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The Door in the Wall (short story)

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19: 68:, come across a white wall with a green door. Against his better judgement, he opened the door, walked through, and found himself in a beautiful garden where everyone was happy. He encountered two tame panthers and various friendly people, including a sombre, dark woman who showed him a book which contained the story of his life. When Wallace reached the point in the book where he discovered the green door, the garden disappeared and he found himself, distraught, back in the street. A policeman took him back home, but no-one there believed his story. Time passed, and he began to go to school. 247:
perhaps the choice between imaginative writing and political action faced by Wells himself in 1906. But perhaps, as Sabine Coelsch-Foisner has written, Wells makes the meaning of the supernatural garden motif a mystery to which there can be no final answer. "Was it a daydream, a lie, a sign of the boy's vivid imagination, or a token of a hidden dimension accessible only to a 'visionary' like Wallace?".
91:, but again he decided against going in since it would make him late for an appointment. He came increasingly to regret not taking any of his chances to return to the garden, and yet three times in the last year he has discovered the green door and passed it by. The first time was because he was hurrying to a crucial 210:
fragment". "Geoffrey West" (pseudonym of Geoffrey H. Wells) noted in 1926 that it was often considered Wells's best short story, and in 1930 added his own judgement that it was one of the works which "will carry his name even beyond our own century into that literary immortality he seems so anxious
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It has been seen as a nostalgic look back to the simplicity, continuity and easier pace of the Victorian age, or, more personally, to idyllic scenes in Wells's childhood. John R. Reed took from the story the lesson that life is like a book, never reaching an ordered state until its composition has
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The tone of this piece is exquisitely handled, and it remains one of the most affecting portraits of that palpable but indefinable sense of loss entailed by growing up...the way the petty business of living repeatedly get in the way of recovering that childhood numinosity. And although it is a sad
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The narrator begins by telling us that this story was told to him by an old schoolfellow of his, Lionel Wallace. After a period of doubt he has come to believe that Wallace was telling him the truth as he saw it. Wallace confesses that he is haunted by a memory of beauty and happiness that makes
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One day, while on his way to school, Wallace discovered the door in the wall again, but was too worried about being late for school to go in. Later he told some of his schoolfellows about the garden, but they disbelieved him and challenged him to take them to see for themselves. However, he was
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differed, writing that "Far more likely, Wells was advising his readers not to give way, like Wallace, to the seductions of unreason." The garden can be taken as a metaphor for the imagination which dramatizes for us the choice between the aesthetic and the practical sides of life, especially
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in 1911. It covers the whole life of a successful politician who has always been haunted by his memory of having in early childhood been welcomed into a paradisal garden of innocent happiness, access to which depends on finding by chance a particular door. Over the years he has several times
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The narrator ends by telling us that Wallace's body has just been found at the bottom of an excavation, and that he had in poor light walked through a small doorway that led onto it. Perhaps this shows that the green door in the wall never existed. "By our daylight standard he walked out of
99:, the second was when he was on his way to his father's deathbed, and the third time, only a week ago, he was discussing his political future with men who could advance it. He now feels utterly hopeless that he will be given another chance of happiness. 229:
been finished. Alfred Borrello believed it showed that our "very aspirations...can be the sources of self-delusion and ultimately doom if man understands them only as the means whereby he might escape from his duties to himself and to his race".
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found the story's garden unsatisfactory as a believable child's paradise. He saw the door as a womb symbol, the garden as "a return in fantasy to a pre-natal state", and Wallace's relationship with his father as
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his life of worldly success pale by comparison. As a boy of about five years old, orphaned of his mother but given a good deal of freedom, he had once, when wandering through the streets of
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rediscovered the door in different locations in London, but has always declined to enter, being distracted by some step in the advancement of his worldly career.
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parable. His interpretation of Wallace's death was that it represented Wells's recognition of his own death as a creative artist, but
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to avoid". Critics in the late 20th century and the 21st century have likewise evaluated it as one of Wells's finest short works.
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It is widely considered to be one of Wells's finest short stories, has influenced other writers, and has been filmed three times.
