274:
personality. In the so-called
Gurdjieff world, personality is not a positive thing... So I used that recording as an exercise in not inflicting that music with my personality." (Not surprisingly, Jarrett abstained almost completely from the use of improvisation on the album.) Jarrett stopped reading Gurdjieff's writings in the early 1980s, but stated: "the impression shouldn't be that I have at some point or other refuted it."
270:. At some point, a member of the London Gurdjieff Foundation suggested that Jarrett record some of Gurdjieff's music, and Jarrett accepted. The resulting recording marked the first occasion on which Gurdjieff's music, as notated by de Hartmann, was made available to the public, and was a major catalyst in bringing the music to the attention of a mainstream audience.
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Jarrett later reflected: "It was the most appropriate thing for me to record at the time, given that I knew more about it than just the music, and also given that I was asked by the London group whether I would do it or not. That was enough for me. But it was also an exercise in disappearing
286:
review by
Richard S. Ginell noted: "The whole record has a serene dignity, even at its loudest levels, that gets to you, and that should be enough for the devout Jarrett following. As for others—well, it's definitely not a Top Ten choice for a basic Jarrett collection."
29:
266:, who was "on a Gurdjieff kick" at the time, and whose copies of Gurdjieff's books Jarrett read. Jarrett eventually immersed himself in Gurdjieff's writings and music, the latter having been transcribed by Russian composer
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Gurdjieff and Music: The
Gurdjieff/de Hartmann Piano Music and Its Esoteric Significance
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Gurdjieff and Music: The
Gurdjieff/de Hartmann Piano Music and Its Esoteric Significance
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Gurdjieff and Music: The
Gurdjieff/de Hartmann Piano Music and Its Esoteric Significance
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Jarrett's interest in
Gurdjieff dated back to the 1960s and his association with
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September that year, featuring solo piano performances of the sacred hymns of
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All compositions by George
Ivanovich Gurdjieff and Thomas de Hartmann
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425:"Holy Affirming – Holy Denying – Holy Reconciling" – 4:14
534:. Translated by Jarrett, Chris. Equinox. p. 102.
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422:"The Story of the Resurrection Of Christ" – 1:37
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466:Barbara Wojirsch – cover design and layout
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1378:Mysteries: The Impulse Years 1975–1976
404:"Orthodox Hymn from Asia Minor" – 3:04
16:1980 studio album by Keith Jarrett
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480:
295:
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645:The Penguin Guide to Jazz Recordings
607:Keith Jarrett: The Man and his Music
592:Keith Jarrett: The Man and his Music
514:Keith Jarrett: The Man and his Music
416:"Hymn to the Endless Creator" – 2:04
242:recorded March 1980 and released on
463:Martin Wieland – recording engineer
924:Invocations/The Moth and the Flame
14:
1424:Albums produced by Manfred Eicher
419:"Hymn from a Great Temple" – 4:30
413:"Hymn for Easter Thursday" – 3:26
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428:"Easter Night Procession" – 2:54
392:"Reading of Sacred Books" – 8:19
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740:Gary Burton & Keith Jarrett
1175:Keith Jarrett at the Blue Note
1031:Solo Concerts: Bremen/Lausanne
575:Petsche, Johanna J.M. (2015).
560:Petsche, Johanna J.M. (2015).
545:Petsche, Johanna J.M. (2015).
1:
980:The Melody at Night, with You
407:"Hymn for Good Friday" – 1:35
1386:The Impulse Years: 1973–1974
916:G.I. Gurdjieff: Sacred Hymns
594:. Da Capo. pp. 128–129.
235:G.I. Gurdjieff: Sacred Hymns
206:G.I. Gurdjieff: Sacred Hymns
157:G.I. Gurdjieff: Sacred Hymns
22:G.I. Gurdjieff: Sacred Hymns
724:Life Between the Exit Signs
398:"Religious Ceremony" – 4:07
395:"Prayer and Despair" – 3:50
1445:
532:Keith Jarrett: A Biography
530:Sandner, Wolfgang (2020).
1429:1980s instrumental albums
1271:Paris / London: Testament
1247:The Carnegie Hall Concert
812:El Juicio (The Judgement)
706:
500:Keith Jarrett discography
457:Manfred Eicher – producer
347:The Penguin Guide to Jazz
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626:accessed August 15, 2011
609:. Da Capo. p. 130.
238:is an album by pianist
748:The Mourning of a Star
516:. Da Capo. p. 41.
215:The Moth and the Flame
1319:A Multitude of Angels
564:. Brill. p. 147.
549:. Brill. p. 148.
186:solo piano chronology
1414:Keith Jarrett albums
1159:At the Deer Head Inn
884:The Survivors' Suite
828:Death and the Flower
579:. Brill. p. 10.
431:"Easter Hymn" – 5:49
291:Professional ratings
1167:Standards in Norway
434:"Meditation" – 1:42
292:
1409:ECM Records albums
1370:Compilation albums
1231:The Out-of-Towners
1111:Personal Mountains
908:The Celestial Hawk
605:Carr, Ian (1992).
590:Carr, Ian (1992).
512:Carr, Ian (1992).
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268:Thomas de Hartmann
252:Thomas de Hartmann
166:The Celestial Hawk
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1063:Eyes of the Heart
1055:Sun Bear Concerts
948:Standards, Vol. 2
932:Standards, Vol. 1
658:978-0-141-03401-0
502:accessed May 2020
490:accessed May 2020
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197:Sun Bear Concerts
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1359:Bordeaux Concert
1351:Budapest Concert
1255:My Foolish Heart
1215:Always Let Me Go
1047:The Köln Concert
1023:Somewhere Before
732:Restoration Ruin
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796:Treasure Island
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651:. p. 769.
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410:"Hymn" – 2:30
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401:"Hymn" – 2:45
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380:Track listing
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37:Studio album
1419:1980 albums
1343:Munich 2016
1303:Hamburg '72
1199:Whisper Not
1015:Live albums
852:Arbour Zena
709:Discography
71:Ludwigsburg
1403:Categories
1263:Yesterdays
1207:Inside Out
1119:Changeless
1095:Still Live
1039:Fort Yawuh
1004:Last Dance
756:Facing You
471:References
452:Production
258:Background
137:chronology
75:W. Germany
60:March 1980
1335:La Fenice
1295:Somewhere
1223:Up for It
1191:Tokyo '96
1071:Nude Ants
868:Staircase
836:Mysteries
820:Back Hand
788:Belonging
439:Personnel
278:Reception
148:Nude Ants
1311:Creation
1239:Radiance
1183:La Scala
1143:The Cure
1079:Concerts
643:(2008).
310:AllMusic
284:AllMusic
123:Producer
57:Recorded
49:Released
39: by
1287:Sleeper
1135:Tribute
988:Jasmine
956:Spirits
940:Changes
892:My Song
876:Byablue
649:Penguin
219:(1981)
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1007:(2014)
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996:No End
991:(2010)
983:(1999)
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967:(1987)
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900:Bop-Be
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304:Rating
301:Source
93:Length
65:Studio
764:Birth
446:piano
110:Label
82:Genre
653:ISBN
282:The
250:and
117:1174
1279:Rio
244:ECM
115:ECM
1405::
639:;
615:^
522:^
479:^
254:.
102:56
98:50
73:,
692:e
685:t
678:v
661:.
100::
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