Knowledge (XXG)

The End of All Things to Come

Source πŸ“

2368: 644: 639: 634: 594: 589: 584: 556: 551: 629: 624: 579: 574: 546: 541: 536: 303:"On the first record we all played in our own little boxes, like we were playing to impress ourselves. Touring for so long taught us to listen to each other more and play off each other instead of playing over each other. Making that adjustment gives the new music a more rock feel and allows more room for the vocals and melody to shine." (Matt McDonough) 1776: 345:
was an exercise in deadline management for the band. Since we were on the road for such a long period and didn't want to wait any longer than two years between albums, we didn't have a lot of time to create this record. We wrote and rehearsed for four months and then spent another four months to
1784: 689:, which said that "While the group attacks things with great velocity and singer Chud shreds his larynx at regular intervals, the always difficult follow-up album features actual melodies and mature textures that make the band's eventual transformation into a 31: 2051: 273:
The band wrote the album's songs in less than a month, drawing inspiration from their self-imposed isolation during the songwriting process, and crafted a more mature sound which drew from
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also gave the album a positive review, writing, "The End of All Things to Come captures Mudvayne at a time when the band has found its voice and is hitting its stride with confidence."
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I don't think most people would have noticed. It's a strange time signature but it works because it's smooth", while Gray added that it was the hardest song on the album to record.
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So it makes sense that The End of All Things To Come was produced by David Bottrill, whose work with Tool and King Crimson has made him prog-metal's most sought-after studio guy.
1120: 1530: 334:, said, "We had all the time in the world to write our first album, but for the second one, we had about a month. I'm amazed how quickly we came up with the material." 2412: 346:
record and master the entire album. The pressure made us focus instead of fold." With the creation of the album's artwork, Mudvayne hoped to create the band's "
1331: 2402: 1300: 2055: 1460: 1261: 669: 290: 1421: 1860: 1744: 1562: 1683: 1593: 1252: 746:, which wrote, "The End is rather ordinary--severe, belligerent riffs and vocals that sound as though singer Chud gargles molten lava," and 1904: 410:
During the album's songwriting process, the band intentionally isolated themselves for inspiration. The album expanded upon the sound of
2097: 2019: 1987: 1873: 1540: 752:, which wrote, "Enjoy the band's extraterrestrial makeover; it's far more amusing than the music." A negative review appeared in 2181: 1146: 183: 2319: 1660: 2277: 2231: 849: 231: 1456: 2407: 1830: 1939: 418:, tempos, moods and vocalization. Matt McDonough described the songs on the album as "even weirder" than those on 1339: 2397: 748: 1483: 2291: 1308: 1943: 1372: 1150: 1135: 74: 2326: 2090: 1431: 719: 1504: 1754: 1570: 324:. The band had very little time to make the album, in contrast to the recording of the previous album, 1603: 2392: 2343: 1972: 1655: 1108: 677: 603: 2249: 2298: 1628: 1397: 742: 565: 1464: 2371: 2348: 2284: 2125: 2083: 1964: 1719: 1032: 347: 331: 264:. Released on November 19, 2002, the album expanded upon the sound of the band's first album, 257: 103: 93: 2195: 1840: 1535: 690: 370: 278: 70: 2029: 1650: 2305: 2263: 2212: 2167: 1997: 1710: 1131: 754: 653: 460: 266: 165: 140: 1045: 456: 313: 201: 145: 1883: 30: 2386: 2139: 2118: 1162: 1026: 1020: 704: 615: 740:
to support ChΓΌd's nihilistic pronouncements, usually sung in an enraged howl," from
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described the album sound as "standard-issue heavy metal thrash" similar to that of
2256: 2188: 1813: 733: 378: 286: 133: 128: 98: 1705: 2270: 1096: 812: 712: 708: 407:, referring to the music as "multi-textured metal loaded with prog-rock shifts" 404: 396: 374: 366: 321: 317: 282: 218: 81: 1878: 1632: 686: 505: 1723: 2132: 2052:"American album certifications – Mudvayne – The End of All Things to Come" 1014: 737: 388: 338: 309: 270:, with a more versatile range of sounds, dynamic, moods and vocalization. 2353: 2312: 2106: 1835: 1598: 1426: 732:, which wrote, "The musicians still churn out standard-issue heavy metal 728: 528: 383: 261: 152: 88: 43: 1917: 700: 400: 326: 463:. McDonough said "If I hadn't pointed out which song was written in 1487: 425:
The song "Trapped in the Wake of a Dream" has choruses written in
415: 38: 1861:"Australiancharts.com – Mudvayne – The End of All Things to Come" 289:. The album's strong sales led to it being certified Gold by the 2024: 1992: 274: 2079: 1749: 1676:"Mudvayne: The End of All Things to Come : Music Reviews" 695: 358: 1066: 2075: 1905:"Lescharts.com – Mudvayne – The End of All Things to Come" 1594:"Mudvayne Lose The Makeup, Find Inspiration In Isolation" 316:, who had previously produced albums for groups such as 1505:"MUDVAYNE: New Single To Go For Radio Adds In October" 1651:"Music Review: The End of All Things to Come (2002)" 699:, which described the album as "a scarring blend of 2336: 2241: 2223: 2205: 2159: 1831:"The End of All Things to Come - Mudvayne: Credits" 963: 955: 780: 772: 200: 151: 139: 127: 111: 80: 66: 58: 50: 37: 23: 681:, which deemed it to be more "user-friendly" than 365:derives influence from several styles, including 1277:Shipments figures based on certification alone. 308:The album was recorded at Pachyderm Studios in 301: 1804: 1802: 1422:"Mudvayne's New Look Coincides With New Sound" 422:, and also believes the album is more mature. 2091: 1988:"Canada's Top 200 Alternative albums of 2002" 1907:. Hung Medien. Retrieved September 17, 2022. 1863:. Hung Medien. Retrieved September 17, 2022. 1623: 1621: 1619: 1617: 1615: 1613: 1499: 1497: 395:compared the album's style to groups such as 8: 1825: 1823: 1415: 1413: 1411: 621: 571: 533: 2098: 2084: 2076: 1531:"MUDVAYNE Frontman Sees The (Black) Light" 1373:"The End of All Things to Come – Mudvayne" 1240: 1185: 1075: 485: 29: 20: 2056:Recording Industry Association of America 1777:"Mudvayne will play at BuzzFest Saturday" 1644: 1642: 1461:Recording Industry Association of America 1048:– production, engineer, mixing, mastering 1940:"Official Rock & Metal Albums Chart" 949: 769: 2413:Thrash metal albums by American artists 1918:"Chart Log UK 1994–2010 M – My Vitriol" 1718:(1). SPIN Media LLC: 99. January 2003. 1291: 1273: 989: 935: 256:is the second studio album by American 1663:from the original on December 1, 2008. 1451: 1449: 1398:"The End of All Things to Come review" 1366: 1364: 1362: 1360: 1299:Bulleid, Joshua (September 15, 2016). 1478: 1476: 1474: 990: 936: 514: 491: 7: 1674:Cherry, Robert (December 12, 2002). 1420:Wiederhorn, Jon (October 24, 2002). 1301:"10 Nu Metal Albums Worth Your Time" 1783:. September 1, 2003. Archived from 1592:Montgomery, James (March 2, 2005). 1539:. November 13, 2009. Archived from 281:influences, as well as elements of 1051:Brent Sigmeth – assistant engineer 767:All tracks are written by Mudvayne 14: 2403:Albums produced by David Bottrill 1649:Farber, Jim (November 29, 2002). 