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The Cutting Edge: The Magic of Movie Editing

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on December 12, 2004. The documentary was well-received for its choice of interviewees, especially with the stories of its director-editor collaborations. However, the film was criticized for its choice of recent films and an oversimplified history of film editing. In later years, the documentary was
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However, many critics felt that the history presented in the documentary was simplified. Scott Foundas noted that the choice of films weighed heavily towards the last thirty years. He also wrote that the film maintained "an academic distance" from film editing while not showcasing many possible ways
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Wendy Apple. The film brings up many topics, including the collaborative nature of filmmaking, female representation in the editing field, and emerging technologies of the 21st century. Clips shown in the documentary were taken from feature films of the past century noted for their innovations in
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The documentary features interviews with 30 contemporary film editors as well as 17 other individuals, including directors, actors, and producers. Throughout these interviews, many personal stories between the directors and editors are mentioned, such as
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It's a feature-length film, it was released on Starz the TV network and it's available somewhere in the world. It...has been used for teaching purposes all over the world. It's taken me to Moscow and and to Siberia. Willingly. It's a very good teaching
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that "t's the editors' shot at getting some airtime." In an attempt to secure the rights to the nearly 300 clips featured in the documentary, Apple and Heim were given the rights for free by Judith Singer. Singer, the head of clips at
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It's a celebration and history of a highly technical yet fiercely intuitive craft, from D.W. Griffith's innovative use of close-ups and cross-cutting in the silent era to George Lucas's digital revolution...MY SCORE (0–10):
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to license nearly 300 film clips for free. The documentary was filmed all over California, featuring interviews with dozens of film editors, directors, actors, and producers. These interviews were later transcribed for the
2110:'s editor. He ended his review by writing, "You'll come away with a deeper understanding of how movie magic is made, and you'll want to watch your favorites again with new eyes." Korman gave the overall film 4/5 stars. 2015:
a positive review, calling it "a lively, occasionally illuminating tour" through its choice of interviewees. Foundas especially praised the documentary for highlighting director-editor collaborations, such as director
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praised the documentary, calling it "a celebration and history of a highly technical yet fiercely intuitive craft". He gave the documentary a perfect 10/10 score. Reviewing the DVD release of the film, Ken Korman of
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The budget of the documentary was less than a million dollars. An additional $ 20,000 was added to secure the music rights, although the filmmakers had to remove a track from the 1980 film
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wrote, "I can't help but wish it hadn't been a more exciting scene in a more noteworthy movie." In addition, Null criticized director Wendy Apple's mixed choice of movies, such as
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in the 1930s, the editing field has become dominated by men since sound was seen as more technical and electrical. Despite this, some female editors thrived. The film highlights
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praised the film, writing that it is more in-depth than many behind-the-scenes bonus features. He especially praised the documentary for letting editors speak, including
1117: 2919: 699:, who gave him around an hour of interesting stories for the documentary. Apple recorded over a hundred hours of interviews and sent all the transcripts to the 1999:, Peter M. Bracke also praised the interviewees featured in the documentary. He also notes that it is the only high-definition bonus feature included in the 3102: 704: 285: 2221: 2172:, which is a "curated collection of instructive videos and podcasts for those in the profession of film and television editing." In an interview with 1228: 645: 2058:"The shark would only look good at 36 frames, not 38 frames, the difference between something scary and a floating turd." Scott Foundas also humored 2284: 28: 714:. The press release writes, "Encore HD features star interviews, movie trivia between films, Encore original series geared towards movie lovers". 3087: 608:. Apple attempted to find any books or documentaries about film editors, but could not find any useful sources. Heim, who was the president of 469:
The documentary also notes that many early film editors were women and that their tasks were seen as similar to sewing. In the words of editor
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are among the director-editor collaborators appearing in the documentary. They were interviewed in March 2004.