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holds two manuscripts of "The Door in the Wall", one dated 1905, and a typescript dated 1906. The story first appeared in the
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the myriad gettings-in-the-way that define our days, and the desire to get past that is actually the desire to stop living.
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story (it is, indeed, one of the saddest I know) it is not a depressing story, because Wells understands that life
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Iribarren i Donadeu, Teresa (2013) . "An approximation of H. G. Wells's impact on Catalonia". In
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Borden, Richard C. (Autumn 1992). "H. G. Wells' "Door in the Wall" in Russian literature".
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Place and Displacement in the Narrative Worlds of Jorge Luis Borges and Julio Cortázar
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Claims have been made for the influence of "The Door in the Wall" on, amongst others,
206:, called this story "a very lovely thing, seems rather by itself, like a gloss on an 2333: 1745: 1670: 1582: 940: 623: 318: 261: 239: 207: 202: 799:"H. G. Wells's short stories: 'The Country of the Blind' and 'The Door in the Wall'" 2117: 1526: 1454: 1398: 266: 615: 1240: 1209: 1181: 1153: 1125: 838: 2300: 2285: 1955: 1829: 1801: 1759: 1446: 1302: 512:
The Works of H.G. Wells, 1887–1925: A Bibliography, Dictionary and Subject-Index
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H. G. Wells: Discoverer of the Future. The Influence of Science on His Thought
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unable to find it, either then or through the rest of his career at school.
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security into darkness, danger, and death. But did he see like that?"
1021: 238:, while acknowledging that "The Door in the Wall" is not a systematic 1518: 301:(1956), an experimental film directed by Glenn H. Alvey Jr., starred 79:. He did not stop the cab, being too intent on catching a train to 1013: 75:
The third time he found it was when he was 17, driving in a cab to
1414: 600:"'The Door in the Wall': H. G. Wells's paean to the Victorian age" 167: 17: 179:"The Door in the Wall" was acclaimed from the first. Writing in 124:
on 14 July 1906, and later in two 1911 H. G. Wells collections:
1275: 1271: 674:. Carbondale: Southern Illinois University Press. p. 73. 313:(1990) was a Soviet animation directed by Boris Akulinichev. 297:
At least three short films have been based on Wells's story.
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Herbert George Wells: An Annotated Bibliography of His Works
911:(December 1969). "Eliot, Whitman and American tradition". 1127:
The Early H. G. Wells: A Study of the Scientific Romances
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Travels of a Republican Radical in Search of Hot Water
