718:, to the dismay of his associates, who considered the thirty-year-old actress too mature for portraying an eighteen-year-old Leah. Rovina was recovering from Tuberculosis in a sanatorium north of Moscow, and left the establishment in spite of the doctors' protests. Leah became her signature role. The Hebrew-language premiere was staged on 31 January 1922, at Habima's residence in the Sekretariova Theater. Rovina, Miriam Elias (who was replaced by male actors in subsequent stagings), Shabtai Prudkin and Nachum Tzemach appeared in the four leading roles. Habima performed it precisely 300 times in the Soviet Union, 292 in Moscow; the last was on 18 January 1926, before it embarked on an international tour.
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suitors are constantly faced with new demands from her father until they despair. Khanan, who is obviously in love with her, rejoices when one of the idlers tells another proposed match came to nothing. Then Sender himself enters, announcing that he wavered but eventually closed the deal. The townspeople flock to congratulate him. Khanan is shocked, mumbling all his labors were in vain, but then something dawns on him and he is ecstatic. He falls to the floor. The townspeople are busy with Sender, but eventually notice Khanan and try to awake him. They discover he is dead, and that he clasped the
573:, and An-sky rewrote the scene using subtler terms. This version was approved by Driesen on 10 October, after removing another minor reference to angels. The play was still undergoing modifications: on 21 October, An-sky propositioned to Sulerzhitsky they add a prologue, epilogue and a long scene of Leah's wedding day. He agreed, and the censor approved the expanded edition on 30 November. Both copies submitted by An-sky were found in 2001 at the
671:, Alexander Stein, Abraham Morevsky and Noah Nachbusch portrayed Leah, Khanan, Azriel and the Messenger, respectively. The play turned into a massive success, drawing large audiences for over a year, from all the shades of society and a considerable number of Christians. A Yiddish columnist in Warsaw remarked that "of every five Jews in the city, a dozen watched
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399:" raided the area in 1648. She ceremoniously invites the souls of her mother and grandparents to her celebration. Menashe, her betrothed, arrives with his father. At the ceremony, he approaches to remove Leah's veil. She shoves him back, screaming in a man's voice. The Messenger, standing nearby, announces she is possessed by a
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heart went after Leah, as was destined. He claims that Sender recognized him but did not want to have his daughter marry a poor man. Sender confides that he felt a strange urge to reject all suitors and take Khanan, but he eventually managed to resist it. Nisan pleads on, stating his desperate son turned to the
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Nisan's soul arrives at the court and communicates via Rabbi Samson. He tells the assembled that he and Sender were old friends, and swore that if one would father a son and the other a daughter, they will be married to each other. Nisan died prematurely, but his son Khanan arrived at
Brinitz and his
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Azriel of
Miropol, the servant enters to announce that Sender's possessed daughter has arrived. Azriel confides to his assistant that he is old and weak, but the latter encourages him with tales of his father and grandfather, both renowned miracle-workers. He calls Leah and demands from the spirit to
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read the play during the autumn, and replied much further work was required. Guided by him via correspondence, the author rewrote his piece through 1915. When he accepted the revised version in
September, Sulerzhitsky regarded it as much better, but not satisfactory. At that time, An-sky's publisher
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Craig
Stephen Cravens deduced that An-sky began writing the play in late 1913. It was first mentioned in a reply to him from Baron Günzburg, on 12 February 1914, who commented he read a draft and found it compelling. The original was in Russian; shortly after completing it, the author was advised by
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powers. They are accompanied by the
Messenger, a sinister stranger who demonstrates uncanny knowledge of the subject. Khanan, a dreamy, emaciated student, joins them. Upon seeing him, the three gossip of his reputed dealing with the secret lore. They discuss Leah, the daughter of rich Sender, whose
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Several months later, Leah's wedding day has arrived. As decreed by custom, a humble feast is held for the poor folk prior to the ceremony, and the maiden dances with the beggars. She and her nurse discuss the fate of the souls of those who died prematurely, mentioning Khanan who Leah says came to
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The court absolves Sender, stating that one cannot promise an object not yet created under the laws of the Torah, but fine him severely and oblige him to say
Kaddish for Nisan and Khanan for all his life. Azriel commands the spirit to exit Leah's body, but it refuses. The holy man then conducts a
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and an intimate friend of Bialik, and abandoned the theater unexpectedly on 21 March 1921, due to constant quarrels with the directors. She was confident that the management would call her back, but they dismissed her of the role of Leah, to Bialik's chagrin; he ceased attending rehearsals.
