Knowledge (XXG)

478:("Mr. Ahmet"), Mr. Ahmet laments the fact that he has no children, and prays to Allah to give one to his wife. One day, a snake slithers down the chimney and introduces itself as their son, sent by Allah as answer to their prayers. Later, the snake son asks Mr. Ahmet to court the local sultan's daughter. Mr. Ahmet questions the idea of the sultan simply betrothing his daughter to the reptile, but the snake insists. However, Mr. Ahmet has a change of heart and does not go to the sultan. The snake son knows his adoptive father did not did as asked and bids him go for real this time. The sultan listens to Mr. Ahmet's courtship on the snake son's behalf, and the ruler demands the prospective bridegroom fulfills his conditions first, on penalty of death. Mr. Ahmet tells the snake son, who says he is to go to a place named Murat with stones, take three rocks and knock on the stone, give them the snake son's regards and bring a handful of earth and some seeds back home. Mr. Ahmet takes the earth and seeds and presents them to the snake, who does a circling motion with them. The next morning, a large palace appears with a lush garden in front. The sultan is surprised by the palace, and orders the groom to provide a retinue of a hundred riders in identical clothes and horses. The snake son provides the retinue, who come to take the bride to Mr. Ahmet's newly built palace. Nearing the man's palace, the princess tries to flee from the snake, but the snake says he is human under the snakeskin, a secret that must stay between them. In the wedding chambers, the snake takes off the snake disguise and becomes a handsome youth, so handsome the princess faints. Later, the sultan's other child, a prince, is set to be married, and everyone is invited, even the princess and her snake husband. The princess goes ahead of him, while the snake hides behind a rock, turns into a human youth, and rides to the celebration. He rides into the gathering and defeats some javelin throwers, to the female attendees' delight, who mock the princess for her snake husband and sigh over the mysterious knight. The princess, fed up with the mockery, says the knight is her snake husband; he turns into a dove and flies away. The princess mourns for his vanishing, and asks her father to give her male garments, some gold coins, and a horse. She then goes on a long journey and reaches another land, where she asks people where is the best restaurant located. The princess gets her answer and announces she will open a restaurant where people can tell stories and drink and eat for free. The place's reputation reaches a distant country, where an old man and grandson pair decide to go there. On the road, the old man stops to rest, while the boy gathers some flowers upwards a mountain; atop the mountain, a large pool where birds become humans and take a bath, with an opening nearby with nice furniture inside. The boy and the grandfather reach the princess's eating establishment and report what they saw. The princess relinquishes the establishment to the boy and his grandfather and asks to be taken to the pool. After reaching the pool, she recognizes her husband, who asks what is she doing there, and she replies she will not leave without him. The now human snake husband takes the princess and both ride a horse back to the princess's kingdom, when the youth warns they will pass by a large-lipped Arap, his mother, whom she is to pet thrice and say to not touch them. The princess does as instructed and the Arap says her son taught her that. The princess and her husband return home and celebrate a new wedding. 466:) appears to him and gives him an apple, for the man to eat half and his wife to eat the other half. The man doubts the effectiveness of the apple and eats it whole. Nine months later, a donkey's head bursts out of his body. The man digs up a hole, buries the donkey's head, and returns home. Soon after, they hear the donkey's head voice shouting for them. The couple decide to take the creature, wrap it and throw it in the sea. The donkey's head survives and the couple, resigning themselves, raise it as their son. Some twenty years later, the donkey's head tells them he wants to marry the padishah's daughter. The donkey's head magically produces a lavish carriage to take his mother to the padishah to ask for her hand in marriage in her son's stead. The padishah agrees to it, but orders first a palace to be built next to his. The donkey's head also creates the palace, and sets a condition for his bride: she is to come alone. The padishah's daughter goes to the bridegroom's palace and enters a room. She sees a tray nearby with a cloth on it. The girl takes off the cloth and sees the donkey's head. The creature falls on the ground and becomes a handsome man. He tells his bride not to reveal the secret to anyone, not even the slaves that serve their palace. One day, however, the padishah's daughter's nanny spies on her ward and sees the donkey's head. She screams. The donkey's head laments the fact, and tells his wife that he will leave, then vanishes. The padishah's daughter grieves for her lost husband and asks her father to build a bathhouse for her, where everyone can take a bath, in exchange for telling their stories. One day, a boy named Keloglan asks his mother to go to the bathhouse. Keloglan goes to the river and dozes off. By moonlight, he wakes up and thinks it is daylight, then sees a strange sight unfold before him: two men come with forty mules, one chops firewood and the other loads the firewood on the mules. Keloglan follows the mules and reaches an underground chamber. The mules disappear and boiling cauldrons appear. Keloglan wanders a bit more and enters another room: donkey's head comes, turns into a man and sits at a table; a dove flies in, takes a bath and becomes a maiden; the maiden tries to comfort the man, but he rebuffs her; the maiden turns back into a dove and flies away. Keloglan returns to his mother and suggests they tell the padishah's daughter in the bath house. The padishah's daughter listens to the boy's tale and asks to be taken there. The padishah's daughter follows the same trail and reaches the underground chamber. She hides in a closet and sees donkey's head and the dove come to the room. After the dove maiden leaves, donkey's head notices his human wife's presence and tells her the daughter of the padishah of the 740:("The 40 Goats, or, The Goat Riding a Goat"), a sultan has three daughters of marriageable age. He announces the princesses are to