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A Companion to Romance from Classical to Contemporary
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Manchester: Manchester University Press. 1981:The Country of the Blind and Other Stories 1294: 1280: 1272: 126:The Country of the Blind and Other Stories 49:The Country of the Blind and Other Stories 1949:The Work, Wealth and Happiness of Mankind 1062:"A Door in the Wall Dver v Stene (film)" 701: 2174:The Queer Story of Brownlow's Newspaper 2002:The Stolen Bacillus and Other Incidents 953: 750: 643: 585: 573: 540:. London: Gerald Howe. pp. 282–283 481:. London: Routledge. pp. 312–313. 415: 367: 334: 196:said that it was "Wells at his best". 116:University of Illinois Urbana-Champaign 840:The Reception of H. G. Wells in Europe 515:. London: George Routledge. p. 31 442:The Reception of H. G. Wells in Europe 134:The Door in the Wall and Other Stories 112:The Rare Book & Manuscript Library 972:. New York: Peter Lang. p. 126. 880:. Lewes: The Book Guild. p. 77. 7: 1086:Godfrey, Emelyne (27 January 2012). 1002:The Slavic and East European Journal 655: 558: 537:H. G. Wells: A Sketch for a Portrait 843:. London: Bloomsbury. p. 234. 47:in 1906 and first collected in his 1995:Select Conversations with an Uncle 1623:Mr. Blettsworthy on Rampole Island 1211:The Natural History of H. G. Wells 478:H. G. Wells: The Critical Heritage 444:. London: Bloomsbury. p. 39. 14: 1914:The Story of a Great Schoolmaster 769:. London: Macmillan. p. 49. 144:edition featuring photographs by 2375:Short stories adapted into films 1774:An Englishman Looks at the World 966:Tcherepashenets, Nataly (2008). 797:Coelsch-Foisner, Sabine (2008). 154:The Short Stories of H. G. Wells 2263:The Man Who Could Work Miracles 2146:The Man Who Could Work Miracles 1183:H. G. Wells and the Short Story 347:Manuscript Collections Database 343:"H. G. Wells papers, 1845–1946" 1575:The Secret Places of the Heart 1245:. London: Palgrave Macmillan. 1036:"Door in the Wall, The (1956)" 837:; Partington, John S. (eds.). 440:; Partington, John S. (eds.). 384:. 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(1977). 41:first published in the 2111:The Empire of the Ants 1886:The Outline of History 1816:God the Invisible King 1679:The Camford Visitation 1639:The Bulpington of Blup 1495:The Passionate Friends 1375:When the Sleeper Wakes 1208:Reed, John R. (1982). 226: 176: 37:" is a short story by 30: 2355:Fantasy short stories 2296:Joseph Wells (father) 2104:A Dream of Armageddon 2055:The Chronic Argonauts 1963:A Year of Prophesying 1893:Russia in the Shadows 1837:Mankind in the Making 1809:The Future in America 1795:First and Last Things 1719:All Aboard for Ararat 1367:The War of the Worlds 1158:. New York: Garland. 871:Foster, Paul (1998). 370:, pp. 55–56, 59. 