303:. Catalyst of the events is student Yoshie, who is behind in her studies, but not allowed to work late at night according to the rules. Yoshie enrolled in the school in an attempt to escape her rigid father, who also rejects her wish to marry her friend Shimoda once both have their degrees. Picked on by teacher Mayumi and suffering from social distancing by the other girls, Yoshie finally commits suicide. While she is mourned by Tomiko and Shimoda, with Tomiko, Akiko and Mayumi blaming each other for her death, the other students block the auditorium under Toshiko's guidance and sing their unofficial student's hymn which the administration had banned.
392:
have noted the film's contrast between the traditional, feudalistic Japan represented by the educational establishment, and the emerging, more democratic post-war values seen in the pupils. Richie also commented favourably on
Kinoshita's treatment of adolescent girls' emotional problems in this
291:: Among a number of young female students, opposition is growing against the conservative-authoritarian school administration and its strict doctrines. The opposing students are divided into fractions themselves,
295:
like Akiko versus unpolitical like Tomiko, and ones who call for action now versus those who urge not to act prematurely. The latter is a repeated cause for debate between Akiko, an overt
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for Best
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as the film which led to his decision to become a filmmaker himself in his 1995 documentary
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following the death of one of their fellow students, the preceding events are told in a
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518:(Expanded ed.). Princeton University Press. p. 293.
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From Book to Screen: Modern
Japanese Literature in Films
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512:Anderson, Joseph L.; Richie, Donald (1982).
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455:at the Shochiku Cinema Classics site"
428:Blue Ribbon Award for Best Screenplay
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906:Films directed by Keisuke Kinoshita
515:The Japanese Film: Art and Industry
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770:She Was Like a Wild Chrysanthemum
393:context, drawing comparisons to
345:Masami Taura — Yoshikazu Sagara
901:Films based on Japanese novels
896:Japanese black-and-white films
357:Kuniko Igawa — Yoshie's sister
16:1954 film by Keisuke Kinoshita
1:
931:Japanese-language drama films
926:1950s Japanese-language films
549:100 Years of Japanese Cinema
409:100 Years of Japanese Cinema
572:"女の園 (The Garden of Women)"
484:. M.E. Sharpe. p. 50.
250:. It is based on the novel
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336:Kazuko Yamamoto — Toshiko
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35:Theatrical release poster
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478:McDonald, Keiko (2000).
246:written and directed by
858:Big Joys, Small Sorrows
786:Times of Joy and Sorrow
574:(in Japanese). Kotobank
551:online at the BFI site"
179:16 March 1954
802:The Ballad of Narayama
730:Fireworks over the Sea
624:at windowsonworlds.com
315:— Mayumi Gojō, teacher
921:1950s Japanese films
911:Films set in schools
891:Japanese drama films
850:The Scent of Incense
424:Mainichi Film Awards
842:A Legend or Was It?
754:The Garden of Women
622:The Garden of Women
611:The Garden of Women
598:The Garden of Women
453:The Garden of Women
420:The Garden of Women
405:The Garden of Women
289:flashback narration
242:is a 1954 Japanese
224:The Garden of Women
24:The Garden of Women
794:Danger Stalks Near
746:A Japanese Tragedy
738:Carmen's Pure Love
660:Films directed by
422:received the 1954
396:Mädchen in Uniform
349:Chieko Higashiyama
342:— Sankichi Shimoda
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826:The River Fuefuki
778:Farewell to Dream
706:Carmen Comes Home
662:Keisuke Kinoshita
354:Kikue Mori — Dean
333:— Akiko Hayashino
263:Artificial Garden
248:Keisuke Kinoshita
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83:Keisuke Kinoshita
74:Keisuke Kinoshita
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886:1954 drama films
818:Thus Another Day
762:Twenty-Four Eyes
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384:Film historians
327:— Tomiko Takioka
281:opening sequence
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375:— Tomiko's aunt
340:Takahiro Tamura
321:— Yoshie Izushi
319:Hideko Takamine
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285:boarding school
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363:— Kihei Hirato
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163:Distributed by
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458:. Retrieved
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361:Nobuo Kaneko
331:Yoshiko Kuga
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237:Onna no sono
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196:Running time
187: (Japan)
172:Release date
117:Yoshiko Kuga
50:
18:
578:22 February
556:29 December
531:29 December
497:29 December
460:29 December
451:"Entry for
351:— President
325:Keiko Kishi
252:Jinkō Teien
113:Keiko Kishi
93:Produced by
70:Directed by
881:1954 films
875:Categories
620:Entry for
609:Entry for
525:0691007926
434:References
369:— Landlady
279:After the
269:Tomoji Abe
244:drama film
183:1954-03-16
148:Production
86:Tomoji Abe
80:Written by
380:Reception
301:ideologue
297:socialist
293:left-wing
200:141 mins.
131:Edited by
690:Apostasy
216:Japanese
213:Language
166:Shochiku
156:Shochiku
139:Music by
101:Starring
722:Boyhood
261:, lit.
205:Country
181: (
150:company
88:(novel)
861:(1986)
853:(1964)
845:(1963)
837:(1961)
829:(1960)
821:(1959)
813:(1959)
805:(1958)
797:(1957)
789:(1957)
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693:(1948)
685:(1948)
677:(1944)
522:
488:
415:Awards
403:named
682:Woman
208:Japan
52:Kanji
674:Army
603:IMDb
580:2021
558:2020
533:2020
520:ISBN
499:2020
486:ISBN
462:2020
388:and
307:Cast
275:Plot
258:人工庭園
601:at
267:by
231:女の園
59:女の園
877::
470:^
442:^
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653:e
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639:v
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