throw a handkerchief to their possible suitors who pass by their window. The two elders throw theirs to princes, while the third's falls near a goat. The princess repeats the action and her handkerchief still falls on the goat, to the crowd's amusement. The third princess marries the goat in a grand ceremony and leaves with him for their honeymoon. After the doors close, the goat takes off its skin and becomes a human youth of peerless beauty. He explains that he is an emir that was cursed by the sorcerers, and that she must not reveal the secret to anyone, otherwise he will disappear. Time passes, and war erupts. The princess's father, the sultan, is too old to fight, so he sends his three sons-in-law, the princes and the goat. His army victorious, the three sons-in-law return for a celebratory parade, and he third princess throws a rose to a mysterious man that rides along with the two princes. The parade continues on for two more days, and the princess throws a jasmin to the rider on the second day and a tamarin flower on the third. The princess's sisters suspect something afoul with their sister's behaviour and tell the sultan. The sultan confronts his daughter about it and she tells him about the goat's secret. The goat vanishes. The princess becomes saddened and builds a bath house, so that other women can share their woes with her. One day, a poor old woman comes to the bath house to share her story: she was washing herself in the river, when she saw three mules. She followed the mules, which descended through an opening into the ground to a grand room with 40 seats and a larger one. The old woman saw the arrival of 40 goats, plus a goat riding a goat; they sat on the seats and their skins peeled off to reveal 40 young men. The man sat on the larger seat cried over his love, "Princess of Beauty and Grace" (the heroine's name), and his companions, and the whole room, cried with him. After the old woman finishes her tale, the princess, named Sitt-el-Husna, asks to be taken there. The old woman takes the princess to the underground room; they see the same 40 goats enter, sit on the seats and take off their skins. The last goat enters, becomes a man and weeps over his lost love, but his companions and the room laugh, instead of crying with him. The princess appears before her husband and they reconcile. Orientalist 676: 688: 410:("Brother Little Morsel"). In this tale, a carpenter and a mason are great friends and promise to unite their families by marrying their first born children to each other. The carpenter's wife gives birth to a girl, while the mason's wife gives birth to a morsel of meat. Despite their appearance, the morsel of meat does talk like a human being. Seeing his future son-in-law, the carpenter refuses to marry his daughter to the morsel, but the mason brings the demand to the Emperor, who forces the carpenter to uphold his word. Thus, his daughter is married to the morsel of meat. At night, in the bedchambers, the morsel of meat turns into a human being and tells his wife that he is cursed into that form, but she can help him break the curse if she does not say anything to anyone. Eventually, the girl lets slip the secret, and Bucăţică disappears. Meanwhile, next to a river, two beggars, a blind man and a lame man, bicker a bit for lost bread, until the lame man sees a palace in the distance. The pair goes to the palace, but no one seems to inhabit it. In one of the rooms, they see a table set with dishes. Suddenly, a window opens, and ten pigeons come in, become men and sit at the table, waiting for their brother Bucăţică. Bucăţică appears as a pigeon, turns into a man and sits at the table, but does not enjoy the food, for he still misses his wife. The men leave the table, the two beggars fetch the remaining food and leave. The beggars walk for two days until they reach a large bath house, where travellers come to take a bath and tell stories. The beggars are given a bath, a shave and new clothes, and go to talk to their hostess, Bucăţică's wife. They tell her about the palace with the 11 pigeons, and she asks to be taken there. The carpenter's daughter sees the pigeons and her husband, and goes to hug him. 509:, a poor thorn-seller brings home a gourd. Suddenly, the gourd begins to talk and tells the thorn-seller, whom he regards as his adoptive father, to court the king's princess as a wife for him. The thorn-seller goes to the king with his son's proposal, and the king orders him to build a palace made of gold and precious gems. With the gourd's magic powers, a palace is built. The king is convinced to give his daughter's hand in marriage to the thorn-seller's son. The princess awaits for her husband, but a sparrow comes to her room. The bird takes off the birdskin, reveals he is her husband and asks her not to reveal the secret. One day, she goes to a women-only public bath and overhears the mocking gossip about her marriage. She then tells the women about her husband's true form. Sensing his wife betrayed her vow, the bird steals some of her jewels as a memento, then flies away. Some time later, the princess builds a bath house where everyone can bathe for free in exchange for a tale. An old woman comes and tells a curious story: when she was going to the river to wash her clothes, she saw a rooster coming out of the river; she held onto the rooster's tail and was carried off to an underwater castle, inside, 40 doves came to a pool near the castle and became maidens, then a man came and cried over a lost love. The princess asks the old woman to guide her to the river. In her notes, Drower reported two similar tales. In the first, the supernatural husband was a white snake, whose snake skin the heroine's jealous sisters threw in the fire, and that the kitchen utensils cry with him. In a second story, a bird steals a princess's comb; the tale continues much like 552:) and give her the objects. The camel fulfills the requests and marries the princess. On the wedding night, the camel explains that he is human beneath the camelskin and that the princess must never reveal the secret. He then takes off the fur and becomes a man. One day, war breaks out in the kingdom and the princess begs her husband to help her father. The camel husband becomes human, fights in the war and gets injured. The king sees the warrior and wraps a handkerchief around the injury. When the king's sons-in-law return home, the princess's older sisters mock her about her animal husband, and she reveals her husband is indeed human. The elder sisters convince her to