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These columns were revised to a carved panel in shadow (on the viewer's left) and a clock with a large face (viewer's right) on level with and somewhat larger than the figure's face. The clock was later repainted with a smaller face moved up and to the right, with the clock body still covering the
277:
These revisions greatly improved the compositional balance of the painting's upper section, reducing the impression of three vertical columns. They successfully moved the viewer's focus to
Napoleon's face and expression and away from the presumably accurate stature and middle-heavy build.
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Brush strokes and texture indicate that an earlier version had
Napoleon's upper body flanked by two fluted columns about the width of the figure's torso. These strong vertical elements would have created a distraction from the central figure.
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Piled on the desk are a pen, several books, dossiers and rolled papers. More rolled papers and a map are on the green carpet to the left of the desk – on these papers is the painter's signature
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192:) image, though the sword on the chair's armrest still refers back to his military successes. The fleurs-de-lys and heraldic bees also imply the stability of the imperial dynasty.
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An analysis of the original painting reveals that the artist reedited the composition and details several times to balance the image, add allusions, and capture a complete story.
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Vertical in format, it shows
Napoleon standing, three-quarters life size, wearing the uniform of a colonel of the
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416:. ART-Dok. Publikationsplattform Kunst- und Bildwissenschaften der Universität Heidelberg. pp. 1–11.
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Die Erschöpfung des
Kaisers. Jacques-Louis Davids Napoleon im Washingtoner Tuilerien-Portrait
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Other revisions were added symbols on the table items and lower section, many painted over
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The change also allowed incorporating additional symbology, most notably the time (4:13).
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203.9 cm Ă— 125.1 cm (80.3 in Ă— 49.3 in)
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It was a private commission from the
Scottish nobleman and admirer of Napoleon,
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am) are all meant to imply he has been up all night, writing laws such as the
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Foot
Grenadiers (blue with white facings and red cuffs). He also wears his
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and white stockings. His face is turned towards the viewer and his
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David, 1748–1825, catalogue de l'exposition Louvre-Versailles 1989
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The
Emperor Napoleon in His Study at the Tuileries - Provenance
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Saint Roch
Interceding with the Virgin for the Plague-Stricken
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374:"David's The Emperor Napoleon In His Study at the Tuileries"
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decorations, along with gold epaulettes, white French-style
430:, Paris, 1989 – Sur le tableau No 206 et 207 pages 474–477.
348:
The
Emperor Napoleon in His Study at the Tuileries - Notes
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Erasistratus
Discovering the Cause of Antiochus' Disease
363:". National Gallery of Art. Accessed 8 January 2013.
350:". National Gallery of Art. Accessed 21 August 2010.
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Saint Jerome Hears the Trumpet of the Last Judgment
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119:in 1811 and completed in 1812. Originally shown at
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45:
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677:The Lictors Bring to Brutus the Bodies of His Sons
661:Portrait of Antoine-Laurent Lavoisier and his Wife
324:The Emperor Napoleon In His Study at the Tuileries
98:Napoléon dans son cabinet de travail aux Tuileries
89:The Emperor Napoleon in His Study at the Tuileries
22:The Emperor Napoleon in His Study at the Tuileries
288:which are conspicuously rare in the final image.
131:in 1954, which deposited it in Washington D.C.'s
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8:
845:Portrait of comte Antoine Français de Nantes
234:. Unsourced material may be challenged and
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480:
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18:
549:Diana and Apollo Killing Niobe's Children
462:National Gallery of Art - catalogue entry
254:Learn how and when to remove this message
117:Alexander Hamilton, 10th Duke of Hamilton
976:Archibald Primrose, 5th Earl of Rosebery
961:Paintings in the National Gallery of Art
709:Portrait of Madame Marie-Louise Trudaine
298:List of paintings by Jacques-Louis David
127:in 1882, from whom it was bought by the
125:Archibald Primrose, 5th Earl of Rosebery
877:The Farewell of Telemachus and Eucharis
837:The Distribution of the Eagle Standards
701:Portrait of Philippe-Laurent de Joubert
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440:. Yale University Press. p. 400.
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340:
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725:The Last Moments of Michel Lepeletier
7:
773:The Intervention of the Sabine Women
437:Jacques-Louis David: Empire to Exile
232:adding citations to reliable sources
597:Portrait of Count Stanislas Potocki
911:Marguerite Charlotte PĂ©coul (wife)
797:Napoleon at the Saint-Bernard Pass
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274:underlying column brush strokes.
186:) or military (as in David's own
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183:Napoleon as Mars the Peacemaker
108:in uniform in his study at the
16:Painting by Jacques-Louis David
573:The Funeral Games of Patroclus
1:
893:Mars Being Disarmed by Venus
813:Napoleon in Imperial Costume
669:The Loves of Paris and Helen
428:Réunion des musées nationaux
781:Portrait of Madame RĂ©camier
757:Portrait of Pierre Seriziat
685:Portrait of Madame Pastoret
605:Belisarius Begging for Alms
161:right hand is in his jacket
1002:
821:The Coronation of Napoleon
789:Portrait of Cooper Penrose
629:Portrait of Alphonse Leroy
621:Andromache Mourning Hector
525:Portrait of François Buron
189:Napoleon Crossing the Alps
129:Samuel H. Kress Foundation
104:. It shows French Emperor
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805:Portrait of Pope Pius VII
434:Bordes, Philippe (2007).
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100:) is an 1812 painting by
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986:Oil on canvas paintings
861:Leonidas at Thermopylae
733:The Death of Young Bara
153:Order of the Iron Crown
133:National Gallery of Art
76:National Gallery of Art
956:19th-century portraits
467:Second version - image
410:Mayer, Manuel (2019).
135:, where it now hangs.
97:
971:Paintings of Napoleon
885:The Anger of Achilles
853:Napoleon in His Study
741:The Tennis Court Oath
653:The Death of Socrates
541:Minerva Fighting Mars
228:improve this section
637:Oath of the Horatii
613:Christ on the Cross
557:The Death of Seneca
533:Jupiter and Antiope
503:Jacques-Louis David
388:on January 16, 2013
168:LVD DAVID OPVS 1812
102:Jacques-Louis David
40:Jacques-Louis David
744:(1794, incomplete)
736:(1794, incomplete)
717:The Death of Marat
712:(1792, unfinished)
693:Lycurgus of Sparta
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645:The Vestal Virgin
421:Antoine Schnapper
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765:Psyche Abandoned
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519:List of works
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981:Books in art
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390:. Retrieved
386:the original
382:Khan Academy
378:Smarthistory
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329:Smarthistory
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226:Please help
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86:
800:(1800–1805)
196:Development
139:Iconography
945:Categories
392:January 8,
304:References
106:Napoleon I
64:Dimensions
704:(c. 1792)
648:(c. 1787)
511:Paintings
215:does not
932:Category
322:David's
292:See also
244:May 2017
157:culottes
72:Location
904:Related
236:removed
221:sources
896:(1824)
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94:French
54:Medium
36:Artist
442:ISBN
426:ed.
394:2013
219:any
217:cite
151:and
49:1812
46:Year
380:at
230:by
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