675:. How could this be? It is not a play you attend merely once." In the Polish capital alone, they staged it over three hundred times. During their tour across Europe between 1922 and 1927, it remained the pinnacle of their repertoire. While most of their acts drew few visitors,
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fully. He and the rest of the management continued to request revisions. On 25 November 1916, An-sky wrote in his diary that
Stanislavski was almost pleased, asking but for only minor changes in the ending. On 8 January 1917, the press reported the Moscow Art Theatre accepted
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is forced out. Menashe is invited, and a wedding is prepared. When Leah lies alone, she senses Khanan's spirit and confides she loved him ever since seeing him for the first time. Mourning her never-to-be children, she rises and walks towards him. The two are united in death.
432:, came to him in a dream. He told that Khanan is his son and he sues Sender before the court, on the charge he is responsible for his death. The rabbis determine to hold the litigation on the day after, and exorcise the spirit only upon discovering the truth.
506:. They documented the oral traditions and customs of the native Jews, whose culture was slowly disintegrating under the pressure of modernity. According to his assistant Samuel Schreier-Shrira, An-sky was particularly impressed by the stories he heard in
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trial", a public debate attended by an audience of 5,000 people. They discussed the gap between the needs of the
Zionist enterprise and the play's atmosphere, voicing concern that it might overshadow the "young Hebrew culture" developing in Palestine,
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615:. The latter accepted the task in February and completed it in July. Bialik's translation was the first version of the play to be published: it was released in the Hebrew literary magazine
611:. An-sky read his play to Hillel Zlatopolsky, a patron of Habima, who purchased the rights to translate it to Hebrew. The author set but one condition, demanding it would be handed over to
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depicted Azriel. Professional stagings soon followed suit. On the 6th and 16 June 1926, in two consecutive meetings, the members of the Hebrew
Writers Union in Tel Aviv conducted "the
780:, a central figure in American avant-garde theatre, directed a new translation of The Dybbuk by Mira Rafalowicz, a dramaturg, yiddishist and longtime collaborator of Chaikin's at
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when he performed it in New York. The Jewish
Theatre San Francisco (formerly Traveling Jewish Theatre) also performed Myers' adaptation, winning several awards.
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her in a dream. They visit the holy grave in the center of Brinitz, the resting place of a bride and a groom who were killed under their
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accepted Bialik's translation much earlier, both the intricacy of the play and the production of others delayed its stagings. Director
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planned it for years. He originally cast Shoshana Avivit (Lichtenstein), one of his young actresses, as Leah. Avivit was a notorious
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On 9 December, at the end of the thirty days' mourning after An-sky's departure, Herman and his troupe staged the world premiere of
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attended a performance of the play in New York in 1929, he was struck by this melody and made it the basis of his piano trio
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202:, authored between 1913 and 1916. It was originally written in Russian and later translated into Yiddish by An-sky himself.
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to place an anathema upon him. Rabbi Samson arrives and recounts that the spirit of Nisan, a scholar who died and knew the
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spirits. Samuel served as the prototype for the character Azriel, who is also said to reside in that town. Historian
577:. They were considerably different from the known stage version: most notably, the Messenger was not yet conceived.
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Stanislavski agreed to review the play, though not thoroughly, on 30 December. Though many accounts link him with
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Besides stories, An-sky also collected traditional melodies, one of which he incorporated into this play. When
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1275:"NOW PLAYING: In the Maze of Our Own Lives | A play for people who love theatre … and the drama behind it"
1003:, which went on to become a popular hit in Israel and, in its Arabic version, throughout the Middle East.
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Leah, daughter of Sender, a maiden who had come of age and yet her father constantly rejects her suitors
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The Dybbuk Arrives in New York: Maurice Schwartz's Dybbuk Production at the Yiddish Art Theater in 1921
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Samuel of Kaminka-Miropol (1778 – May 10, 1843), who was reputed to have been a master exorcist of
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playing Leah. The first English production ran from 15 December 1925 and 1926 at the off-Broadway
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The play, which depicts the possession of a young woman by the malicious spirit – known as
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The Dybbuk Comes to Broadway: Nahum Zemach's Dybbuk Production at the Mansfield Theatre
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In May 2015, an adaptation by Canadian playwright Anton Piatigorsk opened at Toronto's
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and other notable actors of that era. It was well received and syndicated overseas.