174: 148:and type designed by 21: 2345:Contemporary fantasy 2237:A Vision of Judgment 2097:The Door in the Wall 1921:This Misery of Boots 1551:The Soul of a Bishop 1383:Love and Mr Lewisham 1351:The Wheels of Chance 299:The Door in the Wall 146:Alvin Langdon Coburn 35:The Door in the Wall 27:Alvin Langdon Coburn 2306:H. G. Wells Society 2153:The New Accelerator 2083:A Deal in Ostriches 1900:The Science of Life 1879:The Open Conspiracy 1865:The New World Order 1479:The New Machiavelli 1335:The Wonderful Visit 753:, pp. 130–131. 187:Henry Durand-Davray 2350:England in fiction 2340:1906 short stories 2291:Anthony West (son) 2167:The Plattner Story 2125:The Land Ironclads 2048:The Beautiful Suit 1935:War and the Future 1872:New Worlds for Old 1823:In the Fourth Year 1687:Apropos of Dolores 1655:The Croquet Player 1511:The World Set Free 1471:The Sleeper Awakes 1439:The War in the Air 835:Parrinder, Patrick 473:Parrinder, Patrick 438:Parrinder, Patrick 215:has written that 177: 138:Mitchell Kennerley 31: 25:, photographed by 2327: 2326: 2160:The Pearl of Love 2090:The Diamond Maker 1359:The Invisible Man 1122:Bergonzi, Bernard 704:, pp. 84–88. 432:Mercure de France 418:, pp. 58–59. 172: 83:to qualify for a 2392: 1567:The Undying Fire 1327:The Time Machine 1296: 1289: 1282: 1273: 1263: 1261: 1259: 1232: 1230: 1228: 1204: 1202: 1200: 1176: 1174: 1172: 1148: 1146: 1144: 1108: 1107: 1105: 1103: 1083: 1077: 1076: 1074: 1072: 1058: 1052: 1051: 1049: 1047: 1040:BFI Screenonline 1032: 1026: 1025: 997: 991: 990: 988: 986: 963: 957: 951: 945: 944: 909:Hobsbaum, Philip 905: 899: 898: 896: 894: 868: 862: 861: 859: 857: 830: 824: 823: 821: 819: 794: 788: 787: 785: 783: 760: 754: 748: 742: 741: 739: 737: 715:Wagar, W. Warren 711: 705: 699: 693: 692: 690: 688: 665: 659: 653: 647: 641: 635: 634: 632: 630: 595: 589: 583: 577: 571: 562: 556: 550: 549: 547: 545: 531: 525: 524: 522: 520: 506: 500: 499: 497: 495: 469: 463: 462: 460: 458: 425: 419: 413: 407: 406: 404: 402: 377: 371: 365: 359: 358: 356: 354: 339: 293:Film adaptations 279:Vladimir Nabokov 231:Bernard Bergonzi 195: 173: 97:House of Commons 2400: 2399: 2395: 2394: 2393: 2391: 2390: 2389: 2330: 2329: 2328: 2323: 2317:Time After Time 2281:Political views 2269: 2242: 2202:The Stolen Body 2188:The Sea Raiders 2076:The Crystal Egg 2034:Æpyornis Island 2021: 1968: 1858:The New America 1788:The Fate of Man 1733: 1703:The Holy Terror 1423:A Modern Utopia 1314: 1305: 1300: 1270: 1257: 1255: 1253: 1235: 1226: 1224: 1222: 1207: 1198: 1196: 1194: 1179: 1170: 1168: 1166: 1151: 1142: 1140: 1138: 1120: 1117: 1112: 1111: 1101: 1099: 1085: 1084: 1080: 1070: 1068: 1060: 1059: 1055: 1045: 1043: 1034: 1033: 1029: 999: 998: 994: 984: 982: 980: 965: 964: 960: 952: 948: 907: 906: 902: 892: 890: 888: 870: 869: 865: 855: 853: 851: 832: 831: 827: 817: 815: 813: 796: 795: 791: 781: 779: 777: 762: 761: 757: 749: 745: 735: 733: 731: 713: 712: 708: 700: 696: 686: 684: 682: 667: 666: 662: 654: 650: 642: 638: 628: 626: 597: 596: 592: 584: 580: 572: 565: 557: 553: 543: 541: 533: 532: 528: 518: 516: 508: 507: 503: 493: 491: 