burn the camel fur. She does; the camel husband, in human form, tells the princess that she will only find him after walking with an iron cane and wearing iron clogs on her feet, turns into a bird and vanishes. The king builds a bath house where people are to tell unusual stories. One day, a woman comes to the bath house and tells a strange story: on a moonlit night, one the way to the market to buy thread, she saw a camel and a beetle and followed them to a cave; inside the cave, bread was baking by itself in the oven; three doves came with a tablecloth, opened it and exhorted the house to cry and weep with them. The princess asks the woman to guide her to the cave, with the iron cane and the iron clogs. They follow the camel and the beetle and enter the cave. They see the doves, which tell the house to smile and laugh. The princess sees her husband and reconciles with him. 494:("The Black Dog"), a couple has no children, but the wife wishes to have a daughter, and makes a promise to marry her to whoever asks for her hand, even if it is a black dog. A daughter is born and 16 years later, a black dog appears to her to remind her of her mother's promise. The girl is given to the black dog as wife and they move to a new house. Once there, the black dog takes off the canine skin and becomes a handsome man. He gives her a casket of jewellery and tells his wife not to reveal the secret to any stranger. The girl goes to the women's bath and is insulted for marrying a dog, but she proclaims her husband is better than any of their husbands. Later that night, the girl awaits for her husband to come, but he never does, and she goes back to her mother. The girl asks her mother to build a bath house, where any guest may tell her news of her husband. One day, an old woman passes by the bath house and narrates a strange occurrence that happened to her: before dawn, on a moonlit night, she followed a camel to a house, where 40 birds alighted and became men, the last of them standing near a fountain with a piece of jewelry and laments over his lost love, the entire house weeping with him. The girl at the bath house begs the old woman to take her there where she saw the camel, the house and the birds. The event repeats and, when the last man laments over his lost love, the entire house laughs instead of weeping. His love, the girl, reveals herself and they reconcile. Scholar 599:, a barren woman sees mothers carrying and playing with their children and longs to have her own son, even it is a newborn camel. She prays to God and, nine months later, she gives birth to a camel she names "Jumail". One day, Jumail asks his mother to find him a wife. A peasant girl is brought to him as a prospective bride, but he only wants the sultan's youngest daughter. His mother goes to the sultan to ask for his daughter's hand in marriage. She explains his son is a little camel. The sultan laughs at her and orders him to produce as bride-price his daughter's weight in gold. The next day, Jumail guides the sultan's men to a cave filled with gold, silver and precious gems. Defeated, the sultan agrees to marry his youngest daughter, Princess Ward, to him. She enters Jumail's chambers; he reveals he is a man under the camel skin, the son of the king of the jinns, and that she cannot betray his secret. One day, war breaks out, and Jumail, in human form, goes to fight for the kingdom. When he returns with the army, Princess Ward talks about the warrior being her husband, the camel, and he disappears. Some time later, the sultan builds a bath house where everyone can bathe in exchange for a story. A woman comes to the bath house and tells the princess about a tree in a place somewhere, where the ground cracked open and a prince came out of the opening with a retinue. Princess Ward asks the woman to be guided to that exact spot. 363:: a king wants his only daughter to find a husband. One day, a dove flies into her room and talks to her. The dove tells her to have a milk bowl ready for it the next day. The dove returns, bathes in the milk and becomes a handsome youth. The youth warns her to never tell anyone about him, and to wait for him for three years. They exchange rings as a vow. Some time later, the queen wants to betroth the princess to a suitor, but she mentions she is already betrothed. After, the dove does not return, and she goes on a quest for him for three years, walking in iron shoes and with three iron canes. Her quest is not successful, and she returns home. She asks her parents to build a bath house, and that any guest can enter by telling a story. One day, the daughter of a woman that lives in town wants to go to the bath house, but first she goes to the fountain to get some water. At the spring, she sees a rooster with footwear. The girl follows the rooster to a garden and to a house. Inside the house, she spies on 11 pigeons flying into the room, bathing in milk and becoming men. A 12th pigeon appears and mopes about his fiancée, who betrayed the secret. The girl returns to her mother and both decide to go to the princess's bath house to tell her the story. The tale was translated by 794:; English: "About a certain dog"). In this tale, a sultan's daughter buys a magic mirror from a Jew and peers into it to discern her future: her destiny is with a dog that passes by the garden. The princess asks the dog to be brought before her. At night, the dog takes off the canine skin and reveals himself to be a handsome youth, who climbs into her bed, then puts on the dog skin in the morning. This goes on for the next six days. On the seventh day, the princess's mother asks her about her daughter's behaviour, and decides to investigate: in the seventh night, the sultan's wife spies on the dog becoming a youth, then steals the dogskin and burns it. The following morning, the now human dog youth cannot find his disguise, and decides to depart to regions unknown. After he leaves, the princess wakes up and cannot find her lover. Some time later, the princess gathers people to tell stories in search of her lover. An old man comes and says that, one night, he saw a ship come ashore with a dog inside; the dog turned into a man and uttered some sad verses; then takes three apples and dedicates them to the east, to the west, and lastly, to the princess herself, his lost love. On hearing this, the princess asks to be taken to the same shore, and reunites with her lover. 