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The documentary also explores the history of editing techniques, bringing up pioneers of the field such as
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at the time, recorded their interviews just as the film was locked in March 2004. In an interview with
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on December 9, 2004. Panelists for the museum screening included director Wendy Apple with editors
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Critics also liked the personal stories and opinions told in the documentary. Gerald Perry of
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The documentary was originally conceptualized by director Wendy Apple and executive producer
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On March 22, 2004, the documentary was announced in a press release for the HD simulcast
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The documentary was produced in response to the 1992 documentary film on cinematography,
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liked the lively stories of the profession throughout the movie, giving special note to
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to edit a single film. In particular, critics did not like the documentary's focus on
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on October 12, 2004. The documentary later aired on the Japanese television station
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The documentary was originally included in a 2-disc release of the 1968 film
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The special also premiered in Japan on October 20, 2004. It was broadcast on
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on October 15–16, 2004. Afterwards, the film had a special screening at the
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narrates the documentary. Editors mentioned in the documentary include
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Every interviewee (listed alphabetically below) appears as themselves.
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The documentary was featured on several "must-watch" lists, including
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in films, as well as the use of these technologies to simplify both
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after winning the "Golden Eddie Filmmaker of the Year" at the 2001
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Near the end, the documentary cites filmmaking trends of the early
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praised the choice of the film's interviewees. He also compared
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that the documentary inspired her to become a film editor.
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The film was well received for its choice of interviewees.
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in 2001 after being inspired by the 1992 documentary film
