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303:"On the first record we all played in our own little boxes, like we were playing to impress ourselves. Touring for so long taught us to listen to each other more and play off each other instead of playing over each other. Making that adjustment gives the new music a more rock feel and allows more room for the vocals and melody to shine." (Matt McDonough)
1776:
345:
was an exercise in deadline management for the band. Since we were on the road for such a long period and didn't want to wait any longer than two years between albums, we didn't have a lot of time to create this record. We wrote and rehearsed for four months and then spent another four months to
1784:
689:, which said that "While the group attacks things with great velocity and singer Chud shreds his larynx at regular intervals, the always difficult follow-up album features actual melodies and mature textures that make the band's eventual transformation into a
31:
2051:
273:
The band wrote the album's songs in less than a month, drawing inspiration from their self-imposed isolation during the songwriting process, and crafted a more mature sound which drew from
1675:
723:
also gave the album a positive review, writing, "The End of All Things to Come captures
Mudvayne at a time when the band has found its voice and is hitting its stride with confidence."
478:
I don't think most people would have noticed. It's a strange time signature but it works because it's smooth", while Gray added that it was the hardest song on the album to record.
1352:
So it makes sense that The End of All Things To Come was produced by David
Bottrill, whose work with Tool and King Crimson has made him prog-metal's most sought-after studio guy.
1120:
1530:
334:, said, "We had all the time in the world to write our first album, but for the second one, we had about a month. I'm amazed how quickly we came up with the material."
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record and master the entire album. The pressure made us focus instead of fold." With the creation of the album's artwork, Mudvayne hoped to create the band's "
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746:, which wrote, "The End is rather ordinary--severe, belligerent riffs and vocals that sound as though singer Chud gargles molten lava," and
1904:
410:
During the album's songwriting process, the band intentionally isolated themselves for inspiration. The album expanded upon the sound of
2097:
2019:
1987:
1873:
1540:
752:, which wrote, "Enjoy the band's extraterrestrial makeover; it's far more amusing than the music." A negative review appeared in
2181:
1146:
183:
2319:
1660:
2277:
2231:
849:
231:
1456:
2407:
1830:
1939:
418:, tempos, moods and vocalization. Matt McDonough described the songs on the album as "even weirder" than those on
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1943:
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1431:
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324:. The band had very little time to make the album, in contrast to the recording of the previous album,
1603:
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331:
264:. Released on November 19, 2002, the album expanded upon the sound of the band's first album,
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to support ChΓΌd's nihilistic pronouncements, usually sung in an enraged howl," from
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described the album sound as "standard-issue heavy metal thrash" similar to that of
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128:
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2052:"American album certifications β Mudvayne β The End of All Things to Come"
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732:, which wrote, "The musicians still churn out standard-issue heavy metal
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383:
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88:
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463:. McDonough said "If I hadn't pointed out which song was written in
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The song "Trapped in the Wake of a Dream" has choruses written in
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38:
1861:"Australiancharts.com β Mudvayne β The End of All Things to Come"
289:. The album's strong sales led to it being certified Gold by the
2024:
1992:
274:
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1749:
1676:"Mudvayne: The End of All Things to Come : Music Reviews"
695:
358:
1066:
2075:
1905:"Lescharts.com β Mudvayne β The End of All Things to Come"
1594:"Mudvayne Lose The Makeup, Find Inspiration In Isolation"
316:, who had previously produced albums for groups such as
1505:"MUDVAYNE: New Single To Go For Radio Adds In October"
1651:"Music Review: The End of All Things to Come (2002)"
699:, which described the album as "a scarring blend of
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1831:"The End of All Things to Come - Mudvayne: Credits"
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58:
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37:
23:
681:, which deemed it to be more "user-friendly" than
365:derives influence from several styles, including
1277:Shipments figures based on certification alone.
308:The album was recorded at Pachyderm Studios in
301:
1804:
1802:
1422:"Mudvayne's New Look Coincides With New Sound"
422:, and also believes the album is more mature.
2091:
1988:"Canada's Top 200 Alternative albums of 2002"
1907:. Hung Medien. Retrieved September 17, 2022.
