Knowledge (XXG)

The Devil's Claim

Source 📝

585: 31: 199:
pretends to fall for Khan. He is inspired to write about "The Devil’s Trademark" (this was the working title of the film), an adaption of a serial for a popular magazine. The film flashes to his vision of the story, which is set in Paris with Khan as the hero Hassan. Hassan's companion in the story is a beautiful Hindu woman. The story includes a stolen
198:
As summarized in a film publication, Akbar Khan, a novelist in New York, uses his love affairs as inspiration for his books. His current affair is with Indora, a Persian girl. However, the passion has left the relationship and he casts her out. Social worker Virginia Crosby comes to her aid and
203:, a blindfolded marriage, Egyptian sorceresses, a sect of devil worshipers, and reincarnated evil spirits. Virginia then leaves Khan before the story is finished, and sends for Indora, who steps into her place. 676: 622: 666: 686: 671: 119: 646: 562: 651: 517: 509: 435: 419: 361: 331: 304: 277: 656: 501: 93: 691: 615: 436:"7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (January 2021) - (Current as of 02.04.2021)" 681: 108: 608: 535: 661: 230: 557: 530: 65: 567: 641: 584: 236: 54: 30: 546: 513: 505: 415: 409: 357: 351: 327: 321: 300: 294: 273: 267: 242: 592: 392: 44: 212: 183: 75: 459: 635: 263: 224: 218: 187: 83: 79: 377: 160: 551: 347: 179: 164: 296:
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
200: 540: 568:
The Library of Congress American Silent Feature Film Survival Catalog:
382:. Society for Psychical Research (Great Britain). 1928. p. 267. 474:(22). New York City: Motion Picture News, Inc.: 4404 May 22, 1920 591:
This article related to an American film of the 1920s is a
269:
Sessue Hayakawa: Silent Cinema and Transnational Stardom
596: 156: 148: 125: 115: 99: 89: 71: 61: 50: 40: 23: 498:Colleen Moore; A Biography of the Silent Film Star 447:Some recent "finds" now removed from this list:... 379:Proceedings of the Society for Psychical Research 616: 464:: Japanese Star in Fantastic, Involved Story" 356:. Allison & Busby, Limited. p. 109. 8: 411:Flickers of Desire: Movie Stars of the 1910s 326:. Greenwood Publishing Group. p. 236. 623: 609: 29: 20: 414:. Rutgers University Press. p. 112. 255: 120:Robertson-Cole Distributing Corporation 272:. Duke University Press. p. 176. 677:Film Booking Offices of America films 7: 581: 579: 323:American Film Cycles: The Silent Era 408:Bean, Jennifer M. (July 12, 2011). 667:Haworth Pictures Corporation films 595:. You can help Knowledge (XXG) by 320:Langman, Larry (January 1, 1998). 14: 190:. A print of this film survives. 583: 531:Alt Film Guide page for the film 687:Surviving American silent films 672:American black-and-white films 393:Progressive Silent Film List: 1: 647:American silent feature films 16:1920 film by Charles Swickard 652:Films based on short fiction 109:Haworth Pictures Corporation 657:Silent American drama films 708: 578: 299:. McFarland. p. 142. 178:is a 1920 American silent 692:1920s American film stubs 293:Soister, John T. (2012). 35:Theatrical release poster 28: 350:(September 10, 2013). 57:(screenplay and story) 553:The Devil's Claim 542:The Devil's Claim 536:BFI page for the film 353:Songs of Willow Frost 233:as Spencer Wellington 134:May 2, 1920 682:1920s American films 502:McFarland Publishing 496:Jeff Codori (2012), 445:. February 4, 2021. 215:as Akbar Khan/Hassan 468:Motion Picture News 558:TCM Movie Database 266:(March 28, 2007). 