622:, and follows the bird into a hole in the ground that leads to a cave. Inside the cave, a meal is set on a table, and she eats some of it. Suddenly, the girl hears some footsteps and hides under the table. The mysterious newcomer enters the room and, noticing something missing from the meal, asks for Zainab to come out. The girl does and sees the stranger, a handsome youth with the same scarlet comb as the rooster, who introduces himself as the King of all the Afrit, nothing more. Zainab and the King live together in the cave, and he even says the girl can come out of the cave into the world above, but warns she must not reveal anything about him or her life, lest misfortune befalls them. Some time later, Zainab decides to visit her friends in the city, and the King of the Afrit allows her to go out, but decides to accompany her in the shape of a scarlet 172: 627: 164:("The Crab"), a priest and his wife lived near a king and queen. They were so fond of each other that they agreed that their children would marry. The queen gave birth to a daughter, and the priest's wife to a crab. When the crab and the princess were grown, the crab asked the king to fulfill his promise. The king asked him to remove a nearby mountain in one night. The crab did so, and the marriage was held. He took off his shell at night and became a handsome young man, but cautioned his wife to silence. The princess was pleased, but her mother was grief-stricken. On Sundays, the crab sent his wife to church ahead of him and came in human form; her mother said that the prince must have come to woo her and she lost him by marrying the crab. On the 128: 544:, a barren woman is instructed by a stranger to go to the desert and drink from a certain well. She does and nine months later she gives birth to a baby in the shape of a camel. One day, the camel tells his mother to ask for the king's youngest daughter as wife. The king agrees to the camel son's proposal, but he has to find three items first: a carpet large enough to accommodate the army and when rolled up it could fit in a nut; a branch of grapes that could feed the army, and there would still be some on the cluster; and a watermelon with rind of gold and pits of precious gems. The camel instructs his mother to go to a cave and shout three times "The camel is dead, the camel is alive" ( 577: 448:, both scholars catalogued a similar tale type, indexed as TTV, EB, or EbBo 92, "Der Affenmann" ("The Monkey Husband"). In this tale, a supernatural husband in simian form makes a princess laugh and marries her; the heroine betrays his secret and he disappears; the heroine then asks her father to build a bath house, where people can bath for free; one day, a Keloglan and his mother visit the princess's bath house and tell her about a lovelorn man somewhere, whom the princess recognizes as his husband and asks to be taken there. 132: 806: 592:) who had betrayed his secret. The merchant's daughter and the fellahin woman go to the olive tree to wait for the birds to come. The birds come; the merchant's daughter tries to convince her family to come back. Her husband promises to heed her pleas. The next day, he brings the children back with him to their mother. Hasan El-Shamy classified this tale as both type ATU 425A and type ATU 425D. 719:("Animal Husband found by telling stories"). In the single entry of the type, a princess falls in love with a blue bird; she builds a bathhouse, where a man named Kačal comes to tell a story about the location of her husband; the princess goes to her husband's location and kills the 40 fairies that kept him captive. 200:. In this tale, a childless woman lives just before the palace. Seeing the children playing about, she declares she will have a child, even if it is a crab. So God gives her one. After the crab is born, she takes him to play with other human children, but their parents don't allow their children to play with him. 687: 675: 576: 626: 583: 127: 470: 422: 253: 223: 211: 207: 123: 108: 131: 532: 203: 171: 227: 1180: 533: 1319: 315: 296: 120:, demanded that the crab build a wall in front of the castle, higher than the highest tower, and blooming with flowers, and then a garden with three fountains that played gold, diamonds, and brilliants. When this was done, the king agreed. 84:, in that a human princess marries a supernatural or enchanted husband in animal form, breaks his trust and he disappears, having to search for him. Specifically, the tale belongs to a subtype of the cycle, classified in the international 462:("The Donkey's Head"), translated to Russian as "Ослиная голова" ("Donkey's Head"), an old couple have no sons. One day, the man is ploughing the fields and mutters to himself that Allah did not give him sons. Suddenly, a black man (or 1708:"Курдские сказки, легенды и предания" . Ордихане Джалила, Джалиле Джалила и Зине Джалил. Moskva: Главная редакция восточной литературы издательства «Наука», 1989. pp. 203-207 (text), 576 (source), 608 (classification for tale nr. 16). 257: 105:) stated that his version was originally titled "Οἱ δώδεκα ἀετοί" ("Oí dódeka áetoi"; "The Twelve Eagles") by the narrator. He also compared the 12 eagles of the Greek tale to the 12 pigeons in the Albanian tale from von Hahn. 610:, a young woman named Zainab lives in the city of Damascus and works as a milk-seller, getting milk from farmers and selling sour milk. One day, she mixes the milk from the previous day and waits until it becomes 224: 1264: 1051: 1033: 1015: 839: 1466:. Publications of the Oriental Institute of Al-Hikma University: Linguistic Series nr. 2. Beirut, Place de L'Étoile: Libraire Orientale, 1965. pp. 129-135 (transcription), 341–346 (English translation). 2167: 2558: 572:("The Enchanted Jussif"), an old merchant named Nassireddin finds a camel outside his house and he and his wife take him in as son. One day, the camel signs with his head that he wants a wife. A 1141: 513:: the woman at the river sees a stallion filling waterskins; then, inside the secret palace, the bird becomes a man, yearns with love for the princess, and bids the trees to weep with him. 983: 2065: 2584: 1421:Стеблева, Ия Васильевна. Турецкие сказки. Сост., пер. с турецк., вступит. статья и примеч. И.В. Стеблевой. Мoskva: Наука, 1986. pp. 48-54 (Russian translation), 379 (source). 212: 228:"Drachin", although her husband says she cannot do so. Eventually, the princess faces off the Drachin, who makes her choose her husband, and she chooses the middle one. 1185: 2372: 849: 2506: 1876: 208: 2304: 293: 2309: 2132: 216: 1160: 168: 1684:Курдские сказки . Запись текстов, пер. с курд. и предисл. М. Б. Руденко и И. Фаризова . Составитель : Е. Дружинина. Moskva: Гослитиздат, 1959. pp. 23-28. 