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Learning on Screen - The British Universities and Colleges Film and Video Council
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The Worlds of S. An-sky: A Russian Jewish Intellectual at the Turn of the Century
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commission, financed by Baron Vladimir Günzburg and named in honor of his father
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appeared as Leah, Khanan, Azriel and the Messenger. It ran for several months.
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827:. When he was unable to acquire the rights (assigned to the Italian composer
635:, losing his original copy on the way, but eventually receiving another from
1303:. "1980 BBC production of The Dybbuk by S. Ansky." Retrieved 6 January 2024.
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in February 1918. Meanwhile, the Moscow Art Theatre's planned production of
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Three idlers lounge in the synagogue, telling stories of the famed hasidic
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Sender, son of Henya, a rich merchant who resides in Brinitz, Leah's father
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friends to translate it into Yiddish. In the summer, he started promoting
1388:"Omar Faruk Tekbilek with Zehava Ben - Tel Aviv, Israel (Forbidden Love)"
729:; while the exact date was unrecorded, it was sometime in February 1922.
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On 1 September 1921, the play had its American premiere in the New York
1446:"The classic tale of love and mystical possession, in a new adaptation"
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In 1980 the BBC aired the TV Movie "The Dybbuk", starring David Swift,
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struggling to free itself from the constraints of diaspora mentality
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1418:"THE DYBBUK by S Ansky Read by a Full Cast | Audiobook Review"
1233:"H258: The Demon Spirit by CBS Radio Mystery Theater – Relic Radio"
639:. He read his renewed edition before David Herman, director of the
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243:– of her dead beloved, became a canonical work of both Hebrew and
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At the very same time, Stanislavski was supporting the incipient
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dramatic exorcism, summoning various mystical entities and using
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The two Dayannim, the religious judges presiding alongside Samson
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student enamored with Leah, who is rumored to practice forbidden
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Screen Plays: The Theatre Plays on British Television Database
355:. No date is mentioned, but it takes place after the death of
884:", an English adaptation by Joseph Liss. It was directed by
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The German-language premiere opened on 28 February 1925, in
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refuses. Azriel recognizes him as Khanan, and summons the
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had its world premiere in that language, performed by the
1254:"DIVERSITY - radio drama - Afternoon Theatre, lost plays"
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1222:. Port Washington, NY: Entertainment One U.S. LP, 2011.
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Zinovy Grzhebin submitted it to the state censorship in
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Asher and Hanoch, Yeshiva students and friends of Khanan
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Love and Desire “Between Two Deaths”: Žižek avec An-sky
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The Maiden of Ludmir: A Jewish Holy Woman and Her World
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A Yiddish advertisement for the 1920 Warsaw production.
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ha-Malkah nasʻah be-oṭobus : Rovina ṿe-"Habimah"
1094:, University of California Press, 2003. p. 9, 15-16.
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Three idlers, who waste their time in the study hall
761:in New York City. It was translated and adapted by
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995:in the leading roles. The film featured the song
1190:. University of California Press, 2007, p. 568.
1103:Gabriella Safran, Steven Zipperstein (editors),
852:and Alex Tamkin adapted the play into the opera
474:An-sky interviewing two community elders in the
1515:The Habima Theatre’s Paris Tour, summer of 1926
1107:. Stanford University Press, 2006. pp. 362-403.
286:Nisan, son of Karina, a scholar who knew Azriel
8:
977:film adaptation was produced under the name
955:. The same year, a two-person adaptation by
861:In 1937, the play was adapted into the film
788:staged Rafalowicz' translation, directed by
769:'s French-language version premiered in the
552:. An-sky then contacted the managers of the
524:suggested he also drew inspiration from the
1081:, Harvard University Press, 2009. p. 47-48.
272:The Messenger, a sinister, unnamed traveler
54:as Leah in the Hebrew-language premiere of
1474:"The Dybbuk" The COMPLETE FILM & STORY
1042:for Audiobook Adapted from another Media.
275:Rabbi Azriel, son of Hadasa, a venerable
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1196:10.1525/california/9780520248649.001.0001
765:and Winifred Katzin. On 31 January 1928,
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445:and died, leaving him with none to say
839:), he instead began work on his opera
742:. Eventually, they approved the play.