489: 471: 470: 466: 456: 454: 452: 427: 426: 422: 414: 410: 400: 398: 396: 379: 378: 374: 366: 362: 352: 350: 341: 340: 336: 331: 295: 283:Valentin Kataev 253: 244:W. Warren Wagar 189: 168: 166: 121:Daily Chronicle 109: 66:West Kensington 61: 44:Daily Chronicle 12: 11: 5: 2398: 2396: 2388: 2387: 2382: 2377: 2372: 2370:Portal fantasy 2367: 2362: 2357: 2352: 2347: 2342: 2332: 2331: 2325: 2324: 2322: 2321: 2313: 2308: 2303: 2298: 2293: 2288: 2283: 2277: 2275: 2271: 2270: 2268: 2267: 2259: 2255:Things to Come 2250: 2248: 2244: 2243: 2241: 2240: 2233: 2226: 2219: 2212: 2205: 2198: 2191: 2184: 2177: 2170: 2163: 2156: 2149: 2142: 2135: 2128: 2121: 2114: 2107: 2100: 2093: 2086: 2079: 2072: 2065: 2058: 2051: 2044: 2037: 2029: 2027: 2023: 2022: 2020: 2019: 2012: 2005: 1998: 1991: 1984: 1976: 1974: 1970: 1969: 1967: 1966: 1959: 1952: 1945: 1938: 1931: 1924: 1917: 1910: 1903: 1896: 1889: 1882: 1875: 1868: 1861: 1854: 1847: 1840: 1833: 1826: 1819: 1812: 1805: 1798: 1791: 1784: 1777: 1770: 1763: 1756: 1749: 1741: 1739: 1735: 1734: 1732: 1731: 1723: 1715: 1707: 1699: 1691: 1683: 1675: 1667: 1659: 1651: 1643: 1635: 1627: 1619: 1611: 1603: 1595: 1587: 1579: 1571: 1563: 1559:Joan and Peter 1555: 1547: 1539: 1531: 1523: 1515: 1507: 1499: 1491: 1483: 1475: 1467: 1459: 1451: 1443: 1435: 1427: 1419: 1411: 1403: 1395: 1387: 1379: 1371: 1363: 1355: 1347: 1339: 1331: 1322: 1320: 1316: 1315: 1310: 1307: 1306: 1301: 1299: 1298: 1291: 1284: 1276: 1269: 1268:External links 1266: 1265: 1264: 1251: 1233: 1220: 1205: 1192: 1177: 1164: 1149: 1136: 1116: 1113: 1110: 1109: 1078: 1053: 1027: 1014:10.2307/308586 1008:(3): 323–338. 992: 978: 958: 956:, p. 168. 946: 919:(2): 242–244. 900: 886: 863: 849: 825: 811: 789: 775: 755: 743: 729: 706: 694: 680: 660: 658:, p. 226. 648: 646:, p. 129. 636: 590: 588:, p. 125. 578: 563: 551: 526: 501: 487: 475:, ed. (1972). 464: 450: 420: 408: 394: 372: 360: 333: 332: 330: 327: 323:Harriet Walter 303:Stephen Murray 294: 291: 275:Julio Cortázar 252: 249: 198:T. E. Lawrence 165: 162: 150:Frederic Goudy 140:, this last a 108: 105: 60: 57: 13: 10: 9: 6: 4: 3: 2: 2397: 2386: 2383: 2381: 2378: 2376: 2373: 2371: 2368: 2366: 2363: 2361: 2360:Frame stories 2358: 2356: 2353: 2351: 2348: 2346: 2343: 2341: 2338: 2337: 2335: 2319: 2318: 2314: 2312: 2309: 2307: 2304: 2302: 2299: 2297: 2294: 2292: 2289: 2287: 2284: 2282: 2279: 2278: 2276: 2272: 2265: 2264: 2260: 2257: 2256: 2252: 2251: 2249: 2245: 2238: 2234: 2231: 2227: 2224: 2220: 2217: 2213: 2210: 2206: 2203: 2199: 2196: 2192: 2189: 2185: 2182: 2178: 2175: 2171: 2168: 2164: 2161: 2157: 2154: 2150: 2147: 2143: 2140: 2136: 2133: 2129: 2126: 2122: 2119: 2115: 2112: 2108: 2105: 2101: 2098: 2094: 2091: 2087: 2084: 2080: 2077: 2073: 2070: 2066: 2063: 2059: 2056: 2052: 2049: 2045: 2042: 2038: 2035: 2031: 2030: 2028: 2026:Short stories 2024: 2018: 2017: 2013: 2011: 2010: 2006: 2004: 2003: 1999: 1997: 1996: 1992: 1990: 1989: 1985: 1983: 1982: 1978: 1977: 1975: 1971: 1965: 1964: 1960: 