2465: 254: 58: 942: 2314: 1306:în comparatiune cu legendele antice clasice și în legătură cu basmele popoarelor învecinate și ale tuturor popoarelor romanice: studiu comparativǔ 946:. Gesellschaft zur Pflege des Märchengutes der Europäischen. Aschendorff, Münster, 1968. pp. 182-189 (Greek text); 189-196 (German translation). 2377: 383:. Greek folktale scholars Anna Angelopoulou and Aigle Brouskou, editors of the Greek Folktale Catalogue, classified Hahn's tale as type 425D. 2112: 2050: 1975: 1641: 1591: 1546: 1520: 1497: 1194: 829: 2654: 2532: 2496: 2475: 2102: 2000: 1511: 2619: 1537: 2367: 2362: 2152: 2147: 423: 1768: 1713: 1377: 1327: 1270: 1146: 1078: 1057: 1039: 1021: 1003: 1699:. Institut Français de Damas, Collections de Textes Orientaux. Tome I. Paris: Librarie Orientaliste Paul Geuthner, 1940. pp. 1-19. 2455: 2267: 2235: 2142: 844: 1980: 811: 2445: 2055: 1582: 471: 279: 2553: 2450: 2283: 2137: 2107: 1862: 1107:. Third Printing. Folklore Fellows Communications FFC no. 184. Helsinki: Academia Scientiarum Fennica, 1973 . p. 143. 1368: 2162: 1934: 1869: 20: 1447: 2188: 2045: 2035: 2005: 193: 1073:. Bibliographies and Indexes in World Literature, vol. 11. Westport, Connecticut: Greenwood Press, 1987. p. 89. 2644: 2639: 2516: 2501: 2435: 2117: 2060: 834: 250: 85: 2600: 2030: 1965: 112: 102: 1742: 998:. Bibliographies and Indexes in World Literature, vol. 11. Westport, Connecticut: Greenwood Press, 1987. p. 89. 2649: 2382: 2288: 1960: 1819:]. Vol. 1. Libreria dello Stato. pp. 102-105 (Libyan Arabic text), 105-111 (Italian translation). 824: 2398: 2341: 1995: 165: 1727: 1221: 680: 1970: 1955: 1118: 317: 2659: 2414: 2357: 2127: 2081: 2020: 1985: 1236: 1181: 352: 275: 150: 45: 684: 392: 53: 970: 283: 2664: 2219: 2183: 1939: 1886: 1756: 1284: 755: 697: 455: 445: 364: 340: 282:, "Recognition at inn , where all must tell their life histories". In the same vein, Swedish scholar 242: 76: 2193: 1990: 2198: 2025: 1839: 1731:. Beirut: Orient-Inst. der Deutschen Morgenländischen Ges.; Wiesbaden: Steiner , 1984. pp. 87-88. 750: 614:, but it does not. When morning comes, she hears the crowing of a rooster, and the milk turns to 322: 1810: 522: 397: 1071: 996: 2470: 2440: 2086: 2015: 1764: 1709: 1637: 1587: 1542: 1516: 1493: 1373: 1323: 1266: 1190: 1142: 1124: 1074: 1053: 1035: 1017: 999: 708: 672: 495: 288: 113: 2574: 2091: 1901: 1565: 1560: 819: 665: 646: 618: 441: 1854: 1251: 204: 2548: 1695: 669: 635: 181: 1929: 1391: 2430: 2010: 1372:. Bearbeitet und herausgegeben von Klaus Roth. Suomalainen Tiedeakatemia, 1995. p. 90. 1297: 1169:] (in Italian and English). Ministero dei beni culturali e ambientali. p. 101. 992: 702: 642: 619: 259: 1366: 1341: 2633: 2491: 1162: 783: 741: 565: 117: 1302: 2579: 2460: 2240: 1620: 1477: 638: 502: 376: 141: 2157: 1344:[The Fairy-Tales in the Archive of the Institute of Folklore. Catalogue]. 1305: 886: 2096: 1924: 40: 2511: 2040: 1569: 1167: 1128: 801: 32: 1524: 1356:(3–4). Институт за етнология и фолклористика с Етнографски музей при БАН: 76. 527: 1411:(in German). Akademie-Verlag. pp. 67-76 (text), 348 (source and notes). 327: 124: 1435:(in German). Akademie-Verlag. p. 348 (classification for tale nr. 9). 1159: 2122: 419: 1843: 602: 2618: 561: 487: 463: 403: 356: 109: 458: 579: 537: 451: 331:("Hearing news about lost husband by opening an inn or bath house"). 329: 185: 88: 1322:". Университетско издателство "Св. Климент Охридски", 1994. p. 148. 339: 1608:(in German). Göttingen: Vandenhoeck und Ruprecht. pp. 178–185. 1237: 779: 733: 657: 605: 266: 712: 623: 589: 467: 1858: 1342:"Вълшебните приказки в Архива на Института за фолклор. Каталог" 917:. Chicago and London: University of Chicago Press. p. 226. 373: 1830: 1622:. Bloomington: Indiana University Press. p. 204 (entry nr. 7). 1479:. Bloomington: Indiana University Press. p. 201 (entry nr. 9). 1452:(in Turkish). Atatürk Üniversitesi Basımevi. pp. 399–402. 1396:(in German). Wiesbaden: Steiner. pp. 105–106 (tale type). 902:. Chicago and London: University of Chicago Press. p. 42. 498: 1696: 1541:. Volumes 1-2. London and New York: Routledge. 2015. p. 563. 2559: 2168: 1105: 1464: 1120: 943: 1183:". In: Willem de Blécourt / Christa Agnes Tuczay (Hrsg.). 595: 1189:. Wien: Narr Francke Attempto Verlag GmbH, 2011. p. 176. 474: 1558: 343:, "almost always" appear in combination with type 425D. 736: 501: 1798:. New York: Harper. pp. 2 (source), 14-19 (text). 1763:. Volume IV. Taylor & Francis, 2005. pp. 196-203. 1583: 1535: 1210: 738: 717: 696: 74: 35: 2585: 1240:. New York: Harcourt, Brace and Co., 1921. pp. 51-72. 1094:. Chicago: University of Chicago Press. 1970. p. 226. 2593: 2567: 2541: 2525: 2484: 2423: 2407: 2391: 2350: 2334: 2327: 2297: 2276: 2260: 2253: 2228: 2207: 2176: 2074: 1948: 1917: 1910: 1894: 715:, which he classified as a new Iranian type *425D, 155: 548:); a voice will answer that "it should never be" ( 375:(sourced as from Yugoslavia), and by Albanologist 1390:Eberhard, Wolfram; Boratav, Pertev Nailî (1953). 1661:. London: Ernest Benn Limited. pp. 105–108. 2622:pre-2004; "ATU" refers to the system post-2004. 2373:The Man and the Girl at the Underground Mansion 974:. Jena Didierichs Verlag, 1919. pp. 18-23, 325. 1636:. New York: Pantheon Books. pp. 188–193. 1538:Encyclopedia of Jewish Folklore and Traditions 1369:Typenverzeichnis der bulgarischen Volksmärchen 754:. Artin Pacha's tale was translated by author 2305:The Story of Princess Zeineb and King Leopard 1870: 1761:The Book of the Thousand Nights and One Night 1743:Contes populaires inédits de la vallée du Nil 371:("The Pigeon Prince"); by Parker Fillmore as 220:her husband, the crab. The youth disappears. 8: 2133:The Tale of the Woodcutter and his Daughters 840:The Tale of the Woodcutter and his Daughters 184:collected a similar tale from the island of 1186:Tierverwandlungen: Codierungen und Diskurse 959:. Oxford: Clarendon Press. 1953. pp. 56-60. 2331: 2257: 1914: 1877: 1863: 1855: 1675:. Eugen Didierichs Verlag, 1986. pp. 5-14. 1525:https://doi.org/10.31826/9781463211011-015 1515:. Courier Corporation, 2006. pp. 296-297. 929:Griechische Märchen, Sagen und Volkslieder 870:Griechische Märchen, Sagen und Volkslieder 37:Griechische Märchen, Sagen and Volkslieder 274:According to Georgios A. Megas, the main 1492:. Courier Corporation, 2006. pp. 45-57. 604:The Story of the Milk-Seller and of the 241:The tale is related to the cycle of the 1671:Wentzel, Luise-Charlotte; Spies, Otto. 861: 1728:Typologie des persischen Volksmärchens 1225:. Milano U. Hoepli. 1883. pp. 427-431. 931:. Leipzig: Teubner, 1877. pp. 227-228. 