600:, a Hebrew-language venture headed by
299:Meyer, beadle in the Brinitz synagogue
936:. That year, it was also adapted for
556:. He failed to secure a meeting with
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1314:"The Dybbuk of the Holy Apple Field"
337:The play is set in the Jewish town (
191:
1479:Jewish Heritage Online article on
1187:George Gershwin: His Life and Work
1006:In November 1997 an adaptation by
999:by popular Israeli Mizrahi singer
984:The Dybbuk of the Holy Apple Field
858:. It did not premiere until 1951.
323:Azriel's hasidim, poor folk, crowd
25:
1055:, premiered in Montreal, Canada.
917:La MaMa Experimental Theatre Club
571:Exorcism of the Gerasene demoniac
192:צווישן צוויי וועלטן - דער דִבּוּק
1560:Russian plays adapted into films
899:created multiple adaptations of
302:Gittel and Besya, Leah's friends
283:, reputed to be a miracle-worker
1550:Fiction about spirit possession
1398:from the original on 2021-12-22
1368:from the original on 2021-12-22
1024:The Dybbuk: An opera in Yiddish
947:In 1979 a version was made for
835:, was written on a libretto by
819:accepted a commission from the
593:and was preparing to stage it.
575:Russian Academy of Theatre Arts
196:Tsvishn Tsvey Veltn – der Dibuk
1048:The Dybbuk: Between Two Worlds
623:encountered severe hardships.
457:blasts and black candles. The
343:) of Brinitz, presumably near
18:The Dybbuk: Between Two Worlds
1:
1358:"Zehava Ben - Forbidden Love"
714:Vakhtangov gave the piece to
679:remained an audience magnet.
308:Menashe, Leah's new betrothed
1235:. Relicradio.com. 1974-10-23
1032:Hollywood Theater of the Ear
723:British Mandate of Palestine
694:, Bar Galilee, Schwartz and
1045:In January 2008, the opera
823:to write an opera based on
1576:
1493:Internet Broadway Database
987:, starring Israeli actors
29:
1555:Plays adapted into operas
1165:Copland 1900 through 1942
1079:The Jewish Dark Continent
1034:, under the direction of
938:CBS Radio Mystery Theater
786:Royal Shakespeare Company
771:Studio des Champs-Élysées
494:, which traveled through
296:Michael, Azriel's servant
176:
44:
1488:The Dybbuk
951:on BBC Radio 4 starring
293:(chief rabbi) of Miropol
218:version was prepared by
1184:Howard Pollack (2007).
812:where An-sky was born.
558:Constantin Stanislavski
482:Between 1912 and 1913,
32:Dybbuk (disambiguation)
1545:Fiction about exorcism
949:Saturday Night Theatre
759:Neighborhood Playhouse
656:
560:himself, but director
479:
279:who resides in nearby
1364:. 11 September 2014.
749:'s Rolandbühne, with
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542:Alexandrinsky Theatre
510:of a local sage, the
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373:and their mastery of
305:Frieda, her old nurse
1394:. 10 February 2021.
1281:on December 6, 2011.
911:), both directed by
895:In the early 1970s,
877:The Play of the Week
874:On October 3, 1960,
562:Leopold Sulerzhitsky
420:leave her body. The
30:For other uses, see
1432:"2000 audie-awards"
1256:. Suttonelms.org.uk
1147:Concord Theatricals
1090:Nathaniel Deutsch,
1077:Nathaniel Deutsch,
1012:Joachim Neugroschel
926:created the ballet
909:Shekhina: The Bride
684:Yiddish Art Theatre
663:in Yiddish, at the
613:Hayim Nahman Bialik
413:In the home of the
311:Nakhman, his father
220:Hayim Nahman Bialik
1338:. Israel Film Fund
1159:Aaron Copland and
1060:Soulpepper Theatre
821:Metropolitan Opera
782:The Public Theater
707:Yevgeny Vakhtangov
657:
554:Moscow Art Theatre
504:Pale of Settlement
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476:Pale of Settlement
353:Pale of Settlement
168:Between Two Worlds
155:Pale of Settlement
66:, 31 January 1922.
1520:The Dybbuk Dances
1173:978-0-312-01149-9
934:Leonard Bernstein
667:Elizeum Theater.