1958: 1957: 1953: 1951: 1950: 1946: 1944: 1943: 1939: 1937: 1936: 1932: 1930: 1929: 1925: 1923: 1922: 1918: 1916: 1915: 1911: 1909: 1908: 1904: 1902: 1901: 1897: 1895: 1894: 1890: 1888: 1887: 1883: 1881: 1880: 1876: 1874: 1873: 1869: 1867: 1866: 1862: 1860: 1859: 1855: 1853: 1852: 1848: 1846: 1845: 1841: 1839: 1838: 1834: 1832: 1831: 1827: 1825: 1824: 1820: 1818: 1817: 1813: 1811: 1810: 1806: 1804: 1803: 1799: 1797: 1796: 1792: 1790: 1789: 1785: 1783: 1782: 1778: 1776: 1775: 1771: 1769: 1768: 1764: 1762: 1761: 1757: 1755: 1754: 1750: 1748: 1747: 1746:Anticipations 1743: 1742: 1740: 1736: 1729: 1728: 1724: 1721: 1720: 1716: 1713: 1712: 1708: 1705: 1704: 1700: 1697: 1696: 1692: 1689: 1688: 1684: 1681: 1680: 1676: 1673: 1672: 1671:Star Begotten 1668: 1665: 1664: 1660: 1657: 1656: 1652: 1649: 1648: 1644: 1641: 1640: 1636: 1633: 1632: 1628: 1625: 1624: 1620: 1617: 1616: 1612: 1609: 1608: 1604: 1601: 1600: 1596: 1593: 1592: 1588: 1585: 1584: 1583:Men Like Gods 1580: 1577: 1576: 1572: 1569: 1568: 1564: 1561: 1560: 1556: 1553: 1552: 1548: 1545: 1544: 1540: 1537: 1536: 1532: 1529: 1528: 1524: 1521: 1520: 1516: 1513: 1512: 1508: 1505: 1504: 1500: 1497: 1496: 1492: 1489: 1488: 1484: 1481: 1480: 1476: 1473: 1472: 1468: 1465: 1464: 1460: 1457: 1456: 1452: 1449: 1448: 1444: 1441: 1440: 1436: 1433: 1432: 1428: 1425: 1424: 1420: 1417: 1416: 1412: 1409: 1408: 1404: 1401: 1400: 1396: 1393: 1392: 1388: 1385: 1384: 1380: 1377: 1376: 1372: 1369: 1368: 1364: 1361: 1360: 1356: 1353: 1352: 1348: 1345: 1344: 1340: 1337: 1336: 1332: 1329: 1328: 1324: 1323: 1321: 1317: 1313: 1308: 1304: 1297: 1292: 1290: 1285: 1283: 1278: 1277: 1274: 1267: 1254: 1252:9783030264215 1248: 1244: 1243: 1238: 1237:Roberts, Adam 1234: 1223: 1217: 1213: 1212: 1206: 1195: 1193:9780312075828 1189: 1185: 1184: 1178: 1167: 1161: 1157: 1156: 1150: 1139: 1133: 1129: 1128: 1123: 1119: 1118: 1114: 1097: 1093: 1091: 1082: 1079: 1067: 1063: 1057: 1054: 1041: 1037: 1031: 1028: 1023: 1019: 1015: 1011: 1007: 1003: 996: 993: 981: 979:9780820463957 975: 971: 970: 962: 959: 955: 950: 947: 942: 938: 934: 930: 926: 922: 918: 914: 910: 904: 901: 889: 887:9781857762174 883: 879: 878: 876:Four Quartets 875: 867: 864: 852: 850:9781623568641 846: 842: 841: 836: 829: 826: 814: 812:9781405145374 808: 804: 800: 793: 790: 778: 776:9780333271865 772: 768: 767: 759: 756: 752: 747: 744: 732: 726: 722: 721: 716: 710: 707: 703: 702:Bergonzi 1961 698: 695: 683: 681:9780809305414 677: 673: 672: 664: 661: 657: 652: 649: 645: 640: 637: 625: 621: 617: 613: 609: 605: 601: 594: 591: 587: 582: 579: 576:, p. 35. 575: 570: 568: 564: 561:, p. 20. 