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used for education of people learning to be film editors.
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is a 2004 documentary film about the history and art of
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as well as the sound department from the 2004 film,
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December 7, 2000. p. 2 2817:"15 Must-Watch Documentaries About Filmmaking" 2761:"The Cutting Edge: The Magic of Movie Editing" 2733:"The Cutting Edge: The Magic of Movie Editing" 2726: 2724: 2365:"The Cutting Edge: The Magic of Movie Editing" 2998:"This week's new releases – The Cutting Edge" 2317: 2315: 2313: 2311: 2309: 2307: 2305: 2303: 2301: 302:on October 20, 2004, and was released on the 8: 3053:The Cutting Edge: The Magic of Movie Editing 2662: 2660: 1118:Star Wars: Episode II – Attack of the Clones 592:The Cutting Edge: The Magic of Movie Editing 242:The Cutting Edge: The Magic of Movie Editing 22:The Cutting Edge: The Magic of Movie Editing 705:Academy of Motion Picture Arts and Sciences 286:Academy of Motion Picture Arts and Sciences 2128:wrote that Murch was "a bit windy," while 703:, which hosted research materials for the 27: 18: 2692: 2690: 2578: 2576: 2574: 2358: 2356: 2354: 2352: 2350: 2348: 2346: 2344: 2731:Null, Christopher (September 17, 2005). 2285:Making Waves: The Art of Cinematic Sound 2297: 2168:features the entire documentary on the 497:, Sally Menke, and Thelma Schoonmaker. 2971:McCutcheon, David (January 18, 2007). 2890:"Crew Call With Film Editor Alan Heim" 2697:Bracke, Peter M. (February 27, 2007). 2445:Skweres, Mary Ann (January 15, 2005). 2180:that the documentary had "taken me to 2918:Cherukuri, Abhilasha (May 18, 2023). 2501:Welkos, Robert W. (October 9, 2004). 1673:Harry Potter and the Sorcerer's Stone 782:Schichlegruber Doing the Lambeth Walk 466:standing up while he edits the film. 7: 2815:Herbert, Jeremy (November 3, 2021). 2610:Urbani, Laura (December 11, 2004). 2583:Perry, Gerald (December 10, 2004). 2389:Hewitt, Chris (February 10, 2021). 2363:Foundas, Scott (October 15, 2004). 2080:'s one-frame removal trick seen in 530:after paying $ 75 to the director, 406:, the latter of whom innovated the 3103:English-language documentary films 2322:Carroll, Tomm (November 1, 2004). 14: 2759:Roush, Matt (December 12, 2004). 2528:Eddy, Cheryl (October 13, 2004). 654:University of Southern California 462:is showcased; the latter depicts 3004:. September 3, 2005. p. 236 2944:Salas, Randy A. (May 25, 2005). 2841:RoldΓ‘n, Eduardo (July 3, 2019). 2447:"Alan Heim and The Cutting Edge" 1929:Museum of Television & Radio 450:). Behind-the-scenes footage of 331: 322: 2789:Korman, Ken (October 2, 2005). 2645:(in Japanese). October 20, 2004 2478:. March 9, 2004. Archived from 2270:78/52: Hitchcock's Shower Scene 2262:Score: A Film Music Documentary 1229:One Flew Over the Cuckoo's Nest 2416:"Zemeckis gets 'Golden Eddie'" 814:The Good, the Bad and the Ugly 572:American Cinema Editors Awards 1: 3088:Documentary films about films 2599:– via Internet Archive. 