246:. His vanity leaves him deeply vulnerable to manipulation by enemies of the King of France, who want to exploit Byron for their own schemes; and Byron allows himself to be drawn in. The King becomes aware of Byron's treason; yet valuing his past service and his great potential, the King attempts to reform Byron, even sending him to England so that the Marshall can witness firsthand a properly functioning monarchical state. At the end of
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The plays were duly suppressed; but when the Court left London in the summer, the boys performed the plays again, in their original versions with the offending material included. James was incensed when he learned of this, and swore that he would punish the players severely. He stopped all dramatic
135:, Chapman blames the actors for playing a scene that Buc himself had previously censored from the plays.) Fortunately, James's passion for drama got the better of his anger; the boys were eventually forgiven, and even performed at Court in the ensuing Christmas season.
119:, who complained to the King. The Ambassador was particularly irritated by a scene in which the French Queen slapped the face of her husband's mistress (a scene that was censored out of the printed texts of the plays).
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in 1601. It has been suggested that the face-slapping scene that caused so much trouble was inspired not by anything in French monarchical history, but by a rumored incident in which
Elizabeth struck Essex.
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59:, can also be described as "contemporary history;" they form the second and third installments in a series of dramas that Chapman wrote on French politics and history in his time, from
207:.) The printed text was "ruthlessly censored," particularly in Part I, Act IV (Byron's visit to England), and Part II, Act II (the mistress-slapping scene). The masque in II, i of
250:, Byron manages to curb his pride and submit to the King. Yet his ego is too great to remain restrained indefinitely; Byron returns to plotting, and in the conclusion of
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Chapman's Byron, a formidable soldier and commander, is marred by one major fault, his overweening pride. He loves to compare himself to the heroes of antiquity—
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are rich with allusions to classic literature. In addition to those noted above, the French courtier and plotter Picoté uses the rebellion of
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owned a copy of this edition, and filled it with notes that compared the political situation in the plays with that of
England in the 1630s.
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performances in London for a time; three of the
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Le Héros inachevé : éthique et esthétique dans les tragédies de George
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The New
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as a precedent for Byron's planned uprising against his king. References to
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The original production offended the French
Ambassador to the Court of King
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Dictionary of
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The
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is thought to have been inserted to fill the hole left by censorship.
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Children of the Queen's Revels: A Jacobean
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The Memorable Masque of the Middle Temple and Lincoln's Inn
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The Conspiracy and Tragedy of Charles, Duke of Byron
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79:In all likelihood, Chapman composed both parts of
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416:Lincoln, NE, University of Nebraska Press, 1977.
369:Newark, DE, University of Delaware Press, 1992.
412:Logan, Terence P., and Denzell S. Smith, eds.
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51:The two plays that comprise the larger work,
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423:Cambridge, Cambridge University Press, 2005.
395:Cambridge, Cambridge University Press, 2005.
367:Natural Fictions: Chapman's Major Tragedies.
89:A General Inventory of the History of France
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378:4 Volumes, Oxford, Clarendon Press, 1923.
537:The Tragedy of Chabot, Admiral of France
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362:Westport, CT, Greenwood Press, 2001.
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95:. The plays were first acted by the
386:The Shakespearian Playing Companies
144:The Conspiracy and Tragedy of Byron
409:. Paris: Les Belles Lettres, 1951.
400:A Shakespeare Companion 1564–1964.
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214:Thorpe issued a second quarto in
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43:, executed for treason in 1602.
41:Charles de Gontaut, duc de Biron
516:The Blind Beggar of Alexandria
449:New International Encyclopedia
393:Shakespeare and Republicanism.
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593:The Revenge of Bussy D'Ambois
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218:. King
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