1863:. Hung Medien. Retrieved September 17, 2022.
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395:compared the album's style to groups such as
8:
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1531:"MUDVAYNE Frontman Sees The (Black) Light"
1373:"The End of All Things to Come β Mudvayne"
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29:
20:
2056:Recording Industry Association of America
1777:"Mudvayne will play at BuzzFest Saturday"
1644:
1642:
1461:Recording Industry Association of America
1048:β production, engineer, mixing, mastering
1940:"Official Rock & Metal Albums Chart"
949:
769:
2413:Thrash metal albums by American artists
1918:"Chart Log UK 1994β2010 M β My Vitriol"
1718:(1). SPIN Media LLC: 99. January 2003.
1291:
1273:
989:
935:
256:is the second studio album by American
1663:from the original on December 1, 2008.
1451:
1449:
1398:"The End of All Things to Come review"
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1299:Bulleid, Joshua (September 15, 2016).
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990:
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514:
491:
7:
1674:Cherry, Robert (December 12, 2002).
1420:Wiederhorn, Jon (October 24, 2002).
1301:"10 Nu Metal Albums Worth Your Time"
1783:. September 1, 2003. Archived from
1592:Montgomery, James (March 2, 2005).
1539:. November 13, 2009. Archived from
281:influences, as well as elements of
1051:Brent Sigmeth β assistant engineer
767:All tracks are written by Mudvayne
14:
2403:Albums produced by David Bottrill
1649:Farber, Jim (November 29, 2002).
623:
573:
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18:2002 studio album by Mudvayne
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1977:. Retrieved September 16, 2022.
800:"Trapped in the Wake of a Dream"
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1874:"Canadian Metal Albums: Top 50"
1629:"The End of All Things to Come"
1187:Year-end chart performance for
918:"The End of All Things to Come"
2020:"Top 100 Metal Albums of 2002"
1054:Aimee Macauley β art direction
956:
773:
312:during 2002 with the producer
206:The End of All Things to Come
1:
2232:By the People, for the People
2175:The End of All Things to Come
1810:The End of All Things to Come
1203:Canadian Alternative Albums (
1189:The End of All Things to Come
1079:The End of All Things to Come
1077:Weekly chart performance for
666:The End of All Things to Come
363:The End of All Things to Come
343:The End of All Things to Come
253:The End of All Things to Come
175:The End of All Things to Come
24:The End of All Things to Come
1169:
1125:
1101:
693:band nearly inevitable" and
1057:Nitin Vadukul β photography
675:Positive reviews came from
2429:
1484:"Viasat Internet Provider"
1147:UK Rock & Metal Albums
668:was certified Gold by the
224:Released: October 23, 2002
2362:
2113:
1965:"Mudvayne Chart History (
1274:
1259:
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1214:
1202:
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1023:β guitars, backing vocals
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826:"(Per)version of a Truth"
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785:
777:
522:
519:
499:
496:
245:
211:
196:
159:
28:
758:, simply stating, "No."
726:Mixed reviews came from
1944:Official Charts Company
1215:Canadian Metal Albums (
1107:Canadian Metal Albums (
711:, with a smattering of
75:Cannon Falls, Minnesota
1781:The Daily News Journal
720:The Daily News Journal
414:with a wider range of
305:
237:Released: May 20, 2003
1490:on November 24, 2002.
1467:on September 4, 2015.
1457:"RIAA certifications"
1311:on September 19, 2016
341:said, "The making of
2000:on September 2, 2004
1886:on December 18, 2002
1787:on February 16, 2013
1757:on December 17, 2002
1686:on November 12, 2007
1656:Entertainment Weekly
1606:on October 19, 2011.
1573:on December 17, 2002
1543:on November 20, 2009
1511:. September 12, 2002
863:"The Patient Mental"
678:Entertainment Weekly
604:Entertainment Weekly
487:Professional ratings
2408:Epic Records albums
1946:. November 24, 2002
1434:on November 7, 2012
1371:Ruhlmann, William.
1242:
1191:
1095:Australian Albums (
1081:
952:
488:
377:and harmony-filled
2299:Forget to Remember
2032:on August 12, 2004
1330:Richardson, Sean.