778:Philologist Ester Panetta collected a 249:, and classified in the international 192:("The Crab"), which was translated by 1320:Български фолклорни приказки: каталог 1309:. București: Göbl, 1895. pp. 249-250. 7: 2533:The Dead Prince and the Talking Doll 2497:The Dragon-Prince and the Stepmother 2001:East of the Sun and West of the Moon 1784:. New York: Dutton, 1972. pp. 67-80. 1746:. Paris: J. Maisonneuve. pp. 87-101. 1586:. Jason Aronson, 2000. pp. 137-141. 1318:Даскалова-Перковска, Лиляна et al. " 1208:Griechische und Albanesische Märchen 872:. Leipzig: Teubner, 1877. pp. 83-88. 2363:The Little Girl Sold with the Pears 2153:The Story of the Abandoned Princess 1604:Schimdt, Hans; Kahle, Paul (1918). 1564:7, no. Jahresband (1965): 148-149. 1222:Florilegio delle novelline popolari 746:The He-Goat and the King’s Daughter 440:("Turkish Folktale Catalogue"), by 2113:Tulisa, the Wood-Cutter's Daughter 2066:About the astonishing husband Horu 1976:The Three Daughters of King O'Hara 1462:McCarthy, R. J.; Raffouli, Faraj. 14: 2456:The Feather of Finist the Falcon 1782:A book of charms and changelings 1509:Stevens, E. S.; Wilson, Arnold. 1488:Stevens, E. S.; Wilson, Arnold. 1285:Basme, culese din gura poporului 804: 764:A Book of Charms and Changelings 116:. The king, guessing he was an 1981:The White Hound of the Mountain 1123:. C.W.K. Gleerup. p. 314. 1103:Aarne, Antti; Thompson, Stith. 766:, and by James Ralph Foster as 341:Enchanted Husband Sings Lullaby 247:the Search for the Lost Husband 82:The Search for the Lost Husband 1606:Volkserzählungen aus Palästine 1431:Boratav, Pertev Nailî (1970). 1407:Boratav, Pertev Nailî (1970). 1288:. G. Haimann, 1892. pp. 69-82. 955:Dawkins, Richard McGillivray. 560:In a Palestinian version from 1: 2138:Yasmin and the Serpent Prince 2108:The Horse-Devil and the Witch 1393:Typen türkischer Volksmärchen 438:Typen türkischer Volksmärchen 2163:The Snake-Prince Sleepy-Head 1930:Master Semolina/Mr Simigdáli 1794:Foster, James Ralph (1953). 1740:Pacha, Yacoub Artin (1895). 1255:. Retrieved: April 05, 2022. 812:Children's literature portal 707:located a similar tale from 652:, translated into French as 486:In a dialectal variant from 21:Golden crab (disambiguation) 2655:Fiction about shapeshifting 2554:The Well of the World's End 2189:The Singing, Springing Lark 2046:Again, The Snake Bridegroom 2006:Prince Hat Under the Ground 1796:The world's great folktales 913:Megas, Georgias A. (1970). 898:Megas, Georgios A. (1970). 564:, collected by orientalist 507:The Thorn-Seller or Shawwāk 194:Richard McGillivray Dawkins 156: 140:In Megas's tale, titled in 2681: 2620:Aarne–Thompson–Uther Index 2517:The Story of the Hamadryad 2507:Dragon-Child and Sun-Child 2502:The Girl with Two Husbands 2284:Eglė the Queen of Serpents 2118:Khastakhumar and Bibinagar 2061:The Tale of the Little Dog 1817:The Arab Spoken in Bengazi 1449:Elâzığ masalları: inceleme 1340:Kotseva, Yordanka (2002). 1117:Swahn, Jan-Öjvind (1955). 835:Princess Himal and Nagaray 744:also included the tale as 641:collected a tale from the 251:Aarne-Thompson-Uther Index 86:Aarne-Thompson-Uther Index 18: 2613: 2601:The Old Woman in the Wood 1966:The Daughter of the Skies 1812:L'arabo parlato a Bengasi 1755:Mardrus, Joseph Charles; 1570:10.1515/fabl.1965.7.1.115 546:Met hakamal, chai hakamal 145: 2383:The Tale About Baba-Yaga 2289:The Lake Beetle as Groom 1961:The Brown Bear of Norway 1780:Manining-Sanders, Ruth. 1659:Told in the Market Place 1657:Campbell, C. G. (1954). 1618:El-Shamy, Hasan (2004). 1475:El-Shamy, Hasan (2004). 1206:Hahn, Johann Georg von. 1179:Katrinaki, Emmanouela. " 825:The Brown Bear of Norway 664:("The Gourd"), and into 584:children about his wife 2342:Snow-White and Rose-Red 1996:White-Bear-King-Valemon 1809:Panetta, Ester (1943). 1219:Gubernatis, Angelo de. 175: 135: 96: 2031:Sigurd, the King's Son 1971:The Tale of the Hoodie 1956:Black Bull of Norroway 1848:Accessed 18 July 2023. 1632:Bushnaq, Inea (1986). 1433:Türkische Volksmärchen 1409:Türkische Volksmärchen 1352:] (in Bulgarian). 971:Neugriechische Märchen 957:Modern Greek folktales 748:in his translation of 570:Der verzauberte Jussif 381:For the Love of a Dove 198:Modern Greek Folktales 2415:The Hut in the Forest 2128:The Son of the Ogress 2082:Graciosa and Percinet 2021:Whitebear Whittington 1986:The Sprig of Rosemary 1757:Mathers, Edward Powys 883:The Yellow Fairy Book 353:Johann Georg von Hahn 63:collected a variant, 46:The Yellow Fairy Book 2476:The Falcon Pipiristi 2310:María, manos blancas 2184:Beauty and the Beast 1887:Animal as Bridegroom 1446:Günay, Umay (1975). 1282:Stăncescu, Dumitru. 756:Ruth Manning-Sanders 456:Pertev Naili Boratav 446:Pertev Naili Boratav 391:Romanian folklorist 365:Angelo de Gubernatis 318:Alberto Maria Cirese 278:of the tale type is 243:Animal as Bridegroom 176:Kretschmer's variant 160:, and translated as 77:Animal as Bridegroom 19:For other uses, see 2466:The Fan of Patience 2378:The Girl as Soldier 2268:The Sleeping Prince 2194:The Small-tooth Dog 1991:The Enchanted Snake 1935:Fairer-than-a-Fairy 1252:Albanian Literature 1092:Folktales of Greece 1090:Megas, Geōrgios A. 940:Megas, Georgios A. 927:Schmidt, Bernhard. 915:Folktales of Greece 900:Folktales of Greece 868:Schmidt, Bernhard. 792:Intorno a quel cane 660:"), into German as 369:Il Principe Colombo 69:Folktales of Greece 2431:The Prince as Bird 2315:Feather O' My Wing 2199:The Scarlet Flower 2026:The Serpent Prince 1725:Marzolph, Ulrich. 1580:Schram, Peninnah. 1350:Bulgarian Folklore 1234:Fillmore, Parker. 968:Kretschmer, Paul. 788:’Alä hādâk el-kẩlb 768:The Forty He-goats 751:The Arabian Nights 654:Conte de la Courge 492:ich-chelb‿il-eswed 101:Bernhard Schmidt ( 2645:Fictional princes 2640:Greek fairy tales 2627: 2626: 2609: 2608: 2471:The Greenish Bird 2446:The Three Sisters 2441:The Canary Prince 2323: 2322: 2249: 2248: 2220:The Donkey's Head 2087:The Green Serpent 2016:The Enchanted Pig 1673:Kurdische Märchen 1643:978-0-394-50104-8 1592:978-1-4616-6253-2 1547:978-0-7656-2025-5 1521:978-0-486-44405-5 1512:Folktales of Iraq 1498:978-0-486-44405-5 1490:Folktales of Iraq 1346:Български фолклор 1195:978-3-7720-8406-5 887:"The Golden Crab" 850:The Donkey's Head 786:language, titled 673:Margarita Rudenko 597:The Camel Husband 393:Dumitru Stăncescu 154: 97:Schmidt's variant 54:Georgios A. Megas 52:Greek folklorist 2672: 2575:Hans My Hedgehog 2451:The Green Knight 2332: 2258: 2254:Other tale types 2092:The King of Love 1915: 1902:Cupid and Psyche 1879: 1872: 1865: 1856: 1849: 1847: 1827: 1821: 1820: 1806: 1800: 