Knowledge

The Growing Stone

Source đź“ť

92:
in the worst of conditions in the town. On some level, he comes to understand that when the cook chooses to dance the night away, that the pull of the old ways and traditions are stronger to him and his people than the newer religion. His refusal to take the stone into the church, and his choice to instead deposit it in the center of the ritual hut, symbolizes his empathy with them. That they, on some level, understand this is shown by the people's acceptance of him by sitting down beside him in the hut around the stone.
71:
a promise to Jesus that, should he be saved, he would carry a stone of 50 kilos to the church in the procession. After telling his story, the sailor invites d'Arrast to come to a different ceremony that evening, with dancing, although he mentions that he himself will not dance as he has his promise to carry out the next day.
70:
Socrates and d'Arrast then meet an old sailor who has his own miracle to tell of. He explains how his ship had caught fire and he had fallen from the lifeboat. He recognised the light from the church of Iguape and despite being a weak swimmer was able to swim towards it to safety. The sailor had made
91:
The first signs of d'Arrast's sympathy with the common people occurs when he refuses to punish the chief of police. Later, he agrees to witness the pre-Christian (though Camus did not believe in culture developing linearly to a Christian standard), African-rooted rituals of the poor people who live
62:
On a tour of the lower quarters of the town, d'Arrast sees the poverty of the poor, black people who live there. He is shown around a hut and offered rum by the daughter of the house as part of his visit, although he feels the hostility of the local people towards him and his guides. On his return,
82:
When the sailor falls, d’Arrast decides to take over his task for him. He lifts the heavy burden from his friend and carries it towards the church. The stone seems to grow heavier as he goes, and he too struggles. However, he suddenly decides to change his route and carry his burden, not to the
78:
The next day d’Arrast is watching the town procession when he sees his friend of the night before trying to carry out his promise. The sailor is struggling to carry the fifty-kilo stone and falls more than once. D’Arrast goes to walk with him and tries to offer support but it is no use. Utterly
74:
As dusk falls, d’Arrast follows the sailor and his brother to a hut near the forest, containing a statue or idol of a horned god, where men and women are dancing. As the drums get louder and faster and the dancers get wilder, d’Arrast’s new friend forgets his decision not to dance and joins the
50:, Brazil, where he is to construct a sea-wall to prevent the lower quarters from flooding. After a night-drive through the jungle, D'Arrast wakes in Iguape and is greeted by the notable people of the town. An incident follows when the 83:
church, but downtown to the sailor’s own hut, where he flings it into the centre of the room. As the sailor and his brother catch up with d’Arrast, they react, not with anger, but by asking him to sit and join them.
58:
and claims it is not in order. The other dignitaries of the town are embarrassed and apologetic, and the judge asks d'Arrast to choose a punishment for the chief of police, which he later refuses to do.
67:
drifting in from the sea and up the river, the local people had stored it in a cave, where, since then, a stone had grown. Now they celebrated the miracle each year with a festival and a procession.
578: 466: 297: 227: 573: 583: 79:
exhausted from the previous night’s festivities, the sailor eventually has to abandon his attempt to carry the stone to the church.
480: 446: 416: 249: 457: 361: 240: 439: 124: 568: 515: 320: 258: 220: 405: 501: 494: 487: 334: 272: 306: 213: 156:"An Archetypal Analysis of Albert Camus's "La Pierre qui pousse": The Quest as Process of Individuation" 34: 425: 398: 377: 313: 522: 473: 391: 384: 341: 265: 175: 529: 167: 136: 63:
his chauffeur explains the ritual that is to take place that night. Having found a statue of
508: 432: 200: 370: 51: 21: 546: 327: 75:
circle. D’Arrast tries to remind him not to dance but is asked to leave the ceremony.
562: 286: 279: 196: 236: 29: 46:
French engineer d'Arrast is driven by a local chauffeur, Socrates, to a town in
171: 140: 55: 205: 179: 155: 47: 125:"Camus's Sacred: The Growing Stone in Language, Religion, Culture" 64: 129:
Camus's Sacred: The Growing Stone in Language, Religion, Culture
209: 539: 456: 415: 360: 296: 248: 32:. It is the final short story in the collection 54:, apparently drunk, demands to see d'Arrast's 221: 8: 101:Camus, Albert, "La Pierre qui pousse" from 228: 214: 206: 28:) is a short story by the French writer 115: 467:Christian Metaphysics and Neoplatonism 7: 14: 481:Neither Victims nor Executioners 447:Resistance, Rebellion, and Death 1: 579:Short stories by Albert Camus 440:Reflections on the Guillotine 574:Existentialist short stories 154:Mellon, Linda Forge (1991). 584:Short stories set in Brazil 600: 516:Correspondance (1944-1959) 105:(Gallimard, Paris, 1957) 25: 307:Exile and the Kingdom 35:Exile and the Kingdom 426:The Myth of Sisyphus 378:The Misunderstanding 314:The Adulterous Woman 103:L'Exil et le Royaume 26:La pierre qui pousse 523:Algerian Chronicles 502:Notebooks 1951–1959 495:Notebooks 1942–1951 488:Notebooks 1935–1942 474:Betwixt and Between 123:COHN, R. G (1988). 96:Publication details 569:1951 short stories 392:The Just Assassins 385:The State of Siege 342:The Artist at Work 556: 555: 530:American Journals 406:Requiem for a Nun 349:The Growing Stone 197:The Growing Stone 160:The French Review 18:The Growing Stone 591: 230: 223: 216: 207: 201:Internet Archive 184: 183: 151: 145: 144: 135:(1–2): 151–160. 120: 599: 598: 594: 593: 592: 590: 589: 588: 559: 558: 557: 552: 535: 452: 411: 356: 292: 244: 234: 193: 188: 187: 153: 152: 148: 122: 121: 117: 112: 98: 89: 52:chief of police 44: 12: 11: 5: 597: 595: 587: 586: 581: 576: 571: 561: 560: 554: 553: 551: 550: 547:Francine Faure 543: 541: 537: 536: 534: 533: 526: 519: 512: 505: 498: 491: 484: 477: 470: 462: 460: 454: 453: 451: 450: 443: 436: 429: 421: 419: 413: 412: 410: 409: 402: 395: 388: 381: 374: 366: 364: 358: 357: 355: 354: 353: 352: 345: 338: 331: 328:The Silent Men 324: 317: 302: 300: 294: 293: 291: 290: 283: 276: 269: 262: 254: 252: 246: 245: 235: 233: 232: 225: 218: 210: 204: 203: 192: 191:External links 189: 186: 185: 166:(6): 934–944. 146: 114: 113: 111: 108: 107: 106: 97: 94: 88: 87:Interpretation 85: 43: 40: 13: 10: 9: 6: 4: 3: 2: 596: 585: 582: 580: 577: 575: 572: 570: 567: 566: 564: 549:(second wife) 548: 545: 544: 542: 538: 532: 531: 527: 525: 524: 520: 518: 517: 513: 511: 510: 506: 504: 503: 499: 497: 496: 492: 490: 489: 485: 483: 482: 478: 476: 475: 471: 469: 468: 464: 463: 461: 459: 455: 449: 448: 444: 441: 437: 435: 434: 430: 428: 427: 423: 422: 420: 418: 414: 408: 407: 403: 401: 400: 399:The Possessed 396: 394: 393: 389: 387: 386: 382: 380: 379: 375: 373: 372: 368: 367: 365: 363: 359: 350: 346: 343: 339: 336: 332: 329: 325: 322: 318: 315: 311: 310: 309: 308: 304: 303: 301: 299: 298:Short stories 295: 289: 288: 287:The First Man 284: 282: 281: 280:A Happy Death 277: 275: 274: 270: 268: 267: 263: 261: 260: 256: 255: 253: 251: 247: 242: 238: 231: 226: 224: 219: 217: 212: 211: 208: 202: 199: at the 198: 195: 194: 190: 181: 177: 173: 169: 165: 161: 157: 150: 147: 142: 138: 134: 130: 126: 119: 116: 109: 104: 100: 99: 95: 93: 86: 84: 80: 76: 72: 68: 66: 60: 57: 53: 49: 41: 39: 37: 36: 31: 27: 23: 19: 528: 521: 514: 507: 500: 493: 486: 479: 472: 465: 445: 431: 424: 404: 397: 390: 383: 376: 369: 348: 321:The Renegade 305: 285: 278: 271: 264: 259:The Stranger 257: 237:Albert Camus 163: 159: 149: 132: 128: 118: 102: 90: 81: 77: 73: 69: 61: 45: 42:Plot summary 33: 30:Albert Camus 17: 15: 458:Non-fiction 563:Categories 266:The Plague 110:References 433:The Rebel 335:The Guest 172:0016-111X 141:0886-666X 509:Nuptials 371:Caligula 273:The Fall 56:passport 540:Related 417:Essays 250:Novels 180:396087 178:  170:  139:  48:Iguape 22:French 362:Plays 241:works 176:JSTOR 65:Jesus 168:ISSN 137:ISSN 20:" ( 565:: 174:. 164:64 162:. 158:. 131:. 127:. 38:. 24:: 442:" 438:" 351:" 347:" 344:" 340:" 337:" 333:" 330:" 326:" 323:" 319:" 316:" 312:" 243:) 239:( 229:e 222:t 215:v 182:. 143:. 133:5 16:"

Index

French
Albert Camus
Exile and the Kingdom
Iguape
chief of police
passport
Jesus
"Camus's Sacred: The Growing Stone in Language, Religion, Culture"
ISSN
0886-666X
"An Archetypal Analysis of Albert Camus's "La Pierre qui pousse": The Quest as Process of Individuation"
ISSN
0016-111X
JSTOR
396087
The Growing Stone
Internet Archive
v
t
e
Albert Camus
works
Novels
The Stranger
The Plague
The Fall
A Happy Death
The First Man
Short stories
Exile and the Kingdom

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