623: 573: 535: 18:2002 studio album by Mudvayne 2367: 2366: 1977:. Retrieved September 16, 2022. 800:"Trapped in the Wake of a Dream" 642: 637: 632: 627: 622: 592: 587: 582: 577: 572: 554: 549: 544: 539: 534: 1874:"Canadian Metal Albums: Top 50" 1629:"The End of All Things to Come" 1187:Year-end chart performance for 918:"The End of All Things to Come" 2020:"Top 100 Metal Albums of 2002" 1054:Aimee Macauley – art direction 956: 773: 312:during 2002 with the producer 206:The End of All Things to Come 1: 2232:By the People, for the People 2175:The End of All Things to Come 1810:The End of All Things to Come 1203:Canadian Alternative Albums ( 1189:The End of All Things to Come 1079:The End of All Things to Come 1077:Weekly chart performance for 666:The End of All Things to Come 363:The End of All Things to Come 343:The End of All Things to Come 253:The End of All Things to Come 175:The End of All Things to Come 24:The End of All Things to Come 1169: 1125: 1101: 693:band nearly inevitable" and 1057:Nitin Vadukul – photography 675:Positive reviews came from 2429: 1484:"Viasat Internet Provider" 1147:UK Rock & Metal Albums 668:was certified Gold by the 224:Released: October 23, 2002 2362: 2113: 1965:"Mudvayne Chart History ( 1274: 1259: 1251: 1248: 1245: 1214: 1202: 1197: 1194: 1160: 1145: 1130: 1118: 1106: 1094: 1023:– guitars, backing vocals 979: 968: 960: 925: 914: 903: 892: 881: 870: 859: 844: 833: 826:"(Per)version of a Truth" 822: 807: 796: 785: 777: 522: 519: 499: 496: 245: 211: 196: 159: 28: 758:, simply stating, "No." 726:Mixed reviews came from 1944:Official Charts Company 1215:Canadian Metal Albums ( 1107:Canadian Metal Albums ( 711:, with a smattering of 75:Cannon Falls, Minnesota 1781:The Daily News Journal 720:The Daily News Journal 414:with a wider range of 305: 237:Released: May 20, 2003 1490:on November 24, 2002. 1467:on September 4, 2015. 1457:"RIAA certifications" 1311:on September 19, 2016 341:said, "The making of 2000:on September 2, 2004 1886:on December 18, 2002 1787:on February 16, 2013 1757:on December 17, 2002 1686:on November 12, 2007 1656:Entertainment Weekly 1606:on October 19, 2011. 1573:on December 17, 2002 1543:on November 20, 2009 1511:. September 12, 2002 863:"The Patient Mental" 678:Entertainment Weekly 604:Entertainment Weekly 487:Professional ratings 2408:Epic Records albums 1946:. November 24, 2002 1434:on November 7, 2012 1371:Ruhlmann, William. 1242: 1191: 1095:Australian Albums ( 1081: 952: 488: 377:and harmony-filled 2299:Forget to Remember 2032:on August 12, 2004 1330:Richardson, Sean. 1241: 1186: 1076: 950: 929:"A Key to Nothing" 885:"Solve et Coagula" 486: 2380: 2379: 1283: 1282: 1278: 1233: 1232: 1226: 1225: 1174: 1173: 1033:Matthew McDonough 1000: 999: 946: 945: 896:"Shadow of a Man" 837:"Mercy, Severity" 663: 662: 332:Matthew McDonough 249: 248: 192: 191: 104:alternative metal 94:progressive metal 54:November 19, 2002 2420: 2370: 2369: 2337:Related articles 2100: 2093: 2086: 2077: 2067: 2066: 2064: 2062: 2048: 2042: 2041: 2039: 2037: 2028:. Archived from 2016: 2010: 2009: 2007: 2005: 1996:. 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Index


Studio album
Mudvayne
Pachyderm Studio
Cannon Falls, Minnesota
Genre
Nu metal
progressive metal
thrash metal
alternative metal
Label
Epic
Producer
David Bottrill
Mudvayne
L.D. 50
Lost and Found
Singles
Not Falling
World So Cold
heavy metal
Mudvayne
L.D. 50
jazz
progressive rock
death metal
thrash metal
RIAA
Minnesota
David Bottrill

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