1799: 1791: 1785: 1778: 1772: 1753: 1747: 1738: 1732: 1723: 1717: 1706: 1700: 1691: 1685: 1682: 1676: 1669: 1663: 1662: 1654: 1648: 1647: 1629: 1623: 1616: 1610: 1609: 1601: 1595: 1578: 1572: 1556: 1550: 1533: 1527: 1507: 1501: 1486: 1480: 1473: 1467: 1460: 1454: 1453: 1443: 1437: 1436: 1428: 1422: 1419: 1413: 1412: 1404: 1398: 1397: 1387: 1381: 1364: 1358: 1357: 1337: 1331: 1316: 1310: 1295: 1289: 1280: 1274: 1262: 1256: 1247: 1241: 1232: 1226: 1217: 1211: 1204: 1198: 1177: 1171: 1170: 1156: 1150: 1139: 1133: 1132: 1114: 1108: 1101: 1095: 1088: 1082: 1069:Ashliman, D. L. 1067: 1061: 1049: 1043: 1031: 1025: 1013: 1007: 990: 984: 981: 975: 966: 960: 953: 947: 938: 932: 925: 919: 918: 910: 904: 903: 895: 889: 879: 873: 866: 820:Hans My Hedgehog 814: 809: 808: 807: 706: 574:Fellachenmädchen 542:The Camel's Wife 531: 511:The Thorn-Seller 442:Wolfram Eberhard 408:Fratele bucăţică 401: 351:Austrian consul 326: 292: 284:Jan-Öjvind Swahn 262:classified tale 180:German linguist 159: 149: 147: 118:enchanted prince 114:younger daughter 62: 16:Greek fairy tale 2680: 2679: 2675: 2674: 2673: 2671: 2670: 2669: 2650:Fictional crabs 2630: 2629: 2628: 2623: 2605: 2589: 2563: 2549:The Frog Prince 2537: 2521: 2480: 2419: 2403: 2387: 2368:La Fada Morgana 2346: 2319: 2293: 2272: 2245: 2224: 2215:The Golden Crab 2203: 2172: 2143:The Little Crab 2103:The Golden Root 2070: 2051:Prince Crawfish 1944: 1911:Main tale types 1906: 1890: 1883: 1853: 1852: 1829: 1828: 1824: 1808: 1807: 1803: 1793: 1792: 1788: 1779: 1775: 1754: 1750: 1739: 1735: 1724: 1720: 1707: 1703: 1693:Lescot, Roger. 1692: 1688: 1683: 1679: 1670: 1666: 1656: 1655: 1651: 1644: 1631: 1630: 1626: 1617: 1613: 1603: 1602: 1598: 1579: 1575: 1557: 1553: 1534: 1530: 1508: 1504: 1487: 1483: 1474: 1470: 1461: 1457: 1445: 1444: 1440: 1430: 1429: 1425: 1420: 1416: 1406: 1405: 1401: 1389: 1388: 1384: 1365: 1361: 1339: 1338: 1334: 1317: 1313: 1303:Basmele române: 1298:Saineanu, Lazar 1296: 1292: 1281: 1277: 1263: 1259: 1249:Elsie, Robert. 1248: 1244: 1233: 1229: 1218: 1214: 1205: 1201: 1178: 1174: 1158: 1157: 1153: 1140: 1136: 1116: 1115: 1111: 1102: 1098: 1089: 1085: 1068: 1064: 1050: 1046: 1032: 1028: 1014: 1010: 993:Ashliman, D. L. 991: 987: 982: 978: 967: 963: 954: 950: 939: 935: 926: 922: 912: 911: 907: 897: 896: 892: 880: 876: 867: 863: 858: 845:The Little Crab 830:Prince Crawfish 810: 805: 803: 800: 776: 760:The Forty Goats 730: 725: 700: 698:Ulrich Marzolph 694: 633: 568:with the title 558: 550:Khas v’ha leela 525: 519: 505:with the title 490:with the title 484: 434: 429: 416: 406:variant titled 395: 389: 349: 337: 320: 313: 308: 303: 286: 272: 239: 234: 188:with the title 182:Paul Kretschmer 178: 138: 136:Megas's variant 99: 94: 56: 43:included it in 28:The Golden Crab 24: 17: 12: 11: 5: 2678: 2676: 2668: 2667: 2662: 2657: 2652: 2647: 2642: 2632: 2631: 2625: 2624: 2614: 2611: 2610: 2607: 2606: 2604: 2603: 2597: 2595: 2591: 2590: 2588: 2587: 2582: 2577: 2571: 2569: 2565: 2564: 2562: 2561: 2556: 2551: 2545: 2543: 2539: 2538: 2536: 2535: 2529: 2527: 2523: 2522: 2520: 2519: 2514: 2509: 2504: 2499: 2494: 2488: 2486: 2482: 2481: 2479: 2478: 2473: 2468: 2463: 2458: 2453: 2448: 2443: 2438: 2433: 2427: 2425: 2421: 2420: 2418: 2417: 2411: 2409: 2405: 2404: 2402: 2401: 2395: 2393: 2389: 2388: 2386: 2385: 2380: 2375: 2370: 2365: 2360: 2354: 2352: 2348: 2347: 2345: 2344: 2338: 2336: 2329: 2325: 2324: 2321: 2320: 2318: 2317: 2312: 2307: 2301: 2299: 2295: 2294: 2292: 2291: 2286: 2280: 2278: 2274: 2273: 2271: 2270: 2264: 2262: 2255: 2251: 2250: 2247: 2246: 2244: 2243: 2238: 2232: 2230: 2226: 2225: 2223: 2222: 2217: 2211: 2209: 2205: 2204: 2202: 2201: 2196: 2191: 2186: 2180: 2178: 2174: 2173: 2171: 2170: 2165: 2160: 2155: 2150: 2145: 2140: 2135: 2130: 2125: 2120: 2115: 2110: 2105: 2100: 2099:(Ulv Kongesøn) 2094: 2089: 2084: 2078: 2076: 2072: 2071: 2069: 2068: 2063: 2058: 2053: 2048: 2043: 2038: 2036:The White Wolf 2033: 2028: 2023: 2018: 2013: 2011:The Iron Stove 2008: 2003: 1998: 1993: 1988: 1983: 1978: 1973: 1968: 1963: 1958: 1952: 1950: 1946: 1945: 1943: 1942: 1937: 1932: 1927: 1921: 1919: 1912: 1908: 1907: 1905: 1904: 1898: 1896: 1895:Literary tales 1892: 1891: 1884: 1882: 1881: 1874: 1867: 1859: 1851: 1850: 1834:(in Italian). 1822: 1801: 1786: 1773: 1748: 1733: 1718: 1701: 1686: 1677: 1664: 1649: 1642: 1634:Arab folktales 1624: 1611: 1596: 1573: 1551: 1528: 1502: 1481: 1468: 1455: 1438: 1423: 1414: 1399: 1382: 1359: 1332: 1311: 1290: 1275: 1257: 1242: 1227: 1212: 1199: 1172: 1151: 1134: 1109: 1096: 1083: 1062: 1044: 1026: 1008: 985: 976: 961: 948: 933: 920: 905: 890: 874: 860: 859: 857: 854: 853: 852: 847: 842: 837: 832: 827: 822: 816: 815: 799: 796: 775: 772: 762:, in her book 729: 726: 724: 721: 693: 690: 681:Ordîxanê Jalîl 656:("Tale of the 650:Çîroka Qundirê 643:Kurdish people 632: 631:Kurdish people 629: 557: 554: 518: 515: 496:Hasan El-Shamy 483: 480: 433: 430: 428: 425: 415: 412: 388: 385: 348: 345: 336: 333: 312: 309: 307: 304: 302: 299: 271: 268: 260:D. L. Ashliman 238: 235: 233: 230: 177: 174: 137: 134: 98: 95: 93: 90: 15: 13: 10: 9: 6: 4: 3: 2: 2677: 2666: 2663: 2661: 2658: 2656: 2653: 2651: 2648: 2646: 2643: 2641: 2638: 2637: 2635: 2621: 2617: 2612: 2602: 2599: 2598: 2596: 2592: 2586: 2583: 2581: 2578: 2576: 2573: 2572: 2570: 2566: 2560: 2557: 2555: 2552: 2550: 2547: 2546: 2544: 2540: 2534: 2531: 2530: 2528: 2524: 2518: 2515: 2513: 2510: 2508: 2505: 2503: 2500: 2498: 2495: 2493: 2492:King Lindworm 2490: 2489: 2487: 2483: 2477: 2474: 2472: 2469: 2467: 2464: 2462: 2459: 2457: 2454: 2452: 2449: 2447: 2444: 2442: 2439: 2437: 2436:The Blue Bird 2434: 2432: 2429: 2428: 2426: 2422: 2416: 2413: 2412: 2410: 2406: 2400: 2397: 2396: 2394: 2390: 2384: 2381: 2379: 2376: 2374: 2371: 2369: 2366: 2364: 2361: 2359: 2356: 2355: 2353: 2349: 2343: 2340: 2339: 2337: 2333: 2330: 2328:Related tales 2326: 2316: 2313: 2311: 2308: 2306: 2303: 2302: 2300: 2296: 2290: 2287: 2285: 2282: 2281: 2279: 2275: 2269: 2266: 2265: 2263: 2259: 2256: 2252: 2242: 2239: 2237: 2234: 2233: 2231: 2227: 2221: 2218: 2216: 2213: 2212: 2210: 2206: 2200: 2197: 2195: 2192: 2190: 2187: 2185: 2182: 2181: 2179: 2175: 2169: 2166: 2164: 2161: 2159: 2156: 2154: 2151: 2149: 2146: 2144: 2141: 2139: 2136: 2134: 2131: 2129: 2126: 2124: 2121: 2119: 2116: 2114: 2111: 2109: 2106: 2104: 2101: 2098: 2095: 2093: 2090: 2088: 2085: 2083: 2080: 2079: 2077: 2073: 2067: 2064: 2062: 2059: 2057: 2054: 2052: 2049: 2047: 2044: 2042: 2039: 2037: 2034: 2032: 2029: 2027: 2024: 2022: 2019: 2017: 2014: 2012: 2009: 2007: 2004: 2002: 1999: 1997: 1994: 1992: 1989: 1987: 1984: 1982: 1979: 1977: 1974: 1972: 