2135:Under Siege 2: Dark Territory 1574:Under Siege 2: Dark Territory 990:Under Siege 2: Dark Territory 254:editing, ranging from 1903's 3093:2000s English-language films 2530:"San Francisco Bay Guardian" 774:The Adventures of Robin Hood 665:The documentary was shot in 726:Life of an American Fireman 417:Life of an American Fireman 257:Life of an American Fireman 197:December 12, 2004 3119: 3083:American documentary films 2083:Terminator 2: Judgment Day 2005:Blu-ray. Scott Foundas of 1631:Terminator 2: Judgment Day 1277:Terminator 2: Judgment Day 1187:Terminator 2: Judgment Day 934:Terminator 2: Judgment Day 506:computer-generated imagery 444:(shown through footage of 428:(shown through footage of 414:(shown through footage of 186:October 20, 2004 171:October 12, 2004 2617:Pittsburgh Tribune-Review 2277:, which was mentioned in 2062:'s reaction to Goddard's 1958:Hi-Vision Special Feature 1925:Mill Valley Film Festival 566:, as well as a speech by 26: 2673:American Cinematographer 2176:in 2016, Alan Heim told 1989:to the 1992 documentary 1982:American Cinematographer 1649:The Fast and the Furious 1427:The Silence of the Lambs 1325:The Fast and the Furious 1102:The Fast and the Furious 926:The Silence of the Lambs 701:Margaret Herrick Library 2675:. No. October 2005 2639:"ハむビジョン特集 γ€Œγ‚«γƒƒγƒ†γ‚£γƒ³γ‚°γƒ»γ‚¨γƒƒγ‚Έγ€" 2166:American Cinema Editors 1921:Hollywood Film Festival 1602:Directors and producers 758:Man with a Movie Camera 734:The Great Train Robbery 610:American Cinema Editors 296:Hollywood Film Festival 181:Hollywood Film Festival 3078:2004 documentary films 2950:Birmingham Post-Herald 2924:The New Indian Express 2235:In the Blink of an Eye 2224:on September 6, 2005. 2195:The New Indian Express 2170:ACE Educational Center 2124:. 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Coates 1239: 1221: 1209: 1197: 1182:Conrad Buff IV 1179: 1165: 1162: 1157: 1152: 1149: 1147: 1146: 1138: 1130: 1122: 1114: 1106: 1098: 1090: 1082: 1074: 1066: 1058: 1050: 1042: 1034: 1026: 1018: 1010: 1002: 994: 986: 978: 970: 966:Basic Instinct 962: 958:Reservoir Dogs 954: 946: 938: 930: 922: 914: 906: 898: 890: 886:Apocalypse Now 882: 874: 866: 858: 850: 842: 834: 826: 818: 810: 802: 794: 786: 778: 770: 762: 754: 746: 738: 730: 721: 719: 718:Films examined 716: 579: 576: 564:Academy Awards 559:Apocalypse Now 552:'s cutting of 534:'s cutting of 520:'s cutting of 514:virtual actors 483:Anne V. Coates 479:Margaret Booth 440:), as well as 340: 339: 330: 329: 321: 320: 319: 318: 317: 315: 312: 249:, directed by 236: 235: 232: 228: 227: 224: 220: 219: 216: 213: 210: 209: 207: 206: 195: 184: 168: 166: 163: 160: 159: 154: 153:Distributed by 150: 149: 146: 144: 139: 136: 135: 132: 128: 127: 124: 120: 119: 114: 113:Cinematography 110: 109: 104: 100: 99: 69:Zach Staenberg 66: 62: 61: 58: 54: 53: 48: 44: 43: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 