Knowledge (XXG)

The Count Bishops

Source 📝

328:'s tour that year, as well as their own shows) and built a formidable army of fans - despite the fact that they did not fit the mold considered against the backdrop of old-fashioned punk movement. In the spring of 1978, they signed up for a live album with the participation of six groups of the Chiswick Records roster. The project was not fully realised, but the label released it as a mini-album called 25: 353:
and died on 17 March 1979, and instead of the anticipated "breakthrough" the Bishops were forced to retrench. They toured with Blitz Krieg (of Blast Furnace fame) deputising for Zen, and then Paul Balbi (drums) was deported back to Australia after returning from a Spanish festival. The band carried
288:
Shortly before the release (on Dutch label Dynamite) of the single "Taking it Easy" (In the UK "Train, Train" was the A side and Taking it Easy the B), Spenser left the band after an incident involving a glass door and his boot. Johnny and Zen handled lead vocals for the next year, including on the
272:
The Count Bishops formed in spring 1975 when members of the group Chrome joined the American vocalist Mike Spenser. In July of that year, Spenser (née Scolnick) called fellow countryman Johnny Guitar from Paris for five days straight and finally convinced him to pack up two Les Pauls and fly to the
273:
UK and join up with Spenser and Zenon DeFleur (so named by Johnny after seeing him passed out on the floor at their first recording session). They found Steve Lewins (bass) and Paul Balbi (drums) within a few weeks. The new line-up recorded the next month at
135: 441:"The Count Bishops were a fine, energetic, R&B-based band capable of kicking out a fierce racket of noise that sounded like a grimier version of seminal British R&B revivalists Dr. Feelgood." (John Dougan, 235:
were a British rock band, formed in 1975 in London and which broke up in 1980. The Count Bishops had limited commercial success, but forged an important stylistic and chronological link between the root
358:(Tom Robinson Band, Elton John) on drums and just Johnny on guitar for some months, including a tour of Australia with Balbi, but Zen's death had taken much of the impetus away and they split up. 448:"The sound of the Bishops in sensitive rockabilly mode has a swirling darkness and a restless rhythm, and it rattles by as hellbound as any classic blues locomotive." (Dave Thompson, Allmusic) 293:). With this lineup, the group finished recording its debut UK album, and toured heavily making a name for themselves and bringing to a new level their traditional influences of the 1960s: 289:
Dutch release "Good Gear" on the Dynamite label. After recording the backing tracks for their first LP on Chiswick, they decided to bring over Dave Tice (formerly of Australian band
451:"This solid, unpretentious debut album belongs in the home of every fan of English R&B from the Yardbirds to the Pretty Things to Dr. Feelgood." (John Dougan, Allmusic) 332:, reducing the band name to the Bishops. With this material (and a new bass player Pat McMullan, who replaced Steve Lewins) the Count Bishops toured extensively. 736: 726: 741: 731: 42: 746: 108: 89: 61: 46: 68: 598: 165: 75: 544: 35: 355: 253: 169: 454:"A laconic sneer, a greaseball grind, and one of the hottest guitarists of the age." (Dave Thompson, Allmusic) 57: 249: 685: 665: 645: 625: 503: 517: 320:
For the rest of 1977, the Count Bishops toured continuously (including the support slot on the first
241: 302: 82: 314: 282: 261: 237: 189: 341: 274: 260:. The group made history in England by releasing the first record from independent label 473: 290: 701: 720: 577: 310: 571: 522: 350: 336: 264:. They splintered following the death of guitarist Zenon DeFleur on 18 March 1979. 681: 661: 621: 499: 321: 641: 306: 298: 134: 24: 349:, which had been a year and a half in production, Zenon Hierowski crashed his 294: 245: 161: 325: 257: 442: 705: 550: 600:
Speedball Plus 11 (1975 multinational, powerful punky boogie pub rock)
277:
with Barry Farmer at the desk and of these 13 tracks, four became the
150: 710: 18: 339:") led the Count Bishops to an appearance on the TV show 200: 196: 185: 175: 157: 146: 141: 125: 49:. Unsourced material may be challenged and removed. 335:In 1978, two singles ("I Take What I Want" and " 345:. A few days after the release of their album 8: 122: 256:scene, which influenced the emergence of 252:; together forming the foundation of the 109:Learn how and when to remove this message 676: 674: 464: 656: 654: 636: 634: 494: 492: 7: 47:adding citations to reliable sources 543:Donovan, Patrick (6 January 2006), 516:Atkinson, Mike (21 January 2010), 14: 133: 23: 737:English new wave musical groups 727:English pub rock musical groups 642:The Count Bishops (self titled) 34:needs additional citations for 622:Rollin' with the Count Bishops 620:Erlewine, Stephen Thomas. 518:"Give pub rock another chance" 379:Rollin' with the Count Bishops 1: 742:Rock music groups from London 688:. Retrieved 18 February 2013. 682:The Best of the Count Bishops 668:. Retrieved 18 February 2013. 648:. Retrieved 18 February 2013. 