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The Critic as Artist

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160:- only critical faculty enables any artistic creation at all, while criticism is independent of the object it criticises and not necessarily subject to it. The essay champions a contemplative life to the life of action. According to Gilbert, scientific principle of heredity shows we are never less free, never have more illusions than when we try to act with some conscious aim in mind. Critical contemplation is guided by conscious aesthetic sense as well as by the soul. The soul is wiser than we are, writes Wilde, it is the concentrated racial experience revealed by the imagination. Criticism is above reason, sincerity and fairness; it is necessarily subjective. It is increasingly more to criticism than to creation that future belongs as its subject matter and the need to impose form on chaos constantly increases. It is criticism rather than emotional sympathies, abstract ethics or commercial advantages that would make us cosmopolitan and serve as the basis of peace. 1907: 1830: 1818: 1792: 22: 1850: 1209: 1008: 1982: 1058: 1694: 1352: 988: 134:
published on 1 May 1891. "The Critic as Artist" is a significantly revised version of articles that first appeared in the July and September 1890 issues of
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The essay sets out to collapse the distinction between fine art and criticism cherished by artists and critics such as
144:." The essay is a conversation between its leading voice Gilbert and Ernest, who suggests ideas for Gilbert to reject. 72: 1757: 1751: 1621: 1384: 1270: 717: 547: 32: 1992: 1654: 1334: 1239: 424: 54: 702: 1934: 1914: 1884: 1745: 1458: 1078: 862: 263: 1444: 617: 1430: 1366: 1138: 1088: 642: 512: 1068: 1018: 775: 477: 343: 1704: 1327: 1309: 1196: 770: 723: 632: 457: 430: 404: 338: 1583: 1398: 745: 1987: 1972: 1795: 1472: 1451: 1437: 1232: 1158: 1038: 936: 909: 812: 592: 333: 127: 130:. A dialogue in two parts, it is by far the longest one included in his collection of essays titled 1877: 1762: 1201: 1168: 1143: 978: 931: 926: 740: 697: 687: 657: 637: 522: 374: 328: 323: 318: 313: 256: 612: 79: 1644: 1634: 1570: 1288: 1163: 1153: 1123: 1098: 884: 822: 682: 482: 389: 308: 293: 225:
Intentions: The decay of lying, Pen, pencil and poison, The critic as artist, The truth of masks
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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Works originally published in Nineteenth Century (periodical)
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The Work of Art in the Age of Mechanical Reproduction
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Guy, ed., 140:, originally entitled " 1917:-related article is a 1856:This article about an 1069:Avant-Garde and Kitsch 1019:Lectures on Aesthetics 220:"The Critic as Artist" 137:The Nineteenth Century 55:"The Critic as Artist" 1978:Aesthetics literature 1520:Vyvyan Wilde Holland 1445:Lady Windermere's Fan 1328:The Canterville Ghost 1214:Philosophy portal 1968:Works by Oscar Wilde 1512:Cyril Wilde Holland 1473:La Sainte Courtisane 1452:A Florentine Tragedy 1438:The Duchess of Padua 1303:The Critic as Artist 1159:Philosophy of design 1039:In Praise of Shadows 1029:The Critic as Artist 177:The Critic as Artist 128:aesthetic philosophy 120:The Critic as Artist 40:improve this article 1763:Lord Alfred Douglas 1579:Merrion Square home 1571:Oscar Wilde Centre 1169:Philosophy of music 1144:Mathematical beauty 1593:(London sculpture) 1584:Tomb and gravesite 1399:The Harlot's House 1289:The Decay of Lying 1164:Philosophy of film 1154:Patterns in nature 1124:Applied aesthetics 1099:Why Beauty 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Oscar Wilde
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The Critic as Artist
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Intentions: The decay of lying, Pen, pencil and poison, The critic as artist, The truth of masks
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