3115: 3104: 3101: 3099: 3096: 3094: 3091: 3089: 3086: 3084: 3081: 3079: 3076: 3074: 3071: 3070: 3068: 3059: 3055: 3054: 3050: 3049: 3045: 3029: 3025: 3019: 3016: 3003: 2999: 2993: 2990: 2978: 2974: 2967: 2964: 2951: 2947: 2940: 2937: 2925: 2921: 2914: 2911: 2907: 2895: 2891: 2885: 2882: 2870: 2864: 2861: 2848: 2844: 2837: 2834: 2822: 2818: 2811: 2808: 2796: 2792: 2785: 2783: 2779: 2775: 2770: 2766: 2762: 2755: 2752: 2740: 2739: 2734: 2727: 2725: 2721: 2708: 2704: 2700: 2693: 2691: 2687: 2674: 2670: 2663: 2661: 2657: 2644: 2640: 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1988: 1984: 1983: 1978: 1970: 1968: 1964: 1959: 1955: 1950: 1948: 1947: 1942: 1938: 1934: 1930: 1926: 1922: 1918: 1911: 1909: 1907: 1903: 1899: 1895: 1885: 1879: 1878: 1873: 1872: 1867: 1866: 1861: 1858: 1855: 1854: 1849: 1848: 1843: 1840: 1837: 1836: 1831: 1830: 1825: 1822: 1819: 1818: 1813: 1810: 1807: 1806: 1801: 1800: 1795: 1792: 1789: 1788: 1783: 1780: 1777: 1776: 1775:About Schmidt 1771: 1770: 1765: 1762: 1759: 1758: 1757:Cold Mountain 1753: 1750: 1747: 1746: 1741: 1740: 1735: 1732: 1729: 1728: 1723: 1720: 1717: 1716: 1711: 1708: 1705: 1704: 1699: 1698: 1693: 1690: 1687: 1686: 1681: 1678: 1675: 1674: 1669: 1668: 1663: 1660: 1657: 1656: 1651: 1650: 1645: 1642: 1639: 1638: 1633: 1632: 1627: 1626:James Cameron 1624: 1621: 1620: 1615: 1614: 1609: 1606: 1605: 1601: 1599: 1594: 1593: 1588: 1587: 1582: 1579: 1576: 1575: 1570: 1567: 1564: 1563: 1558: 1557: 1556:Boogie Nights 1552: 1549: 1546: 1545: 1544:About Schmidt 1540: 1539: 1534: 1531: 1528: 1527: 1522: 1519: 1516: 1515: 1510: 1507: 1506: 1501: 1500: 1495: 1492: 1489: 1488: 1483: 1482:Pietro Scalia 1480: 1477: 1476: 1471: 1468: 1465: 1464: 1463:Cold Mountain 1459: 1458: 1453: 1450: 1447: 1446: 1441: 1440: 1435: 1432: 1429: 1428: 1423: 1420: 1417: 1416: 1411: 1410: 1405: 1404:Richard Marks 1402: 1399: 1398: 1393: 1392: 1387: 1384: 1381: 1380: 1375: 1374: 1369: 1366: 1363: 1362: 1357: 1354: 1351: 1350: 1345: 1342: 1339: 1338: 1333: 1330: 1327: 1326: 1321: 1318: 1315: 1314: 1309: 1306: 1303: 1302: 1297: 1294: 1291: 1290: 1285: 1282: 1279: 1278: 1273: 1270: 1267: 1266: 1261: 1260: 1255: 1252: 1249: 1248: 1243: 1240: 1237: 1236: 1231: 1230: 1225: 1222: 1219: 1218: 1213: 1210: 1207: 1206: 1201: 1198: 1195: 1194: 1189: 1188: 1183: 1180: 1177: 1176: 1171: 1168: 1167: 1163: 1161: 1160: 1156: 1150: 1144: 1143: 1142:Cold Mountain 1139: 1136: 1135: 1131: 1128: 1127: 1123: 1120: 1119: 1115: 1112: 1111: 1107: 1104: 1103: 1099: 1096: 1095: 1091: 1088: 1087: 1083: 1080: 1079: 1078:Sleepy Hollow 1075: 1072: 1071: 1067: 1064: 1063: 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Griffith 393: 388: 386: 382: 378: 374: 370: 366: 362: 359:and the late 358: 347: 343: 334: 325: 313: 311: 308: 305: 301: 297: 293: 289: 287: 282: 278: 274: 273: 267: 265: 264: 263:Cold Mountain 259: 258: 252: 248: 244: 243: 233: 229: 225: 221: 217: 211: 196: 185: 182: 170: 169: 167: 164:Release dates 161: 158: 155: 151: 145: 137: 134:Nic. tenBroek 133: 129: 125: 