Record Guide
AllMusic

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