233:), countries like Spain and England were able to attain their "developed" status, according to the film. It depicts these instituted economies as both severely exploiting the people who laboured on the plantations and in the mines, as well as locking these economies into producing only export goods, for which they became dependent on European markets. Colonies also became dependent on European products for their own domestic needs, as the majority of the colonial economy was geared toward exports. The colonists ensured that the exports were raw materials that were then processed into finished goods by their own industrialized economies. An imbalance was created by the destruction of indigenous technical capabilities in the colonies (such as the destruction of the Indian textile industry) and led to an increased dependency on Europe for finished consumer goods. This dependency, it is claimed, persists even today, allowing developed countries to benefit from the imbalance.
252:(IMF), it argues, forced policies that allowed Western countries and Western companies to continue to extract wealth from the former colonies. These institutions provided loans for large industrial projects in the name of "poverty reduction" and "development" that left these countries in high debt. Western countries, particularly the United States, gained huge quantities of wealth by means of the repayments of these debts, as well as through contracts for the industrial projects that the loans were designed for.
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Interviewing several scholars, the film discusses how the colonial powers were able to finance the industrialization of their own economy with the wealth that they obtained from their colonies. By employing native populations and
African slaves on plantations of sugarcane, cacao, and other products,
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extracting large amounts of wealth and exporting it to Europe, first through the plundering of the colonies, which involved the destruction of the local people and their communities, and then by appropriating their land and labour into the
European economy. The film claims that this condition of
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The film then shifts to an historical perspective and describes the colonization of the
Americas by European in 1492 as the start of this unequal relationship between the West and the rest of the world. It asserts that this colonization, which was repeated in Africa and Asia, was a means of
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economic policies that allow powerful nations to exploit poorer countries for their assets and keep money in the hands of the wealthy rather than distributing it more equitably to the people who have helped them gain their fortunes. Diaz also explores how wealthy nations (especially the
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The film begins with footage depicting the condition of severe poverty faced by many people in underdeveloped countries and contrasting it with the prosperity and wealth of developed countries. The persistent inequality between countries is established to be the main theme of the film.
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Turning to possible solutions to global poverty, the film argues that forgiving international debt and returning the control of key natural resources to communal ownership are essential to lifting people out of poverty.
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The documentary then examines the various military and covert interventions conducted by the United States, allegedly in support of the economic interests of
American corporations. It discusses examples like the
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The aphorism "The poor are always with us" dates back to the New
Testament, but while the phrase is still sadly apt in the 21st century, few seem to be able to explain why poverty is so widespread.
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in the 15th century, and features interviews with a number of economists, sociologists, and historians who explain how poverty is the clear consequence of
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when most colonies gained political independence, the film states that the former colonies are nonetheless trapped within an international system of
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persisted long after the colonies gained independence, forcing many to work in horrific conditions for extremely low wages.
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around the world. Diaz traces the growth of global poverty back to
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filmmaker
Philippe Diaz examines the history and impact of
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