647:Stage productions
546:Semyon Yushkevich
522:Nathaniel Deutsch
184:Mezh dvukh mirov
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124:Original language
116:Elizeum Theater,
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1053:Ofer Ben-Amots
1051:, by composer
1016:Public Theatre
1014:opened at The
997:Forbidden Love
979:Forbidden Love
932:with music by
924:Jerome Robbins
890:Carol Lawrence
867:, directed by
842:Porgy and Bess
829:Lodovico Rocca
797:
794:
790:Katie Mitchell
778:Joseph Chaikin
753:as Azriel and
703:Habima Theater
669:Miriam Orleska
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598:Habima Theater
567:St. Petersburg
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60:Habima Theater
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1454:. Retrieved
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1400:. Retrieved
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1361:
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1340:. Retrieved
1336:"אהבה אסורה"
1330:
1318:. Retrieved
1308:
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1279:the original
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1258:. Retrieved
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1237:. Retrieved
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1146:
1143:"The Dybbuk"
1137:
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1116:Carmit Gai,
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993:Ayelet Zurer
982:
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973:In 1997, an
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968:Simon Callow
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886:Sidney Lumet
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637:Shmuel Niger
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328:Plot summary
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145:Brinitz and
94:Rabbi Azriel
55:
52:Hanna Rovina
1402:3 September
1392:YouTube.com
1372:3 September
1362:YouTube.com
1342:3 September
1320:3 September
1132:. p. 72-73.
1040:Audie Award
959:won him an
957:Bruce Myers
953:Cyril Shaps
880:presented "
796:Adaptations
792:, in 1992.
767:Gaston Baty
755:Magda Sonja
711:prima donna
692:Celia Adler
605: [
449:after him.
397:Evil Chmiel
360: [
291:Mara d'atra
214:in 1920. A
1535:1916 plays
1529:Categories
1481:The Dybbuk
1450:The Dybbuk
1316:. IMDB.com
1293:The Dybbuk
1260:2014-06-29
1239:2014-06-29
1220:The Dybbuk
1130:9651310537
1066:References
1001:Zehava Ben
901:The Dybbuk
882:The Dybbuk
864:The Dybbuk
855:The Dybbuk
825:The Dybbuk
731:Abba Hushi
727:Highway 75
677:The Dybbuk
673:The Dybbuk
661:The Dybbuk
621:The Dybbuk
591:The Dybbuk
586:The Dybbuk
582:The Dybbuk
534:The Dybbuk
486:headed an
455:ram horns'
443:Other Side
395:when the "
251:Characters
204:The Dybbuk
164:The Dybbuk
82:Characters
72:Written by
56:The Dybbuk
40:The Dybbuk
922:In 1974,
897:Leon Katz
848:In 1933,
776:In 1977,
484:S. An-sky
351:, in the
230:in 1922.
200:S. An-sky
76:S. An-sky
1396:Archived
1366:Archived
1124:, 1995.
1021:In 1999
905:Toy Show
833:Il Dibuk
815:In 1929
810:the town
617:Ha'tkufa
500:Volhynia
375:Kabbalah
371:Tzadikim
349:Volhynia
265:Kabbalah
151:Volhynia
1491:at the
1122:Am Oved
975:Israeli
806:Vitebsk
721:In the
633:Vilnius
540:of the
508:Miropol
502:in the
496:Podolia
478:, 1912.
466:Writing
447:Kaddish
409:Act III
345:Miropol
281:Miropol
261:Yeshiva
188:Yiddish
173:Russian
147:Miropol
142:Setting
127:Russian
1456:2 June
1452:. 2008
1202:
1171:
1128:
929:Dybbuk
784:. The
747:Vienna
735:Dybbuk
701:While
665:Warsaw
629:typhus
517:dybbuk
459:Dybbuk
436:Act IV
430:Tzadik
422:Dybbuk
416:Tzadik
402:Dybbuk
386:Act II
340:shtetl
236:dybbuk
224:Moscow
216:Hebrew
212:Warsaw
181:trans.
118:Warsaw
91:Khanan
64:Moscow
609:]
364:]
333:Act I
166:, or
136:Drama
132:Genre
1458:2014
1404:2021
1374:2021
1344:2021
1322:2021
1200:ISBN
1169:ISBN
1126:ISBN
1010:and
991:and
961:Obie
907:and
498:and
88:Leah
1295:".
1192:doi
981:or
686:of
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239:in
226:at
210:at
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607:he
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362:he
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1263:.
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1194::
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903:(
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20:)
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