628:. Retrieved 18 February 2013. 506:. Retrieved 18 February 2013. 475:Chiswick Records - Early Days 429:The Best of the Count Bishops 763: 732:English garage punk groups 597:Roger, Armstrong (1995), 281:EP, the first release of 132: 747:Chiswick Records artists 250:Eddie and the Hot Rods 142:Background information 680:Thompson, Dave. 660:Thompson, Dave. 43:improve this article 58:"The Count Bishops" 640:Dougan, John. 498:Dougan, John. 472:Roger, Armstrong, 423:Compilation albums 303:the Rolling Stones 702:The Count Bishops 662:Speedball Plus 11 500:The Count Bishops 416:Speedball Plus 11 392:The Count Bishops 233:The Count Bishops 230: 229: 127:The Count Bishops 119: 118: 111: 93: 16:British rock band 754: 689: 678: 669: 658: 649: 638: 629: 618: 612: 611: 610: 608: 594: 588: 587: 586: 584: 567: 561: 560: 559: 557: 540: 534: 533: 532: 530: 513: 507: 496: 487: 486: 485: 483: 469: 315:the Strangeloves 283:Chiswick Records 262:Chiswick Records 238:rhythm and blues 210:Brian Turrington 203: 190:Chiswick Records 178: 137: 123: 114: 107: 103: 100: 94: 92: 51: 27: 19: 762: 761: 757: 756: 755: 753: 752: 751: 717: 716: 704:discography at 698: 693: 692: 679: 672: 659: 652: 639: 632: 619: 615: 606: 604: 596: 595: 591: 582: 580: 570:Schulps, Dave, 569: 568: 564: 555: 553: 542: 541: 537: 528: 526: 515: 514: 510: 497: 490: 481: 479: 471: 470: 466: 461: 438: 425: 388: 369: 364: 342:Top of the Pops 275:Pathway Studios 270: 225: 223: 221: 219: 217: 215: 213: 211: 209: 208:Zenon Hierowski 207: 201: 176: 128: 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 760: 758: 750: 749: 744: 739: 734: 729: 719: 718: 715: 714: 708: 697: 696:External links 694: 691: 690: 670: 650: 630: 613: 589: 562: 535: 508: 488: 478:, punk77.co.uk 463: 462: 460: 457: 456: 455: 452: 449: 446: 437: 434: 433: 432: 424: 421: 420: 419: 413: 407: 401: 395: 387: 384: 383: 382: 376: 368: 365: 363: 360: 356:Charlie Morgan 269: 266: 228: 227: 216:Dave Rotchelle 204: 198: 197: 194: 193: 187: 183: 182: 179: 173: 172: 159: 155: 154: 148: 144: 143: 139: 138: 130: 129: 126: 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 759: 748: 745: 743: 740: 738: 735: 733: 730: 728: 725: 724: 722: 713:(out of date) 712: 709: 707: 703: 700: 699: 695: 687: 683: 677: 675: 671: 667: 663: 657: 655: 651: 647: 643: 637: 635: 631: 627: 623: 617: 614: 603:, Rockasteria 602: 601: 593: 590: 579: 578:Trouser Press 575: 574: 573:Count Bishops 566: 563: 552: 548: 547: 546:Sticky Carpet 539: 536: 525: 524: 519: 512: 509: 505: 501: 495: 493: 489: 477: 476: 468: 465: 458: 453: 450: 447: 444: 440: 439: 435: 430: 427: 426: 422: 417: 414: 411: 408: 405: 402: 399: 396: 393: 390: 389: 385: 380: 377: 374: 371: 370: 366: 361: 359: 357: 352: 348: 344: 343: 338: 333: 331: 327: 323: 318: 316: 312: 311:the Standells 308: 304: 300: 296: 292: 286: 284: 280: 276: 267: 265: 263: 259: 255: 251: 247: 243: 239: 234: 218:Johnny Guitar 205: 199: 195: 191: 188: 184: 180: 174: 171: 167: 163: 160: 156: 152: 149: 145: 140: 136: 131: 124: 121: 113: 110: 102: 99:December 2018 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 616: 605:, retrieved 599: 592: 581:, retrieved 572: 565: 554:, retrieved 545: 538: 527:, retrieved 523:The Guardian 521: 511: 480:, retrieved 474: 467: 428: 415: 409: 403: 397: 391: 378: 372: 351:Aston Martin 346: 340: 337:I Want Candy 334: 330:Live Bishops 329: 319: 287: 278: 271: 242:Dr. Feelgood 232: 231: 226:Steve Lewins 224:Pat McMullan 206:Mike Spenser 202:Past members 177:Years active 120: 105: 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 607:18 February 583:18 February 556:18 February 529:18 February 482:18 February 362:Discography 307:garage rock 299:the Beatles 166:garage punk 721:Categories 459:References 410:Cross Cuts 347:Cross Cuts 295:beat music 246:proto punk 222:Paul Balbi 212:Bob Burgus 69:newspapers 436:Reception 398:Good Gear 373:Speedball 326:John Cale 324:tour and 322:Motörhead 279:Speedball 258:punk rock 248:sound of 220:Dave Tice 214:Rob Murly 181:1975–1980 153:, England 711:Homepage 686:AllMusic 666:AllMusic 646:AllMusic 626:AllMusic 504:AllMusic 443:Allmusic 354:on with 254:pub-rock 244:and the 192:, Lolita 170:pub rock 706:Discogs 551:The Age 291:Buffalo 268:History 83:scholar 431:(1995) 418:(1995) 412:(1979) 406:(1978) 400:(1977) 394:(1977) 386:Albums 381:(2006) 375:(1975) 305:) and 186:Labels 158:Genres 151:London 147:Origin 85:  78:  71:  64:  56:  240:band 90:JSTOR 76:books 609:2013 585:2013 558:2013 531:2013 484:2013 404:Live 162:Rock 62:news 684:at 664:at 644:at 624:at 502:at 367:EPs 317:). 45:by 723:: 673:^ 653:^ 633:^ 576:, 549:, 520:, 491:^ 313:, 301:, 285:. 168:, 164:, 445:) 309:( 297:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

Index


verification
improve this article
adding citations to reliable sources
"The Count Bishops"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message

London
Rock
garage punk
pub rock
Chiswick Records
rhythm and blues
Dr. Feelgood
proto punk
Eddie and the Hot Rods
pub-rock
punk rock
Chiswick Records
Pathway Studios
Chiswick Records
Buffalo
beat music
the Beatles
the Rolling Stones

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.