560: 555: 552: 539: 538: 530: 527: 514: 513: 505: 502: 490: 488:9780415852050 484: 480: 479: 474: 468: 465: 453: 451:9781623568641 447: 443: 439: 435: 433: 424: 421: 417: 412: 409: 397: 395:9786611312664 391: 387: 383: 376: 373: 369: 364: 361: 348: 344: 338: 335: 328: 326: 324: 320: 319:Charles Dance 316: 312: 308: 304: 300: 292: 290: 288: 284: 280: 276: 272: 268: 264: 263: 262:Four Quartets 258: 250: 248: 245: 241: 237: 232: 225: 223: 216: 214: 209: 208:E. M. Forster 205: 204: 203:The Spectator 199: 193: 188: 184: 183: 163: 161: 159: 155: 151: 147: 143: 139: 135: 131: 130:Thomas Nelson 127: 123: 122: 117: 113: 106: 104: 100: 98: 94: 90: 86: 82: 78: 73: 69: 67: 58: 56: 53: 50: 46: 45: 40: 36: 28: 24: 20: 16: 2315: 2311:Lunar crater 2261: 2253: 2181:The Red Room 2118:In the Abyss 2096: 2014: 2007: 2000: 1993: 1986: 1979: 1961: 1954: 1947: 1940: 1933: 1926: 1919: 1912: 1905: 1898: 1891: 1884: 1877: 1870: 1863: 1856: 1849: 1842: 1835: 1828: 1821: 1814: 1807: 1800: 1793: 1786: 1779: 1772: 1765: 1758: 1751: 1744: 1725: 1717: 1709: 1701: 1695:The Brothers 1693: 1685: 1677: 1669: 1661: 1653: 1645: 1637: 1629: 1621: 1613: 1605: 1597: 1589: 1581: 1573: 1565: 1557: 1549: 1541: 1533: 1525: 1517: 1509: 1501: 1493: 1485: 1477: 1469: 1461: 1455:Ann Veronica 1453: 1445: 1437: 1429: 1421: 1413: 1405: 1399:The Sea Lady 1397: 1389: 1381: 1373: 1365: 1357: 1349: 1341: 1333: 1325: 1312:Bibliography 1256:. Retrieved 1241: 1225:. Retrieved 1210: 1197:. Retrieved 1182: 1169:. Retrieved 1154: 1141:. Retrieved 1126: 1100:. Retrieved 1095: 1089: 1081: 1069:. Retrieved 1065: 1056: 1044:. Retrieved 1039: 1030: 1005: 1001: 995: 983:. Retrieved 968: 961: 954:Hammond 1977 949: 916: 912: 903: 891:. Retrieved 877: 873: 866: 854:. Retrieved 839: 828: 816:. Retrieved 802: 792: 780:. Retrieved 765: 758: 751:Hammond 1992 746: 734:. Retrieved 719: 709: 697: 685:. Retrieved 670: 663: 651: 644:Hammond 1992 639: 627:. Retrieved 607: 603: 593: 586:Hammond 1992 581: 574:Roberts 2019 554: 542:. Retrieved 536: 529: 517:. Retrieved 511: 504: 492:. Retrieved 477: 467: 455:. Retrieved 441: 431: 423: 416:Hammond 1977 411: 399:. Retrieved 385: 375: 368:Hammond 1977 363: 351:. Retrieved 346: 337: 314: 311:Dver v stene 310: 298: 296: 271:Harriet Hume 270: 267:Rebecca West 260: 254: 227: 221: 218: 213:Adam Roberts 201: 180: 178: 153: 141: 133: 125: 119: 110: 101: 89:Earl's Court 74: 70: 62: 54: 48: 42: 34: 32: 15: 2365:Low fantasy 2320:(1979 film) 2286:G. P. Wells 2247:Screenplays 1973:Collections 1956:World Brain 1830:Little Wars 1802:Floor Games 1760:Crux Ansata 1447:Tono-Bungay 1303:H. G. Wells 1088:"Review of 1066:animator.ru 1042:. July 1956 287:Yury Olesha 257:T. S. Eliot 190: [ 158:Ernest Benn 107:Publication 85:scholarship 39:H. G. Wells 23:H. G. Wells 2334:Categories 1738:Nonfiction 1258:31 January 1227:31 January 1221:0821406280 1199:31 January 1171:28 January 1165:0824098897 1143:31 January 1137:0719001269 1115:References 1102:6 February 1071:6 February 1046:6 February 985:2 February 893:1 February 856:1 February 818:4 February 782:5 February 736:4 February 730:0819567256 687:5 February 629:5 February 610:(4): 248. 544:29 January 519:29 January 494:29 January 457:29 January 353:29 January 307:Ian Hunter 77:Paddington 1615:Meanwhile 1591:The Dream 941:145615493 656:Reed 1982 624:166097824 559:Reed 1982 401:9 January 329:Footnotes 269:'s novel 251:Influence 185:in 1911, 164:Criticism 160:, 1927). 