121: 118: 115: 111: 108: 105: 101: 98: 94: 90: 86: 82: 78: 74: 70: 67: 63: 59: 55: 52: 49: 45: 41: 37: 30: 25: 20: 3052: 3032:. Retrieved 3027: 3018: 3006:. Retrieved 3001: 2992: 2980:. Retrieved 2976: 2966: 2954:. Retrieved 2952:. p. 19 2949: 2939: 2927:. Retrieved 2923: 2913: 2904: 2897:. Retrieved 2893: 2884: 2872:. Retrieved 2863: 2851:. Retrieved 2849:(in Spanish) 2846: 2836: 2824:. Retrieved 2820: 2810: 2798:. Retrieved 2794: 2772: 2768: 2764: 2754: 2742:. Retrieved 2736: 2711:. Retrieved 2707:the original 2702: 2677:. Retrieved 2672: 2647:. Retrieved 2642: 2633: 2621:. Retrieved 2615: 2605: 2593:. Retrieved 2591:. p. 49 2588: 2561:. Retrieved 2552: 2546: 2534:. Retrieved 2523: 2511:. Retrieved 2509:. p. 59 2506: 2496: 2484:. Retrieved 2480:the original 2475: 2466: 2454:. Retrieved 2450: 2440: 2430:– via 2424:. Retrieved 2419: 2410: 2398:. Retrieved 2395:Star Tribune 2394: 2384: 2372:. Retrieved 2368: 2331:. Retrieved 2327: 2283: 2278: 2274: 2268: 2260: 2252: 2244: 2239: 2233: 2217: 2207: 2205: 2193: 2169: 2159: 2153: 2151: 2139: 2133: 2125: 2119: 2116:Walter Murch 2112: 2097: 2090: 2088: 2081: 2063: 2052: 2049:Verna Fields 2040: 2034: 2032: 2025: 2012: 2006: 2000: 1996: 1990: 1986: 1980: 1977:Jim Hemphill 1974: 1951: 1944: 1916: 1915: 1902:Verna Fields 1891: 1883: 1875: 1874:(1992), and 1869: 1863: 1853:Pulp Fiction 1851: 1845: 1833: 1827: 1815: 1812:Ridley Scott 1803: 1797: 1785: 1773: 1767: 1755: 1743: 1737: 1734:George Lucas 1725: 1713: 1710:Jodie Foster 1701: 1695: 1683: 1671: 1665: 1653: 1647: 1635: 1629: 1617: 1611: 1590: 1584: 1572: 1560: 1554: 1542: 1536: 1524: 1514:Dante's Peak 1512: 1503: 1497: 1485: 1473: 1461: 1455: 1452:Walter Murch 1445:Pulp Fiction 1443: 1437: 1425: 1413: 1407: 1395: 1389: 1377: 1371: 1359: 1347: 1344:Michael Kahn 1335: 1332:Joe Hutshing 1323: 1320:Peter Honess 1313:Dante's Peak 1311: 1299: 1287: 1275: 1263: 1257: 1254:Antony Gibbs 1247:Out of Sight 1245: 1233: 1227: 1224:Richard Chew 1215: 1203: 1200:Donn Cambern 1193:Dante's Peak 1191: 1185: 1173: 1164:Film editors 1154: 1140: 1132: 1124: 1116: 1108: 1100: 1092: 1084: 1076: 1068: 1060: 1054:Out of Sight 1052: 1044: 1036: 1028: 1020: 1014:Dante's Peak 1012: 1004: 996: 988: 982:Pulp Fiction 980: 972: 964: 956: 950:Grand Canyon 948: 940: 932: 924: 916: 908: 900: 892: 884: 876: 868: 860: 852: 844: 836: 828: 820: 812: 804: 796: 790:Why We Fight 788: 780: 772: 764: 756: 748: 740: 732: 724: 709: 692: 686: 664: 659:The Notebook 657: 650:Starz Encore 627: 625: 621:Warner Bros. 613: 603: 597: 591: 586:Film editor 557: 550:Walter Murch 539: 525: 499: 471:Walter Murch 468: 464:Walter Murch 457: 451: 445: 435: 429: 415: 404:Lev Kuleshov 400:Dziga Vertov 389: 361:Verna Fields 353: 291: 290: 281:Warner Bros. 270: 268: 261: 255: 247:film editing 241: 240: 239: 214:Running time 194: (Japan) 157:Starz Encore 73:Jodie Foster 3028:Warner Bros 2476:PR Newswire 2328:CineMontage 2216:version of 2118:'s work on 2020:and editor 1961: [ 1937:Craig McKay 1894:Kathy Bates 1850:(1992) and 