1241:
1186:
1076:
950:
929:"A Key to Nothing"
885:"Solve et Coagula"
486:
2380:
2379:
1283:
1282:
1278:
1233:
1232:
1226:
1225:
1174:
1173:
1033:Matthew McDonough
1000:
999:
946:
945:
896:"Shadow of a Man"
837:"Mercy, Severity"
663:
662:
332:Matthew McDonough
249:
248:
192:
191:
104:alternative metal
94:progressive metal
54:November 19, 2002
2420:
2370:
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2337:Related articles
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2028:. Archived from
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1996:. Archived from
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1841:Rovi Corporation
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1745:"Smell the Crow"
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1682:. Archived from
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1659:. No. 684.
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1332:"Alien invasion"
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1307:. Archived from
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459:that mixes both
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371:progressive rock
279:progressive rock
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71:Pachyderm Studio
33:
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2398:Mudvayne albums
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2376:
2358:
2332:
2327:Scarlet Letters
2306:Fall into Sleep
2264:Nothing to Gein
2237:
2219:
2214:Kill, I Oughtta
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2146:Marcus Rafferty
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1706:"The Breakdown"
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1342:on May 15, 2017
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1260:United States (
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2278:World So Cold
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2160:Studio albums
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2152:Shawn Barclay
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2140:Ryan Martinie
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1680:Rolling Stone
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1085:Chart (2002)
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1072:Weekly charts
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1027:Ryan Martinie
1025:
1022:
1021:Greg Tribbett
1019:
1017:β lead vocals
1016:
1013:
1012:
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1003:
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992:Total length:
985:
982:
978:
974:
972:"On the Move"
971:
967:
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941:
938:Total length:
931:
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920:
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907:"12:97:24:99"
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850:World So Cold
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762:Track listing
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749:Rolling Stone
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2257:Death Blooms
2230:
2224:Compilations
2213:
2194:
2189:The New Game
2187:
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2124:
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2072:
2059:. Retrieved
2046:
2034:. Retrieved
2030:the original
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2014:
2002:. Retrieved
1998:the original
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1948:. Retrieved
1934:
1922:. Retrieved
1912:
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1888:. Retrieved
1884:the original
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1844:. Retrieved
1834:
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1789:. Retrieved
1785:the original
1780:
1771:
1759:. Retrieved
1755:the original
1748:
1739:
1729:February 26,
1727:. Retrieved
1715:
1709:
1700:
1688:. Retrieved
1684:the original
1679:
1669:
1654:
1604:the original
1597:
1587:
1575:. Retrieved
1571:the original
1566:
1557:
1547:November 14,
1545:. Retrieved
1541:the original
1536:Blabbermouth
1534:
1525:
1513:. Retrieved
1509:Blabbermouth
1508:
1488:the original
1465:the original
1436:. Retrieved
1432:the original
1425:
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1380:. Retrieved
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1340:the original
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379:classic rock
362:
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287:thrash metal
272:
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205:
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99:thrash metal
39:Studio album
15:
2393:2002 albums
2344:Discography
2271:Not Falling
1920:. Zobbel.de
1812:(booklet).
1382:December 1,
1346:December 1,
1336:The Phoenix
1315:December 1,
813:Not Falling
367:death metal
348:black album
322:Silverchair
283:death metal
258:heavy metal
219:Not Falling
2387:Categories
2349:Audiotopsy
2285:Determined
1879:Jam! Canoe
1761:August 27,
1633:Metacritic
1577:August 27,
1563:"Mudvayne"
1286:References
1040:Production
789:"Silenced"
687:Launch.com
506:Metacritic
375:jazz metal
297:Production
155:chronology
2133:Chad Gray
2036:March 23,
2004:March 28,
1974:Billboard
1967:Billboard
1846:April 30,
1724:0886-3032
1217:Billboard
1205:Billboard
1198:Position
1164:Billboard
1132:UK Albums
1109:Billboard
1090:position
1015:Chad Gray
1004:Personnel
983:"Goodbye"
874:"Skrying"
738:Metallica
672:in 2003.