156:(London: 2195:The Star 2062:The Cone 1663:Brynhild 1487:Marriage 1239:(2019). 1124:(1961). 1098:. London 1090:The Door 933:27552895 717:(2004). 315:The Door 240:Freudian 182:Le Temps 93:division 59:Synopsis 2274:Related 236:Oedipal 142:de luxe 114:of the 95:in the 29:in 1905 2266:(1937) 2258:(1936) 1730:(1941) 1722:(1940) 1714:(1940) 1706:(1939) 1698:(1938) 1690:(1938) 1682:(1937) 1674:(1937) 1666:(1937) 1658:(1936) 1650:(1933) 1642:(1932) 1634:(1930) 1626:(1928) 1618:(1927) 1610:(1926) 1602:(1925) 1594:(1924) 1586:(1923) 1578:(1922) 1570:(1919) 1562:(1918) 1554:(1917) 1546:(1916) 1538:(1915) 1530:(1915) 1522:(1915) 1519:Bealby 1514:(1914) 1506:(1914) 1498:(1913) 1490:(1912) 1482:(1911) 1474:(1910) 1466:(1910) 1458:(1909) 1450:(1909) 1442:(1908) 1434:(1906) 1426:(1905) 1418:(1905) 1410:(1904) 1402:(1902) 1394:(1901) 1386:(1900) 1378:(1899) 1370:(1898) 1362:(1897) 1354:(1896) 1346:(1896) 1338:(1895) 1330:(1895) 1319:Novels 1249:  1218:  1190:  1162:  1134:  1022:308586 1020:  976:  939:  931:  884:  847:  809:  773:  727:  678:  622:  485:  448:  392:  132:, and 81:Oxford 1415:Kipps 1018:JSTOR 937:S2CID 929:JSTOR 620:S2CID 436:. In 194:] 1527:Boon 1260:2023 1247:ISBN 1229:2023 1216:ISBN 1201:2023 1188:ISBN 1173:2023 1160:ISBN 1145:2023 1132:ISBN 1104:2023 1073:2023 1048:2023 987:2023 974:ISBN 895:2023 882:ISBN 858:2023 845:ISBN 820:2023 807:ISBN 784:2023 771:ISBN 738:2023 725:ISBN 689:2023 676:ISBN 631:2023 546:2023 521:2023 496:2023 483:ISBN 459:2023 446:ISBN 403:2023 390:ISBN 355:2023 321:and 305:and 285:and 1010:doi 921:doi 612:doi 604:ANQ 309:. 259:'s 2336:: 1094:. 1064:. 1038:. 1016:. 1006:36 1004:. 935:. 927:. 915:. 618:. 608:31 606:. 602:. 566:^ 345:. 325:. 289:. 281:, 273:, 265:, 222:is 192:fr 2239:" 2235:" 2232:" 2228:" 2225:" 2221:" 2218:" 2214:" 2211:" 2207:" 2204:" 2200:" 2197:" 2193:" 2190:" 2186:" 2183:" 2179:" 2176:" 2172:" 2169:" 2165:" 2162:" 2158:" 2155:" 2151:" 2148:" 2144:" 2141:" 2137:" 2134:" 2130:" 2127:" 2123:" 2120:" 2116:" 2113:" 2109:" 2106:" 2102:" 2099:" 2095:" 2092:" 2088:" 2085:" 2081:" 2078:" 2074:" 2071:" 2067:" 2064:" 2060:" 2057:" 2053:" 2050:" 2046:" 2043:" 2039:" 2036:" 2032:" 1295:e 1288:t 1281:v 1262:. 1231:. 1203:. 1175:. 1147:. 1106:. 1092:" 1075:. 1050:. 1024:. 1012:: 989:. 943:. 923:: 917:3 897:. 860:. 822:. 786:. 740:. 691:. 633:. 614:: 548:. 523:. 498:. 461:. 434:" 405:. 357:. 33:"

Index


H. G. Wells
Alvin Langdon Coburn
H. G. Wells
Daily Chronicle
West Kensington
Paddington
Oxford
scholarship
Earl's Court
division
House of Commons
The Rare Book & Manuscript Library
University of Illinois Urbana-Champaign
Daily Chronicle
Thomas Nelson
Mitchell Kennerley
Alvin Langdon Coburn
Frederic Goudy
Ernest Benn
Le Temps
Henry Durand-Davray
fr
T. E. Lawrence
The Spectator
E. M. Forster
Adam Roberts
Bernard Bergonzi
Oedipal
Freudian

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