1832:(1975) and 1802:(1980) and 1799:Raging Bull 1772:(1999) and 1742:(1973) and 1700:(1984) and 1670:(1990) and 1652:(2001) and 1634:(1991) and 1616:(1986) and 1589:(1987) and 1559:(1998) and 1541:(1999) and 1502:(1980) and 1499:Raging Bull 1460:(1979) and 1442:(1992) and 1434:Sally Menke 1422:Craig McKay 1412:(1976) and 1394:(1981) and 1376:(1986) and 1308:Tina Hirsch 1296:Paul Hirsch 1262:(1963) and 1232:(1975) and 1212:Jay Cassidy 1190:(1991) and 894:Raging Bull 793:(1942–1945) 693:CineMontage 688:The Aviator 667:Los Angeles 629:Raging Bull 487:Tina Hirsch 475:sound films 369:Sally Menke 117:John Bailey 107:Kathy Bates 103:Narrated by 60:Wendy Apple 57:Produced by 42:Wendy Apple 39:Directed by 3073:2004 films 3067:Categories 2293:References 2202:Home video 2190:Mem Famous 2161:20 Minutos 2065:Breathless 1906:Owen Marks 1787:The Pledge 1680:Wes Craven 1667:Home Alone 1533:Kevin Tent 1217:The Pledge 1205:Easy Rider 1170:Dede Allen 1110:The Pledge 1070:The Matrix 846:Easy Rider 578:Production 518:Kevin Tent 447:Breathless 437:The Matrix 385:Kevin Tent 260:to 2003's 218:97 minutes 201:2004-12-12 190:2004-10-20 175:2004-10-12 147:TCEP, Inc. 140:Production 47:Written by 16:2004 film 3034:March 30, 3008:March 30, 2956:March 30, 2874:March 29, 2847:CinemanΓ­a 2821:SlashFilm 2800:March 29, 2744:March 29, 2679:March 28, 2595:March 29, 2563:March 29, 2536:March 30, 2513:March 29, 2486:March 29, 2426:March 29, 2400:March 29, 2374:March 28, 2333:March 30, 2070:jump cuts 2022:Alan Heim 2018:Bob Fosse 1971:Reception 1967:program. 1817:Gladiator 1782:Sean Penn 1745:Star Wars 1727:Body Heat 1692:Joe Dante 1644:Rob Cohen 1391:Body Heat 1301:Star Wars 1284:Alan Heim 1259:Tom Jones 1235:Star Wars 1086:Gladiator 902:Body Heat 712:Encore HD 600:Alan Heim 588:Alan Heim 536:Bob Fosse 532:Alan Heim 442:jump cuts 422:close-ups 277:Alan Heim 251:filmmaker 142:companies 126:Tim Tobin 123:Edited by 85:Sean Penn 33:DVD cover 2982:April 2, 2929:April 7, 2899:April 1, 2853:April 7, 2826:April 7, 2713:April 2, 2649:April 1, 2643:NHKクロニクル 2623:April 7, 2456:April 1, 2228:See also 1892:Actress 1868:(1987), 1769:Election 1697:Gremlins 1538:Election 1470:Tom Rolf 1062:Election 527:Election 314:Synopsis 223:Language 131:Music by 65:Starring 2369:Variety 2218:Bullitt 2214:Blu-ray 2209:Bullitt 2192:, told 2186:Siberia 2041:Variety 2008:Variety 2002:Bullitt 1912:Release 1865:RoboCop 1796:–  1703:Matinee 1637:Titanic 1613:Top Gun 1586:Robocop 1496:–  1406:–  1373:Top Gun 1022:Titanic 838:Bullitt 798:Vertigo 226:English 199: ( 188: ( 173: ( 2771:: 69. 