20:
31:
152:, representing spiritual sight, in contrast with physical sight, represented by a magnifying glass. A telescope in the foreground and a hallway in the rear, lined with art works, leading to an open door into nature and lit from above by shafts of sunlight, also refer to aspects of this sense. The female figure epitomising sight is looking at her reflection in a mirror which is held up for her by a
218:, which is native to Australia, near the woman in a red dress. Historians have wondered how the cockatoo Brueghel depicted could have arrived in the Netherlands by this time considering the painting predates the earliest European images of wildlife native to Australia by 80 years. One theory is that
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as female nudes had become fashionable in the previous century, but
Brueghel introduced the illustration of the theme by means of assemblages of works of art, musical instruments, scientific instruments and military equipment, accompanied by flowers,
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The two paintings were commissioned by the City of
Antwerp to be presented to the archducal couple, and were executed by "twelve of the best masters of city". They were paid for in October 1618. In 1619 they were in the audience chamber at
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433:
30:
438:
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156:, while the other female figure, representing smell, receives a bouquet of flowers from another putto. The dog represents an acute sense of smell, and the
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136:; they were in Spain by 1633, where they were housed in various royal palaces before becoming part of the foundation collection of the Prado in 1819.
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returned from his first voyage to
Australia with the bird to the Netherlands via Indonesia in 1611. The same cockatoo appears in an earlier canvas,
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on the same topic. The originals were lost in a fire in 1731; faithful copies dated to c. 1620 were preserved and are in the
187:, a form of touch. The room and the hall visible in the right rear display pictures which are also related to the three senses:
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The pair of paintings are unique in including copies of their own works by a group of masters of the
Antwerp school. In
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and other musical instruments on the left relate to hearing, and a monkey is pulling the hair of a
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344:, "La dinastia dei Brueghel / The Brueghel Dynasty", in: Sergio Gaddi and Doron J. Lurie, ed.,
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is playing and children singing, epitomising hearing, while one young woman strokes a
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Ariane van
Suchtelen, "8. Jan Brueghel the Elder and Peter Paul Rubens,
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and others in 1617-1618, at the same time as he was working with
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Warwick Hirst, “Brueghel’s
Cockatoo,” SL Magazine, Summer 2013.
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in her arms, representing touch, and another is about to eat
332:, online gallery, Prado Museum, retrieved 9 September 2014.
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Palace. The surviving pair are close copies by
Brueghel,
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and fish, which was widely adopted by
Flemish artists.
78:Brueghel, like Rubens, was at this time working in
348:, Exhibition catalogue, Milan: Silvana, 2012,
252:, in: Anne T. Woollett, Ariane van Suchtelen,
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120:. In 1731 they were destroyed in the fire at
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346:La Dinastia Brueghel / The Dynasty Brueghel
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258:Rubens & Brueghel: A Working Friendship
179:, representing taste. Details such as the
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16:Painting series by Jan Brueghel the Elder
434:Allegorical paintings by Flemish artists
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18:
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212:The Senses of Hearing, Touch and Taste
35:The Senses of Hearing, Touch and Taste
260:, Exhibition catalogue, Los Angeles:
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439:Paintings by Jan Brueghel the Elder
429:17th-century allegorical paintings
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167:, the central scene is a meal; a
84:Albert VII, Archduke of Austria
1:
410:, Prado Museum online gallery
315:, retrieved 9 September 2014.
201:The Punishment of Rich Epulon
24:The Senses of Sight and Smell
193:Minerva's Visit to Parnassus
98:paintings representing the
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454:Musical instruments in art
449:Paintings of art galleries
130:Frans Francken the Younger
37:, 1618; copy c. 1620
26:, 1618; copy c. 1620
469:Nativity of Jesus in art
444:Food and drink paintings
406:Taste, Hearing and Touch
329:Taste, Hearing and Touch
272:, pp. 90–99,
216:Sulphur-crested cockatoo
165:Taste, Hearing and Touch
150:The Healing of the Blind
60:series of five paintings
365:Van Suchtelen, pp. 94,
52:Jan Brueghel the Elder
38:
27:
33:
22:
262:J. Paul Getty Museum
205:The Wedding at Cana
92:Spanish Netherlands
90:, governors of the
311:, online gallery,
228:, by Brueghel and
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250:Allegory of Taste
230:Peter Paul Rubens
56:Peter Paul Rubens
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189:The Annunciation
82:at the court of
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220:Willem Janszoon
146:Sight and Smell
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134:Joost de Momper
118:Tervuren castle
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43:The Five Senses
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386:External links
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64:Prado Museum
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464:Dogs in art
214:there is a
197:The Dentist
195:(hearing),
140:Description
100:five senses
96:Allegorical
418:Categories
342:Klaus Ertz
274:p. 90
236:References
181:clavichord
122:Coudenberg
74:Background
232:as well.
207:(taste).
408:, P01404
395:, P01403
264:, 2006,
169:lutenist
88:Isabella
50:made by
225:Hearing
177:oysters
111:History
80:Antwerp
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254:et al.
68:Madrid
290:p. 94
185:Cupid
158:civet
154:putto
58:on a
350:ISBN
266:ISBN
203:and
191:and
173:mink
132:and
105:game
210:In
163:In
66:in
420::
397:,
367:96
320:^
297:^
281:^
256:,
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70:.
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