482:Reception
389:Metallica
339:Chad Gray
337:Vocalist
310:Minnesota
293:in 2003.
2372:Category
2354:Hellyeah
2313:Dull Boy
2196:Mudvayne
2107:Mudvayne
1950:June 18,
1924:June 18,
1836:Allmusic
1690:March 7,
1661:Archived
1599:MTV News
1438:June 19,
1427:MTV News
1377:AllMusic
1270:500,000
1009:Mudvayne
729:AllMusic
713:King's X
529:AllMusic
397:King's X
384:AllMusic
262:Mudvayne
153:Mudvayne
141:Producer
89:Nu metal
59:Recorded
51:Released
44:Mudvayne
41: by
2242:Singles
2168:L.D. 50
1816:. 2002.
1305:Moshcam
1255:/sales
1246:Region
1035:β drums
743:Blender
701:Pantera
683:L.D. 50
566:Blender
420:L.D. 50
412:L.D. 50
401:Pantera
327:L.D. 50
267:L.D. 50
202:Singles
188:(2005)
179:(2002)
170:(2000)
166:L.D. 50
2292:Happy?
1791:May 4,
1722:
1515:May 4,
1402:Launch
1228:
1062:Charts
1029:β bass
964:Length
781:Length
734:thrash
705:Voivod
523:Rating
520:Source
510:48/100
500:Rating
497:Source
457:bridge
455:and a
112:Length
67:Studio
1969:200)"
1267:Gold
996:62:28
961:Title
942:52:22
778:Title
736:Γ la
416:riffs
361:said
260:band
204:from
129:Label
82:Genre
2063:2020
2038:2022
2025:Jam!
2006:2022
1993:Jam!
1952:2024
1926:2024
1892:2022
1848:2013
1814:Epic
1793:2013
1763:2015
1731:2013
1720:ISSN
1711:Spin
1692:2012
1579:2015
1549:2009
1517:2013
1440:2011
1384:2018
1348:2018
1317:2018
1262:RIAA
1210:192
1141:107
1126:125
1121:SNEP
1097:ARIA
1088:Peak
986:6:12
975:3:54
932:5:07
921:3:01
910:0:11
899:3:55
888:2:49
877:5:39
866:4:38
855:5:40
840:4:55
829:4:41
818:4:04
803:4:41
792:3:01
755:Spin
709:Tool
707:and
670:RIAA
659:3/10
654:Spin
405:Tool
403:and
320:and
318:Tool
291:RIAA
285:and
277:and
275:jazz
134:Epic
62:2002
2250:Dig
1750:MTV
1567:MTV
1222:99
1170:17
1166:200
1161:US
1151:OCC
1136:OCC
1102:44
980:15.
969:14.
957:No.
926:13.
915:12.
904:11.
893:10.
774:No.
715:".
696:MTV
393:MTV
359:MTV
350:".
2389::
2054:.
2022:.
1990:.
1971:.
1942:.
1876:.
1839:.
1833:.
1822:^
1801:^
1779:.
1747:.
1716:19
1714:.
1708:.
1678:.
1653:.
1641:^
1631:.
1612:^
1596:.
1565:.
1533:.
1507:.
1496:^
1473:^
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1448:^
1424:.
1410:^
1400:.
1375:.
1359:^
1350:.
1334:.
1303:.
1264:)
1219:)
1207:)
1156:9
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1138:)
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1114:6
1111:)
1099:)
882:9.
871:8.
860:7.
845:6.
834:5.
823:4.
808:3.
797:2.
786:1.
703:,
685:,
609:Bβ
399:,
391:.
381:.
373:,
369:,
121:22
117:52
73:,
2329:"
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2266:"
2262:"
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2255:"
2252:"
2248:"
2099:e
2092:t
2085:v
2065:.
2040:.
2008:.
1954:.
1928:.
1894:.
1850:.
1795:.
1765:.
1733:.
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1581:.
1551:.
1519:.
1442:.
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1386:.
1319:.
1149:(
1134:(
852:"
848:"
815:"
811:"
471:8
448:8
433:8
234:"
230:"
221:"
217:"
119::
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