1969: 1967: 1964: 1962: 1959: 1957: 1954: 1953: 1951: 1947: 1941: 1938: 1936: 1933: 1931: 1928: 1926: 1923: 1922: 1920: 1916: 1913: 1909: 1903: 1900: 1899: 1897: 1893: 1888: 1880: 1875: 1873: 1868: 1866: 1861: 1860: 1857: 1845: 1841: 1837: 1833: 1826: 1823: 1818: 1814: 1813: 1805: 1802: 1797: 1790: 1787: 1783: 1777: 1774: 1770: 1769:0-415-04542-8 1766: 1762: 1758: 1752: 1749: 1745: 1744: 1737: 1734: 1730: 1729: 1722: 1719: 1715: 1714:5-02-016783-5 1711: 1705: 1702: 1698: 1697: 1690: 1687: 1681: 1678: 1674: 1668: 1665: 1660: 1653: 1650: 1645: 1639: 1635: 1628: 1625: 1621: 1615: 1612: 1607: 1600: 1597: 1593: 1589: 1585: 1584: 1577: 1574: 1571: 1567: 1563: 1562: 1555: 1552: 1548: 1544: 1540: 1539: 1532: 1529: 1526: 1522: 1518: 1514: 1513: 1506: 1503: 1499: 1495: 1491: 1485: 1482: 1478: 1472: 1469: 1465: 1459: 1456: 1451: 1450: 1442: 1439: 1434: 1427: 1424: 1418: 1415: 1410: 1403: 1400: 1395: 1394: 1386: 1383: 1379: 1378:9789514107719 1375: 1371: 1370: 1363: 1360: 1355: 1351: 1347: 1343: 1336: 1333: 1329: 1328:9789540701561 1325: 1321: 1315: 1312: 1308: 1307: 1304: 1299: 1294: 1291: 1287: 1286: 1279: 1276: 1272: 1271:960-7138-22-8 1268: 1261: 1258: 1254: 1253: 1246: 1243: 1239: 1238: 1231: 1228: 1224: 1223: 1216: 1213: 1209: 1203: 1200: 1196: 1192: 1188: 1187: 1182: 1176: 1173: 1168: 1164: 1163: 1155: 1152: 1148: 1147:960-7138-22-8 1144: 1138: 1135: 1130: 1126: 1122: 1121: 1113: 1110: 1106: 1100: 1097: 1093: 1087: 1084: 1080: 1079:0-313-25961-5 1076: 1072: 1066: 1063: 1059: 1058:960-7138-22-8 1055: 1048: 1045: 1041: 1040:960-7138-22-8 1037: 1030: 1027: 1023: 1022:960-7138-22-8 1019: 1012: 1009: 1005: 1004:0-313-25961-5 1001: 997: 994: 989: 986: 980: 977: 973: 972: 965: 962: 958: 952: 949: 945: 944: 937: 934: 930: 924: 921: 916: 909: 906: 901: 894: 891: 888: 884: 881:Andrew Lang, 878: 875: 871: 865: 862: 855: 851: 848: 846: 843: 841: 838: 836: 833: 831: 828: 826: 823: 821: 818: 817: 813: 802: 797: 795: 793: 789: 785: 784:Libyan Arabic 781: 773: 771: 769: 765: 761: 757: 753: 752: 747: 743: 742:J. C. Mardrus 739: 735: 727: 722: 720: 718: 714: 710: 704: 699: 691: 689: 686: 682: 679:Kurdologists 677: 674: 671: 667: 663: 659: 655: 651: 648: 644: 640: 637: 630: 628: 625: 621: 617: 613: 609: 607: 600: 598: 593: 591: 587: 582: 581: 575: 571: 567: 566:Paul E. Kahle 563: 555: 553: 551: 547: 543: 539: 534: 529: 524: 516: 514: 512: 508: 504: 499: 497: 493: 489: 481: 479: 477: 472: 469: 465: 461: 460:Der Eselskopf 457: 453: 449: 447: 443: 439: 431: 426: 424: 421: 413: 411: 409: 405: 399: 394: 386: 384: 382: 378: 374: 370: 366: 362: 358: 355:collected an 354: 346: 344: 342: 334: 332: 330: 324: 319: 310: 305: 300: 298: 294: 290: 285: 281: 277: 269: 267: 265: 261: 255: 252: 248: 244: 236: 231: 229: 225: 221: 219: 215: 209: 205: 201: 199: 195: 191: 187: 183: 173: 169: 167: 163: 158: 152: 143: 133: 129: 125: 121: 119: 115: 110: 106: 104: 91: 89: 87: 83: 79: 78: 72: 70: 66: 60: 55: 50: 48: 47: 42: 38: 34: 30: 29: 22: 2660:Animal tales 2615: 2580:The Pig King 2461:Prince Sobur 2241:Filek-Zelebi 2214: 2148:Pájaro Verde 1835: 1831: 1825: 1816: 1811: 1804: 1795: 1789: 1781: 1776: 1760: 1751: 1741: 1736: 1726: 1721: 1704: 1694: 1689: 1680: 1672: 1667: 1658: 1652: 1633: 1627: 1619: 1614: 1605: 1599: 1581: 1576: 1559: 1554: 1536: 1531: 1510: 1505: 1489: 1484: 1476: 1471: 1463: 1458: 1448: 1441: 1432: 1426: 1417: 1408: 1402: 1392: 1385: 1367: 1362: 1353: 1349: 1345: 1335: 1314: 1301: 1293: 1283: 1278: 1260: 1250: 1245: 1235: 1230: 1220: 1215: 1207: 1202: 1184: 1175: 1166: 1161: 1154: 1137: 1119: 1112: 1104: 1099: 1091: 1086: 1070: 1065: 1047: 1029: 1011: 995: 988: 979: 969: 964: 956: 951: 941: 936: 928: 923: 914: 908: 899: 893: 882: 877: 869: 864: 791: 787: 782:tale in the 777: 767: 763: 759: 749: 745: 737: 731: 716: 695: 685:Celîlê Celîl 678: 661: 653: 649: 639:Roger Lescot 634: 615: 611: 603: 601: 596: 594: 585: 578: 573: 569: 559: 549: 545: 541: 540:tale titled 535: 520: 510: 506: 503:E. S. Drower 500: 491: 485: 475: 473: 459: 450: 437: 435: 417: 407: 402:collected a 390: 380: 377:Robert Elsie 372: 368: 360: 359:tale titled 350: 338: 328: 314: 295: 273: 263: 256: 246: 240: 226: 222: 217: 213: 210: 206: 202: 197: 196:in his book 189: 179: 170: 161: 142:Modern Greek 139: 130: 126: 122: 111: 107: 100: 81: 75: 73: 68: 64: 51: 44: 36: 27: 26: 25: 2665:ATU 400-459 2236:The Padlock 2097:Prince Wolf 1925:Pintosmalto 1838:: 134–135. 711:region, in 701: [ 670:Kurdologist 636:Kurdologist 526: [ 454:folklorist 396: [ 361:Taubenliebe 321: [ 287: [ 57: [ 41:Andrew Lang 31:is a Greek 2634:Categories 2512:Champavati 2399:The Donkey 2041:Trandafiru 1129:1032974719 856:References 790:(Italian: 709:Azerbaijan 662:Der Kürbis 523:Heda Jason 157:O kávouras 146:Ο κάβουρας 33:fairy tale 2298:AaTh 425N 2261:AaTh 425G 2158:Grünkappe 2056:King Crin 645:with the 556:Palestine 476:Ahmet Ağa 420:Bulgarian 237:Tale type 190:Die Krebs 162:Der Krebs 151:romanized 2526:AaTh 437 2358:Prunella 2351:AaTh 428 2277:ATU 425M 2229:ATU 425E 2208:ATU 425D 2177:ATU 425C 2123:Habrmani 2075:ATU 425B 1949:ATU 425A 1844:26238591 798:See also 734:Egyptian 580:fellahin 521:Scholar 414:Bulgaria 404:Romanian 357:Albanian 301:Variants 264:The Crab 232:Analysis 92:Synopsis 65:The Crab 2594:ATU 442 2568:ATU 441 2542:ATU 440 2485:ATU 433 2424:ATU 432 2408:ATU 431 2392:ATU 430 2335:ATU 426 1940:The Ram 1918:ATU 425 666:Russian 562:Birzeit 538:Israeli 488:Baghdad 464:dervish 452:Turkish 436:In the 387:Romania 347:Albania 280:H11.1.1 153::  2616:Notes: 1842:  1767:  1712:  1640:  1590:  1561:Fabula 1545:  1519:  1496:  1376:  1354:XXVIII 1326:  1269:  1193:  1145:  1127:  1077:  1056:  1038:  1020:  1002:  780:Libyan 732:In an 723:Africa 536:In an 517:Israel 432:Turkey 335:Greece 306:Europe 270:Motifs 186:Lesbos 1840:JSTOR 1832:Lares 1815:[ 1348:[ 1165:[ 774:Libya 728:Egypt 705:] 658:Gourd 647:title 606:Afrit 586:Warde 530:] 468:peris 400:] 325:] 311:Italy 291:] 276:motif 166:third 67:, in 61:] 1765:ISBN 1710:ISBN 1638:ISBN 1588:ISBN 1543:ISBN 1517:ISBN 1494:ISBN 1374:ISBN 1324:ISBN 1267:ISBN 1191:ISBN 1143:ISBN 1125:OCLC 1075:ISBN 1054:ISBN 1036:ISBN 1018:ISBN 1000:ISBN 713:Iran 692:Iran 624:comb 620:comb 616:lebn 612:lebn 608:King 590:Rose 482:Iraq 444:and 427:Asia 418:The 214:will 1566:doi 758:as 668:by 379:as 367:as 245:or 80:or 39:. 2636:: 1836:17 1759:. 1523:. 1300:. 885:, 770:. 703:de 683:, 528:de 398:ro 323:it 289:sv 218:is 148:, 144:: 103:de 71:. 59:el 49:. 1889:" 1885:" 1878:e 1871:t 1864:v 1846:. 1771:. 1716:. 1646:. 1594:. 1568:: 1549:. 1500:. 1380:. 1330:. 1273:. 1197:. 1149:. 1131:. 1081:. 1060:. 1042:. 1024:. 1006:. 588:( 23:.