221:as Virginia Crosby 55:J. Grubb Alexander 604: 603: 570:The Devil's Claim 518:978-0-7864-8899-5 510:978-0-7864-4969-9 462:The Devil's Claim 421:978-0-8135-5072-5 395:The Devil's Claim 363:978-0-7490-1463-6 333:978-0-313-30657-0 306:978-0-7864-8790-5 279:978-0-8223-3969-4 175:The Devil's Claim 171: 170: 94:Frank D. Williams 24:The Devil's Claim 699: 662:1920 drama films 625: 618: 611: 587: 580: 484: 483: 481: 479: 456: 450: 449: 440: 432: 426: 425: 405: 399: 398:at silentera.com 390: 384: 383: 374: 368: 367: 344: 338: 337: 317: 311: 310: 290: 284: 283: 260: 141: 139: 45:Charles Swickard 33: 21: 707: 706: 702: 701: 700: 698: 697: 696: 632: 631: 630: 629: 576: 563:NY Times review 527: 493: 488: 487: 477: 475: 458: 457: 453: 438: 434: 433: 429: 422: 407: 406: 402: 391: 387: 376: 375: 371: 364: 346: 345: 341: 334: 319: 318: 314: 307: 292: 291: 287: 280: 262: 261: 257: 252: 231:William Buckley 213:Sessue Hayakawa 209: 196: 184:Sessue Hayakawa 144: 137: 135: 128: 111: 104: 102: 82: 78: 76:Sessue Hayakawa 66:George W. Stout 36: 17: 12: 11: 5: 705: 703: 695: 694: 689: 684: 679: 674: 669: 664: 659: 654: 649: 644: 634: 633: 628: 627: 620: 613: 605: 602: 601: 588: 574: 573: 565: 560: 549: 538: 533: 526: 525:External links 523: 522: 521: 492: 489: 486: 485: 451: 427: 420: 400: 385: 369: 362: 339: 332: 312: 305: 285: 278: 264:Miyao, Daisuke 254: 253: 251: 248: 247: 246: 240: 234: 228: 222: 216: 208: 205: 195: 192: 169: 168: 158: 154: 153: 150: 146: 145: 143: 142: 131: 129: 126: 123: 122: 117: 116:Distributed by 113: 112: 107: 105: 100: 97: 96: 91: 90:Cinematography 87: 86: 73: 69: 68: 63: 59: 58: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 704: 693: 690: 688: 685: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 658: 655: 653: 650: 648: 645: 643: 640: 639: 637: 626: 621: 619: 614: 612: 607: 606: 600: 598: 594: 589: 586: 582: 577: 572: 571: 566: 564: 561: 559: 555: 554: 550: 548: 544: 543: 539: 537: 534: 532: 529: 528: 524: 519: 515: 511: 507: 503: 499: 495: 494: 490: 473: 469: 465: 463: 455: 452: 448: 444: 437: 431: 428: 423: 417: 413: 412: 404: 401: 397: 396: 389: 386: 381: 380: 373: 370: 365: 359: 355: 354: 349: 343: 340: 335: 329: 325: 324: 316: 313: 308: 302: 298: 297: 289: 286: 281: 275: 271: 270: 265: 259: 256: 249: 244: 241: 238: 235: 232: 229: 226: 225:Colleen Moore 223: 220: 219:Rhea Mitchell 217: 214: 211: 210: 206: 204: 202: 193: 191: 189: 188:Colleen Moore 185: 181: 177: 176: 166: 162: 159: 155: 152:United States 151: 147: 133: 132: 130: 124: 121: 118: 114: 110: 106: 98: 95: 92: 88: 85: 84:Rhea Mitchell 81: 80:Colleen Moore 77: 74: 70: 67: 64: 60: 56: 53: 49: 46: 43: 39: 32: 27: 22: 19: 597:expanding it 590: 575: 569: 552: 541: 497: 491:Bibliography 476:. Retrieved 471: 467: 461: 454: 446: 442: 430: 410: 403: 394: 388: 378: 372: 352: 342: 322: 315: 295: 288: 268: 258: 237:Sidney Payne 197: 174: 173: 172: 127:Release date 18: 348:Ford, Jamie 165:intertitles 62:Produced by 41:Directed by 642:1920 films 636:Categories 250:References 180:drama film 138:1920-05-02 101:Production 51:Written by 504:, (Print 478:April 11, 227:as Indora 182:starring 163:(English 512:, EBook 245:as Salim 243:Joe Wray 239:as Kemal 201:talisman 157:Language 72:Starring 556:at the 443:LOC.GOV 149:Country 136: ( 103:company 516:  508:  418:  360:  330:  303:  276:  161:Silent 439:(PDF) 593:stub 547:IMDb 514:ISBN 506:ISBN 480:2014 416:ISBN 358:ISBN 328:ISBN 301:ISBN 274:ISBN 207:Cast 194:Plot 186:and 545:at 638:: 520:). 500:, 472:21 470:. 466:. 441:. 624:e 617:t 610:v 599:. 482:. 460:" 424:. 366:. 336:. 309:. 282:. 167:) 140:)

Index


Charles Swickard
J. Grubb Alexander
George W. Stout
Sessue Hayakawa
Colleen Moore
Rhea Mitchell
Frank D. Williams
Haworth Pictures Corporation
Robertson-Cole Distributing Corporation
Silent
intertitles
drama film
Sessue Hayakawa
Colleen Moore
talisman
Sessue Hayakawa
Rhea Mitchell
Colleen Moore
William Buckley
Sidney Payne
Joe Wray
Miyao, Daisuke
Sessue Hayakawa: Silent Cinema and Transnational Stardom
ISBN
978-0-8223-3969-4
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
ISBN
978-0-7864-8790-5
American Film Cycles: The Silent Era

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.