329:, and has "a real spook-factor". But Walklate was critical of some aspects of the book. It is full of "nineteenth-century stereotypes" with little character development, in particular the narrator, Kerner. While Walklate acknowledged that Kerner is an unreliable narrator, his actions are so "illogical" it makes it difficult to feel anything for him. Walklate also felt that Littlewood's use of "archaic language" is "florid and forced", and a weak attempt at emulating Victorian literature. Finally, Walklate criticised the book's failure to explore the social issues it raises, for example a women's place in Victorian society, and the impact on those labelled "mad". Instead, the narrative slips into "full-on
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Littlewood's "best ... by far". She said the author's knowledge of the
Victorian era and its medical practices "is outstanding". Bond praised Littlewood's "mixing atmosphere and language", and her portrayal of Crakethorne Manor, which "is so vivid" it becomes one of the book's characters. She said
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of the literature of the time. Littlewood found researching the treatment of mental illness in
Victorian times "disturbing", in particular the processes used to certify a person insane. This raised the question, "Is there an empirical line that you cross where you become mad, or is it a question of
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because the story is told from his narrow perspective, which includes his perception of Mrs
Harleston. She said, "it's interesting when the reader can start to make their own judgements about who's in control of the situation, and are things really as they seem." Littlewood added, "I like to read
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in the hope of breaking through her defences, but all it does is to awaken dormant abilities in her. She discovers that she herself can mesmerise people, and changes from being quiet and reserved to dominant and manipulative. By now Kerner in infatuated with her and quickly falls under her spell.
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Kerner is assigned Mrs
Harleston, a patient from London committed to the asylum by her husband. He demands that she be cured of her hysteria and delusions so she can be returned to him as his faithful wife. Mrs Harleston is beautiful and demure, and Kerner is immediately drawn to her. He tries
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who believes that the shape of a person's skull determines their mental stability. Kerner, on the other hand, subscribes to a new approach of talking and listening to the mentally disturbed.
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the ending is open-ended and
Littlewood leaves it up to the reader to decide what to make of Kerner's "very unreliable ... account", but Bond described the
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is set in
Victorian England, and Littlewood said she "read ... widely" about many aspects of Victorian life to create the novel's setting and emulate the
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as "a sublime blend of the psychological and the supernatural" that is "eerie and unsettling". He said
Littlewood has produced a
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generally received mixed to positive reviews from critics. The book was nominated for the 2018
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books where the reader has to do some of the work and draw their own conclusions".
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how many people you have on your side and how many people are buying into this?"
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talking to her but cannot get her to open up. He calls on the help of a
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at
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Using her new-found abilities, Mrs
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who becomes infatuated with an enigmatic patient of his at a
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Reviewing the book in the
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205:. In 1856 he travels from London to
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550:by Alison Littlewood"
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311:Jen Walklate found
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673:Works by
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439:0955-114X
430:Starburst
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323:mesmerism
261:Starburst
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171:Yorkshire
157:. Set in
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199:alienist
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110:Hardback
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405:28 June
274:Dickens
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