2275:Psycho 2182:Moscow 2164:. The 2148:Legacy 2076:liked 1946:Encore 1904:, and 1884: 1880:(1997) 1856:(1994) 1838:(1993) 1820:(2000) 1808:(1997) 1805:Kundun 1790:(2001) 1778:(2002) 1760:(2003) 1748:(1977) 1730:(1981) 1718:(1995) 1706:(1993) 1688:(1996) 1685:Scream 1676:(2001) 1658:(2002) 1640:(1997) 1622:(2001) 1595:(1992) 1577:(1995) 1565:(2001) 1547:(2002) 1529:(2003) 1517:(1997) 1508:(1997) 1505:Kundun 1490:(2001) 1478:(1998) 1466:(2003) 1448:(1994) 1430:(1991) 1418:(1979) 1400:(1984) 1382:(1990) 1364:(1995) 1352:(1993) 1340:(1991) 1328:(2001) 1316:(1997) 1304:(1977) 1292:(1974) 1280:(1991) 1268:(1998) 1250:(1998) 1238:(1977) 1220:(2001) 1208:(1969) 1196:(1997) 1178:(1967) 1145:(2003) 1137:(2003) 1129:(2002) 1121:(2002) 1113:(2001) 1105:(2001) 1097:(2001) 1089:(2000) 1081:(2000) 1073:(1999) 1065:(1999) 1057:(1998) 1049:(1998) 1041:(1997) 1038:Kundun 1033:(1997) 1025:(1997) 1017:(1997) 1009:(1996) 1006:Scream 1001:(1995) 993:(1995) 985:(1994) 977:(1993) 969:(1992) 961:(1992) 953:(1991) 945:(1991) 937:(1991) 929:(1991) 921:(1987) 913:(1984) 905:(1981) 897:(1980) 889:(1979) 881:(1976) 873:(1975) 865:(1974) 857:(1971) 849:(1969) 841:(1968) 833:(1968) 825:(1967) 817:(1966) 809:(1960) 806:Psycho 801:(1958) 785:(1942) 777:(1938) 769:(1935) 761:(1929) 753:(1925) 745:(1915) 737:(1903) 729:(1903) 673:, and 648:, and 640:, the 548:' and 544:, and 402:, and 379:, and 307:Encore 231:Budget 179: ( 2906:tool. 2774:10/10 2557:(PDF) 2184:and 2155:/Film 2027:Lenny 2011:gave 1965:] 1289:Lenny 1265:Ronin 862:Lenny 541:Lenny 502:2000s 3058:IMDb 3036:2005 3010:2024 2984:2024 2958:2024 2931:2024 2901:2024 2876:2024 2855:2024 2828:2024 2802:2024 2746:2024 2715:2024 2681:2024 2651:2024 2625:2024 2597:2024 2565:2024 2538:2024 2515:2024 2488:2024 2458:2024 2428:2024 2402:2024 2376:2024 2335:2024 2174:KPBS 2158:and 2138:and 2054:Jaws 1829:Jaws 1151:Cast 870:Jaws 681:and 638:AVRO 456:and 434:and 424:and 383:and 375:and 367:and 344:and 3056:at 2977:IGN 2141:XXX 1979:of 1954:NHK 1655:XXX 1337:JFK 1126:XXX 942:JFK 642:BBC 634:NHK 556:'s 538:'s 524:'s 420:), 300:NHK 3069:: 3026:. 3000:. 2975:. 2948:. 2922:. 2903:. 2892:. 2845:. 2819:. 2793:. 2781:^ 2769:52 2767:. 2763:. 2735:. 2723:^ 2701:. 2689:^ 2671:. 2659:^ 2641:. 2614:. 2587:. 2573:^ 2505:. 2474:. 2449:. 2418:. 2393:. 2367:. 2343:^ 2326:. 2300:^ 2106:, 2030:. 1963:ja 1939:, 1935:, 1908:. 1900:, 1862:– 1844:– 1826:– 1814:– 1784:– 1766:– 1754:– 1736:– 1724:– 1712:– 1694:– 1682:– 1664:– 1646:– 1628:– 1610:– 1583:– 1571:– 1553:– 1535:– 1523:– 1484:– 1472:– 1454:– 1436:– 1424:– 1388:– 1370:– 1358:– 1346:– 1334:– 1322:– 1310:– 1298:– 1286:– 1274:– 1256:– 1244:– 1226:– 1214:– 1202:– 1184:– 1172:– 707:. 677:. 669:, 662:. 644:, 574:. 493:, 489:, 485:, 398:, 394:, 371:, 363:, 288:. 266:. 3038:. 3012:. 2986:. 2960:. 2933:. 2878:. 2857:. 2830:. 2804:. 2748:. 2717:. 2683:. 2653:. 2627:. 2567:. 2540:. 2517:. 2460:. 2434:. 2404:. 2378:. 2337:. 2056:: 594:. 203:) 192:) 183:) 177:)

Index


Mark Jonathan Harris
Zach Staenberg
Jodie Foster
Michael Tronick
Anthony Minghella
Sean Penn
Martin Scorsese
Steven Spielberg
Quentin Tarantino
Kathy Bates
John Bailey
Starz Encore
Hollywood Film Festival
film editing
filmmaker
Life of an American Fireman
Cold Mountain
Visions of Light
Alan Heim
Warner Bros.
Academy of Motion Picture Arts and Sciences
Hollywood Film Festival
NHK
premium cable channel
Encore


Martin Scorsese
Thelma Schoonmaker

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